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Dau trabalh&#13;

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Era païsan&#13;

00:01:45.000 --&gt; 00:02:18.000
Las batuerzas&#13;

00:02:18.000 --&gt; 00:02:58.000
Dau patoas&#13;

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L'istoara daus gris&#13;

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L'istoara de l'asne&#13;

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La pala&#13;

00:06:31.000 --&gt; 00:00:00.000
La chambariera que se voliá maridar&#13;

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Dau trabalh&#13;

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Era païsan&#13;

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Las batuerzas&#13;

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Dau patoas&#13;

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L'istoara daus gris&#13;

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L'istoara de l'asne&#13;

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La pala&#13;

00:06:31.000 --&gt; 00:00:00.000
La chambariera que se voliá maridar&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;te &amp;agrave; Saint-Vaury (23)&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 29 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Los ueus daus Jeud&amp;iacute; e Vendred&amp;iacute; sents&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Lo pastis de Carnavar e los fruts&lt;/em&gt;,&amp;nbsp;&amp;hellip;) mais aussi de ce qui se chantait dans le pays (&lt;em&gt;Lo cuer de ma mia&lt;/em&gt;, Adieu la fleur de ma jeunesse, ...) et ce qui s&amp;rsquo;y mangeait (&lt;em&gt;Lo brandier&lt;/em&gt;, &lt;em&gt;Lo fromatge e la sopa&lt;/em&gt;, &lt;em&gt;Las treflas saladas&lt;/em&gt;, ...).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Informateurs : &lt;strong&gt;Raymond Dejouhet&lt;/strong&gt;, &lt;strong&gt;Roger Durand&lt;/strong&gt;, &lt;strong&gt;Odette Lacote&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:18.000
Fau tot me dire en patois&#13;

00:00:18.000 --&gt; 00:03:57.000
Des différences&#13;

00:03:57.000 --&gt; 00:06:00.000
La prononciaciòn&#13;

00:06:00.000 --&gt; 00:11:10.000
Los noms daus vilatges de la comuna&#13;

00:11:10.000 --&gt; 00:11:51.000
De l'istoaras ?&#13;

00:11:51.000 --&gt; 00:14:05.000
N'istoara de factor&#13;

00:14:05.000 --&gt; 00:14:49.000
Dau lop&#13;

00:14:49.000 --&gt; 00:19:16.000
Daus maçons&#13;

00:19:16.000 --&gt; 00:19:53.000
Vocabulari&#13;

00:19:53.000 --&gt; 00:21:04.000
La pita lebre&#13;

00:21:04.000 --&gt; 00:22:43.000
Quand los pitits jugavan&#13;

00:22:43.000 --&gt; 00:23:10.000
Daus proverbes&#13;

00:23:10.000 --&gt; 00:23:37.000
De las chançons ?&#13;

00:23:37.000 --&gt; 00:24:15.000
Lo cuer de ma mia&#13;

00:24:15.000 --&gt; 00:25:53.000
D'autras chançons ?&#13;

00:25:53.000 --&gt; 00:26:21.000
Les maçons de la Creuse&#13;

00:26:21.000 --&gt; 00:26:35.000
Dins las nòças ?&#13;

00:26:35.000 --&gt; 00:27:18.000
Adieu la fleur de ma jeunesse&#13;

00:27:18.000 --&gt; 00:30:26.000
Lo turlututu&#13;

00:30:26.000 --&gt; 00:31:33.000
Las voelhas son dins los blats&#13;

00:31:33.000 --&gt; 00:32:17.000
De las pregieras ?&#13;

00:32:17.000 --&gt; 00:33:05.000
De las frasas per los auseus ?&#13;

00:33:05.000 --&gt; 00:36:40.000
'Pelar las bestias&#13;

00:36:40.000 --&gt; 00:38:40.000
N'aviam tres chins a la maison&#13;

00:38:40.000 --&gt; 00:40:51.000
Daus pòrcs&#13;

00:40:51.000 --&gt; 00:42:33.000
Lo premier d'l'an&#13;

00:42:33.000 --&gt; 00:43:19.000
Proverbe : Los jorns eslongen&#13;

00:43:19.000 --&gt; 00:44:27.000
Los reis e la galeta&#13;

00:44:27.000 --&gt; 00:46:46.000
Las crespas e los tortels&#13;

00:46:46.000 --&gt; 00:50:34.000
Lo brandier&#13;

00:50:34.000 --&gt; 00:52:21.000
La prumiera crespa&#13;

00:52:21.000 --&gt; 00:54:29.000
Proverbe sus lo chant dau cocut&#13;

00:54:29.000 --&gt; 00:56:33.000
Ilhs fasian atencion a tot quò ...&#13;

00:56:33.000 --&gt; 00:59:50.000
Carnavar e lo bulit&#13;

00:59:50.000 --&gt; 01:01:04.000
Lo fromatge e la sopa&#13;

01:01:04.000 --&gt; 01:03:54.000
Tuar lo pòrc per la bateusa&#13;

01:03:54.000 --&gt; 01:09:11.000
Lo pòrc, los bodins, lo lard ...&#13;

01:09:11.000 --&gt; 01:12:31.000
Lo pastis de Carnavar e los fruts&#13;

01:12:31.000 --&gt; 01:14:02.000
Bufar la sopa&#13;

01:14:02.000 --&gt; 01:16:28.000
Los ramels, lo jorn de l'ausana&#13;

01:16:28.000 --&gt; 01:16:59.000
Lo vent dau Ramels&#13;

01:16:59.000 --&gt; 01:18:01.000
Lo june de las clòchas&#13;

01:18:01.000 --&gt; 01:19:27.000
Los ueus daus Jeudí e Vendredí Sents&#13;

01:19:27.000 --&gt; 01:20:53.000
Un curet que junava pas&#13;

01:20:53.000 --&gt; 01:21:59.000
Reprise : Far un arbant&#13;

01:21:59.000 --&gt; 01:23:52.000
La Sent Jan e lo tresfojau&#13;

01:23:52.000 --&gt; 01:24:10.000
Sent Martin&#13;

01:24:10.000 --&gt; 01:25:22.000
Nadau e la còça&#13;

01:25:22.000 --&gt; 01:26:19.000
Le 8, le 13 e le 22 de julhet : far la rabas&#13;

01:26:19.000 --&gt; 01:28:16.000
Blanchir las chastanhas&#13;

01:28:16.000 --&gt; 01:29:59.000
Las treflas saladas&#13;

01:29:59.000 --&gt; 01:31:44.000
Las grilhadas&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te ethnolinguistique r&amp;eacute;alis&amp;eacute;e le 25 novembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs originaires de Saint-M&amp;eacute;ard (87).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler de la gestion de l'eau, notamment de la mani&amp;egrave;re traditionnelle d'arroser les pr&amp;eacute;s (&lt;/span&gt;&lt;em style="font-size: 14pt;"&gt;Banhar los prats&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;Participants : &lt;strong&gt;Adrienne Lavaud&lt;/strong&gt;, &lt;strong&gt;Henri Lavaud&lt;/strong&gt;, &lt;strong&gt;Claude Faye&lt;/strong&gt;, &lt;strong&gt;Albert Lachaud&lt;/strong&gt;, &lt;strong&gt;Henri Rivet&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13543/Saint_Meard.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13543/Saint_Meard.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;Lien vers les retranscriptions et traductions de Jean-Fran&amp;ccedil;ois Vignaud&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 16px;"&gt;Cette enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; command&amp;eacute;e par le label "Villes et Pays d&amp;rsquo;art et d&amp;rsquo;histoire", plus pr&amp;eacute;cis&amp;eacute;ment "Pays Monts et Barrages".&lt;/span&gt;</text>
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Installation&#13;

00:00:16.000 --&gt; 00:01:14.000
Banhar los prats&#13;

00:01:14.000 --&gt; 00:02:01.000
Virar l'aiga&#13;

00:02:01.000 --&gt; 00:05:16.000
D'ente veniá l'aiga ?&#13;

00:05:16.000 --&gt; 00:06:09.000
La leva e las levadas&#13;

00:06:09.000 --&gt; 00:09:56.000
La peschiera e lo canar&#13;

00:09:56.000 --&gt; 00:13:39.000
Quante quò ploviá&#13;

00:13:39.000 --&gt; 00:15:32.000
Fasian venir d'una peschiera&#13;

00:15:32.000 --&gt; 00:16:12.000
Quò se 'chabava coma, las levadas ?&#13;

00:16:12.000 --&gt; 00:17:14.000
Entreténer las levadas&#13;

00:17:14.000 --&gt; 00:18:13.000
Los prats de faucha&#13;

00:18:13.000 --&gt; 00:20:28.000
Las sòlas, los molards e las molieras&#13;

00:20:28.000 --&gt; 00:21:15.000
La mair font&#13;

00:21:15.000 --&gt; 00:22:06.000
Los gatges, los utilhs&#13;

00:22:06.000 --&gt; 00:23:59.000
Curar e talhar las levas&#13;

00:23:59.000 --&gt; 00:24:50.000
Los utilhs&#13;

00:24:50.000 --&gt; 00:27:46.000
Quò s'aviá brejat per l'aigas&#13;

00:27:46.000 --&gt; 00:31:00.000
Drainar los fons de prats&#13;

00:31:00.000 --&gt; 00:32:00.000
Chamnhar de plaça las levadas&#13;

00:32:00.000 --&gt; 00:34:05.000
Los bialierons&#13;

00:34:05.000 --&gt; 00:34:28.000
Totjorn sus una cima&#13;

00:34:28.000 --&gt; 00:35:32.000
Metre un cordeu per las talhar&#13;

00:35:32.000 --&gt; 00:38:43.000
N'i a d'enguera&#13;

00:38:43.000 --&gt; 00:39:44.000
Lo canar n'era pas per tot lo monde&#13;

00:39:44.000 --&gt; 00:41:19.000
I aviá un "diviseur"&#13;

00:41:19.000 --&gt; 00:43:05.000
'Na peschiera comuna per lavar los canalhons&#13;

00:43:05.000 --&gt; 00:43:57.000
Quand fasiá meschant temps&#13;

00:43:57.000 --&gt; 00:45:00.000
I a pas pro d'aiga&#13;

00:45:00.000 --&gt; 00:47:08.000
Daus dictons ?&#13;

00:47:08.000 --&gt; 00:47:44.000
Desjà, i a pas mau&#13;

00:47:44.000 --&gt; 00:48:14.000
Pertot lo mesma biais de far&#13;

00:48:14.000 --&gt; 00:49:34.000
A la Crosilha&#13;

00:49:34.000 --&gt; 00:52:26.000
Las peschieras aüei&#13;

00:52:26.000 --&gt; 00:54:04.000
La machinas que curen&#13;

00:54:04.000 --&gt; 00:54:36.000
Daus uns que venian de las Doas-Chabras&#13;

00:54:36.000 --&gt; 00:56:29.000
Dau "débroussaillant"
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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 17 mars 2002 par &lt;a href="http://ieo-lemosin.org/intervenant/jean-francois-vignaud?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Jean-Fran&amp;ccedil;ois Vignaud&lt;/strong&gt;&lt;/a&gt; aupr&amp;egrave;s d'&lt;strong&gt;Andr&amp;eacute;&lt;/strong&gt; et &lt;strong&gt;Simone Vignaud&lt;/strong&gt;, ses grands parents, r&amp;eacute;sidant aux Chouettes, sur la commune d'Oradour-sur-Vayres.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;L'occasion d'un passage en revue du fonds de proverbes et de mimologismes connu autrefois dans bien des familles. Sans oublier de faire quelques rappels fondamentaux autour des croyances populaires, notamment celles des bonnes fontaines (&lt;em&gt;Las bonas fonts e metre de part&lt;/em&gt;).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Le pr&amp;eacute;texte, enfin, pour enregistrer &lt;em&gt;quauquas nh&amp;ograve;rlas&lt;/em&gt;, quelques gnorles, histoires plaisantes du r&amp;eacute;pertoire limousin (&lt;em&gt;Ist&amp;ograve;ria de monier, Guilhaume&lt;/em&gt;, &lt;em&gt;l'orsa&lt;/em&gt; &amp;hellip;).&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:52.000
N'istòria de monier&#13;

00:02:52.000 --&gt; 00:04:14.000
N'autra istòria de monier&#13;

00:04:14.000 --&gt; 00:04:55.000
Lo cocut e la 'jaça&#13;

00:04:55.000 --&gt; 00:05:59.000
Guilhem lu "raffineur"&#13;

00:05:59.000 --&gt; 00:06:46.000
Guilhaume&#13;

00:06:46.000 --&gt; 00:07:49.000
L'òme que jardinava&#13;

00:07:49.000 --&gt; 00:09:13.000
L'orsa&#13;

00:09:13.000 --&gt; 00:11:34.000
Proverbes&#13;

00:11:34.000 --&gt; 00:15:38.000
Mimologismes&#13;

00:15:38.000 --&gt; 00:16:37.000
Per la Sent Jasep&#13;

00:16:37.000 --&gt; 00:17:49.000
Proverbes e dires&#13;

00:17:49.000 --&gt; 00:23:55.000
Las bonas fonts e metre de part&#13;

00:23:55.000 --&gt; 00:25:48.000
Per far partir los jacins, las truchalhs&#13;

00:25:48.000 --&gt; 00:27:30.000
L'erbas de la Sent Jan&#13;

00:27:30.000 --&gt; 00:28:22.000
Lu 'saleç e lu nogier&#13;

00:28:22.000 --&gt; 00:29:13.000
Proverbe e dires&#13;

00:29:13.000 --&gt; 00:29:42.000
L'istòria de la vielha e daus fagòts&#13;

00:29:42.000 --&gt; 00:30:20.000
Lu possa-estron&#13;

00:30:20.000 --&gt; 00:31:03.000
Pimparòla&#13;

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                <text>&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; La Sauni&amp;egrave;re (23)&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 26 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Chaufar lo forn e cosinar per Mard&amp;iacute; Gras, Lo fuec de Sent Jan&lt;/em&gt; ...) mais aussi de ce qui se disait des oiseaux (&lt;em&gt;Lo lauri&amp;ograve;u, Lo pringaulier e las irondelas&lt;/em&gt;) et comment appeler les b&amp;ecirc;tes (&lt;em&gt;'Pelar las bestias&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs : &lt;strong&gt;Simone Amathieux&lt;/strong&gt;, &lt;strong&gt;Georges Aucordonnier&lt;/strong&gt;, &lt;strong&gt;Germaine Barnicot&lt;/strong&gt;, &lt;strong&gt;Colette M&amp;eacute;gret&lt;/strong&gt;, &lt;strong&gt;Georges Simon&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Los noms daus vilatges de la comuna&#13;

00:03:39.000 --&gt; 00:08:50.000
Lo mesma patoas&#13;

00:08:50.000 --&gt; 00:11:49.000
Daus contes ? De las istoaras ?&#13;

00:11:49.000 --&gt; 00:13:17.000
De l'istoaras de Jarnages&#13;

00:13:17.000 --&gt; 00:13:59.000
La pita lebròta&#13;

00:13:59.000 --&gt; 00:15:32.000
Dansa, dansa, pola blancha&#13;

00:15:32.000 --&gt; 00:18:08.000
Lo verbe tornar&#13;

00:18:08.000 --&gt; 00:19:02.000
De las chançons ?&#13;

00:19:02.000 --&gt; 00:19:19.000
Las ovelhas son dins los blats&#13;

00:19:19.000 --&gt; 00:20:21.000
Coifa-te bien&#13;

00:20:21.000 --&gt; 00:21:55.000
Qu’es-que se chantava ?&#13;

00:21:55.000 --&gt; 00:22:49.000
Far parlar las bèstias&#13;

00:22:49.000 --&gt; 00:24:16.000
Lo lauriòu&#13;

00:24:16.000 --&gt; 00:27:10.000
Los jorns de la setmana&#13;

00:27:10.000 --&gt; 00:27:57.000
Lo pringaulier e las irondelas&#13;

00:27:57.000 --&gt; 00:28:16.000
Prononciacion&#13;

00:28:16.000 --&gt; 00:31:47.000
'Pelar las bestias&#13;

00:31:47.000 --&gt; 00:35:19.000
Des gens qui continuent à parler patois&#13;

00:35:19.000 --&gt; 00:37:54.000
Laborar aus buòus&#13;

00:37:54.000 --&gt; 00:41:06.000
Apelar los pòrcs&#13;

00:41:06.000 --&gt; 00:44:39.000
Lo premier de l'an&#13;

00:44:39.000 --&gt; 00:50:44.000
Tuar lo pòrc&#13;

00:50:44.000 --&gt; 00:54:19.000
La Chandelor, las crespas e los tortels&#13;

00:54:19.000 --&gt; 01:01:43.000
Chaufar lo forn e cosinar per Mardí Gras&#13;

01:01:43.000 --&gt; 01:05:29.000
Los pitits se mascaravan&#13;

01:05:29.000 --&gt; 01:08:17.000
Los Ramels&#13;

01:08:17.000 --&gt; 01:10:45.000
La Setmana Senta&#13;

01:10:45.000 --&gt; 01:12:01.000
De las pregieras ?&#13;

01:12:01.000 --&gt; 01:14:04.000
De la bujada&#13;

01:14:04.000 --&gt; 01:15:30.000
Pasques, lo mes de mai, Pendegosta, ...&#13;

01:15:30.000 --&gt; 01:16:59.000
Lo fuec de Sent Jan&#13;

01:16:59.000 --&gt; 01:17:30.000
La Saint Vincent&#13;

01:17:30.000 --&gt; 01:18:22.000
La Sent Eutròpi&#13;

01:18:22.000 --&gt; 01:19:42.000
La festa a La Sauniera&#13;

01:19:42.000 --&gt; 01:23:58.000
Qu’es-que se dançava ?&#13;

01:23:58.000 --&gt; 01:24:34.000
Los 15 e 16 dau mes d'aust&#13;

01:24:34.000 --&gt; 01:25:30.000
Nòstra Dama de Setembre&#13;

01:25:30.000 --&gt; 01:27:11.000
La Totsents&#13;

01:27:11.000 --&gt; 01:29:57.000
De las chastanhas&#13;

01:29:57.000 --&gt; 01:30:49.000
La Sent Martin&#13;

01:30:49.000 --&gt; 01:32:53.000
Nadau e la còça&#13;

01:32:53.000 --&gt; 01:33:53.000
Quand quò fasiá auratge&#13;

01:33:53.000 --&gt; 01:34:44.000
Lo pilat&#13;

01:34:44.000 --&gt; 01:37:01.000
Las pomas e lo citre&#13;

01:37:01.000 --&gt; 01:38:29.000
Las peras
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                  <text>Enquêtes et témoignages</text>
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          <name>Interviewer</name>
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              <text>Jean-François Vignaud</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>5371</text>
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          <name>Interviewee</name>
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              <text>Jean Peynot</text>
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            <elementText elementTextId="808387">
              <text>Marcelle Maublanc</text>
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              <text>Henri et Christiane Martinet</text>
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            <elementText elementTextId="808389">
              <text>Colette Lambert</text>
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            <elementText elementTextId="808390">
              <text>Lucienne Fayard</text>
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            <elementText elementTextId="808391">
              <text>Arlette Dalby</text>
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              <text>Henri et Simone Dalby</text>
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              <text>Emilienne Chêne</text>
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              <text>Gaston Brunet</text>
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              <text>René Bonnet</text>
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              <text>Jean Auvity</text>
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              <text>Roger Aublanc</text>
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              <text>Louise André</text>
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            <name>Title</name>
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                <text>Enquête à Ajain</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="808349">
                <text>Jean-François Vignaud</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="808350">
                <text>2004-09-30</text>
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            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="808351">
                <text>2024-05-31</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="808352">
                <text>IEO Lemosin</text>
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            </elementTextContainer>
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                <text>5371</text>
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              <elementText elementTextId="808354">
                <text>IEO 362</text>
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                <text>audio/mpeg</text>
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                <text>Carnaval</text>
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                <text>Jean Peynot</text>
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                <text>Marcelle Maublanc</text>
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                <text>Henri et Christiane Martinet</text>
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                <text>Jean Auvity</text>
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                <text>Roger Aublanc</text>
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                <text>Louise André</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Ajain (23)&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 30 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Nadau e la c&amp;ograve;&amp;ccedil;a, Carnaval...&lt;/em&gt;) mais aussi de ce qui se disait des oiseaux (&lt;em&gt;La 'ja&amp;ccedil;a e lo cocot, Lo lauri&amp;ograve;u e lo pringaulier...&lt;/em&gt;) et comment appeler les b&amp;ecirc;tes (&lt;em&gt;Far venir las bestias&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;strong&gt; Louise Andr&amp;eacute;&lt;/strong&gt;,&lt;strong&gt; Roger Aublanc&lt;/strong&gt;,&lt;strong&gt;&amp;nbsp; Jean Auvity&lt;/strong&gt;,&lt;strong&gt; Ren&amp;eacute; Bonnet&lt;/strong&gt;,&lt;strong&gt; Christian Bourliot, Gaston Brunet&lt;/strong&gt;,&lt;strong&gt; Emilienne Ch&amp;ecirc;ne&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Simone Dalby&lt;/strong&gt;,&lt;strong&gt; Arlette Dalby&lt;/strong&gt;,&lt;strong&gt; Lucienne Fayard&lt;/strong&gt;,&lt;strong&gt; Colette Lambert&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Christiane Martinet&lt;/strong&gt;,&lt;strong&gt; Marcelle Maublanc&lt;/strong&gt;,&lt;strong&gt; Jean Peynot&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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          <element elementId="53">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1335484">
                <text>00:00:00.000 --&gt; 00:01:55.000
Ante quò causa patois coma vos ?&#13;

00:01:55.000 --&gt; 00:06:04.000
Vocabulaire et prononciation&#13;

00:06:04.000 --&gt; 00:08:41.000
Los noms daus vilatges de la comuna&#13;

00:08:41.000 --&gt; 00:10:10.000
Los palissons o los palissus ?&#13;

00:10:10.000 --&gt; 00:13:22.000
Los noms daus vilatges de la comuna (suite)&#13;

00:13:22.000 --&gt; 00:15:00.000
Los ueus coats&#13;

00:15:00.000 --&gt; 00:20:26.000
Las istoaras de Jarnages&#13;

00:20:26.000 --&gt; 00:22:34.000
Los lops&#13;

00:22:34.000 --&gt; 00:23:56.000
Los maçons ?&#13;

00:23:56.000 --&gt; 00:25:40.000
La p'tita lebre&#13;

00:25:40.000 --&gt; 00:29:11.000
Lo Turlututu&#13;

00:29:11.000 --&gt; 00:29:52.000
Dins las bateusas&#13;

00:29:52.000 --&gt; 00:30:24.000
La Yoyette&#13;

00:30:24.000 --&gt; 00:32:15.000
Las oelhas son dins los blats&#13;

00:32:15.000 --&gt; 00:33:17.000
T'as minjat mon chaul la chebra&#13;

00:33:17.000 --&gt; 00:34:27.000
L'istoara de chaça sur Ronhac ?&#13;

00:34:27.000 --&gt; 00:36:22.000
Lo p'tit rigolò d'la maison daus bòscs&#13;

00:36:22.000 --&gt; 00:37:08.000
La 'jaça e lo cocot&#13;

00:37:08.000 --&gt; 00:37:38.000
Lo lauriòu e lo pringaulier&#13;

00:37:38.000 --&gt; 00:38:48.000
Diferencias e vocabulari&#13;

00:38:48.000 --&gt; 00:39:36.000
Lo cocot chanta entre març e abriu&#13;

00:39:36.000 --&gt; 00:40:18.000
De las prieras ?&#13;

00:40:18.000 --&gt; 00:41:12.000
Quand quò fasia auratge&#13;

00:41:12.000 --&gt; 00:41:52.000
Daus proverbes ?&#13;

00:41:52.000 --&gt; 00:44:22.000
Lo premier de l'an&#13;

00:44:22.000 --&gt; 00:47:39.000
Chandelor&#13;

00:47:39.000 --&gt; 00:51:16.000
Carnaval&#13;

00:51:16.000 --&gt; 00:54:04.000
Los ramels&#13;

00:54:04.000 --&gt; 00:58:54.000
La setmana senta&#13;

00:58:54.000 --&gt; 01:00:28.000
Lo lundí de Pasques e la festa au borg&#13;

01:00:28.000 --&gt; 01:04:07.000
La font de Bona-font&#13;

01:04:07.000 --&gt; 01:05:51.000
Pendagosta e lo mes de mai&#13;

01:05:51.000 --&gt; 01:08:45.000
La Sent Jan&#13;

01:08:45.000 --&gt; 01:10:42.000
Lo 15 d'aust&#13;

01:10:42.000 --&gt; 01:11:26.000
La Totsents&#13;

01:11:26.000 --&gt; 01:14:14.000
Quand i avia un mòrt dins lo vilatge&#13;

01:14:14.000 --&gt; 01:16:27.000
La Sent Martin&#13;

01:16:27.000 --&gt; 01:20:55.000
Nadau e la còça&#13;

01:20:55.000 --&gt; 01:22:15.000
Lo seuc per garir la fiure&#13;

01:22:15.000 --&gt; 01:24:33.000
D'autres remedis&#13;

01:24:33.000 --&gt; 01:27:54.000
Far venir las bestias&#13;

01:27:54.000 --&gt; 01:28:56.000
Las chastanhas&#13;

01:28:56.000 --&gt; 01:29:11.000
Comptar&#13;

01:29:11.000 --&gt; 01:29:31.000
Los jorns de la setmana&#13;

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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:16px;"&gt;Enregistrement du 23 Avril 2009 chez la voisine d'un des collecteurs.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:16px;"&gt;&lt;span class="fr"&gt;&lt;span class="artist_name"&gt;Madame Lavergne&lt;/span&gt; a bien voulu se prêter au jeu. Elle nous a transmis des mimologismes : &lt;span class="oc"&gt;lu reibeneit&lt;/span&gt; (le troglodyte), &lt;span class="oc"&gt;lu rossinhòl&lt;/span&gt;, et des dires et des comptines :&lt;span class="oc"&gt; lu Marmilhon&lt;/span&gt; (le nourrisson), &lt;span class="oc"&gt;lu greu e la cròta de lop... &lt;/span&gt;(le grillon et la crotte du loup) avec beaucoup d'aisance et de gentillesse.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans le vieux pays d&amp;eacute;christianis&amp;eacute; qu'est le Limousin il est bien rare de recueillir encore aujourd'hui des pri&amp;egrave;res de &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;tradition populaire.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Aussi, c'est avec plaisir que nous sommes all&amp;eacute;s collecter aupr&amp;egrave;s de &lt;strong&gt;Mme Denise Fayemendy&lt;/strong&gt; &amp;agrave; Oradour-sur-Vayres une belle paten&amp;ocirc;tre en occitan transmise dans sa famille et que son p&amp;egrave;re tint &amp;agrave; lui apprendre lorsqu&amp;rsquo;elle &amp;eacute;tait enfant. &lt;br /&gt;Dans cette pri&amp;egrave;re provenant de Vayres (87) sont associ&amp;eacute;s les &amp;eacute;l&amp;eacute;ments du Pater et de &lt;em&gt;l'erbadis&lt;/em&gt; (le verbe &amp;agrave; Dieu, ).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;C'est d'un tout autre registre que nous a parl&amp;eacute; ensuite abondamment son mari Joseph. Apr&amp;egrave;s une vie pass&amp;eacute;e dans la menuiserie-scierie-fabrique de meubles familiale, ses anecdotes et r&amp;eacute;cits sur l'exploitation du bois telle qu'elle se faisait au milieu du XX&amp;egrave;me si&amp;egrave;cle dans cet endroit du Limousin sont riches et nombreux. Et, naturellement, tout au long de la collecte il nous a bross&amp;eacute; le portrait de quelques figures locales et livr&amp;eacute; des anecdotes sur le maquis et les tourmentes de la lib&amp;eacute;ration.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * .&lt;/span&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la seconde partie d'un enregistrement datant du 3 Octobre 1988 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean-Jacques Le Creurer nous pr&amp;eacute;cise que :&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #888888;"&gt;" Armand JAGAILLE, tenait son accord&amp;eacute;on comme un gaucher car il avait appris comme &amp;ccedil;a sur les conseils de sa s&amp;oelig;ur ain&amp;eacute;e (qui ne jouait pas elle-m&amp;ecirc;me) qui lui avait ramen&amp;eacute; son premier accord&amp;eacute;on de Paris o&amp;ugrave; elle &amp;eacute;tait bonne. Il a jou&amp;eacute; ensuite du chromatique et surtout du saxophone. C'est avec ce dernier instrument qu'il a fait nombre de bals dans divers orchestres et notamment avec son fils au chromatique (avec qui il formait l'orchestre Jagaille) .&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; fait avec un technicien de France Bleu Creuse pour la cassette "musique en Creuse" &amp;eacute;dit&amp;eacute;e par l'ADIAM 23.&lt;/span&gt;".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il "tenait" ses morceaux de musiciens traditionnels de la r&amp;eacute;gion : des vielleux Fromenty, Eug&amp;egrave;ne Thomas (le&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;p&amp;egrave;re Burette) , de Martinez et Fayadat (clarinettiste) ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Comme dans l'enregistrement pr&amp;eacute;c&amp;eacute;dent, une belle succession d' airs &amp;agrave; danser : Valse, Polka, Polka piqu&amp;eacute;e,Marche nuptiale, bourr&amp;eacute;e, sauteuse, lo pelali et quelques danses plus modernes : un air d'apr&amp;egrave;s Sydney Bechet (les oignons) , La danse atomique, un slow etc ...&lt;br class="oc" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions son petit fils pour la photo illustrant cet enregistrement .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:44.000
Valse&#13;

00:01:44.000 --&gt; 00:02:49.000
Les noces dans le temps&#13;

00:02:49.000 --&gt; 00:04:33.000
Vive les mariés&#13;

00:04:33.000 --&gt; 00:06:46.000
Polka piquée&#13;

00:06:46.000 --&gt; 00:08:27.000
Lo pelali&#13;

00:08:27.000 --&gt; 00:10:44.000
La danse atomique&#13;

00:10:44.000 --&gt; 00:12:12.000
Ta testa te fai mau&#13;

00:12:12.000 --&gt; 00:14:17.000
Scottich valse (sic)&#13;

00:14:17.000 --&gt; 00:16:02.000
Sauteuse&#13;

00:16:02.000 --&gt; 00:17:45.000
Les petits coups de doigts&#13;

00:17:45.000 --&gt; 00:19:47.000
Un air de Bechet&#13;

00:19:47.000 --&gt; 00:21:49.000
Te jalarai&#13;

00:21:49.000 --&gt; 00:23:10.000
La voliá bicar&#13;

00:23:10.000 --&gt; 00:25:04.000
Chantez pas les gars&#13;

00:25:04.000 --&gt; 00:26:39.000
Los cornards de Tula&#13;

00:26:39.000 --&gt; 00:27:44.000
Vai, vai, vai chamaisada&#13;

00:27:44.000 --&gt; 00:28:48.000
Chas-nos la trist'annada (polka piquée)&#13;

00:28:48.000 --&gt; 00:31:03.000
La rue de notre amour&#13;

00:31:03.000 --&gt; 00:32:54.000
Un slow&#13;

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Presentacions&#13;

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Los buòus e las vachas&#13;

00:03:34.000 --&gt; 00:04:25.000
Las ovelhas&#13;

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La sopa&#13;

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Lo vargier, lo champ e las legumas&#13;

00:06:44.000 --&gt; 00:07:48.000
Lo fuec de la Sent Jan&#13;

00:07:48.000 --&gt; 00:10:13.000
La volalha e los lapins&#13;

00:10:13.000 --&gt; 00:14:23.000
Los ganhons e la transformacion&#13;

00:14:23.000 --&gt; 00:15:25.000
La vianda que se minjava&#13;

00:15:25.000 --&gt; 00:16:52.000
Las 'belhas&#13;

00:16:52.000 --&gt; 00:22:06.000
Lo lach/laite, la calhada e lo burre&#13;

00:22:06.000 --&gt; 00:25:06.000
Lo pan e lo forn&#13;

00:25:06.000 --&gt; 00:25:47.000
Las crespas&#13;

00:25:47.000 --&gt; 00:27:41.000
Las chastanhas&#13;

00:27:41.000 --&gt; 00:30:16.000
Los champanhòus, los potirons&#13;

00:30:16.000 --&gt; 00:30:48.000
Qué 'massavan de mai ?&#13;

00:30:48.000 --&gt; 00:32:45.000
La pescha e la chaça&#13;

00:32:45.000 --&gt; 00:36:33.000
Los repas&#13;

00:36:33.000 --&gt; 00:38:41.000
La batuerza&#13;

00:38:41.000 --&gt; 00:39:22.000
Quand tondian las ovelhas&#13;

00:39:22.000 --&gt; 00:40:48.000
L'escòla e la cantina&#13;

00:40:48.000 --&gt; 00:41:52.000
Daus pitits que se fasian "embauchar"&#13;

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Los espiciers e lo merchand de bestiau&#13;

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Lo champ e las trufas&#13;

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La volalha e los lapins&#13;

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Los pòrcs e la transformacion&#13;

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Los vedels&#13;

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Las vachas&#13;

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La pasta chauda&#13;

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Las chastanhas&#13;

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Los champanhòus&#13;

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Los pissenlichs&#13;

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Las auchas&#13;

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La pescha&#13;

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La chaça&#13;

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Los repas dau matin&#13;

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A miegjorn&#13;

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La vianda de lo bulit&#13;

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Los bodins&#13;

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La testa e los pès de pòrc&#13;

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Las quatre oras&#13;

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La sopa&#13;

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Lo jorn de la bateusa&#13;

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Los desserts&#13;

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Lo citre e l'aiga de vita&#13;

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Las 'belhas&#13;

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N'associacion de patois&#13;

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Fin de l'enregistrament&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous retrouverons Gabrielle quelques temps plus tard pur le tournage du petit film &lt;a href="https://www.youtube.com/watch?v=ItgdyI5Nhlo&amp;amp;t=80s" target="_blank" rel="noopener"&gt;&lt;em&gt;Lo sendaron de l'esc&amp;ograve;la&lt;/em&gt;&lt;/a&gt; (s&amp;eacute;rie &lt;em&gt;Qu&amp;ograve; es bien bon&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
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Installacion&#13;

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Presentacion&#13;

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Lo vargier&#13;

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Lo champs e los legumes&#13;

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Lo trabalh daus òmes&#13;

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Los calaus e los perons&#13;

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Las prunas e las cereisas&#13;

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Las vachas e las proprietats&#13;

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Los ganhons&#13;

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Minjar a l'escòla&#13;

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Las 'belhas&#13;

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Los repas de la jornada&#13;

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Lo clafotís la flaunharda&#13;

00:28:22.000 --&gt; 00:29:27.000
Lo sopar&#13;

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Las chastanhas&#13;

00:34:08.000 --&gt; 00:38:44.000
Los grands repas&#13;

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Minjar dins los champs&#13;

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La vita dins quela maison&#13;

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La fiera a La Cela&#13;

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Çò que se beviá&#13;

00:43:58.000 --&gt; 00:45:25.000
Las cartas&#13;

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Las plantas per las tisanas&#13;

00:46:12.000 --&gt; 00:52:24.000
Lo laite, lo burre, lo matau, ...&#13;

00:52:24.000 --&gt; 00:55:14.000
Lo pan&#13;

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Çò que se fasiá lo jorn que chaufavan lo forn&#13;

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La culhida&#13;

01:02:15.000 --&gt; 01:04:43.000
La conservacion&#13;

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Lo molin de La Vialanueva&#13;

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Lo prumier de l'an&#13;

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Carnavar e lo pastis de prunas&#13;

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La Sent Jan&#13;

01:11:11.000 --&gt; 01:11:48.000
Per Totsents&#13;

01:11:48.000 --&gt; 00:00:00.000
Per la Nadau&#13;

00:00:00.000 --&gt; 01:13:33.000

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13577/Aimee_Combaudon.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Jean-Marie Caunet&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:36.000
Installacion e presentacion&#13;

00:00:36.000 --&gt; 00:02:18.000
Lo vargier&#13;

00:02:18.000 --&gt; 00:02:50.000
Los fruchiers&#13;

00:02:50.000 --&gt; 00:05:20.000
Las chastanhas&#13;

00:05:20.000 --&gt; 00:07:19.000
Las pomas&#13;

00:07:19.000 --&gt; 00:08:26.000
Las peras e los perons&#13;

00:08:26.000 --&gt; 00:10:59.000
La volalha e los lapins&#13;

00:10:59.000 --&gt; 00:12:17.000
Las vachas e la proprietat&#13;

00:12:17.000 --&gt; 00:16:18.000
Lo lait, lo matau, lo burre&#13;

00:16:18.000 --&gt; 00:19:43.000
Lo pan&#13;

00:19:43.000 --&gt; 00:22:44.000
Las crespas de blat negre&#13;

00:22:44.000 --&gt; 00:23:50.000
Lo champ per nurir los pòrcs&#13;

00:23:50.000 --&gt; 00:24:41.000
Daus vediaus de lait&#13;

00:24:41.000 --&gt; 00:28:15.000
Tuar lo pòrc&#13;

00:28:15.000 --&gt; 00:30:02.000
La vianda&#13;

00:30:02.000 --&gt; 00:31:00.000
Lo cassa-crosta a l'escòla&#13;

00:31:00.000 --&gt; 00:31:53.000
Le père Théodore&#13;

00:31:53.000 --&gt; 00:32:50.000
Interruption&#13;

00:32:50.000 --&gt; 00:33:21.000
Reprise de l'enregistrement&#13;

00:33:21.000 --&gt; 00:39:12.000
Les repas de la journée&#13;

00:39:12.000 --&gt; 00:40:58.000
La bateusa&#13;

00:40:58.000 --&gt; 00:41:30.000
Gardar la vachas&#13;

00:41:30.000 --&gt; 00:41:50.000
Los pissenlits&#13;

00:41:50.000 --&gt; 00:43:15.000
Las "spécialités"&#13;

00:43:15.000 --&gt; 00:45:00.000
De las pols&#13;

00:45:00.000 --&gt; 00:45:34.000
Los espiciers&#13;

00:45:34.000 --&gt; 00:46:37.000
Los peissons&#13;

00:46:37.000 --&gt; 00:47:29.000
Los champanhòus&#13;

00:47:29.000 --&gt; 00:48:49.000
La chaça&#13;

00:48:49.000 --&gt; 00:51:00.000
Lo prumier de l'an&#13;

00:51:00.000 --&gt; 00:52:39.000
Les veillées&#13;

00:52:39.000 --&gt; 00:54:38.000
Les tomates et les courgettes&#13;

00:54:38.000 --&gt; 00:56:26.000
Les légumes qui ne se font plus&#13;

00:56:26.000 --&gt; 00:56:50.000
Per Chandelor&#13;

00:56:50.000 --&gt; 00:57:36.000
Et pour Carnaval&#13;

00:57:36.000 --&gt; 00:58:17.000
Pour les rameaux&#13;

00:58:17.000 --&gt; 00:58:34.000
À Pâques&#13;

00:58:34.000 --&gt; 00:59:11.000
La Sent Jan e lo trasfojau&#13;

00:59:11.000 --&gt; 00:59:47.000
Pour la Toussaint&#13;

00:59:47.000 --&gt; 01:00:44.000
Per la Nadau&#13;

01:00:44.000 --&gt; 01:02:01.000
Le patois ou le français ?&#13;

01:02:01.000 --&gt; 01:02:15.000
Fin
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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Installation&#13;

00:00:41.000 --&gt; 00:02:13.000
Conserver la langue&#13;

00:02:13.000 --&gt; 00:02:37.000
Los lapiens&#13;

00:02:37.000 --&gt; 00:10:20.000
Los ganhons&#13;

00:10:20.000 --&gt; 00:10:34.000
Las oelhas&#13;

00:10:34.000 --&gt; 00:14:14.000
Las vachas e lo fromatge&#13;

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Las 'belhas&#13;

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Per la bateusa&#13;

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Las bolas&#13;

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Las laissòlas&#13;

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Las pompas&#13;

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Las confituras&#13;

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Los tortons e las pompas&#13;

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Los pissenlits&#13;

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Çò que se 'massava d'autre&#13;

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La pescha&#13;

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Las siarps&#13;

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La chaça e los escuròus&#13;

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La conservacion&#13;

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Las vachas&#13;

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Lo gras&#13;

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Lo sucre&#13;

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                <text>Sur les conseils de sa bru, &lt;strong&gt;Rose Press&amp;eacute;&lt;/strong&gt;, que nous remercions, nous sommes all&amp;eacute;s enregistrer, en juin 2016, chez lui, en son village natal de Saunat, commune de Saint-Julien-pr&amp;egrave;s Bort (aujourd&amp;rsquo;hui Sarroux-Saint Julien), en Corr&amp;egrave;ze.&lt;br /&gt;Ayant fait partie des nombreux jeunes du pays bortois que m&amp;ograve;ntavon &amp;laquo;&amp;nbsp;sejar Auviarnha&amp;nbsp;&amp;raquo;, son t&amp;eacute;moignage sur ce travail saisonnier est devenu un des piliers de notre film &lt;a href="https://www.youtube.com/watch?v=eldgqtYYufs" target="_blank" rel="noopener"&gt;Sejar Auvernha&lt;/a&gt; que l&amp;rsquo;on peut voir sur la chaine YouTube de l&amp;rsquo;IEO.&lt;br /&gt;Puis la conversation s&amp;rsquo;est poursuivie, avec beaucoup d&amp;rsquo;humour, sur les vaches, le travail avec les b&amp;ecirc;tes, l&amp;rsquo;&amp;eacute;volution de sa ferme &amp;agrave; Saunat et l&amp;rsquo;&amp;eacute;pop&amp;eacute;e des estivages d&amp;rsquo;autrefois.</text>
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Presentacion&#13;

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Sejar en Auviarnha&#13;

00:24:01.000 --&gt; 00:26:30.000
L’estiva&#13;

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La lenga&#13;

00:27:08.000 --&gt; 00:27:44.000
Mèdre&#13;

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La fin de las sasons de sèja&#13;

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Las vachas mulas&#13;

00:30:06.000 --&gt; 00:31:50.000
Le chaptau delh país&#13;

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Trabalhar ’bei las vachas&#13;

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Conéisser las bèstias&#13;

00:42:42.000 --&gt; 00:43:19.000
Marcar las vachas&#13;

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Istòrias d’estivas&#13;

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                <text>&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Lors d&amp;rsquo;une de nos projections de&amp;nbsp;&lt;a href="https://www.youtube.com/watch?v=eldgqtYYufs" target="_blank" rel="noopener"&gt;Sejar Auvernha&lt;/a&gt; &amp;agrave; Argentat, nous avions &amp;eacute;t&amp;eacute; abord&amp;eacute;s par un sympathique monsieur qui nous a d&amp;rsquo;embl&amp;eacute;e propos&amp;eacute; d&amp;rsquo;aller l&amp;rsquo;enregistrer. La chose &amp;eacute;tant assez rare, nous en avions pris bonne note et quelques mois plus tard, &amp;agrave; l&amp;rsquo;automne 2022, nous sommes donc all&amp;eacute;s enregistrer &lt;strong&gt;Georges Farges&lt;/strong&gt; chez lui, &amp;agrave; Croisille de La Chapelle-Saint-G&amp;eacute;raud, au sud de la Corr&amp;egrave;ze, dans l&amp;rsquo;ancien canton historique de Merc&amp;oelig;ur.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Georges Farges&lt;/strong&gt; nous fait vivre cette &amp;eacute;volution, le virage de son exploitation vers la production laiti&amp;egrave;re, son passage au conseil municipal, toujours avec beaucoup d&amp;rsquo;humour, quelques anecdotes et souvent de l&amp;rsquo;&amp;eacute;motion, et ce sens de l&amp;rsquo;accueil qu&amp;rsquo;il partage avec son &amp;eacute;pouse.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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Introduction&#13;

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Presentacion&#13;

00:01:03.000 --&gt; 00:04:48.000
La familha, l'efança e la bòria familhala&#13;

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« Aviá eivija de trabalhar...»&#13;

00:04:59.000 --&gt; 00:06:18.000
« Ai fach factor »&#13;

00:06:18.000 --&gt; 00:07:03.000
Montar a Paris&#13;

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Leis Àlas&#13;

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Vendeire de legumas&#13;

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Cortier d'endivas dins la Soma&#13;

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Veire escampar lo fems&#13;

00:13:06.000 --&gt; 00:15:48.000
Lo prumier « rond-point »&#13;

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Lo monde que fasián las endivas&#13;

00:20:43.000 --&gt; 00:21:16.000
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Se botar entrepenaire&#13;

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Empruntar&#13;

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« Anavi a pas mai de detz quilomestres... »&#13;

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De leis culturas en Sentriá&#13;

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Far del lach&#13;

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« Cau bien trabalhar »&#13;

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Leis vacas&#13;

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Èsser conselher municipal&#13;

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Leis (belas) comunautats de comunas&#13;

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Una istòria de taluç...&#13;

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« Sam pas nombrós per parlar patoàs, aura... »&#13;

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Lo curet e lo tesson&#13;

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Anar a l'escòla&#13;

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« Fasiá l'escòla boissonièra »&#13;

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« Quand las castanhas tombavon... »&#13;

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Parlar patoàs emb lo monde de lònh&#13;

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Leis fieiras&#13;

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Començament&#13;

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Presentacion&#13;

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Professor&#13;

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L’escritura a la retirada&#13;

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Naissut dins l’occitan&#13;

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Talhier d-a Lende&#13;

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Lo parlar delh país d’Aiguranda &#13;

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Patoes e occitan !&#13;

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Se comprener o pas…&#13;

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La manifestacion&#13;

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Parle delh mònde que coneisse&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Lors d&amp;rsquo;une collecte &amp;agrave; l&amp;rsquo;EHPAD des Fontaines &amp;agrave; Tulle en avril 2017, nous avions &amp;eacute;t&amp;eacute; s&amp;eacute;duits par la personnalit&amp;eacute; de&lt;strong&gt; L&amp;eacute;on Picard&lt;/strong&gt; qui y s&amp;eacute;journait alors pour un temps.&amp;nbsp;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Quelques mois plus tard, lors d&amp;rsquo;une enqu&amp;ecirc;te en Corr&amp;egrave;ze, avec&lt;strong&gt; Pascal Boudy &lt;/strong&gt;et&lt;strong&gt; Jean-Fran&amp;ccedil;ois Vignaud&lt;/strong&gt; nous lui avons rendu visite chez lui, &amp;agrave; Tulle, comme il nous y avait invit&amp;eacute;s, &lt;em&gt;per &amp;ccedil;&amp;ograve; que, &amp;ccedil;o-disset : &amp;laquo; Ai de las causas a vos contar&amp;hellip; &amp;raquo;&lt;/em&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;N&amp;eacute; en 1923 &amp;agrave; Meyrignac-l&amp;rsquo;&amp;Eacute;glise, en Corr&amp;egrave;ze, r&amp;eacute;fractaire au STO, il rejoint le&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;Maquis&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt; en 1943.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Ses parents n&amp;rsquo;&amp;eacute;tant que fermiers, il ne souhaite pas prendre leur succession et int&amp;egrave;gre les rangs de la Gendarmerie nationale apr&amp;egrave;s la Lib&amp;eacute;ration. Apr&amp;egrave;s plusieurs mois en Indochine, de 1946 &amp;agrave; 1949, il quitte la Gendarmerie &amp;agrave; 38 ans. Il finira sa vie professionnelle au S&amp;eacute;nat, en tant que responsable du service automobile du Palais du Luxembourg.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Et une fois &amp;agrave; la retraite, il revient au pays, comme de nombreux Corr&amp;eacute;ziens.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Dans cet enregistrement, &lt;strong&gt;L&amp;eacute;on Picard&lt;/strong&gt; nous livre un t&amp;eacute;moignage rare, tout en retenue, sur la R&amp;eacute;sistance, mais aussi &amp;agrave; propos de la Guerre d&amp;rsquo;Indochine, d&amp;rsquo;o&amp;ugrave; il est revenu avec la douloureuse sensation d&amp;rsquo;avoir, dit-il, &amp;laquo; chang&amp;eacute; de camp &amp;raquo;.&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:20.000
Començament&#13;

00:00:20.000 --&gt; 00:00:33.000
Presentacion&#13;

00:00:33.000 --&gt; 00:00:47.000
’Quò parlava mas patoàs&#13;

00:00:47.000 --&gt; 00:01:19.000
La bòria&#13;

00:01:19.000 --&gt; 00:03:09.000
L’escòla e lo patoàs a l’escòla&#13;

00:03:09.000 --&gt; 00:03:53.000
Lo patoàs dins la vita&#13;

00:03:53.000 --&gt; 00:05:39.000
Mos parents èron mas fermiers&#13;

00:05:39.000 --&gt; 00:07:49.000
Lo blat / la segla / lo froment&#13;

00:07:49.000 --&gt; 00:08:55.000
Lo blat nigre&#13;

00:08:55.000 --&gt; 00:10:24.000
L’alimentacion&#13;

00:10:24.000 --&gt; 00:12:24.000
Las chastanhas&#13;

00:12:24.000 --&gt; 00:13:48.000
Las jornadas de trabalh&#13;

00:13:48.000 --&gt; 00:14:44.000
Las velhadas e los boçons&#13;

00:14:44.000 --&gt; 00:15:56.000
Sechar las chastanhas&#13;

00:15:56.000 --&gt; 00:17:54.000
Los Chantiers de Jòunessa&#13;

00:17:54.000 --&gt; 00:19:35.000
Far lo charbon de bòisc&#13;

00:19:35.000 --&gt; 00:27:59.000
Lo Maquis&#13;

00:27:59.000 --&gt; 00:29:42.000
Tula, junh de 1944&#13;

00:29:42.000 --&gt; 00:30:20.000
Apres la Liberacion&#13;

00:30:20.000 --&gt; 00:31:26.000
Rentrar dins la Gendarmariá&#13;

00:31:26.000 --&gt; 00:33:14.000
Apres la Gendarmariá, lo Senat&#13;

00:33:14.000 --&gt; 00:44:21.000
L’Indochina&#13;

00:44:21.000 --&gt; 00:45:29.000
Tornar elh país&#13;

00:45:29.000 --&gt; 00:46:40.000
Las campanhas de’n quauque temps&#13;

00:46:40.000 --&gt; 00:50:48.000
Las cresenças&#13;

00:50:48.000 --&gt; 00:54:19.000
La chambe&#13;

00:54:19.000 --&gt; 00:55:57.000
Lo telefòne e l’electricitat dins las annadas 1920&#13;

00:55:57.000 --&gt; 00:57:22.000
Mairinhac&#13;

00:57:22.000 --&gt; 00:59:00.000
Los lops&#13;

00:59:00.000 --&gt; 01:01:08.000
Tornam sus l’Indochina&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Avec nos remerciements &amp;agrave; la revue.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Contact&amp;eacute;e pour avoir des renseignements sur son grand p&amp;egrave;re, Mme Chabasse nous a non seulement transmis des photos et documents mais elle a accept&amp;eacute; que nous la filmions nous parlant avec plaisir de son grand p&amp;egrave;re puis nous chantant quelques chansons qu'elle tenait de celui ci .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Un bel exemple de transmission !&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;Cette cassette audio fut enregistr&amp;eacute;e par &lt;span class="artist_name"&gt;M. Louis Fortunade &lt;/span&gt;vers 1985, &amp;agrave; l'attention de ses coll&amp;egrave;gues de Brive Principal.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Nous y retrouvons des textes (dont quelques in&amp;eacute;dits) d'Antoine Paucard et &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt;, tous deux de Saint Salvadour.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; en 2003 lors de l'enqu&amp;ecirc;te municipale de Dampniat par M. et Mme Vidalie que nous remercions vivement.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;br /&gt;Nous remercions aussi M. Philippe Fortunade, qui a bien voulu nous autoriser &amp;agrave; diffuser ce document.&lt;/p&gt;</text>
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Merci &amp;agrave; &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme MANDEIX&lt;/strong&gt; qui nous ont confi&amp;eacute; ce carnet pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- une introduction&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- 4 chansons&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- 11 nh&amp;ograve;rlas rim&amp;eacute;es&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/exhibits/show/jeanbaptisteblancher/entroduccion" target="_blank" rel="noopener"&gt;-&amp;gt; lien vers l'introduction&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;N&amp;eacute; en 1876, J&lt;strong&gt;ean-Baptiste BLANCHER&lt;/strong&gt; &amp;eacute;tait un ponticaud (un habitant du quartier des ponts de Limoges) connu des siens comme un personnage plut&amp;ocirc;t original et un conteur de nh&amp;ograve;rlas.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement M. Vignaud parle des sabots, puis de la lessive , des premi&amp;egrave;res automobiles et pour finir de son d&amp;eacute;part de Pairs .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="308216">
                <text>Mathieu VIGNAUD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="308217">
                <text>BES052</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="308218">
                <text>1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="308219">
                <text>M Vincent Besse</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="308220">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="308221">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="308222">
                <text>https://la-biaca.org/items/show/744</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331618">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/744/Vignaud2Net.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333925">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce document est la face B de la cassette n&amp;deg;5 d'une s&amp;eacute;rie qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et diffusion par M. Vincent Besse.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit de la suite de l'enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 Ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement M. Vignaud parle de la fin de sa mobilisation, de son embauche dans les usines d&amp;egrave;s 1908 (Papeteries Labrousse, Soci&amp;eacute;t&amp;eacute; des mati&amp;egrave;res tannantes et colorantes, Tannins Rey) les ann&amp;eacute;es sans activit&amp;eacute;, le changement de directeur, le travail des extraits, les premi&amp;egrave;res retraites, &lt;br /&gt;A la fin de l'enregistrement quelques morceaux de musique (l'enregistrement d'un disque vinyl ?) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="683" public="1" featured="0">
    <fileContainer>
      <file fileId="434">
        <src>https://www.la-biaca.org/files/original/enquetes/683/1397554829_Cassette.jpg</src>
        <authentication>ed1cd9d0a17d34eb564f9402f922120c</authentication>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="309895">
              <text>Lieux d'enregistrement multiples</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="309896">
              <text>FargesAndCo.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="309897">
              <text>805</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="30">
          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
          <elementTextContainer>
            <elementText elementTextId="309898">
              <text>Guy, Elisabeth et Yvette Farges</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="309899">
              <text>m et mme farges pascal boudy collectages chanteurs et musiciens 10 ayen chanson le temple occitan patois collectage repertoire</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="309881">
                <text>2014-04-15 11:40:29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="309882">
                <text>805</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="309883">
                <text>Corrèze (19)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="309884">
                <text>IEO Lemosin, dépôt Boudy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309885">
                <text>Collectages, Chanteurs et musiciens (10)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309886">
                <text>Chansons</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309887">
                <text>Enregistrement de chanteurs sur le canton d'Ayen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309888">
                <text>Pascal Boudy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="309889">
                <text>BOU006</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309890">
                <text>1978</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309891">
                <text>M. et Mme FARGES</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309892">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309893">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="309894">
                <text>https://la-biaca.org/items/show/683</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331557">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/683/1397554829_Cassette.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333986">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="16">
        <name>Ayen</name>
      </tag>
      <tag tagId="3">
        <name>Corrèze (19)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="452" public="1" featured="0">
    <fileContainer>
      <file fileId="203">
        <src>https://www.la-biaca.org/files/original/enquetes/452/Duboisnet.jpg</src>
        <authentication>c4054f38911ded6d2fefa3157a621852</authentication>
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    </fileContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
    </collection>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="319014">
              <text>Enregistré au domicile de M Dubois, à La Tuilière, cne de La Porcherie (87)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="319015">
              <text>Dubois.mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="319016">
              <text>3238</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="30">
          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
          <elementTextContainer>
            <elementText elementTextId="319017">
              <text>Mme Dubois Marthe</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="319018">
              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="319019">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="319020">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="319021">
              <text>IEO LEmosin</text>
            </elementText>
            <elementText elementTextId="319022">
              <text>biaça</text>
            </elementText>
            <elementText elementTextId="319023">
              <text>besace</text>
            </elementText>
            <elementText elementTextId="319024">
              <text>Patois</text>
            </elementText>
            <elementText elementTextId="319025">
              <text>Occitan</text>
            </elementText>
            <elementText elementTextId="319026">
              <text>Limousin</text>
            </elementText>
            <elementText elementTextId="319027">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="319028">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="319029">
              <text>Patois Haute vienne</text>
            </elementText>
            <elementText elementTextId="319030">
              <text>Occitan Haute Vienne</text>
            </elementText>
            <elementText elementTextId="319031">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="319032">
              <text>langue d'oc</text>
            </elementText>
            <elementText elementTextId="319033">
              <text>collectage</text>
            </elementText>
            <elementText elementTextId="319034">
              <text>collectatge</text>
            </elementText>
            <elementText elementTextId="319035">
              <text>collection</text>
            </elementText>
            <elementText elementTextId="319036">
              <text>colleccion</text>
            </elementText>
            <elementText elementTextId="319037">
              <text>mémoire</text>
            </elementText>
            <elementText elementTextId="319038">
              <text>memòria</text>
            </elementText>
            <elementText elementTextId="319039">
              <text>sonore chansons</text>
            </elementText>
            <elementText elementTextId="319040">
              <text>rites calendaire</text>
            </elementText>
            <elementText elementTextId="319041">
              <text>tradition</text>
            </elementText>
            <elementText elementTextId="319042">
              <text>nhorles</text>
            </elementText>
            <elementText elementTextId="319043">
              <text>gnorles</text>
            </elementText>
            <elementText elementTextId="319044">
              <text>enregistrement</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="319045">
              <text>andre dubois m urroz p boudy jf vignaud andre dubois patois haute vienne chanson gnorle nhorle dubois</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="319003">
                <text>2012-10-18 16:42:33</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="319004">
                <text>IEO Lemosin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319005">
                <text>André DUBOIS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319006">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319007">
                <text>André DUBOIS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="319008">
                <text>IEO252</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319009">
                <text>2012-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319010">
                <text>M. Urroz, P. Boudy, JF Vignaud</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319011">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319012">
                <text>Moving Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="319013">
                <text>https://la-biaca.org/items/show/452</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331326">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/452/Duboisnet.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous avions d&amp;eacute;j&amp;agrave; rencontr&amp;eacute; M &lt;strong&gt;Andr&amp;eacute; Dubois&lt;/strong&gt; lors d'une repr&amp;eacute;sentation th&amp;eacute;&amp;acirc;trale en occitan &amp;agrave; La Porcherie et avions parl&amp;eacute; de nous revoir . Ce fut chose faite une matin&amp;eacute;e pluvieuse du printemps 2012 . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Dans la cuisine de la maison familiale, en compagnie de sa femme Marthe, nous avons enregistr&amp;eacute; quelques chansons : de belles versions de "la fermeture &amp;eacute;clair", "&lt;span class="oc"&gt;quand la margui s'en vai au molin&lt;/span&gt;", "&lt;span class="oc"&gt;la gerbabauda&lt;/span&gt;", une chanson de qu&amp;ecirc;te, des nhorles . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Il nous a ensuite parl&amp;eacute; du pays, de son m&amp;eacute;tier, de la langue limousine ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt;"&gt;Vous pouvez retrouver Andr&amp;eacute; Dubois dans une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre de Marcel Fournier &lt;a href="https://la-biaca.org/items/show/12903" target="_blank" rel="noopener"&gt;"Meitat de p&amp;ograve;rc"&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce document est la face A de la cassette audio n&amp;deg;4 d'une s&amp;eacute;rie de 5. Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par M. Vincent Besse.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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Reprise de l'enregistrement&#13;

00:00:06.000 --&gt; 00:02:22.000
Les parents et les grand-parents&#13;

00:02:22.000 --&gt; 00:04:57.000
Le mariage et la prise de conscience&#13;

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Arranger son caractère&#13;

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La communauté&#13;

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Le voyage en moto&#13;

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Première impression&#13;

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Du déménagement&#13;

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Premier travail et premiers travaux&#13;

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Verser au pot commun&#13;

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Des bâtiments et de leurs propriétaires&#13;

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À la fin de la communauté&#13;

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La gestion&#13;

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L'aviculture&#13;

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L'argent et la comptabilité&#13;

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Le modèle du kibboutz&#13;

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Le curé à l'origine de la communauté&#13;

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Quelle conscience aviez-vous de cela ?&#13;

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Et avec le recul ?&#13;

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Par rapport au communisme&#13;

00:32:27.000 --&gt; 00:33:31.000
Les responsabilités de chacun&#13;

00:33:31.000 --&gt; 00:34:44.000
Avez-vous récupéré votre argent ?&#13;

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Reprise de l'enregistrement&#13;

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La spiritualité dans la communauté&#13;

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Les paysans travailleurs&#13;

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Reprise de l'enregistrement&#13;

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Chronologie des organisations agricoles&#13;

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L'enseignement dispensé et le public visé&#13;

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Ce n'était pas une école confessionnelle &#13;

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Ce que permettait les stages&#13;

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La responsabilité partagée&#13;

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Le mérite agricole&#13;

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Des élections&#13;

00:02:31.000 --&gt; 00:03:34.000
L'idée de démocracie directe&#13;

00:03:34.000 --&gt; 00:05:43.000
Les réponses des candidats&#13;

00:05:43.000 --&gt; 00:08:40.000
Un exemple de problème débatu collectivement&#13;

00:08:40.000 --&gt; 00:11:01.000
Un risque sectaire ...&#13;

00:11:01.000 --&gt; 00:13:09.000
La diversité des opinions&#13;

00:13:09.000 --&gt; 00:14:24.000
Le but de la démarche&#13;

00:14:24.000 --&gt; 00:16:42.000
Penser "rural" et "chrétien" à la fois&#13;

00:16:42.000 --&gt; 00:19:14.000
N'y a-t-il pas un peu de naïveté ?&#13;

00:19:14.000 --&gt; 00:20:50.000
Voir, juger et agir&#13;

00:20:50.000 --&gt; 00:23:59.000
Garder cette ligne toute sa vie&#13;

00:23:59.000 --&gt; 00:27:57.000
Du productivisme&#13;

00:27:57.000 --&gt; 00:29:02.000
Comment étiez-vous informés ?&#13;

00:29:02.000 --&gt; 00:31:10.000
Du CCFD&#13;

00:31:10.000 --&gt; 00:34:47.000
De la prise de conscience avant l'action&#13;

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Introduction&#13;

00:00:13.000 --&gt; 00:00:58.000
Pour quelle agriculture on se battait&#13;

00:00:58.000 --&gt; 00:03:12.000
Le syndicalisme officiel&#13;

00:03:12.000 --&gt; 00:04:22.000
Partager la terre&#13;

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Concrètement&#13;

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La surface cumulable&#13;

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L'ambition&#13;

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L'hygiène et le progrès&#13;

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On était un certain nombre&#13;

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Les coopératives&#13;

00:15:43.000 --&gt; 00:19:05.000
Un paradoxe dans la revendication&#13;

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La transmission du capital&#13;

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Le changement de société &#13;

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S'engager plus globalement&#13;

00:28:17.000 --&gt; 00:30:37.000
Et aujourd'hui ?&#13;

00:30:37.000 --&gt; 00:33:02.000
L'agriculture succombe&#13;

00:33:02.000 --&gt; 00:33:41.000
Le modèle américain
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                <text>00:00:00.000 --&gt; 00:00:31.000
Reprise de l'enregistrement&#13;

00:00:31.000 --&gt; 00:07:18.000
Débat sur la foi et la rencontre de Dieu&#13;

00:07:18.000 --&gt; 00:10:36.000
Un triste exemple&#13;

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La souffrance&#13;

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Un création des hommes&#13;

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L'engagement dans l'Église&#13;

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Être prêtre, être femme&#13;

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Les femmes étaient impures&#13;

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L'Église ne peut pas se passer des femmes&#13;

00:25:58.000 --&gt; 00:27:07.000
La Création&#13;

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La place de la Bible dans le catéchisme&#13;

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L'œcuménisme&#13;

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La Bible s'écrit encore (Primo Levi)&#13;

00:33:26.000 --&gt; 00:34:47.000
Le Cantique des cantiques
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Mise en place&#13;

00:00:06.000 --&gt; 00:00:27.000
Le travail&#13;

00:00:27.000 --&gt; 00:02:34.000
Lo trabalh de l'annada&#13;

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Le plus de travail&#13;

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Le travail avec les bêtes&#13;

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Les rations alimentaires&#13;

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Daus problemas de chalor&#13;

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Le circuit de vente&#13;

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La race limousine et ses qualités&#13;

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Acheter les bêtes&#13;

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La dentition d'une vache&#13;

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Maquiller les cornes&#13;

00:11:00.000 --&gt; 00:11:15.000
Vocabulaire&#13;

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Quand une bête avale un corps étranger&#13;

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La méningite&#13;

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Quand la vacha ufla&#13;

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Une vache qui n'emplit jamais&#13;

00:16:23.000 --&gt; 00:17:25.000
Quand les vaches sont pleines&#13;

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La mise à bas&#13;

00:18:54.000 --&gt; 00:19:42.000
Quand lo liech pòt pas sautar&#13;

00:19:42.000 --&gt; 00:21:14.000
Les premiers soins au veau&#13;

00:21:14.000 --&gt; 00:22:21.000
Et le cochon ?&#13;

00:22:21.000 --&gt; 00:23:47.000
Tuar lo ganhon&#13;

00:23:47.000 --&gt; 00:24:57.000
"Paiar" lo vesin&#13;

00:24:57.000 --&gt; 00:25:36.000
L'olhon&#13;

00:25:36.000 --&gt; 00:27:04.000
Bruslar, gratar e lavar lo ganhon&#13;

00:27:04.000 --&gt; 00:27:47.000
Botar lo ganhon a bocins&#13;

00:27:47.000 --&gt; 00:28:54.000
Gardar la verja&#13;

00:28:54.000 --&gt; 00:29:41.000
Garder la vessie&#13;

00:29:41.000 --&gt; 00:30:01.000
Reprise de l'enregistrement&#13;

00:30:01.000 --&gt; 00:30:39.000
Las tripas&#13;

00:30:39.000 --&gt; 00:31:31.000
Lo cuer, lo fetge blanc e lo fetge negre&#13;

00:31:31.000 --&gt; 00:33:56.000
Far las gògas&#13;

00:33:56.000 --&gt; 00:34:39.000
La mesura de las gògas&#13;

00:34:39.000 --&gt; 00:35:18.000
Conhar un cotel dins lo cuol dau ganhon&#13;

00:35:18.000 --&gt; 00:35:55.000
Crebar lo budel  &#13;

00:35:55.000 --&gt; 00:37:00.000
Lo premier de l'an&#13;

00:37:00.000 --&gt; 00:37:56.000
Madama Chandaliera&#13;

00:37:56.000 --&gt; 00:40:29.000
Carnavar&#13;

00:40:29.000 --&gt; 00:41:14.000
Per rampalms&#13;

00:41:14.000 --&gt; 00:41:51.000
Pour jeudi et vendredi saint&#13;

00:41:51.000 --&gt; 00:42:12.000
Pendagosta, las rogacions, la Sent Jan&#13;

00:42:12.000 --&gt; 00:43:30.000
Los 15 e 16 d'aust&#13;

00:43:30.000 --&gt; 00:44:58.000
Totsents e Nadau&#13;

00:44:58.000 --&gt; 00:45:30.000
Mon frair z'a retengut ...&#13;

00:45:30.000 --&gt; 00:46:22.000
La bujada&#13;

00:46:22.000 --&gt; 00:48:37.000
Les interdictions en fonction de la Lune&#13;

00:48:37.000 --&gt; 00:48:53.000
Couper l'orage avec la main&#13;

00:48:53.000 --&gt; 00:49:47.000
La Lune et les affaires féminines&#13;

00:49:47.000 --&gt; 00:50:53.000
La durée d'une lune&#13;

00:50:53.000 --&gt; 00:51:56.000
Le sexe des enfants et la Lune&#13;

00:51:56.000 --&gt; 00:53:18.000
Un grand-pair que garissiá lo fuec&#13;

00:53:18.000 --&gt; 00:55:44.000
Baspeyrat et Aubaspeyrat&#13;

00:55:44.000 --&gt; 00:56:30.000
Contes et chansons ?&#13;

00:56:30.000 --&gt; 00:57:09.000
La lebròta&#13;

00:57:09.000 --&gt; 00:58:33.000
Pour faire marcher les bébés&#13;

00:58:33.000 --&gt; 00:59:16.000
Le progrès&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur les bobines contenant ces deux bandes, il est &amp;eacute;crit respectivement &lt;span style="color: #808080;"&gt;"N&amp;deg;1"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"N&amp;deg;2"&lt;/span&gt;.&lt;/span&gt;&#13;
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Las filhas de Las Vernhas&#13;

00:02:36.000 --&gt; 00:05:05.000
Dins las landas de Lembartias&#13;

00:05:05.000 --&gt; 00:05:49.000
Quand i'era jòuna dròlla (début)&#13;

00:05:49.000 --&gt; 00:07:58.000
Quand i'era jòuna dròlla&#13;

00:07:58.000 --&gt; 00:08:11.000
Passoleta (essai)&#13;

00:08:11.000 --&gt; 00:09:48.000
Passoleta&#13;

00:09:48.000 --&gt; 00:12:20.000
Permets-moi, belle meunière&#13;

00:12:20.000 --&gt; 00:15:05.000
Ne ses-tu pas bientòst coifada&#13;

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Chas Combart (début)&#13;

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Chas Combart (début)&#13;

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Dija Janeta&#13;

00:00:54.000 --&gt; 00:03:39.000
Récit d'un collectage&#13;

00:03:39.000 --&gt; 00:06:02.000
Bonjour bergerette, adissiatz mossur&#13;

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La Madelin&#13;

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Planh de Maria-Madalena&#13;

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La Senta Compacion de la Bona Vierja&#13;

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Lo turlututu&#13;

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La maiada&#13;

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Discussion sur la langue&#13;

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Discussion sur le chant&#13;

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De "La maiada"&#13;

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Le lait de la negresse (nhòrla)&#13;

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L'insémination artificielle (incomplète)&#13;

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Per divertir la gent&#13;

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I'ai 'na meschanta maire&#13;

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Lo vielh e la bargiera&#13;

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Lo vielh e la bargiera&#13;

00:12:54.000 --&gt; 00:00:00.000
Un jorn dins l'estolhas&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande non num&amp;eacute;rot&amp;eacute;e il est not&amp;eacute; &lt;span style="color: #666699;"&gt;"Gen&amp;ccedil;ay 2 suite du violoniste 810 "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons un musicien de Blanzay, &lt;strong&gt;M. &lt;a href="http://www.violoneux.fr/wiki/Alfred_Pineau" target="_blank" rel="noopener"&gt;Alfred Pineau&lt;/a&gt;&lt;/strong&gt; qui &amp;eacute;tait n&amp;eacute; en 1886 il&lt;span style="font-size: 14pt;"&gt; est enregistr&amp;eacute; en pr&amp;eacute;sence de sa femme, Marie que l'on entend chanter &amp;agrave; plusieurs reprises .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document, une succession de morceaux puis M. Pineau est interrog&amp;eacute; &lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;(ce n'est pas M. Dagnas qui lui pose les questions mais Michel Vali&amp;egrave;re qui nous pr&amp;eacute;cise que l'enregistrement date de 1966 "Il s'agissait de r&amp;eacute;aliser un "digest" radiophonique et p&amp;eacute;dagogique du r&amp;eacute;pertoire d'Alfred Pineau r&amp;eacute;alis&amp;eacute; &amp;agrave; l'intention de Radio Limoges, j'avais d&amp;eacute;j&amp;agrave; enregistr&amp;eacute; M Pineau auparavant, mais je souhaitais faire conna&amp;icirc;tre ainsi sa m&amp;eacute;thode d'&amp;eacute;criture chiffr&amp;eacute;e pour violon, dont je venais d'envoyer &amp;agrave; la BNF &amp;agrave; Paris une copie du cahier dont il parle.)&lt;/span&gt;&lt;/em&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;sur son premier violon, sa mani&amp;egrave;re d'&amp;eacute;crire les notes, la conduite des noces, le paiement &amp;agrave; la danse, le rond de la pastourelle, etc ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;En fin de bande (&amp;agrave; partir de 12mn 12), un autre enregistrement d'un informateur non identifi&amp;eacute;, natif de Tulle (19) qui parle de No&amp;euml;l, de la l&amp;eacute;gende de la dame blanche de Gimel, du rapport aux l&amp;eacute;gendes . &lt;br /&gt;Le propos est interromu par la fin de la bande &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette cassette audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re, il est not&amp;eacute; :&lt;span style="color: #666699;"&gt;" M. Lavialle, Accord&amp;eacute;onneux, Originaire de la Corr&amp;egrave;ze, Chir&amp;eacute; les Bois"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement de M Louis Lavialle, n&amp;eacute; &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;agrave; Saint-Cyr les champagnes (24) en 1911 r&amp;eacute;sidant &amp;agrave; Chir&amp;eacute;-les-Bois depuis des ann&amp;eacute;es .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;M. Lavialle parle de son arriv&amp;eacute;e dans la Vienne, de la mani&amp;egrave;re dont il fut lou&amp;eacute; par les tuiliers de la Vienne &amp;agrave; la foire de Lubersac, de sa pratique de la langue &amp;agrave; la maison et &amp;agrave; l'&amp;eacute;cole, du travail de la ferme ... Il chante aussi deux chansons, Toine et &lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un beau document &amp;agrave; mettre en lien avec l'enregistrement de &lt;a href="https://www.la-biaca.org/items/show/285" target="_blank" rel="noopener noreferrer"&gt;M. Boisdevezy &lt;/a&gt;qui fut lui aussi ouvrier tuilier, dans les Deux-S&amp;egrave;vres . &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br class="fr" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #666699;"&gt;Enq : Madame Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re &amp;agrave; Saint-Illide (Cantal), Lieu dit Lacam&lt;br /&gt;&amp;nbsp; Inf : Famille Fruqui&amp;egrave;res&lt;br /&gt;- Chansons en fran&amp;ccedil;ais et en Occitan&lt;br /&gt;- Airs &amp;agrave; danser (bourr&amp;eacute;es) (parler Nord-Auvergnat)&lt;br /&gt;-1 conte fac&amp;eacute;tieux (en occitan)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1979 [stage capase de Mich&amp;egrave;le] &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur les deux pistes de cette bande une succession de chansons : Des airs traditionnels (plusieurs bourr&amp;eacute;es, lo merle, une marche nuptiale etc ...) y c&amp;ocirc;toient des chansons de composition plus r&amp;eacute;cente (Robert Mon&amp;eacute;di&amp;egrave;re, Jean S&amp;eacute;gurel ... ) et un conte en patois ( une histoire dr&amp;ocirc;le bien connue de cur&amp;eacute; et de servante ). &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12829#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-256%2C-1%2C1089%2C770" target="_blank" rel="noopener noreferrer"&gt;Mich&amp;egrave;le Vali&amp;egrave;re&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:11.000
Quand te 'nava veire&#13;

00:01:11.000 --&gt; 00:02:12.000
La bobit&#13;

00:02:12.000 --&gt; 00:02:45.000
Faguet rencontra d'un galant...&#13;

00:02:45.000 --&gt; 00:03:22.000
Elle est pas au point...&#13;

00:03:22.000 --&gt; 00:05:35.000
Dins Paris i a una de vielha&#13;

00:05:35.000 --&gt; 00:06:53.000
La bela-mair&#13;

00:06:53.000 --&gt; 00:08:03.000
La bela-mair (reprise)&#13;

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La bela-mair (reprise)&#13;

00:09:11.000 --&gt; 00:10:52.000
Vendredi 13 en février&#13;

00:10:52.000 --&gt; 00:12:38.000
Nòstre asne&#13;

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Lu boier de la prada&#13;

00:14:50.000 --&gt; 00:17:50.000
Çò-disset la sendrilha&#13;

00:17:50.000 --&gt; 00:21:04.000
Discussion à propos des chansons&#13;

00:21:04.000 --&gt; 00:00:00.000
Escotatz bien gent de la campanha&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Merci &amp;agrave; Mme Monique Laporte-Lar&amp;eacute;e qui a bien voulu nous confier plusieurs enregistrements pour mise en ligne.&lt;br /&gt;&lt;br /&gt;Nous y nous entendons tout d'abord M Louis Laporte (le p&amp;egrave;re de Mme Laporte-Lar&amp;eacute;e) interpr&amp;eacute;ter une version de la chanson d'Eus&amp;egrave;be Bombal "&lt;em&gt;Los gabariers de la Dordonha&lt;/em&gt;".&lt;br /&gt;&lt;br /&gt;S'en suit un enresitrement d'une &amp;eacute;mission musicale sur les gabariers, avec la participation de la chorale des &amp;Eacute;chos Limousins d'Argentat qui y interpr&amp;egrave;te plusieurs chansons (&lt;em&gt;Los gabariers de la Dordonha&lt;/em&gt;, &lt;em&gt;Se canta&lt;/em&gt;, Les fianc&amp;eacute;s d'Auvergne, &lt;em&gt;Lo turlututu&lt;/em&gt;, On l'appelait "le montagnard", Son Auvergne jolie, L'&amp;eacute;toile des troubadours, Le petit Pierre, &lt;em&gt;Los escl&amp;ograve;ps&lt;/em&gt;, Le petit tacot, Pays vert, ma Corr&amp;egrave;ze, Beau pays d'Argentat). &lt;br /&gt;&lt;br /&gt;Enfin, un autre enregistrement de la chanson des gabariers (&amp;agrave; nouveau interpr&amp;eacute;t&amp;eacute;e par M Laporte), suivi d'une entrevue &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;r&amp;eacute;alis&amp;eacute;e par&amp;nbsp; Francis Chaminade dans laquelle M Laporte et u&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;ne autre personne (non identifi&amp;eacute;e) &lt;/span&gt;&amp;eacute;voquent&lt;/span&gt; la vie des gabariers.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mme Laporte-Lar&amp;eacute;e nous a aussi transmis plusieurs photos :&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/ag464.jpg"&gt;une de M Laporte mimant tout en chantant la chanson du r&amp;eacute;mouleur&lt;/a&gt;&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/Louis_Laporte.JPG"&gt;un portrait de M Laporte&lt;/a&gt;&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/le_quartier_du_bastie_avec_Louis_Laporte_Jeune_main_dans_les_poches.jpg"&gt;le quartier du Bastier avec Louis Laporte, enfant, les mains dans les poche &lt;/a&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;</text>
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                <text>oci</text>
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                <text>LES GABARIERS</text>
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                <text>Corrèze (19)</text>
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                <text>Los gabariers de la Dordonha</text>
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                <text>https://la-biaca.org/items/show/13414</text>
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                <text>00:00:00.000 --&gt; 00:03:17.000
Los gabariers de la Dordonha (Louis Laporte)&#13;

00:03:17.000 --&gt; 00:03:51.000
Le départ de gabariers&#13;

00:03:51.000 --&gt; 00:06:08.000
Los gabariers de la Dordonha (chorale)&#13;

00:06:08.000 --&gt; 00:06:32.000
Lentement, le bateau s'éloigne ...&#13;

00:06:32.000 --&gt; 00:08:51.000
Se canta&#13;

00:08:51.000 --&gt; 00:09:17.000
Le premier voyage&#13;

00:09:17.000 --&gt; 00:11:40.000
Les fiancés d'Auvergne&#13;

00:11:40.000 --&gt; 00:12:08.000
Arrivée à Souillac&#13;

00:12:08.000 --&gt; 00:14:40.000
Lo turlututu&#13;

00:14:40.000 --&gt; 00:15:09.000
La gabarre file aux pieds des falaises&#13;

00:15:09.000 --&gt; 00:18:10.000
Jeanne et ma montagne&#13;

00:18:10.000 --&gt; 00:18:39.000
On l'appelait "le montagnard"&#13;

00:18:39.000 --&gt; 00:20:52.000
Son Auvergne jolie&#13;

00:20:52.000 --&gt; 00:21:14.000
La Dordogne s'élagit&#13;

00:21:14.000 --&gt; 00:23:30.000
L'étoile des troubadours&#13;

00:23:30.000 --&gt; 00:23:55.000
Le bateau franchit le Périgord&#13;

00:23:55.000 --&gt; 00:27:14.000
Le petit Pierre&#13;

00:27:14.000 --&gt; 00:27:34.000
À Argentat&#13;

00:27:34.000 --&gt; 00:30:21.000
Los esclòps&#13;

00:30:21.000 --&gt; 00:30:55.000
Le voyage est terminé&#13;

00:30:55.000 --&gt; 00:33:21.000
Le petit tacot&#13;

00:33:21.000 --&gt; 00:33:41.000
Le retour au pays&#13;

00:33:41.000 --&gt; 00:35:41.000
Pays vert, ma Corrèze&#13;

00:35:41.000 --&gt; 00:36:05.000
Les rèves des gabariers&#13;

00:36:05.000 --&gt; 00:37:55.000
Beau pays d'Argentat&#13;

00:37:55.000 --&gt; 00:38:17.000
Jean pleure ...&#13;

00:38:17.000 --&gt; 00:40:48.000
Los gabariers de la Dordonha (Louis Laporte)&#13;

00:40:48.000 --&gt; 00:41:05.000
Introduction&#13;

00:41:05.000 --&gt; 00:42:16.000
Quand la Dordogne était de voyage&#13;

00:42:16.000 --&gt; 00:42:52.000
De la gabarre&#13;

00:42:52.000 --&gt; 00:43:38.000
Le travail de gabarrier&#13;

00:43:38.000 --&gt; 00:45:19.000
De la navigation sur la Dordogne&#13;

00:45:19.000 --&gt; 00:45:53.000
Quand ils prenaient de l'eau&#13;

00:45:53.000 --&gt; 00:46:09.000
Du départ&#13;

00:46:09.000 --&gt; 00:46:51.000
Du trajet&#13;

00:46:51.000 --&gt; 00:47:10.000
Vendre la marchandise&#13;

00:47:10.000 --&gt; 00:48:15.000
Vendre la gabarre et rentrer&#13;

00:48:15.000 --&gt; 00:48:32.000
Les dernières gabarres&#13;

00:48:32.000 --&gt; 00:49:48.000
Le rallye de 1936&#13;

00:49:48.000 --&gt; 00:03:16.000
Conclusion&#13;

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