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                <text>Eugène et René THOMAS</text>
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                <text>1961-03</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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                <text>https://la-biaca.org/items/show/568</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/568/ThomasNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 458 porte comme seule indication "Bessat 4-3-61" . Il s'agit d'un enregistrement d' &lt;strong&gt;Eug&amp;egrave;ne et Ren&amp;eacute; Thomas&lt;/strong&gt;, musiciens &amp;agrave; Beissat en Creuse . Sans doute une partie de l'enregistrement initial &amp;agrave; partir duquel fut construite l'&amp;eacute;mission &lt;a href="https://la-biaca.org/admin/items/show/393" target="_blank" rel="noopener noreferrer"&gt; "Chez Nous" de mars 1961.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle suite de morceaux du r&amp;eacute;pertoire de ces musiciens : Valses, marches, mazurkas, giattes, bourr&amp;eacute;es, polkas, etc ... Eug&amp;egrave;ne, le p&amp;egrave;re, surnomm&amp;eacute; "Burette", joue de la vielle &amp;agrave; roue et son fils Ren&amp;eacute; de la cornemuse 16 pouces&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean Jacques Le Creurer, musicien, enseignant et collecteur infatiguable nous pr&amp;eacute;cise : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 1 :&lt;/span&gt; "Mignonne". Sans doute une chanson des ann&amp;eacute;es 20/30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 2 :&lt;/span&gt; "la Yoyette"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 3 :&lt;/span&gt; c'est une danse &amp;agrave; base de pas de polka assez locale (sur le sud-est de la Creuse : de Giat &amp;agrave; La Nouaille) : "le P&amp;egrave;re Counaud" &lt;span class="oc"&gt;(lo pa&amp;iuml;r Conaud volia dansar, mas sa doas chambas voliats pas'nar, qu'es lo Pa&amp;iuml;r Conaud que dansa mau)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 4 :&lt;/span&gt; Mazurka " le matin quand je me l&amp;egrave;ve" incipit des paroles (la suite : je demande &amp;agrave; mon mari qu'il me balaie la chambre et qu'il me fasse le lit. Autre couplet : ah qu'elles sont b&amp;ecirc;tes les femmes d'ob&amp;eacute;ir &amp;agrave; leur mari, j'en ai un comme les autres jamais je lui ob&amp;eacute;i ...). Paroles donn&amp;eacute;es par le p&amp;egrave;re Thomas.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 5 :&lt;/span&gt; giatte&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 6 :&lt;/span&gt; bourr&amp;eacute;e : il me l'avais jou&amp;eacute;e et chantonn&amp;eacute; le d&amp;eacute;but :" en&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;passant par l'Auvergne j'&amp;eacute;tais bien fatigu&amp;eacute;". Il semblerait qu'il ait pris&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&amp;ccedil;a &amp;agrave; S&amp;eacute;gurel.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 7 :&lt;/span&gt; la Yousca (appel&amp;eacute;e par ici aussi "le vent fou"). Sorte de marche &amp;agrave; la mode au d&amp;eacute;but du XXe si&amp;egrave;cle.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 8 :&lt;/span&gt; bourr&amp;eacute;e que je ne lui avais jamais entendue jouer !!!! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 9 :&lt;/span&gt; cet air est connu dans tout le coin comme un des airs les plus courant pour danser la carr&amp;eacute;e &lt;span class="oc"&gt;(la carrada)&lt;/span&gt; une des 3 formes de bourr&amp;eacute;es dece secteur (avec l'auvergnate et la giatte). Celui l&amp;agrave; est presque toujoursconnu avec les paroles : &lt;span class="oc"&gt;s'en iran pas tots , los gar&amp;ccedil;ons 'questa 'nada&lt;/span&gt; (avec ensuite des adaptations tr&amp;egrave;s locales)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 10 :&lt;/span&gt; polka piqu&amp;eacute;e tr&amp;egrave;s connue &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 11 :&lt;/span&gt; polka piqu&amp;eacute;e connue elle aussi (comme la plage 9) sur toute la bordure nord du plateau. Avec souvent comme paroles &lt;span class="oc"&gt;"e qu'es ta chamba gaucha, b&amp;egrave;la que te fai mau,&lt;/span&gt; ..." ou "ton chien belle berg&amp;egrave;re est plusgentil que toi, il me fait des caresses et toi tu ne m'en fais pas" (version d'Alfred Gasne de N&amp;eacute;oux).&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 12 :&lt;/span&gt; elle a un trou la marmite : c'est une polka piqu&amp;eacute;e. Je n'ai&lt;br /&gt;entendu jouer &amp;ccedil;a que par eux.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 13 :&lt;/span&gt; bourr&amp;eacute;e. Manifestement prise dans le grand faitout des airs "du pays" plus ou moins de carte postale.&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 14 :&lt;/span&gt; marche&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 15 : &lt;/span&gt;la valse &amp;agrave; Jacques (Thomas lui m&amp;ecirc;me l'appelait comme &amp;ccedil;a). C'est une valse qu'il tenait de Jacques Lagarrigue, travailleur journalier et vielleux vers La Courtine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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          <name>Location</name>
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              <text>Au domicile des informateurs, au bourg de Beissat (23)</text>
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          <name>Local URL</name>
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              <text>AB1038978.mp3</text>
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          <name>Duration</name>
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              <text>Mme Thomas</text>
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              <text>chez nous 25 03 1961 la burette menetriers</text>
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            <name>Date Issued</name>
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                <text>2012-05-23 15:21:03</text>
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                <text>Chez nous, La Burette Eugène Tomas</text>
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                <text>Tous les genres</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/393/Padimage.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 8978, l'&amp;eacute;mission "Chez Nous" telle qu'elle a probablement &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 25 mars 1961. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous retrouvons Robert Dagnas sur le terrain, chez M. et Mme Thomas au bourg de Beissat (Creuse). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, apr&amp;egrave;s le g&amp;eacute;n&amp;eacute;rique et une pr&amp;eacute;sentation (un peu &amp;eacute;court&amp;eacute;e !) de Beissat par Jean-Pierre Dupr&amp;eacute;s,&lt;span class="artist_name"&gt; M. Thomas&lt;/span&gt;, sabotier et joueur de vielle, nous parle de son m&amp;eacute;tier de sabotier, de son go&amp;ucirc;t pour la musique... avec le concours de sa femme ils &amp;eacute;voquent son surnom, "la Burette",&amp;nbsp; puis le d&amp;eacute;peuplement du pays, son fils &lt;span class="artist_name"&gt;Ren&amp;eacute;&lt;/span&gt; parle de sa proximit&amp;eacute; avec son p&amp;egrave;re (la musique, la saboterie et le conseil municipal). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Cet entretien est ponctu&amp;eacute; de morceaux du r&amp;eacute;pertoire local (enregistr&amp;eacute;s dans la cuisine, Eug&amp;egrave;ne &amp;agrave; la vielle et Ren&amp;eacute; &amp;agrave; la cornemuse 16 pouces) ainsi que d'une chanson de L&amp;eacute;on Branchet "&lt;span class="oc"&gt;Mos socs&lt;/span&gt;" (mes sabots) sans doute interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; (mais qui n'a pas &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e &amp;agrave; cette occasion).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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