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                <text>Gabriel Chevalier, vielle à roue.</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par M. Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il s'agit d'un enregistrement datant du 16 f&amp;eacute;vrier 1976 dans lequel nous entendons un joueur de vielle &amp;agrave; roue : &lt;strong&gt;M. Gabriel Chevalier&lt;/strong&gt;, alors &amp;acirc;g&amp;eacute; de 84 ans, et domicili&amp;eacute; &amp;agrave; Dontreix (23).&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;Le musicien joue, sur une vielle de Nigout, une s&amp;eacute;rie d'airs &amp;agrave; danser : giattes, polkas, scottishs, marches nuptiales, valses, etc.&lt;br /&gt;Il chante quelques-uns de ces airs, en fran&amp;ccedil;ais ou en occitan, parle de sa vielle, d'un instrument qu'il a construit, et raconte &amp;agrave; M. Prudent le d&amp;eacute;roulement des mariages traditionnels.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute; par Georges Prudent, lui-aussi musicien.&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;Le signal &amp;eacute;tant tr&amp;egrave;s faible, une partie de cet enregistrement est difficilement audible, mais le contenu m&amp;eacute;rite souvent de faire un effort...&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:38.000
Giatte&#13;

00:01:38.000 --&gt; 00:02:23.000
Y'en a trois qui veulent ma fille  &#13;

00:02:23.000 --&gt; 00:04:21.000
Idem&#13;

00:04:21.000 --&gt; 00:05:43.000
Polka piquée&#13;

00:05:43.000 --&gt; 00:06:10.000
Polka piquée&#13;

00:06:10.000 --&gt; 00:06:45.000
Polka piquée&#13;

00:06:45.000 --&gt; 00:07:07.000
T'as minjat mon chaul, chant&#13;

00:07:07.000 --&gt; 00:08:20.000
La patte d'oie&#13;

00:08:20.000 --&gt; 00:09:43.000
Marche « Général Boulanger »&#13;

00:09:43.000 --&gt; 00:11:12.000
Scottish&#13;

00:11:12.000 --&gt; 00:12:55.000
Mazurka « Voyez ce petit gamin »&#13;

00:12:55.000 --&gt; 00:14:26.000
Chabreli&#13;

00:14:26.000 --&gt; 00:16:08.000
L'aiga de ròsa  &#13;

00:16:08.000 --&gt; 00:17:08.000
Gigue « Les campagnes d'Afrique »&#13;

00:17:08.000 --&gt; 00:17:38.000
Dis-moi donc Lison&#13;

00:17:38.000 --&gt; 00:19:00.000
Cassava las notz&#13;

00:19:00.000 --&gt; 00:22:17.000
Est-ce que vous en connaissez une ?...&#13;

00:22:17.000 --&gt; 00:24:13.000
Que veniatz-vos cherchar ?&#13;

00:24:13.000 --&gt; 00:24:51.000
Des marches ?&#13;

00:24:51.000 --&gt; 00:25:31.000
Marche de noces&#13;

00:25:31.000 --&gt; 00:26:21.000
Ren-ren-ren&#13;

00:26:21.000 --&gt; 00:28:01.000
J'embrasse les filles, valse &#13;

00:28:01.000 --&gt; 00:28:59.000
Mignonne&#13;

00:28:59.000 --&gt; 00:29:43.000
Mon papa ne veut pas&#13;

00:29:43.000 --&gt; 00:31:06.000
Ginga-La&#13;

00:31:06.000 --&gt; 00:33:27.000
Mademoiselle bonsoir, valse&#13;

00:33:27.000 --&gt; 00:33:55.000
Marche&#13;

00:33:55.000 --&gt; 00:36:33.000
Giatte&#13;

00:36:33.000 --&gt; 00:37:32.000
Tiens-bon, Marie-Madeleine&#13;

00:37:32.000 --&gt; 00:39:29.000
Turlututu&#13;

00:39:29.000 --&gt; 00:40:36.000
Y'en a trois qui veulent ma fille&#13;

00:40:36.000 --&gt; 00:41:18.000
Vai, vai, vai mascarada&#13;

00:41:18.000 --&gt; 00:42:13.000
Si j'étais veuve &#13;

00:42:13.000 --&gt; 00:42:43.000
Cassava las notz, chant&#13;

00:42:43.000 --&gt; 00:42:56.000
Marche de noces &#13;

00:42:56.000 --&gt; 00:44:35.000
Dialogue de l'eau et du vin&#13;

00:44:35.000 --&gt; 00:44:50.000
Ginga-la&#13;

00:44:50.000 --&gt; 00:45:23.000
Valse&#13;

00:45:23.000 --&gt; 00:46:22.000
Jouer de la vielle  &#13;

00:46:22.000 --&gt; 00:47:24.000
Du quadrille &#13;

00:47:24.000 --&gt; 00:49:38.000
Une polka&#13;

00:49:38.000 --&gt; 00:51:35.000
Quadrille&#13;

00:51:35.000 --&gt; 00:52:09.000
Réveillez-vous la belle &#13;

00:52:09.000 --&gt; 00:00:00.000
De la noce &#13;

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Première partie</text>
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                <text>Tous les genres</text>
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                <text>Jean-François Vignaud, IEO Lemosin</text>
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                <text>&lt;p&gt;Enqu&amp;ecirc;te municipale &amp;agrave; Jouillat (23)&amp;nbsp;&lt;br /&gt;Il s&amp;rsquo;agit ici de la premi&amp;egrave;re partie de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 19 juillet 2004 &amp;agrave; la mairie de Jouillat, aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de la commune. &lt;br /&gt;On y entendra quatre enfants du pays, Charles Lebrun (maire de Jouillat), Georges Dauger, Maurice Pissalou et Daniel Lannet nous livrer successivement (et parfois dans un joyeux brouhaha) leurs impressions sur le &amp;laquo; patois &amp;raquo; et ses variantes dialectales, sur sa disparition et l&amp;rsquo;attachement qu&amp;rsquo;ils lui t&amp;eacute;moignent. &lt;br /&gt;On y entendra &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales, des souvenirs sur l&amp;rsquo;ancienne ligne de chemin de fer Gu&amp;eacute;ret-La Ch&amp;acirc;tre, des anecdotes sur les loups et les chiens enrag&amp;eacute;s, des histoires sur le cur&amp;eacute; de Jouillat, de nombreux commentaires sur les observations li&amp;eacute;es au calendrier traditionnel et aux rites associ&amp;eacute;s aux fun&amp;eacute;railles&amp;hellip; Sans oublier quelques chansons, &lt;em&gt;Le Turlututu&lt;/em&gt; et l&amp;rsquo;incontournable &lt;em&gt;Les ma&amp;ccedil;ons de la Creuse&lt;/em&gt; qui font &amp;eacute;cho aux nombreuses anecdotes livr&amp;eacute;es sur les migrations saisonni&amp;egrave;res des ma&amp;ccedil;ons. &lt;br /&gt;L&amp;rsquo;intervention d&amp;rsquo;un journaliste de France-Bleu Creuse venu effectuer un reportage se fait entendre des plages 8 &amp;agrave; 15. Les titres des plages sont &amp;eacute;crits en fran&amp;ccedil;ais et quelquefois en occitan marchois dont l&amp;rsquo;adaptation graphique aux r&amp;egrave;gles &amp;eacute;crites de l&amp;rsquo;occitan &amp;laquo; standard &amp;raquo; n&amp;rsquo;est pas sans parfois poser quelques questions&amp;hellip; &lt;br /&gt;&amp;rarr; Cliquer ici pour acc&amp;eacute;der aux r&amp;egrave;gles de lecture&lt;br /&gt;&lt;br /&gt;Informateurs (de gauche &amp;agrave; droite sur la photo) : &lt;br /&gt;Charles Lebrun, Georges Dauger, Maurice Pissaloux et Daniel Lannet. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;br /&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:37.000
Propos sur les résultats des enquêtes linguistiques du XIXème siècle&#13;

00:01:37.000 --&gt; 00:02:28.000
Sur le « patois du croissant »&#13;

00:02:28.000 --&gt; 00:03:39.000
Différences entre les patois des villages&#13;

00:03:39.000 --&gt; 00:04:50.000
Commentaires sur l'enquête de Tourtoulon et Bringuier et la limite oc-oïl&#13;

00:04:50.000 --&gt; 00:05:09.000
Le patois de Villecoulon et de Roussines&#13;

00:05:09.000 --&gt; 00:05:40.000
Les patois de Villecoulon, de Roussines&#13;

00:05:40.000 --&gt; 00:07:02.000
Les conseils municipaux tenus en patois&#13;

00:07:02.000 --&gt; 00:07:34.000
Cris d'appels aux animaux&#13;

00:07:34.000 --&gt; 00:08:39.000
Où avez-vous appris le patois?&#13;

00:08:39.000 --&gt; 00:09:47.000
On parle encore patois&#13;

00:09:47.000 --&gt; 00:10:49.000
Les patois que l'on comprend&#13;

00:10:49.000 --&gt; 00:14:25.000
Autres impressions personnelles sur le patois&#13;

00:14:25.000 --&gt; 00:17:54.000
Témoignage du maire de Jouillat sur sa commune et sur la disparition du patois&#13;

00:17:54.000 --&gt; 00:20:01.000
Quand on se rencontre, on parle en patois&#13;

00:20:01.000 --&gt; 00:21:49.000
Pour la conservation du patois mais sans communautarisme&#13;

00:21:49.000 --&gt; 00:24:23.000
Enquête toponymique&#13;

00:24:23.000 --&gt; 00:25:24.000
Comptar de un a vint&#13;

00:25:24.000 --&gt; 00:26:18.000
La fontière dialectale entre Villecoulon et Roussines&#13;

00:26:18.000 --&gt; 00:26:59.000
Coneissetz-vos daus contes ?&#13;

00:26:59.000 --&gt; 00:27:51.000
La construction de la ligne de chemin de fer Guéret - la Châtre&#13;

00:27:51.000 --&gt; 00:28:30.000
Barraques, bistrots et bals&#13;

00:28:30.000 --&gt; 00:30:21.000
Faits-divers autour de  « La grande Ugénie »&#13;

00:30:21.000 --&gt; 00:30:47.000
Venir à l'école en wagonnets&#13;

00:30:47.000 --&gt; 00:31:07.000
La ligne fut exploitée durant 50 ans&#13;

00:31:07.000 --&gt; 00:32:12.000
Inauguration de la ligne par le ministre Barthou&#13;

00:32:12.000 --&gt; 00:32:58.000
Los darniers lops&#13;

00:32:58.000 --&gt; 00:34:19.000
Los chins enratjats&#13;

00:34:19.000 --&gt; 00:34:44.000
Mon arriere-grand-pair avie tuat un daus darniers lops&#13;

00:34:44.000 --&gt; 00:35:23.000
Le curet de Jaulhac que s'ere batut aveque le maire&#13;

00:35:23.000 --&gt; 00:35:51.000
Le prêche du curé sur « las voaturas sens chevaus »&#13;

00:35:51.000 --&gt; 00:36:35.000
Les protestants sur la commune de Jouillat&#13;

00:36:35.000 --&gt; 00:40:23.000
Velhar los mòrts e enterrements&#13;

00:40:23.000 --&gt; 00:41:10.000
Le vilatge dau Chasnhe&#13;

00:41:10.000 --&gt; 00:42:04.000
Portar los mòrts&#13;

00:42:04.000 --&gt; 00:42:43.000
Alphabétisation et anticléricalisme&#13;

00:42:43.000 --&gt; 00:43:44.000
La messe daus Raméls e le boquet de boen (buès)&#13;

00:43:44.000 --&gt; 00:44:17.000
Le vent daus Raméls&#13;

00:44:17.000 --&gt; 00:44:52.000
Le boen per sinhar la première voature de fen&#13;

00:44:52.000 --&gt; 00:46:11.000
La messe le jour du réferendum de 1958&#13;

00:46:11.000 --&gt; 00:47:04.000
Los Raméls&#13;

00:47:04.000 --&gt; 00:48:06.000
La Setmane sente&#13;

00:48:06.000 --&gt; 00:48:11.000
Saint Martin, écorne boeufs et brise moulins&#13;

00:48:11.000 --&gt; 00:48:58.000
Anecdote sur la Saint Martin&#13;

00:48:58.000 --&gt; 00:50:04.000
Pas liar le bestiau quand quauqu'un ere mòrt&#13;

00:50:04.000 --&gt; 00:50:36.000
Pas tochar la terre le jeudi et le vendredi sent&#13;

00:50:36.000 --&gt; 00:52:21.000
Las processions a la fònt de la cure&#13;

00:52:21.000 --&gt; 00:53:33.000
La feste de la Sent Ròc&#13;

00:53:33.000 --&gt; 00:54:10.000
La fònt Sent Ròc&#13;

00:54:10.000 --&gt; 00:54:37.000
La fònt Sent Silvain de Bònac&#13;

00:54:37.000 --&gt; 00:55:07.000
La fònt Sent Menor&#13;

00:55:07.000 --&gt; 00:59:00.000
Le tresfojau de Sent Jan&#13;

00:59:00.000 --&gt; 00:59:26.000
Los Reis&#13;

00:59:26.000 --&gt; 01:00:21.000
Dins los bals: las danças&#13;

01:00:21.000 --&gt; 01:01:35.000
Commentaires sur les danses (difficilement audibles)&#13;

01:01:35.000 --&gt; 01:02:52.000
Los joeurs de viele e de musette&#13;

01:02:52.000 --&gt; 01:05:01.000
Commentaires sur les musiciens locaux (difficilement audibles)&#13;

01:05:01.000 --&gt; 01:05:18.000
Las chançons&#13;

01:05:18.000 --&gt; 01:05:38.000
Le turlututu&#13;

01:05:38.000 --&gt; 01:07:40.000
Les maçons de la Creuse&#13;

01:07:40.000 --&gt; 01:08:18.000
La pauvre Angèle&#13;

01:08:18.000 --&gt; 01:09:03.000
La Yoyette&#13;

01:09:03.000 --&gt; 01:09:33.000
E de las borréias ?&#13;

01:09:33.000 --&gt; 01:10:46.000
La migration des maçons&#13;

01:10:46.000 --&gt; 01:11:52.000
Los maçons arrivavan aveque lor materiel&#13;

01:11:52.000 --&gt; 01:12:37.000
A la fin de la campanhe ilhs raportavan de l'argent&#13;

01:12:37.000 --&gt; 01:13:05.000
Cantinas et garnits&#13;

01:13:05.000 --&gt; 01:14:06.000
Des maçons économes et des dépensiers.&#13;

01:14:06.000 --&gt; 01:14:40.000
Le viaduc de Glenic&#13;

01:14:40.000 --&gt; 01:16:56.000
Départ et retour des maçons&#13;

01:16:56.000 --&gt; 01:18:31.000
Los que ne partian pas en campanhe&#13;

01:18:31.000 --&gt; 01:19:30.000
Los darniers maçons migrants
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la seconde partie d'un enregistrement datant du 3 Octobre 1988, deux chanteuses de Saint-Yrieix La Montagne : Mme &lt;/span&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Georgette &lt;/span&gt;&lt;/strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;FARGE&lt;/strong&gt; (n&amp;eacute;e Bellegarde en 1916) et Mme &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Henriette &lt;/span&gt;&lt;/span&gt;MEUNIER&lt;/strong&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;(n&amp;eacute;e Pellangeon en 1918) .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques airs &amp;agrave; danser : &lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;L'aiga de rosas,&lt;/span&gt;&lt;span class="oc"&gt;La chamaisada, lo pelali,&lt;/span&gt; &lt;/em&gt;la fille de la meuni&amp;egrave;re, Marie Madeleine, &lt;em&gt;&lt;span class="oc"&gt;Tornas la viras la&lt;/span&gt; , &lt;span class="oc"&gt;Lo pair Conaud&lt;/span&gt; ...&lt;/em&gt; &lt;br /&gt;Une blague : l'histoire du pantalon de Sans-Cul, quelques propos sur leur s&amp;eacute;jour parisien et pour finir "La rodeuse de barri&amp;egrave;re" de Berthe Sylva.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-379%2C-1%2C1413%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons en fran&amp;ccedil;ais et en occitan : Saint-Yrieix la Montagne et Je vous ai chant&amp;eacute; Saint-Yrieix &lt;span style="color: #808080;"&gt;&lt;em&gt;(deux chansons louant Saint-Yrieix sur des airs connus)&lt;/em&gt;&lt;/span&gt;, &lt;em&gt;Ja&lt;/em&gt;&lt;span class="oc"&gt;&lt;em&gt;n piti Jan&lt;/em&gt; &lt;/span&gt;&lt;span style="color: #808080;"&gt;(appel&amp;eacute;e par la chanteuse " Histoire d'un bourgeois perdu dans la montagne"), &lt;/span&gt;Adieu les fleurs de la jeunesse, La jeune berg&amp;egrave;re &lt;span style="color: #808080;"&gt;(le Seigneur Volage)&lt;/span&gt; pastourelle bien connue chant&amp;eacute;e &amp;agrave; deux, le Turlututu, &lt;em&gt;&lt;span class="oc"&gt;S'en iran pas tots,&lt;/span&gt;&lt;/em&gt; Elle lisait le petit Parisien, Mikaela la brune et La fille du grand marchand.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-380%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 458 porte comme seule indication "Bessat 4-3-61" . Il s'agit d'un enregistrement d' &lt;strong&gt;Eug&amp;egrave;ne et Ren&amp;eacute; Thomas&lt;/strong&gt;, musiciens &amp;agrave; Beissat en Creuse . Sans doute une partie de l'enregistrement initial &amp;agrave; partir duquel fut construite l'&amp;eacute;mission &lt;a href="https://la-biaca.org/admin/items/show/393" target="_blank" rel="noopener noreferrer"&gt; "Chez Nous" de mars 1961.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle suite de morceaux du r&amp;eacute;pertoire de ces musiciens : Valses, marches, mazurkas, giattes, bourr&amp;eacute;es, polkas, etc ... Eug&amp;egrave;ne, le p&amp;egrave;re, surnomm&amp;eacute; "Burette", joue de la vielle &amp;agrave; roue et son fils Ren&amp;eacute; de la cornemuse 16 pouces&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean Jacques Le Creurer, musicien, enseignant et collecteur infatiguable nous pr&amp;eacute;cise : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 1 :&lt;/span&gt; "Mignonne". Sans doute une chanson des ann&amp;eacute;es 20/30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 2 :&lt;/span&gt; "la Yoyette"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 3 :&lt;/span&gt; c'est une danse &amp;agrave; base de pas de polka assez locale (sur le sud-est de la Creuse : de Giat &amp;agrave; La Nouaille) : "le P&amp;egrave;re Counaud" &lt;span class="oc"&gt;(lo pa&amp;iuml;r Conaud volia dansar, mas sa doas chambas voliats pas'nar, qu'es lo Pa&amp;iuml;r Conaud que dansa mau)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 4 :&lt;/span&gt; Mazurka " le matin quand je me l&amp;egrave;ve" incipit des paroles (la suite : je demande &amp;agrave; mon mari qu'il me balaie la chambre et qu'il me fasse le lit. Autre couplet : ah qu'elles sont b&amp;ecirc;tes les femmes d'ob&amp;eacute;ir &amp;agrave; leur mari, j'en ai un comme les autres jamais je lui ob&amp;eacute;i ...). Paroles donn&amp;eacute;es par le p&amp;egrave;re Thomas.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 5 :&lt;/span&gt; giatte&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 6 :&lt;/span&gt; bourr&amp;eacute;e : il me l'avais jou&amp;eacute;e et chantonn&amp;eacute; le d&amp;eacute;but :" en&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;passant par l'Auvergne j'&amp;eacute;tais bien fatigu&amp;eacute;". Il semblerait qu'il ait pris&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&amp;ccedil;a &amp;agrave; S&amp;eacute;gurel.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 7 :&lt;/span&gt; la Yousca (appel&amp;eacute;e par ici aussi "le vent fou"). Sorte de marche &amp;agrave; la mode au d&amp;eacute;but du XXe si&amp;egrave;cle.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 8 :&lt;/span&gt; bourr&amp;eacute;e que je ne lui avais jamais entendue jouer !!!! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 9 :&lt;/span&gt; cet air est connu dans tout le coin comme un des airs les plus courant pour danser la carr&amp;eacute;e &lt;span class="oc"&gt;(la carrada)&lt;/span&gt; une des 3 formes de bourr&amp;eacute;es dece secteur (avec l'auvergnate et la giatte). Celui l&amp;agrave; est presque toujoursconnu avec les paroles : &lt;span class="oc"&gt;s'en iran pas tots , los gar&amp;ccedil;ons 'questa 'nada&lt;/span&gt; (avec ensuite des adaptations tr&amp;egrave;s locales)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 10 :&lt;/span&gt; polka piqu&amp;eacute;e tr&amp;egrave;s connue &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 11 :&lt;/span&gt; polka piqu&amp;eacute;e connue elle aussi (comme la plage 9) sur toute la bordure nord du plateau. Avec souvent comme paroles &lt;span class="oc"&gt;"e qu'es ta chamba gaucha, b&amp;egrave;la que te fai mau,&lt;/span&gt; ..." ou "ton chien belle berg&amp;egrave;re est plusgentil que toi, il me fait des caresses et toi tu ne m'en fais pas" (version d'Alfred Gasne de N&amp;eacute;oux).&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 12 :&lt;/span&gt; elle a un trou la marmite : c'est une polka piqu&amp;eacute;e. Je n'ai&lt;br /&gt;entendu jouer &amp;ccedil;a que par eux.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 13 :&lt;/span&gt; bourr&amp;eacute;e. Manifestement prise dans le grand faitout des airs "du pays" plus ou moins de carte postale.&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 14 :&lt;/span&gt; marche&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 15 : &lt;/span&gt;la valse &amp;agrave; Jacques (Thomas lui m&amp;ecirc;me l'appelait comme &amp;ccedil;a). C'est une valse qu'il tenait de Jacques Lagarrigue, travailleur journalier et vielleux vers La Courtine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Monsieur &lt;strong&gt;Camille Noël&lt;/strong&gt; est né en 1927 aux Sagnes, commune d'Arrènes. Après avoir été pensionnaire à l'école privée Ozanam de Limoges, il s'est marié à Alice Legay, de la Chateneide, et y fut paysan toute sa vie.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Bien que sa mémoire lui fasse parfois défaut, comme il le dit lui-même (il a notamment oublié les dictons et proverbes qu'il connaissait si bien), monsieur Noël fait ici l'effort de se remémorer pour nous quelques pratiques traditionnelles du temps jadis. Quelques comptines, dictons, rites calendaires ....&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Ce document a été réalisé par Baptiste Chrétien qui en a assuré le montage, le séquencement ... et nous l'a confié pour la mise à disposition sur la biaça.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extrait d'un film documentaire enregistré en mars 2008 &lt;span class="fr" style="font-size:12pt;"&gt;auprès de &lt;span class="artist_name"&gt;M. &lt;/span&gt;&lt;span class="artist_name" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Henri&lt;/span&gt;&lt;/span&gt;&lt;span class="artist_name"&gt; Ageorges&lt;/span&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;au village des Mégrets sur la commune de Roches au nord de la Creuse. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans cet extrait, après avoir interprêté le turlututu et dit quelques proverbes, M. Ageorges nous accompagne &lt;span class="oc"&gt;"au cementèri&lt;/span&gt; &lt;span class="oc"&gt; de Rochas per nos montrar los bòles daus mòrts"&lt;/span&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="font-size:10pt;"&gt;Ces images ont été tournées par Amic Bedel et Stéphane Valentin (Piget Prod) pour les besoins d'un documentaire intitulé "Imagenaire" présentant l'imaginaire, la langue et la culture commune de cinq pays occitans (pays de Guéret, Midi-Quercy, Portes de Gascogne, Armagnac, Périgord Vert). Un spectacle s'appuyant sur les collectages réalisés dans ces cinq pays est né la même année. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:10pt;"&gt;Documentaire et spectacle sont rassemblés sur un double DVD paru en mai 2008. &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 8978, l'&amp;eacute;mission "Chez Nous" telle qu'elle a probablement &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 25 mars 1961. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous retrouvons Robert Dagnas sur le terrain, chez M. et Mme Thomas au bourg de Beissat (Creuse). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, apr&amp;egrave;s le g&amp;eacute;n&amp;eacute;rique et une pr&amp;eacute;sentation (un peu &amp;eacute;court&amp;eacute;e !) de Beissat par Jean-Pierre Dupr&amp;eacute;s,&lt;span class="artist_name"&gt; M. Thomas&lt;/span&gt;, sabotier et joueur de vielle, nous parle de son m&amp;eacute;tier de sabotier, de son go&amp;ucirc;t pour la musique... avec le concours de sa femme ils &amp;eacute;voquent son surnom, "la Burette",&amp;nbsp; puis le d&amp;eacute;peuplement du pays, son fils &lt;span class="artist_name"&gt;Ren&amp;eacute;&lt;/span&gt; parle de sa proximit&amp;eacute; avec son p&amp;egrave;re (la musique, la saboterie et le conseil municipal). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Cet entretien est ponctu&amp;eacute; de morceaux du r&amp;eacute;pertoire local (enregistr&amp;eacute;s dans la cuisine, Eug&amp;egrave;ne &amp;agrave; la vielle et Ren&amp;eacute; &amp;agrave; la cornemuse 16 pouces) ainsi que d'une chanson de L&amp;eacute;on Branchet "&lt;span class="oc"&gt;Mos socs&lt;/span&gt;" (mes sabots) sans doute interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; (mais qui n'a pas &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e &amp;agrave; cette occasion).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Extrait d'un enregistrement r&amp;eacute;alis&amp;eacute; le 12 avril 2010 par Baptiste Chr&amp;eacute;tien aupr&amp;egrave;s de Mme &lt;strong&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Sottier&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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La désertification&#13;

00:04:03.000 --&gt; 00:05:03.000
La pelharauda&#13;

00:05:03.000 --&gt; 00:09:54.000
Les maçons de la Creuse&#13;

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                <text>M. et Mme LAUBY</text>
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extraits du collectage chez M. et Mme Lauby, domiciliés à Senoueix, commune de Gentioux- Pigerolles&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="artist_name"&gt;Raymond et Yvonne Lauby&lt;/span&gt; nous ont aimablement consacré un peu de temps, ils ont évoqué avec nous les danses, les bals, les bals &lt;span class="fr" style="font-size:12pt;"&gt;clandestins&lt;/span&gt;, le rôle de "musiciens de bal remplaçant"... M. Lauby (dont le grand-père jouait déja de l'accordéon) nous a joué quelques pièces de son répertoire. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/351/ageorges2.jpg</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="https://la-biaca.org/items/show/12787#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-1%2C-23%2C796%2C562" target="_blank" rel="noopener noreferrer"&gt;Voir la Galerie&lt;/a&gt;&lt;em&gt;&lt;span style="font-family: 'Times New Roman';"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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