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              <text>Françoise Étay</text>
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              <text>Je connais un moulin pratique</text>
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              <text>marcelle pathier francoise etay marcelle pathier musique traditionnelle correze limousin occitan patois</text>
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                <text>2014-12-08 09:21:52</text>
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                <text>Collectages, Chanteurs et musiciens (3)</text>
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                <text>Collection Françoise Étay</text>
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                <text>Françoise Étay</text>
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                <text>https://la-biaca.org/items/show/734</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/734/MPathier.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement de Marcelle Pathier, chanteuse de tradition domiciliée à Chamberet (19) .&lt;br /&gt;Cet enregistrement a été réalisé le 22 août 2002 en compagnie de Jan dau Melhau .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Pathier livre ici une partie de son répertoire : chansons en français, en occitan, histoires drôles, etc :&lt;br /&gt;Sur la grève de Paris, À l'âge de 15 ans, L'autre jour me promenant, Le garçon chaudronnier*, La fermeture éclair, C'est les filles de Praline, La jouvence de l'Abbé Soury, Le curé et le teinturier, Je connais un moulin pratique, Ce brave paysan..., La sage-femme presto, À Saint-Gilles le petit bourg, Quand Marguerite s'en va-t-au bois, À Paris la grande ville, Je prends le cheval blanc de mon père, &lt;span class="oc"&gt;Las filhas de delai l'aiga&lt;/span&gt; (fragment), &lt;span class="oc"&gt;Lo maridatge dau Janton&lt;/span&gt; (histoire), Le cirque et le curé (histoire), Je suis monté c'matin (chanson de la mariée), Dans un bosquet (c'est à 15 ans que tu m'as trouvée belle), Brise-pied, &lt;span class="oc"&gt;L'aurelha de treuia&lt;/span&gt; (fragment)&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Marcelle Pathier, est née dans la commune voisine de Sussac (87) en 1933 dans une famille de chanteurs (petite-fille de Pierre Rouland, &lt;span style="font-size:14pt;"&gt;elle est la&lt;/span&gt; &lt;span style="font-size:14pt;"&gt;fille&lt;/span&gt; de Marie Delanne et nièce d'Henri Rouland avec lesquels elle fut enregistrée par Hugh Shields pour le disque "French folk songsfrom Corrèze" au tout début des années 70)&lt;br /&gt;Marcelle pratique encore le chant avec beaucoup de joie et son répertoire semble inépuisable .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et&lt;/span&gt;&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt; responsable du département de musique traditionnelle .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;*&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;Myette Hébrant-Marouby&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; avait enregistré cette chanson auprès de &lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;Mme Pathier&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; dans les années 80 , voir ci dessous &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Enregistré au domicile de l'informatrice, à Germont, commune de Chamberet</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby.  Il s'agit d'un nouvel enregistrement de Marcelle Delpastre</text>
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              <text>à Germont ( village de la commune de Chamberet en Corrèze)  Marcelle Delpastre conteuse</text>
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              <text>romancière et ethnologue est interrogée</text>
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              <text>en présence de sa mère Marie Louise</text>
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              <text>par Miette Hébrant-Marouby .  Dans cet enregistrement</text>
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              <text>Mme Delpastre évoque las tocainas (les comptines : D'una</text>
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              <text>la Saint Jean</text>
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              <text>Les rites mortuaires )</text>
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              <text>son horreur des chouettes - annonciatrices de malheurs</text>
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              <text>son quotidien (un accident domestique</text>
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              <text>l'utilisation de l'alcool</text>
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              <text>sa rencontre avec un aqualopède</text>
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              <text>les visites de Jan dau Melhau .... Quelques chansons : Alai dins 'quau pais bas</text>
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              <text>Qui veut entendre (une chanson de compagnon) la bourrée d’œdipe</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la boite de la bande 4591 il est not&amp;eacute; &lt;span style="color: #333333;"&gt;Violon, M. Tarrade &amp;agrave; Chamberet, 21/4/ 59 . &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document ressemble beaucoup &amp;agrave; celui d&amp;eacute;ja mis en ligne &lt;a href="https://la-biaca.org/items/show/435"&gt;(Eug&amp;egrave;ne Tarrade, Violoneux (1)&lt;/a&gt; (s&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;ans doute ce document &amp;eacute;tait il une compilation de plusieurs enregistrements).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt; Une &amp;eacute;coute attentive permet de comprendre que ce document est diff&amp;eacute;rent et s'il reprends bien les m&amp;ecirc;mes enregistrements, il est plus complet et de meilleure qualit&amp;eacute;, on peut y entrendre M. Dagnas pr&amp;eacute;parer les prises, Mme Tarrade conseiller son mari, rectifier des titres et sa fille pr&amp;eacute;senter les diff&amp;eacute;rentes figures de quadrille .. . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs chanteuses seules ou en duo avec M. Tarrade : La Yoyette, Pita te maridas pas, L'autre jour me promenant tout le long des Mon&amp;eacute;di&amp;egrave;res, Belle rose (par Mme Brouilhac), Embrasse moi bien petit Parisien,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Monsieur &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Tarrade&lt;/a&gt; joue de nombreux airs &amp;agrave; danser : bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, scottishs, quadrilles, valses ...&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande n&amp;deg;704 il est not&amp;eacute; &lt;span style="color: #333300;"&gt;" Enreg.t Tarrade &amp;agrave; Chamberet, Face B Maridas (Gourseaud de l'Age), essai chorale la linga d'or" . &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans un premier temps un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, violoneux domicili&amp;eacute; &amp;agrave; Chamberet (Corr&amp;egrave;ze) . La fiche de cet enregistrement pr&amp;eacute;cise : Scottish vals&amp;eacute;e, Mozart fa&amp;ccedil;on Tarrade, Suite de marches, Scottish, Air limousin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/435"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/497"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/523"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;Agrave; la suite de cet enregistrement (pr&amp;eacute;cise cette m&amp;ecirc;me fiche) on entends &lt;strong&gt;M. Gourseaud&lt;/strong&gt; qui chante &lt;span class="oc"&gt;Maridatz-vos Jana&lt;/span&gt; puis des essais de la chorale des Velhadors .&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 115%; font-family: Arial, 'sans-serif'; color: #808000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur l'enveloppe de la&amp;nbsp; bande 667 il est not&amp;eacute; :&amp;nbsp;&amp;nbsp; " Quadrille Tarrade " &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Il s'agit d'un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt; (1891-1981) .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; au domicile de M. Tarrade &amp;agrave; Chastangeaux, commune de Chamberet - 19 le 12 mars 1960 &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;M. Dagnas s'est rendu &amp;agrave; Chamberet avec des danseurs du groupe folklorique des Velhadours afin de s'y faire enseigner le Quadrille Limousin . Dans ce document on entends nos seulement M. Tarrade jouer les diff&amp;eacute;rentes figures du quadrille (pendant que les danseurs le danse)&amp;nbsp; mais aussi madame Tarrade, son &amp;eacute;pouse, chanter ces m&amp;ecirc;mes quadrilles (&lt;span class="oc"&gt;A ta santat mon pair Fran&amp;ccedil;ois&lt;/span&gt; (premi&amp;egrave;re partie) , &lt;span class="oc"&gt;En passant per St German&lt;/span&gt; (salutations) , &lt;span class="oc"&gt;Quand te 'nava veire&lt;/span&gt;, Je m'appelle Antoinette (la ronde) ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/435" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/497" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/521" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (3) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/523" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;A la suite de cet enregistrement des essais de la chorale des Velhadours puis sur la fin de la bande une interview d'un acteur au sujet de son r&amp;ocirc;le de Radoub la pi&amp;egrave;ce de Victor Hugo "Quatre vint treize"&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;(La photo de la maison de Chastangeaux nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Arnaud Guizerix, petit fils de M. Tarrade)&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la boite de cette bande une &amp;eacute;tiquette " Tarrade, Chamberet" sans autre indication. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit bien d'un nouvel enregistrement &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt; (1891-1981), violoneux . Enregistrement &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;probablement r&amp;eacute;alis&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 60&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt; &amp;agrave; son domicile, &amp;agrave; Chastangeaux, commune de Chamberet - 19 )&amp;nbsp;&lt;/span&gt;&lt;/span&gt; .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre essentiellement de la musique de danse (Valses, marches, bourr&amp;eacute;es, scottishs, polkas, quadrille ... ) mais aussi quelques m&amp;eacute;lodies : un No&amp;euml;l (Revelhatz vos) , une berceuse (?) (En passant par le bois),Sur la plus haute branche, l' ase de la marion .. Une nouvelle fois la bande a &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e et nous trouvons (vers 25 mn) une &amp;eacute;mission &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;consacr&amp;eacute;e &amp;agrave; la mode&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;, Minutes en dentelles, sans doute diffus&amp;eacute;e sur les ondes de Radio Limoges. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/435" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/521" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (3) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/521" class="permalink"&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/index.php/items/show/523" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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              <text>informateurs multiples robert dagnas violoneux a chamberet violon musique traditionnelle limousin chamberet</text>
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            <name>Date Issued</name>
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                <text>Albert Pestour, Eugène Tarrade</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Eugène TARRADE, Violoneux (1)</text>
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            <description>The topic of the resource</description>
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                <text>Eugène TARRADE</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/435</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/435/EUGENE2.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Bien qu'il soit not&amp;eacute; sur la boite de cette bande 641 que cet enregistrement a &amp;eacute;t&amp;eacute; effectu&amp;eacute; le 17 juillet 1970 pour une diffusion probable le 31 juillet de la m&amp;ecirc;me ann&amp;eacute;e, il ne s'agit pas d'une &amp;eacute;mission pr&amp;ecirc;te &amp;agrave; la diffusion ... sans doute une erreur de boite !&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande elle m&amp;ecirc;me une &amp;eacute;tiquette "Chamberet Violoneux" , il s'agit d'un enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt; (1891-1981), violoneux corr&amp;eacute;zien, probablement r&amp;eacute;alis&amp;eacute; le 21 Avril 1959 . (Informations F. Etay)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement une chanteuse (Mme Brouillac) et M. Tarrade interpr&amp;egrave;tent, parfois en duo, un beau r&amp;eacute;pertoire traditionnel :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des chansons (La Yoyette, &lt;span class="oc"&gt;Pita te maridas pas&lt;/span&gt;, Embrasse moi bien petit Parisien, l'autre jour en m'y promenant...)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des airs &amp;agrave; danser : Des bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, une scottish, 4 figures de quadrille "A ta sant&amp;eacute; mon p&amp;egrave;re Fran&amp;ccedil;ois", "Le rossignol chantait", "On appelle Antoinette" et "La caille et la b&amp;eacute;casse", plusieurs valses dont la "valse de Tarnac"... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pour finir, par Eug&amp;egrave;ne Tarrade, une histoire peu connue "&lt;span class="oc"&gt;la jornada ente vesiam doble&lt;/span&gt;"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Son petit fils, Arnauld GUIZERIX, &amp;agrave; qui nous devons les photos nous pr&amp;eacute;cise ;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;"...je me souviens tr&amp;egrave;s bien des airs jou&amp;eacute;s au violon par mon grand-p&amp;egrave;re Eug&amp;egrave;ne, et j'ai parfaitement reconnu sa voix &amp;eacute;galement quand il racontait ses histoires en patois. Il y a eu certainement diff&amp;eacute;rents enregistrements car il &amp;eacute;tait connu au niveau local, et je me souviens de certaines occasions, peut-&amp;ecirc;tre dans les ann&amp;eacute;es soixante ou soixante-dix, o&amp;ugrave; l'on venait l'interroger et l'enregistrer dans sa maison de Chamberet. J'&amp;eacute;tais enfant mais je garde de lui l'image d'un personnage attachant et pittoresque, qui marquait les personnes qui le connaissaient. Eug&amp;egrave;ne est n&amp;eacute; en 1890 &amp;agrave; Chamberet, &amp;eacute;tait clerc de notaire &amp;agrave; Faux la Montagne avant d'&amp;ecirc;tre appel&amp;eacute; en 1911 pour trois ann&amp;eacute;es de service militaire avant sa mobilisation pour la Grande Guerre, o&amp;ugrave; il servit comme ambulancier. De retour &amp;agrave; Chamberet apr&amp;eacute;s la guerre, il s'installa avec sa m&amp;egrave;re, veuve depuis 1909,&amp;nbsp; dans&amp;nbsp; sa grande maison de Chamberet.&amp;nbsp; Eug&amp;egrave;ne v&amp;eacute;cut dans cette maison jusqu'&amp;agrave; sa mort, vivant de sa pension d'ancien combattant, et de travaux agricoles. Il &amp;eacute;tait le violonneux du village, appr&amp;eacute;ci&amp;eacute; de tous, et animait r&amp;eacute;guli&amp;egrave;rement f&amp;ecirc;tes, veill&amp;eacute;es et mariages. Il avait une vision po&amp;ecirc;tique du monde, enrichie d'une r&amp;eacute;elle culture litt&amp;eacute;raire, et un sens de l' &amp;agrave;-propos qui le rendait attachant..."&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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