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              <text>informateurs multiples robert dagnas mandon richard quoireaud marval piegut ecuras patois occitan limousin</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Un long enregistrement (sur lequel nous n'avons pas beaucoup d'indications) . Les informateurs sont successivement interrog&amp;eacute;s sur les souvenirs de leurs jeunes ann&amp;eacute;es : &amp;eacute;cole, habillement, mariages, festivit&amp;eacute;s, musiciens et danses, amusements de jeunesse, premi&amp;egrave;res bicyclettes, guerre de 14...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <description>A name given to the resource</description>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cette enqu&amp;ecirc;te, les informateurs nous parlent des objets de la vie domestique : &lt;em&gt;La raspa, lo rascla-mag, los landiers, lo cremalhon, lo garda-cendras, la pala, las pincetas, lo potatgier,las chaufaretas, Lo redable, Las palas a enfornar &amp;ndash; la pita forcheta - lo crochet, La forcha a dos brins, Las placas, Lo grilh, Lo forneu, Lo tresp&amp;egrave;s, Lo bujadier, La selha en boesc &amp;ndash; lo cramilhon-Las peilas &amp;ndash; la peila a granda coa &amp;ndash; la pedarsa &amp;ndash; lo p&amp;ograve;rta-peila,Las marmitas &amp;ndash; la brasiera &amp;ndash; lo topin, Las crespas, Lo gaufre, la t&amp;ograve;la a tartra, lo monle, Lo colador &amp;ndash; lo tendon, Lo fromatge, La culhiera a ragost &lt;/em&gt;&amp;ndash; l'escumoir -&lt;em&gt; la locha &amp;ndash; la seja a fendre lo p&amp;ograve;rc - lo serpaud&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit l&amp;agrave; de la dixi&amp;egrave;me cassette d'un lot qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Denise Urroz, de Charente Occitane . &lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:28.000
La raspa, lo rascla-mag&#13;

00:01:28.000 --&gt; 00:02:33.000
Lo cremalhon, lo garda-cendras&#13;

00:02:33.000 --&gt; 00:02:59.000
De las palas&#13;

00:02:59.000 --&gt; 00:06:20.000
Lo potagier&#13;

00:06:20.000 --&gt; 00:07:00.000
Los pitits forneus&#13;

00:07:00.000 --&gt; 00:07:32.000
La peila&#13;

00:07:32.000 --&gt; 00:07:46.000
La forcheta&#13;

00:07:46.000 --&gt; 00:08:12.000
Qui iò fasiá ?&#13;

00:08:12.000 --&gt; 00:08:36.000
E los tisoniers ?&#13;

00:08:36.000 --&gt; 00:09:40.000
Lo crochet, la forcha a dos brins&#13;

00:09:40.000 --&gt; 00:10:37.000
Lo soflet&#13;

00:10:37.000 --&gt; 00:11:34.000
Las placas&#13;

00:11:34.000 --&gt; 00:12:32.000
Lo grilh&#13;

00:12:32.000 --&gt; 00:13:17.000
Lo trespès&#13;

00:13:17.000 --&gt; 00:15:32.000
Lo bujadier&#13;

00:15:32.000 --&gt; 00:15:56.000
La selha de boesc&#13;

00:15:56.000 --&gt; 00:16:19.000
Lo cramilhon&#13;

00:16:19.000 --&gt; 00:16:57.000
La peila a granda coá&#13;

00:16:57.000 --&gt; 00:17:10.000
Lo pòrta-peila&#13;

00:17:10.000 --&gt; 00:17:38.000
Per far las galetas&#13;

00:17:38.000 --&gt; 00:18:08.000
Las marmitas&#13;

00:18:08.000 --&gt; 00:18:25.000
La brasiera&#13;

00:18:25.000 --&gt; 00:18:54.000
Lo topin&#13;

00:18:54.000 --&gt; 00:19:49.000
La diferéncia entre la marmita e la brasiera&#13;

00:19:49.000 --&gt; 00:21:23.000
Las crespas&#13;

00:21:23.000 --&gt; 00:21:46.000
Lo gaufre&#13;

00:21:46.000 --&gt; 00:22:25.000
La tòla a tarta&#13;

00:22:25.000 --&gt; 00:22:40.000
Lo monle&#13;

00:22:40.000 --&gt; 00:22:47.000
Lo colador&#13;

00:22:47.000 --&gt; 00:23:34.000
Lo tendon&#13;

00:23:34.000 --&gt; 00:25:25.000
Lo fromatge&#13;

00:25:25.000 --&gt; 00:25:55.000
De las culhieras&#13;

00:25:55.000 --&gt; 00:26:40.000
La seja a fendre lo pòrc, lo serpaud&#13;

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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Sur la bande 714&lt;/span&gt; &lt;span class="fr"&gt; notée "enregistrement Auger, 15.2.60",&lt;/span&gt; &lt;span class="fr"&gt; Robert Dagnas a enregistré à St-Germain-de-Confolens le clarinettiste &lt;strong&gt;Marcel Auger&lt;/strong&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Jean (dit Marcel) Auger est né à Availles-Limouzine (Vienne) le 6 novembre 1909 et est décédé à Confolens le 19 mai 1993. Il fit partie, de 1927 à 1932, du groupe "les Veilleurs de Saint Germain" du peintre et folkloriste Jean Teilliet. &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Au début des années 60&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, M. Auger avait &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;r&lt;/span&gt;&lt;/span&gt;ejoint, &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;pour un temps, &lt;/span&gt;&lt;/span&gt;"Lo Gerbo Baudo" de Confolens. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Enregistré en présence de danseurs, M. Auger interprète là bourrées, marches, scottischs et  quadrilles, des airs qu'il jouait avec [Georges] Charpentier mais dont il "ne se rappelle plus bien... y a tellement longtemps que je ne les ai pas joués !" &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Pierre Boulanger nous a aimablement donné les indications suivantes : &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt;En N° 1.&lt;/strong&gt; La "bourrée creusoise" (?)&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Los as-tu vist los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Los as-tu vist per queu petit partus ? &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris color de la perdric" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 4.&lt;/strong&gt; L'aiga de ròcha : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr topground" style="font-size:10pt;"&gt;L'aiga de ròcha te fara morir filheta &lt;br /&gt;L'aiga de ròcha te fara morir &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai gaire &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai pas !" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; &lt;span class="fr"&gt;En &lt;/span&gt;N° 10.&lt;/strong&gt; Une marche de noces très connue, jouée avec de multiples variantes dans tout le Confolentais (et peut-être ailleurs) :&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Venes-tu nigaud, Segues-tu lordaud &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu granda bestia &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu nigaud, Segues-tu lordaud, venes-tu grand sòtiaud..." &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 12.&lt;/strong&gt; Un air de quadrille joué en marche. Le groupe folklorique de la Bourrée Limousine de Brive-la-Gaillarde le jouait sous le titre de "Marche de Brive" Je crois que c'est un air du répertoire de Dupeyrat qui demeurait à Savignac d'Allemans en Dordogne et qui a inondé toute une partie de la France de ses partitions.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 13.&lt;/strong&gt; Le Pas d'Eté, puis la Pastourelle. Le nom des figures des quadrilles pouvait varier ; ces quadrilles étaient souvent faits de morceaux déjà connus (marches, polkas) que l'on arrangeait au gré des musiciens ; et en sens inverse des airs détachés d'un quadrille se jouaient souvent en marche.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 16.&lt;/strong&gt; La Poule, figure de quadrille. Sur une version simplifiée, Sylvain Mautrait avait mis des paroles de son cru: "Dans Confolens, la belle ville / Il y a des filles en quantité...." et il jouait ça comme marche de noces.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" 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class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Charente (16)</name>
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              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
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              <text>À Brive, au domicile de M. et Mme Belette</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>MarcelBeletteIntegrale.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
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              <text>Frédéric Chabalier</text>
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              <text>Chansons traditionnelles de la Basse-Corrèze</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="323568">
              <text>Occitan limousin</text>
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            <elementText elementTextId="323569">
              <text>langue limousine</text>
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            <elementText elementTextId="323570">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="323571">
              <text>langue d'oc en pays limousin</text>
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            <elementText elementTextId="323572">
              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="323579">
              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chansons traditionnelles de la basse correze</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Date Issued</name>
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                <text>2011-11-18 14:24:30</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
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                <text>Marcel Belette</text>
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            <name>Subject</name>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
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                <text>Marcel BELETTE</text>
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            <name>Source</name>
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                <text>1-0020 et 1-0021</text>
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            <name>Date</name>
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                <text>2003</text>
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                <text>Pascal Boudy, Frédéric Chabalier</text>
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                <text>audio/mpeg</text>
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                <text>https://la-biaca.org/items/show/329</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/329/MarcelNet.jpg</text>
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          <element elementId="54">
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Compilation de plusieurs enregistrements de &lt;strong&gt;Marcel Belette&lt;/strong&gt;,&lt;span class="fr"&gt; enregistr&amp;eacute;s de 2003 &amp;agrave; 2006&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Marcel Belette et sa femme Simone ont &amp;eacute;t&amp;eacute; - d&amp;egrave;s le d&amp;eacute;but des ann&amp;eacute;es 60 - parmi les premiers collecteurs bas-corr&amp;eacute;ziens. Ils ont anim&amp;eacute; plusieurs&lt;/span&gt;&lt;span class="fr"&gt; groupes folkloriques&lt;/span&gt;&lt;span class="fr"&gt; notament dans les ann&amp;eacute;es 70 "La Couade de Troche". &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document est la compilation de plusieurs enregistrements . on y trouvera un tr&amp;egrave;s beau r&amp;eacute;pertoire de sauti&amp;egrave;res du sud-ouest du limousin, des mimologismes, pri&amp;egrave;res, polkas, bourr&amp;eacute;es, scottishs, gnorles, etc... Des renseignements sur les danses, sur les informateurs, des paroles parfois " difficilement traduisibles "&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Marcel, chanteur et musicien de tradition, bien qu'aujourd'hui moins actif, reste un observateur avis&amp;eacute; de ce milieu&lt;/span&gt;&lt;span class="fr"&gt;. &lt;br /&gt;Il nous a re&amp;ccedil;u tr&amp;egrave;s gentiment &amp;agrave; de nombreuses reprises et a accept&amp;eacute; de nous transmettre une partie de son savoir&lt;/span&gt; . &lt;span class="fr"&gt;Informateur &amp;agrave; la m&amp;eacute;moire impressionnante, il est une "personne ressource" incontestable en ce qui concerne le folklore bas limousin, nous lui avons consacr&amp;eacute; un &lt;/span&gt;&lt;a class="fr" href="http://patrimoine-oral-massif-central.fr/spip.php?article19"&gt;sujet sur la bourr&amp;eacute;e, visible sur le site 'Massif Central"&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12845" target="_blank" rel="noopener"&gt;Voir la galerie&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Orgnac-sur-Vézère</name>
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Barra-la emb clau talhuer ta femna&#13;

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Une autre façon&#13;

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Ccomment se positionner&#13;

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Chau que bicam que bicam Liaunarda&#13;

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Mélodie de de Saint-Bonnet&#13;

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Danser la mazurka&#13;

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Liste de danses&#13;

00:00:30.000 --&gt; 00:03:36.000
Installation puis marche nuptiale&#13;

00:03:36.000 --&gt; 00:05:07.000
Marche de noces&#13;

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marche en Si Bémol&#13;

00:06:48.000 --&gt; 00:08:56.000
Promenade sous  bois&#13;

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Marche&#13;

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Autre marche&#13;

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Sur quels instruments se jouaient ces marches ?&#13;

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Per bien la dansar&#13;

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Le Pélélé&#13;

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La chabre bure&#13;

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Les 7 sauts&#13;

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La Valentinou&#13;

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Accompagnement : explications&#13;

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C’est la rue de notre amour&#13;

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Mazurka de Lapleau&#13;

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Si t’étais v’nu, t’aurais mangé d’l’andouille&#13;

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Le cotillon vert&#13;

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D’aneu en 8&#13;

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La farandole  auvergnate&#13;

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La Cati&#13;

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Bonjour belle bergère&#13;

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Tiens bon Marie-Madeleine&#13;

00:48:18.000 --&gt; 00:49:55.000
La Yoyette&#13;

00:49:55.000 --&gt; 00:00:00.000
Je suis lasse d’être fille&#13;

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Si voletz dançar&#13;

00:00:23.000 --&gt; 00:02:41.000
Valse « à Tintin »&#13;

00:02:41.000 --&gt; 00:03:57.000
Valse « à Tintin »&#13;

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Les Abeilles bergeracoises&#13;

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Valse « à Tintin »&#13;

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Valse « à Tintin »&#13;

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J’ai deux amours, mon pays et Paris&#13;

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Pampero&#13;

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Le plus beau de tous les tangos du monde&#13;

00:17:31.000 --&gt; 00:19:14.000
Mazurka&#13;

00:19:14.000 --&gt; 00:19:50.000
Recherche ...&#13;

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Tango de Marilou&#13;

00:22:29.000 --&gt; 00:25:44.000
La plus belle des rumbas&#13;

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Marinella&#13;

00:28:28.000 --&gt; 00:30:40.000
Un petit cabanon&#13;

00:30:40.000 --&gt; 00:33:02.000
La grand’aiga&#13;

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C’est à Capri&#13;

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Polka des ménétriers&#13;

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Polcà daus Picadis&#13;

00:41:51.000 --&gt; 00:43:07.000
La Valentinou&#13;

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J’écoute la guitare&#13;

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L’air pour « une jeune qui s’était enterrée »&#13;

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Hymne à Bernadette&#13;

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"On croirait qu’on entend des Corses"&#13;

00:52:06.000 --&gt; 00:56:44.000
Première voix&#13;

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Autre air à 2 vielles&#13;

00:56:05.000 --&gt; 00:58:06.000
Les noces de Christine&#13;

00:58:06.000 --&gt; 01:00:13.000
Allons z’éfants&#13;

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                <text>audio/mpeg</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/622</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Sur la face A,&lt;/span&gt; un enregistrement de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, à Germont ( village de la commune de Chamberet en Corrèze) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Marcelle Delpastre conteuse, romancière et ethnologue est interrogée, en présence de sa mère Marie Louise, au sujet du mariage . &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Elle parle aussi du disque qu'elle a enregistré "avec les irlandais" (French folk songs from Corrèze ), &lt;span class="fr" style="font-size:14pt;"&gt;de Jean Ségurel, de toponymie, de son étude alors inédite sur "Le bourgeois et le paysan" ( qu'elle pense de ne pas avoir le temps de le recopier), &lt;/span&gt; du rôle des femmes, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques belles chansons : La Roseta, la version limousine de &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"la mantille" (interrompue un instant) , des marches nuptiales, une jolie version du &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"petit papillon volage", &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;"Ent-eratz vos anada&lt;/span&gt; &lt;span class="oc"&gt;(corbleu Marion )"&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. L'occasion d'un  éclairage bien particulier sur ces chansons. &lt;/span&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s’agit d’enregistrements réalisés par Jean Pierre Graziani, créateur et directeur de la &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;maison de disques «Vendémiaire» dans le but de faire un second volume de «Dits, chants et danses&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; populaires du Limousin», ce projet de disque n'a pas abouti «pour des raisons financières».&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Voir ci dessous la face A, un enregistrement de l' École de Bourrée de Davignac&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>les visites de Jan dau Melhau .... Quelques chansons : Alai dins 'quau pais bas</text>
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              <text>Qui veut entendre (une chanson de compagnon) la bourrée d’œdipe</text>
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                <text>IEO Lemosin, dépôt Marouby</text>
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            <description>A name given to the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'un nouvel enregistrement de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, à Germont ( village de la commune de Chamberet en Corrèze) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Marcelle Delpastre conteuse, romancière et ethnologue est interrogée, en présence de sa mère Marie Louise, par Miette Hébrant-Marouby , prise de son &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Jean-Pierre Graziani &lt;/span&gt;&lt;span class="fr"&gt; .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Delpastre parle des comptines (las tocainas : D'una, Un e dos, ), des contes&lt;/span&gt;&lt;span style="font-size:14pt;"&gt; ( les trois brigands, le bourgeois et le paysan, le voleur et la vieille, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;la porte, ), des rites (les raves, la Saint Jean, Les rites mortuaires ), de &lt;span style="font-size:14pt;"&gt;son horreur des chouettes - annonciatrices de malheurs, de son quotidien (un &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;accident domestique, l'utilisation de l'alcool, sa rencontre avec un aqualopède, les visites de Jan dau Melhau, etc ....)&lt;/span&gt;&lt;br /&gt;Quelques chansons : Alai dins 'quau pais bas, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Qui veut entendre (une chanson de compagnon) la bourrée d' Œdipe ...&lt;/span&gt;&lt;br /&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie sur cassette audio de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne . &lt;/span&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean-Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Il s'agit d'une succession d'enregistrements de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, faits &amp;agrave; Germont (commune de Chamberet, Corr&amp;egrave;ze). &lt;br /&gt;Datant du d&amp;eacute;but des ann&amp;eacute;es 1980, une partie de ce document a &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e par Marcelle Delpastre elle m&amp;ecirc;me, l'autre par &lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Jan dau Melhau.&lt;br /&gt;&lt;br /&gt;Marcelle Delpastre dit quelques-uns de ses textes :&lt;br /&gt;- S&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&amp;eacute;quences 1 &amp;agrave; 8 : &amp;laquo; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Chansons &amp;agrave; d&amp;eacute;charger le fumier &amp;raquo; ; &lt;br /&gt;- S&amp;eacute;quences 9 &amp;agrave; 17 : une suite de chansons traditionnelles ;&lt;br /&gt;- S&amp;eacute;quences 18 et 19 : &amp;laquo; Nathana&amp;euml;l sous le figuier &amp;raquo;, extraits du recueil &amp;eacute;ponyme paru en 1987 au Chamin de sent Jaume.&lt;br /&gt;&lt;br /&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, qui s'est charg&amp;eacute;e du s&amp;eacute;quencement, pr&amp;eacute;cise que, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;de 12 &amp;agrave; 16, ce sont divers appels de &amp;laquo; la haula &amp;raquo;. &lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;(&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;-&amp;raquo; &lt;/span&gt;&lt;/span&gt;Voir &amp;agrave;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt; ce sujet l'article de Marcelle Delpastre paru dans le N&amp;deg; 29 du Bulletin de la SELM datant de juillet 1968).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13321/Chansons_a_de_charger_le_fumier.pdf" target="_blank" rel="noopener"&gt;-&amp;raquo; Marcelle Delpastre : Dossier rassembl&amp;eacute; &amp;amp; pr&amp;eacute;sent&amp;eacute; par Jan dau Melhau, &amp;Eacute;ditions Plein Chant&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://fr.wikipedia.org/wiki/Marcelle_Delpastre" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; La page Wikip&amp;eacute;dia consacr&amp;eacute;e &amp;agrave; Marcelle Delpastre&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; 50 ans de borbolh occitan (INA)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://www.youtube.com/watch?v=IPde76jtTrg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Une vie, une oeuvre : Po&amp;egrave;te et paysanne, une &amp;eacute;mission de France Culture&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span class="fr"&gt;Marcelle Delpastre &lt;/span&gt;&lt;span class="fr"&gt;(1925-1998) po&amp;egrave;te, conteuse, romanci&amp;egrave;re et ethnologue &lt;/span&gt;est l&amp;rsquo;auteur d&amp;rsquo;une &amp;oelig;uvre de grande envergure et tr&amp;egrave;s diversifi&amp;eacute;e (po&amp;eacute;sie, nouvelles, travaux d&amp;rsquo;ethnographie, m&amp;eacute;moires, etc.), en fran&amp;ccedil;ais et en occitan limousin. &lt;br /&gt;&lt;/span&gt;</text>
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Alchimie&#13;

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L'inventaire&#13;

00:03:32.000 --&gt; 00:05:38.000
Per nainar lo pitit...&#13;

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Petit bestiaire&#13;

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Fille d'ici&#13;

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Le soleil&#13;

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Chanson pour les enfants&#13;

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Granda Marie&#13;

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Nicolas&#13;

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Lo chanabon&#13;

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Òc-es las filhas&#13;

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Te vòle far maridar&#13;

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N'autras avem de braves ribans&#13;

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T'ai plan 'gut l'alen&#13;

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Bote botelha&#13;

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En traversar lo país de l'Auvernha&#13;

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Natanael jos lo figuier&#13;

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Natanael jos lo figuier (seguida)&#13;

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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite Mme Laval pr&amp;eacute;sente aux collecteurs des vieux outils et des ustensiles &lt;/span&gt;de cuisine &lt;em&gt;(las breges, l'ola, la tortreira)&lt;/em&gt;, l'interview se termine par un int&amp;eacute;ressant t&amp;eacute;moignage sur le &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;rucher et son &lt;/span&gt;exploitation.&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Delcros</text>
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          <element elementId="53">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
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              <elementText elementTextId="1291110">
                <text>00:00:00.000 --&gt; 00:00:33.000
Les histoires des grands-parents&#13;

00:00:33.000 --&gt; 00:03:53.000
Les danses &#13;

00:03:53.000 --&gt; 00:05:20.000
Les veillées &#13;

00:05:20.000 --&gt; 00:07:52.000
L'huile de noix&#13;

00:07:52.000 --&gt; 00:09:26.000
Pendant la guerre&#13;

00:09:26.000 --&gt; 00:09:37.000
Fabrication des Palhassons&#13;

00:09:37.000 --&gt; 00:10:14.000
Purger la paille de seigle&#13;

00:10:14.000 --&gt; 00:10:44.000
Tresser la paille&#13;

00:10:44.000 --&gt; 00:11:42.000
Coudre la paille&#13;

00:11:42.000 --&gt; 00:12:49.000
Aller chercher les ronces&#13;

00:12:49.000 --&gt; 00:16:23.000
Les paniers&#13;

00:16:23.000 --&gt; 00:17:42.000
La fabrication du pain&#13;

00:17:42.000 --&gt; 00:18:26.000
La sarrazin&#13;

00:18:26.000 --&gt; 00:24:08.000
La pâte&#13;

00:24:08.000 --&gt; 00:25:53.000
L'alimentation du four&#13;

00:25:53.000 --&gt; 00:27:17.000
Savoir si le four était chaud&#13;

00:27:17.000 --&gt; 00:28:38.000
Un tonne de cendres pour aller en Paradis !&#13;

00:28:38.000 --&gt; 00:29:42.000
Le cendrier&#13;

00:29:42.000 --&gt; 00:32:14.000
Garder le pain au râtelier&#13;

00:32:14.000 --&gt; 00:36:41.000
La fabrication des caillades&#13;

00:36:41.000 --&gt; 00:37:36.000
Les châtaignes&#13;

00:37:36.000 --&gt; 00:39:14.000
Reprise de l'enregistrement à l'extérieur&#13;

00:39:14.000 --&gt; 00:39:41.000
Las breges&#13;

00:39:41.000 --&gt; 00:43:13.000
L'ola, la tortriera&#13;

00:43:13.000 --&gt; 00:45:07.000
Le moule à tourtous&#13;

00:45:07.000 --&gt; 00:45:52.000
La lanterne, les outils...&#13;

00:45:52.000 --&gt; 00:47:54.000
Vous aviez des ruches !&#13;

00:47:54.000 --&gt; 00:48:12.000
60 ruches&#13;

00:48:12.000 --&gt; 00:00:00.000
Visite des étables&#13;

00:00:00.000 --&gt; 01:06:04.000

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