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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ce sujet est extrait des enregistrement effectués en 2004 pour le DVD "contaïres" &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit de la rencontre avec Fernand Desaguiller, conteur de tradition habitant à Saint-Jal . Fernand raconte l'òme de palha, puis il évoque son parcours, les veillées, le travail à la ferme, son intérêt pour la langue, pour le conte,pour les traditions ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="text-align:center;"&gt;&lt;span style="font-size:12pt;"&gt;Images : Jacques Malnou &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Son : Cécile Gouleau &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Entretiens : Jan dau Melhau &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Réalisation : Christelle le Dortz &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Production : IEO Lemosin &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Production exécutive : Télémillevaches&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="text-align:center;"&gt;&lt;span style="font-size:12pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ce document pr&amp;eacute;sente trois enregistrements d&amp;rsquo;&lt;strong&gt;Antoine Soubrenie&lt;/strong&gt;, r&amp;eacute;alis&amp;eacute;s &amp;agrave; Espeyrut (Donzenac) par Clair Mah&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 80 (Ce sont les cassettes M11 face 1 et 2 et la cassette M8 face 1)&lt;/span&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Nous entendons M. Antoine Soubrenie, dans une belle langue, nous parler de la gen&amp;egrave;se des "Troubadours Gamadous&lt;/span&gt;" &lt;span class="fr"&gt;de Donzenac : le groupe th&amp;eacute;&amp;acirc;tral puis le groupe folklorique et enfin la chorale, de leur succ&amp;egrave;s grandissant mais aussi des tensions que ces actions ont g&amp;eacute;n&amp;eacute;r&amp;eacute; sur la commune. Ensuite M. Soubrenie nous parle de sa vie, de son int&amp;eacute;r&amp;ecirc;t pour la langue, pour l&amp;rsquo;&amp;eacute;criture.&lt;/span&gt;&lt;/span&gt;..&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Il nous conte ensuite les &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;Nhorles du p&amp;egrave;re Toinet&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo; et, pour terminer, des membres des "Troubadours Gamadous" disent deux textes et une blague en Fran&amp;ccedil;ais .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; la base d'articles et documents publi&amp;eacute;s &lt;span class="fr"&gt; dans &amp;laquo; &lt;span class="fr"&gt;La Clau &lt;span class="fr"&gt;&amp;raquo; , &amp;laquo; &lt;span class="fr"&gt;Lemouzi &lt;span class="fr"&gt;&amp;raquo;&lt;span class="fr" style="font-size: 10pt;"&gt; mais aussi &lt;span style="font-family: Arial;"&gt; dans &amp;laquo; Di lou Cantou &amp;raquo; (la revue des Corr&amp;eacute;ziens de Paris) et l&amp;rsquo;&amp;Eacute;cho du Centre. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;M. Soubrenie est n&amp;eacute; en 1920 et d&amp;eacute;c&amp;eacute;d&amp;eacute; en 2005. Tr&amp;egrave;s concern&amp;eacute; par la vie de son village, d&amp;egrave;s sa retraite il a particip&amp;eacute; de mani&amp;egrave;re tr&amp;egrave;s active &amp;agrave; la vie associative.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Il a &amp;eacute;crit des pi&amp;egrave;ces de th&amp;eacute;&amp;acirc;tre (&lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a, Quand lo liech s&amp;rsquo;esbolha, Las n&amp;ograve;&amp;ccedil;as d&amp;rsquo;&amp;ograve;r de la Julieta e del pair Tianet et los Enuegs del Pair Tianet&lt;/span&gt;) qui ont connu un beau succ&amp;egrave;s avant d'&amp;ecirc;tre publi&amp;eacute;es dans Lemouzi. &lt;br /&gt;Antoine Soubrenie a aussi &amp;eacute;crit quelques contes, les "nh&amp;ograve;rles", que nous entendons dans cet enregistrement, et compos&amp;eacute; des chansons et musique avec l&amp;rsquo;aide de son comp&amp;egrave;re musicien M. Mayjonade.&lt;/span&gt; &lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ces nh&amp;ograve;rles, transcrites par Clair Mah&amp;eacute; et illustr&amp;eacute;es par Laurent Schmitz ont &amp;eacute;t&amp;eacute; publi&amp;eacute;es en 1988 dans un num&amp;eacute;ro de La Clau Lemosin diponible ci dessous &lt;/span&gt; :&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12855#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=0%2C-152%2C1249%2C883"&gt;Per legir "Las nh&amp;ograve;rlas del paire Toanet"&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne, et Mme Ang&amp;egrave;le Soubrenie qui a accept&amp;eacute; la mise en ligne de ces enregistrements et a bien voulu nous transmettre les photos de son mari. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ce document pr&amp;eacute;sente deux enregistrements d' &lt;strong&gt;Henri Beyssas&lt;/strong&gt;, personnage bien connu dit "le Pape", r&amp;eacute;alis&amp;eacute;s &amp;agrave; Travassac (19) par Clair Mah&amp;eacute; en 1978 (Ce sont les cassettes M13 face 1 et la cassette M2 face 1et 2). &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous entendons d'abord M. Beyssas nous parler de sa passion pour le dessin et la sculpture sur ardoise, ensuite il nous parle du travail aux ardoisi&amp;egrave;res de Travassac, les diff&amp;eacute;rents m&amp;eacute;tiers (les mineurs, les treuillistes, les tailleurs, les cliveurs) la modernisation... Pour conclure cette partie il nous parle de la &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;g&amp;eacute;ologie puis de l'histoire des &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;ardoisi&amp;egrave;res. &lt;br /&gt;Cet enregistrement sur les ardoisi&amp;egrave;res a servi de base &amp;agrave; un article de Clair Mah&amp;eacute;, "Henri Beyssas, tailleur de pierre, vous parle", publi&amp;eacute; dans le Lemouzi n&amp;deg; 82 d'avril 1982 (p. 185-190). &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur le second enregistrement (&amp;agrave; partir de 27'57''), nous retrouvons &lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;chantant de nombreuses chansons &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;en occitan et en fran&amp;ccedil;ais &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;: des chansons sur la guerre de 70 qu'il a entendues dans les carri&amp;egrave;res, des chansons traditionnelles et quelques cr&amp;eacute;ations. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12854#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-357%2C0%2C1313%2C928"&gt;Quelques textes de chansons transcrits par Clair Mah&amp;eacute; ►&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &amp;eacute;tait ardoisier &amp;agrave; Travassac . Il &amp;eacute;tait passionn&amp;eacute; par le dessin et la sculpture sur ardoises (il avait d'ailleurs fait chez lui un petit mus&amp;eacute;e de l'ardoise qu'il se plaisait &amp;agrave; faire visiter !). Il avait fait de nombreuses recherches sur ce sujet qui lui tenait &amp;agrave; co&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;eur.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 11pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne. &lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo; &lt;span class="fr"&gt;eVisual &lt;span class="fr"&gt;&amp;raquo;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Marie Mathou est née près de Tulle, dans le bas de Poissac, en 1902. Plus tard elle a vécu en région parisienne tout en gardant des attaches au pays où elle est revenue pour la retraite avec son mari Marcel Renault. Personnage attachant, elle aimait bien raconter des histoires, ce qu’elle tenait de son père qui était un bon conteur et aussi une figure locale intéressante.&lt;/p&gt; &lt;p&gt;Cet enregistrement a servi de base à un article du Lemouzi n°181 page 12.&lt;/p&gt; &lt;p&gt;Enregistré sur cassette audio, il a été mis à notre disposition pour numérisation et mise en ligne par Clair Mahé qui en a assuré la description&lt;/p&gt;</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-family: Georgia, serif; font-size: 10pt; color: #000000;"&gt;Sur le bo&amp;icirc;tier contenant cette bande audio, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;&amp;laquo; R&amp;eacute;volte des paysans &amp;agrave; Favars en 1790, Attaque de la diligence &amp;agrave; la garenne de Bosredon (1832) Conf&amp;eacute;rence faire le 19-11-77 par Ms. Dautrement et Chalard &amp;raquo;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, l&amp;rsquo;enregistrement d&amp;rsquo;une conf&amp;eacute;rence faite le 19 novembre 1977 par MM. &lt;strong&gt;L&amp;eacute;on Dautrement&lt;/strong&gt; et &lt;strong&gt;Yvon Chalard&lt;/strong&gt; &amp;agrave; Favars (19).&lt;br /&gt;L&amp;eacute;on Dautrement (1899-1979) &amp;eacute;tait enseignant, syndicaliste enseignant et r&amp;eacute;publicain engag&amp;eacute;, il publia de nombreux ouvrages sur la r&amp;eacute;gion. &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Au moment de la conf&amp;eacute;rence il &amp;eacute;tait pr&amp;eacute;sident de la Soci&amp;eacute;t&amp;eacute; scientifique, historique et arch&amp;eacute;ologique de la Corr&amp;egrave;ze dans le bulletin de laquelle il publiait r&amp;eacute;guli&amp;egrave;rement des articles.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; la situation &amp;agrave; la veille de la R&amp;eacute;volution, M. Dautrement, &amp;eacute;voque les &amp;eacute;v&amp;egrave;nements de Lachamp et de Favars et les diff&amp;eacute;rents &amp;eacute;crits relatant ces &amp;eacute;v&amp;egrave;nements.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;Ensuite, son ami Yvon Chalard, enseignant lui aussi, parle des attaques de diligences &amp;agrave; Condat-sur-Ganaveix et Favars.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles &amp;laquo; folkloriques &amp;raquo;, veill&amp;eacute;es et animations dans le cadre du Foyer rural de Favars.&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour Les films du geni&amp;egrave;vre.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Une collection d'images en noir et blanc qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par l'association Lo Chavilher. &lt;br /&gt;Ces photos ont &amp;eacute;t&amp;eacute; prises dans les ann&amp;eacute;es 1970/1980 au cours de f&amp;ecirc;tes de la sauti&amp;egrave;re qui avaient lieu &amp;agrave; Juillac (19), au cours de d&amp;eacute;fil&amp;eacute;s de Carnaval et de soir&amp;eacute;es festives&amp;nbsp; .&lt;br /&gt;&lt;br /&gt;On y retrouve les musiciens du groupe mais aussi plusieurs anciens des environs, musiciens, chanteurs, danseurs qui retrouvaient dans ses f&amp;ecirc;tes l'occasion de transmettre leur r&amp;eacute;pertoire. &lt;br /&gt;Parmi eux : Albert Buffi&amp;egrave;re, L&amp;eacute;on Bonis, Gabriel Br&amp;eacute;g&amp;egrave;re, Yvette Froidefond etc...&lt;br /&gt;&lt;br /&gt;De nombreux enregistrements de ces informateurs sont sur le site, quelques exemples : &lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/267" target="_blank" rel="noreferrer noopener"&gt;-&amp;nbsp; Yvette Froidefond &amp;agrave; Coubjours&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/538" target="_blank" rel="noreferrer noopener"&gt;-&amp;nbsp; L&amp;eacute;on Bonis &amp;agrave; Saint Robert&lt;/a&gt; &lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/513" target="_blank" rel="noreferrer noopener"&gt;-&amp;nbsp; Gabriel Br&amp;eacute;g&amp;egrave;re &amp;agrave; Perpezac-Le-Blanc&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/531" target="_blank" rel="noreferrer noopener"&gt;- Albert Buffi&amp;egrave;re &amp;agrave; Rosiers-de-Juillac&lt;/a&gt;</text>
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Jean et Popy Dupetitmagneux</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous pouvons y entendre plusieurs informateurs, l'un d'eux Mr Laporte de Monceaux chante une version de la chans&lt;/span&gt;&lt;span style="font-size: medium;"&gt;on d' Eus&amp;egrave;be Bombal &lt;span class="oc"&gt;"los gabariers de la Dordonha"&lt;/span&gt;, ensuite se succ&amp;egrave;dent, en fran&amp;ccedil;ais, d'int&amp;eacute;ressants t&amp;eacute;moignages sur les gabares, les bateliers, la Dordogne, le c&amp;eacute;l&amp;egrave;bre Malpas, la navigation, le trajet, la vente des marchandises, celle des gabares, le retour, la derni&amp;egrave;re gabare ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ces bandes ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
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              <text>Sophie et son amant</text>
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              <text>Je m'en vais faire chaque jour</text>
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              <text>Aval dins la rebiera</text>
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              <text>Sous les plis du drapeau</text>
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              <text>Capitaine</text>
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              <text>La mariée</text>
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              <text>C'était une bergère</text>
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            <elementText elementTextId="316022">
              <text>Toutes les filles d'Orléans</text>
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              <text>Traina sauma</text>
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              <text>Plus bas mon amant</text>
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            <elementText elementTextId="316025">
              <text>Tant vielha</text>
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              <text>Revenetz demaiselas</text>
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              <text>Torna-vira</text>
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                <text>Perpezac-le-Blanc</text>
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            <description>A name given to the resource</description>
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            <name>Description</name>
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                <text>Enregistrement de M. Gabriel Brégère, chanteur traditionnel à Perpezac le Blanc</text>
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            <name>Date</name>
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                <text>1980</text>
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            <name>Creator</name>
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                <text>Francis CHAMINADE</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/513</text>
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&lt;p&gt;&lt;span style="color: #000000;"&gt;&amp;nbsp;* ces titres sont aussi dans l'enregistrement pr&amp;eacute;c&amp;eacute;dent&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Ces bandes ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;/span&gt;&lt;/p&gt;</text>
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N'ai lo cocut &#13;

00:00:49.000 --&gt; 00:01:35.000
Onte 'niras gardar&#13;

00:01:35.000 --&gt; 00:03:37.000
Valse quand même&#13;

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En passar la plancheta&#13;

00:04:13.000 --&gt; 00:04:49.000
Revenetz domaisela&#13;

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L'aiga de rosas&#13;

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Bonsoir mignonne je t'écris de la tranchée&#13;

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Mort en prison &#13;

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L'église était parée &#13;

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J'avais rêvé de vivre sans ménage&#13;

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Ma bonne maman je viens vous demander&#13;

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Ai traucat&#13;

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C'est une jeune fille&#13;

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Carnaval&#13;

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Mon père en a 600 moutons &#13;

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L'autre jour me promenant tout le long des Monédières&#13;

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Rossinholet&#13;

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Il ne faut pas t'en faire, elle est finie la guerre&#13;

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Verdun la victorieuse&#13;

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Quand je serais au régiment&#13;

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Si tu savais Lolotte  &#13;

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Mon cher amant, que me dis-tu là&#13;

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Qui veut entendre une chanson ?&#13;

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Jeune militaire revenant de la guerre&#13;

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Trou du cul&#13;

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La parisienne&#13;

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La borreia vai bien&#13;

00:39:49.000 --&gt; 00:40:19.000
Marion&#13;

00:40:19.000 --&gt; 00:41:59.000
Tu voulais me voir pleurer&#13;

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                <text>2013-07-16 15:31:33</text>
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                <text>IEO Lemosin, dépôt Chavilhier</text>
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                <text>Chansons</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement de chanteuses traditionnelles datant de 1980 (français et limousin)</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande, qui nous a été confié pour numérisation et mise en ligne par Francis Chaminade, deux enregistrements réalisés en compagnie de Popy Dupetitmagnieux, pour l'association "Lo chavilhier" . D'abord &lt;strong&gt;Mme Tampoucette&lt;/strong&gt; et une autre informatrice (Léontine ?) à Juillac, puis (à partir de 24mn 40) Mme &lt;strong&gt;Yvette Froidefond&lt;/strong&gt; au Chalard, commune de Coubjours .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Ces enregistrements datent du 17 avril 1980 &lt;/span&gt;.&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Une suite de chansons :&lt;/span&gt; J'ai fait une maitresse, J'ai tout quitté, En revenant du moulin, Viens valser, Valse à la mariée, La belle meunière, &lt;span class="oc"&gt;Tu t'en vas de per los champs,&lt;/span&gt; Belle bergère, La Cati, Belle rose, Les scieurs de long, La passion (chanson de quête)ainsi qu'un petit extrait de la célèbre chanson de Muratel .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Plusieurs danses :&lt;/span&gt; Parisienne, scottish-valse, polka piquée, scottish, sautières, promenades, bourrées .. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;et pour finir une nhorle : &lt;span class="oc"&gt;"La vacha et la bèla mair"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Jean, Popy Dupetitmagnieux et Francis Chaminade, membres fondateurs de l'association "Lo chavilhier"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement non daté (1981 ou 1982) nous entendons deux informateurs :&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;strong&gt;M. Gabriel Brégère&lt;/strong&gt;, de Perpezac le Blanc (informateur réputé dont plusieurs enregistrements sont sur le site) qui chante des chansons datant de la guerre de 14/18 (Voilà les gars de la culture - sur l'air des gars de la marine, Sous le pont de Minaucourt - Les ponts de Paris, Un chien français, deux chansons sur l'affaire Charles Barataud ... ) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite &lt;strong&gt;M. Lachaud&lt;/strong&gt; de Badefols d'Ans (en Dordogne voisine) , joueur d'accordéon diatonique, alors agé de 82 ans joue un beau répertoire d'airs de danses : valses, scottishs, sautières, marches, polkas, quadrilles, mazurkas  etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;(Sur la vignette illustrant cette enquête, Jean enregistrant M Brégère .)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement de Marcelle Pathier, chanteuse de tradition domiciliée à Chamberet (19) .&lt;br /&gt;Cet enregistrement a été réalisé le 22 août 2002 en compagnie de Jan dau Melhau .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Pathier livre ici une partie de son répertoire : chansons en français, en occitan, histoires drôles, etc :&lt;br /&gt;Sur la grève de Paris, À l'âge de 15 ans, L'autre jour me promenant, Le garçon chaudronnier*, La fermeture éclair, C'est les filles de Praline, La jouvence de l'Abbé Soury, Le curé et le teinturier, Je connais un moulin pratique, Ce brave paysan..., La sage-femme presto, À Saint-Gilles le petit bourg, Quand Marguerite s'en va-t-au bois, À Paris la grande ville, Je prends le cheval blanc de mon père, &lt;span class="oc"&gt;Las filhas de delai l'aiga&lt;/span&gt; (fragment), &lt;span class="oc"&gt;Lo maridatge dau Janton&lt;/span&gt; (histoire), Le cirque et le curé (histoire), Je suis monté c'matin (chanson de la mariée), Dans un bosquet (c'est à 15 ans que tu m'as trouvée belle), Brise-pied, &lt;span class="oc"&gt;L'aurelha de treuia&lt;/span&gt; (fragment)&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Marcelle Pathier, est née dans la commune voisine de Sussac (87) en 1933 dans une famille de chanteurs (petite-fille de Pierre Rouland, &lt;span style="font-size:14pt;"&gt;elle est la&lt;/span&gt; &lt;span style="font-size:14pt;"&gt;fille&lt;/span&gt; de Marie Delanne et nièce d'Henri Rouland avec lesquels elle fut enregistrée par Hugh Shields pour le disque "French folk songsfrom Corrèze" au tout début des années 70)&lt;br /&gt;Marcelle pratique encore le chant avec beaucoup de joie et son répertoire semble inépuisable .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et&lt;/span&gt;&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt; responsable du département de musique traditionnelle .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;*&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;Myette Hébrant-Marouby&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; avait enregistré cette chanson auprès de &lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;Mme Pathier&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; dans les années 80 , voir ci dessous &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Cet enregistrement date de 2004 . Nous avions, en compagnie de Gislaine Pouget rencontré Mme Marcelle Moulène, qu'elle avait enregistré à la fin des années 70 .&lt;/p&gt; &lt;p&gt;En compagnie de son mari, elle nous a conté "Champalimau", version bas limousine du fameux conte "Jean le sot", nous avons ensuite parlé des voisins, les gens de Lacisque dont on se moque à loisirs, les surnoms des habitants du canton . Ensuite nous avons enregistré une randonnée bien répandue en limousin "la buse" , dans une belle version bien complète, puis "pleu e fai solelh", "la lebrauta", "la vielha", "baulin baulan" ..&lt;/p&gt; &lt;p&gt;Voir l'enregistrement de 1977 ci dessous&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Enregistrement de Madame Valat, à Brousse, commune de Noailhac.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cet enregistrement date de 1977. Il a été réalisé par Ghislaine et Michel Pouget auprès de la fille d'un joueur de "chabrette" &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Plusieurs bourrées, &lt;span class="oc"&gt;L'aiga de rosas, Lo traiton,&lt;/span&gt; Chansons de Noël, chanson de quête,&lt;span class="oc"&gt; Lo boier, Que chanta, Plai Janeta,&lt;/span&gt; etc &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Des témoignages sur les bals, les danses , la musique, l'école, la saint Jean, Carnaval etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Pouget</text>
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                <text>Mme LESTRADE</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;Enregistrement de &lt;strong&gt;Mme Lestrade&lt;/strong&gt; &lt;span class="fr" style="font-size: 12pt;"&gt;n&amp;eacute;e &amp;agrave; Queyssac-les-Vignes. mme Lestrade a ensuite v&amp;eacute;cu &amp;agrave; Curemonte puis &amp;agrave; Meyssac&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;Il s'agit de deux enregistrements (un par face de la cassette audio) r&amp;eacute;alis&amp;eacute;s en 1976 &amp;agrave; Vars, commune de Meyssac.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;Mme Lestrade &amp;eacute;voque, en limousin, sa jeunesse, la pratique de la langue, l'&amp;eacute;cole, l'habillement, les musiciens, les bals, les veill&amp;eacute;es, elle nous chante la chanson de Queyssac, ... l'enregistrement se termine par deux comptines &lt;em&gt;La lebrauta&lt;/em&gt; et &lt;em&gt;Anem a Rocamador&lt;/em&gt; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; remise pour num&amp;eacute;risation et diffusion par Ghislaine et Michel Pouget, elle a &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;e par Fabrice San Juan. &lt;br /&gt;Nous les remercions vivement.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>[Informateurs multiples]</text>
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                <text>Ghislaine et Michel Pouget</text>
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                <text>https://la-biaca.org/items/show/340</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/340/M_Brousse_text.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Suite d'enregistements r&amp;eacute;alis&amp;eacute;s par Ghislaine et Michel Pouget en 1977 et 1978. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Tr&amp;egrave;s bien accueillis, nous nous sommes install&amp;eacute;s sur la terrasse et M. Meynard, sans se faire prier, s'est pr&amp;ecirc;t&amp;eacute; au jeu de l'enregistrement. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il nous a chant&amp;eacute; quelques chanson peu connues&amp;nbsp; : &lt;span class="oc"&gt;"traina malhur, cha&amp;ccedil;a profit", "Las meneitas", "la republica"&lt;/span&gt;, il nous a ensuite parl&amp;eacute; des minoteries, du pain, de l'&amp;eacute;cole, des querelles de villages puis il nous a donn&amp;eacute; quelques belles comptines : &lt;span class="oc"&gt;la lebrauta, Baulin baulan, Ai chaval de palha&lt;/span&gt;...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Onze ans plus tard nous sommes revenus voir M Meynard (au d&amp;eacute;but de l'ann&amp;eacute;e 2013) , &amp;eacute;quip&amp;eacute;s cette fois d'une cam&amp;eacute;ra . &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Voir ci dessous&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Traina malhur&#13;

00:01:25.000 --&gt; 00:02:25.000
Las minotarias&#13;

00:02:25.000 --&gt; 00:09:02.000
Del pan&#13;

00:09:02.000 --&gt; 00:09:34.000
Las meneitas&#13;

00:09:34.000 --&gt; 00:09:48.000
St Martial&#13;

00:09:48.000 --&gt; 00:10:35.000
Las pica-nicas entre vesins&#13;

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l'escola&#13;

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La fabricacion del pan&#13;

00:16:12.000 --&gt; 00:16:35.000
La lebrauta&#13;

00:16:35.000 --&gt; 00:16:56.000
Baulin-Baulan&#13;

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Ai chaval de palha&#13;

00:17:35.000 --&gt; 00:18:12.000
la republica&#13;

00:18:12.000 --&gt; 00:18:30.000
Del temps del cocut&#13;

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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/600/AMOROSnET.jpg</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Depuis plus de 10 ans nous parcourons la r&amp;eacute;gion &amp;agrave; la recherche de locuteurs, petit &amp;agrave; petit, ces enregistrements (de l'audio d'abord puis des vid&amp;eacute;os depuis quelques ann&amp;eacute;es ) sont mis en ligne sur "la bia&amp;ccedil;a" .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En ce d&amp;eacute;but d'&amp;eacute;t&amp;eacute; 2010, Gilles Ray nous a accompagn&amp;eacute;, d'abord &amp;agrave; Louignac chez M. Raoul Amouroux puis chez M. et Mme Dumond &amp;agrave; Condat sur Ganaveix .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Les informateurs &amp;eacute;voquent l'alimentation des paysans, les fauchages, les foires et march&amp;eacute;s &amp;agrave; Tulle, le loup, les relations m&amp;eacute;tayer-propri&amp;eacute;taires, les &lt;span class="oc"&gt;sorcelatges&lt;/span&gt;...&lt;/span&gt;&lt;/p&gt;&#13;
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              <text>langue limousine</text>
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            <elementText elementTextId="323920">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="323921">
              <text>langue d'oc en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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            <elementText elementTextId="323928">
              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="323929">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="323930">
              <text>patois de la Corrèze</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="323897">
                <text>2011-11-16 08:25:42</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="323898">
                <text>IEO Lemosin</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323899">
                <text>Georges Boyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323900">
                <text>Tous les genres</text>
              </elementText>
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          </element>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323901">
                <text>Georges BOYER</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="323902">
                <text>1-0032</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323903">
                <text>2004</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323904">
                <text>Guilaine Pouget, Pascal Boudy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="323905">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="323906">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="323907">
                <text>https://la-biaca.org/items/show/319</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331193">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/319/Padimage.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334347">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Enregistrement réalisé avec Guilaine Pouget &lt;span class="fr" style="font-size:12pt;"&gt;en 2004 &lt;br /&gt;&lt;/span&gt;Au domicile de M. &lt;strong&gt;Georges Boyer&lt;/strong&gt;, au bourg de Ligneyrac, en compagnie de sa femme.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Corrèze (19)</name>
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      <tag tagId="39">
        <name>Ligneyrac</name>
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  </item>
  <item itemId="300" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="324732">
              <text>Au domicile de M. Albert, la Gardelle, Commune de Saint-Julien-Maumont</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="324733">
              <text>AlbertMouleneP1Integrale.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="324734">
              <text>3239</text>
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          </elementTextContainer>
        </element>
        <element elementId="30">
          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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            <elementText elementTextId="324735">
              <text>Famille de M. Albert</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="324736">
              <text>rites calendaires</text>
            </elementText>
            <elementText elementTextId="324737">
              <text>religion</text>
            </elementText>
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              <text>pratiques religieuses</text>
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              <text>superstitions</text>
            </elementText>
            <elementText elementTextId="324740">
              <text>se soigner</text>
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              <text>contes</text>
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              <text>histoires</text>
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              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="324744">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="324745">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="324746">
              <text>IEO LEmosin</text>
            </elementText>
            <elementText elementTextId="324747">
              <text>biaça</text>
            </elementText>
            <elementText elementTextId="324748">
              <text>besace</text>
            </elementText>
            <elementText elementTextId="324749">
              <text>Patois</text>
            </elementText>
            <elementText elementTextId="324750">
              <text>Occitan</text>
            </elementText>
            <elementText elementTextId="324751">
              <text>Limousin</text>
            </elementText>
            <elementText elementTextId="324752">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="324753">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="324754">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="324755">
              <text>langue d'oc</text>
            </elementText>
            <elementText elementTextId="324756">
              <text>collectage</text>
            </elementText>
            <elementText elementTextId="324757">
              <text>collectatge</text>
            </elementText>
            <elementText elementTextId="324758">
              <text>collection</text>
            </elementText>
            <elementText elementTextId="324759">
              <text>colleccion</text>
            </elementText>
            <elementText elementTextId="324760">
              <text>memòria</text>
            </elementText>
            <elementText elementTextId="324761">
              <text>mémoire sonore</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="324762">
              <text>rites calendaires religion pratiques religieuses superstitions se soigner contes histoires</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="324720">
                <text>2011-11-07 10:03:02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="324721">
                <text>Marcelle MOULENE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="324722">
                <text>IEO Lemosin, dépôt Pouget</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324723">
                <text>M. ALBERT et Mme MOULENE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324724">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324725">
                <text>M. ALBERT et Mme MOULÈNE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="324726">
                <text>9-0001</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324727">
                <text>1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324728">
                <text>Guilèna e Micheu Poget</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324729">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="324730">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="324731">
                <text>https://la-biaca.org/items/show/300</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331174">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/300/1322151546_P1040519.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334366">
                <text>&lt;p class="fr" style="font-size:16px;"&gt;Enregistrements datant de 1977 chez &lt;span class="artist_name"&gt;M. Albert&lt;/span&gt; (73 ans environ) à La Gardelle, commune de Saint-Julien-Maumont et chez sa fille &lt;span class="artist_name"&gt;Marcelle Moulène&lt;/span&gt; habitant le Baquet, même commune. (Nous retrouverons ultérieurement Mme Moulène dans un enregistrement de l'IEO datant de 2004 : voir ci-dessous.)&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Dans cet enregistrement en famille, plusieurs contes traditionnels, "&lt;span class="oc"&gt;la barca, chapalimau&lt;/span&gt;" des légendes et des croyances, des conseils de médecine populaire, les traditions autour des fêtes religieuses (Pâques, la chandeleur, Noël)...&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Nous remercions Ghislaine et Michel Pouget qui ont bien voulu nous remettre leurs cassettes audio pour sauvegarde et diffusion.&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
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      <tag tagId="3">
        <name>Corrèze (19)</name>
      </tag>
      <tag tagId="28">
        <name>Saint-Julien-Maumont</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="678" public="1" featured="0">
    <fileContainer>
      <file fileId="429">
        <src>https://www.la-biaca.org/files/original/enquetes/678/CassetteLonguevilleNet.jpg</src>
        <authentication>1ae00664a822722cfddb8f12289a092a</authentication>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="310037">
              <text>Enregistré au domicile de l'informateur, à La Chabroulie, commune de St Julien Maumont</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="310038">
              <text>TruffeLongueville.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="310039">
              <text>2368</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="310040">
              <text>truffe</text>
            </elementText>
            <elementText elementTextId="310041">
              <text>meyssac</text>
            </elementText>
            <elementText elementTextId="310042">
              <text>patois</text>
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            <elementText elementTextId="310043">
              <text>occitan</text>
            </elementText>
            <elementText elementTextId="310044">
              <text>cavage</text>
            </elementText>
            <elementText elementTextId="310045">
              <text>limousin</text>
            </elementText>
            <elementText elementTextId="310046">
              <text>patrimoine oral limousin</text>
            </elementText>
            <elementText elementTextId="310047">
              <text>patrimoine immatériel correze</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="310048">
              <text>m et mme longueville guilena e micheu poget las trufas negras paul longueville truffe correze cavage patois occitan limousin</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="310019">
                <text>Paul Longueville</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310021">
                <text>2014-04-08 12:07:31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="310022">
                <text>2368</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310023">
                <text>Lo vin palhat</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310024">
                <text>Saint-Julien-Maumont</text>
              </elementText>
              <elementText elementTextId="310025">
                <text>Corrèze (19)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310026">
                <text>IEO Lemosin, dépôt Pouget</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par le Centre Occitan des Musiques et Danses Traditionnelles, un enregistrement de M. &lt;strong&gt;&lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt;(x*)&lt;/strong&gt;, dit "Lilou", violoneux &amp;agrave; La Combe de Tarnac (19).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute;, pour le Conservatoire Occitan, au domicile du musicien le 10 avril 1979 par Guy Bertrand, musicien et ethnomusicologue .&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Un beau r&amp;eacute;pertoire d'airs &amp;agrave; danser (bourr&amp;eacute;es, valses, polkas, scottishs, quadrilles, marches, etc...) interpr&amp;eacute;t&amp;eacute; par ce musicien parfois accompagn&amp;eacute; des collecteurs .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #333333;"&gt;* Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; qui nous devons la photo et le titrage de cet enregistrement, nous pr&amp;eacute;cise que ce musicien tenait &amp;agrave; ce que son nom soit &amp;eacute;crit "Malthieu". Elle nous indique aussi que nous&lt;span&gt; entendons dans ce document Jean-Michel Ponty, Monique Pauzat (collecteurs &lt;span&gt;et musiciens&lt;/span&gt; limousins ) et M. Neige (neveu du violoneux &amp;laquo;&amp;nbsp;Le Negrou&amp;nbsp;&amp;raquo;). &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #333333;"&gt;Ce document est le premier d'une s&amp;eacute;rie d'enregistrements r&amp;eacute;alis&amp;eacute;s sur le territoire Limousin et issus des fonds du &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #333333;"&gt;COMDT&lt;/span&gt;&lt;/a&gt; . Nous remercions vivement Ma&amp;iuml;lis BONNECASE, Directrice et Gwena&amp;euml;lle Sarrat, Documentaliste.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En 2005, nous avons revu M. Chastanet et l'avons film&amp;eacute; nous disant ce conte. &lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/361" target="_blank" rel="noopener"&gt;Trobaretz 'quel piti&amp;ograve;t filme dins la bia&amp;ccedil;a !&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/12861" target="_blank" rel="noopener"&gt;Voir aussi le conte de Regordon, collect&amp;eacute; par Marguerite Gen&amp;egrave;s&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/361" target="_blank" rel="noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>An account of the resource</description>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Au mois de d&amp;eacute;cembre 2013 nous avons fini par nous rendre au Mas Gauthier et avons pass&amp;eacute; une belle apr&amp;egrave;s-midi en leur pr&amp;eacute;sence .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;A quatre mains, (huit puisque Gislaine et Michel Pouget &amp;eacute;taient l&amp;agrave; pour pr&amp;ecirc;ter main forte et continuer &amp;agrave; faire les quart d'&amp;eacute;cus pendant que nous enregistrions la recette) ils nous ont montr&amp;eacute; comment faire ces fameux quart-d'&amp;eacute;cus, une sp&amp;eacute;cialit&amp;eacute; de la r&amp;eacute;gion de Lubersac (la d&amp;eacute;nomination tout au moins ! ) . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Aura n'avetz 'mas trobar quilhs fers* !!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Apr&amp;egrave;s souper nous sommes all&amp;eacute;s &amp;agrave; une r&amp;eacute;p&amp;eacute;tition des "Chambas finas daus Condat" au cours de laquelle &amp;eacute;tait pr&amp;eacute;vu la d&amp;eacute;gustation des pastissons .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Vous pouvez acc&amp;eacute;der &amp;agrave; la version sous titr&amp;eacute;e en fran&amp;ccedil;ais dans l' &lt;a href="https://la-biaca.org/items/show/12883" target="_blank" rel="noopener noreferrer"&gt;espace Vid&amp;eacute;oth&amp;egrave;que&lt;/a&gt; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;* Il s'en trouve encore dans les brocantes et m&amp;ecirc;me dans quelque fonderie du cot&amp;eacute; d'Exideuil&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Enregistrement réalisé au mois d'août 2007 &lt;span style="font-size:14pt;"&gt; par Jean François Vignaud&lt;/span&gt; auprès de M. &lt;strong&gt;Émile LABARRE, &lt;/strong&gt;ancien agriculteur au village de Vinzan à Peyrelevade dans le cadre de l'enquête thématique "l'eau en Montagne limousine / de la font a la mar".&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="border:0px none;font-family:inherit;font-size:14pt;font-style:inherit;font-weight:inherit;margin:0px;padding:0px;"&gt;Originaire du village du Longy sur la commune de Millevaches, Emile Labarre nous a livré avec beaucoup de gentillesse et de précision ses nombreux souvenirs des usages et utilisations de l'eau et des milieux humides dans la société rurale traditionnelle de la Montagne Limousine :&lt;/span&gt; la tourbe &lt;span class="oc"&gt;(la trabalhar, la sechar, se chaufar...&lt;/span&gt;), l'irrigation des prés &lt;span class="oc"&gt;(drets d'aiga, bochadis, levas, levadas, abialons, plaidar a Sòrnac ..)&lt;/span&gt; , les moulins &lt;span class="oc"&gt;(l'estanh, mòure, la seglie, la palhada..)&lt;/span&gt;, la fontaine du longy ...  &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span style="border:0px none;font-family:inherit;font-size:12pt;font-style:inherit;font-weight:inherit;margin:0px;padding:0px;"&gt;La collecte ethnolinguistique "L'eau en Montagne Limousine / De la font a la mar" fut menée sur 25 communes du plateau de Millevaches en 2007-2008 dans le cadre d'un projet Plan Loire Grandeur Nature. Elle a permis l'édition d'un « carnet de mission » - Memòria de l'aiga – Enquête ethnolinguistique sur l'eau en Montagne Limousine- P.Boudy - J.M. Caunet- J.F. Vignaud – 2008&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Provenance</name>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="307481">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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              <elementText elementTextId="307482">
                <text>IEO302</text>
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                <text>https://la-biaca.org/items/show/774</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement réalisé par Jean-François Vignaud, date du 2 septembre 2003, il a été fait à Drouillat, lieu-dit de la commune de Peyrelevade (19) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;En présence des membres de l'atelier d'occitan de l'association "Sauvegarde des traditions paysannes et du patrimoine oral limousin" .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;En compagnie de la fondatrice de l'association, Sylvette Chassaing et des membres de l'association (Milou, Marie, Angèle ..) plusieurs salariés de l'IEO (Magali Urroz, Jean-Marie Caunet et Jean-François Vignaud) ont questionné les participants : Chansons &lt;span class="oc"&gt;(los chauls e las rabas, l'aiga de rochas,La balada, la n'en menam, Chas nos me volian maridar, La gerba bauda, Los Embrujats, &lt;/span&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span class="oc"&gt;le curé de chez nous,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span class="oc"&gt;la chanson per la Cèna, Les réveillés, Diable sias pas l'ivern d'antan ...)&lt;/span&gt; comptines &lt;span class="oc"&gt;(La lebrauta, Ari mon asne, Dandin dandan, Baulin baulan )&lt;/span&gt; , contes, nhòrles, proverbes, rites calendaires etc ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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              <text>Nauche.mp4</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Names of individuals or groups participating in the event</description>
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              <text>Andrée Nauche, Henri Malagnoux</text>
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          <name>Mot-clé</name>
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              <text>Archives sonores du Limousin</text>
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                <text>2011-11-15 13:27:42</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; pour la premi&amp;egrave;re fois &lt;strong&gt;Paulette et Cl&amp;eacute;ment Bezeaud&lt;/strong&gt; le 27 mars 2007, nous &amp;eacute;tions &amp;agrave; la recherche d'informateurs le cadre de l'enqu&amp;ecirc;te th&amp;eacute;matique "L'eau en Montagne limousine / de la font a la mar".&lt;br /&gt;D'un abord un peu sauvage, ils nous ont rapidement accept&amp;eacute;s &amp;agrave; leur table et autour d'un caf&amp;eacute; &lt;em&gt;&lt;span class="oc"&gt;(e f&amp;ograve;r&amp;ccedil;a caf&amp;egrave; !).&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons parl&amp;eacute; &lt;em&gt;&lt;span class="oc"&gt;bujada, levadas e molins,&lt;/span&gt;&lt;/em&gt; recueilli quelques dires :&lt;em&gt; Las tres chabras, los tres molins d'a Clupeu&lt;/em&gt; puis ils nous ont chant&amp;eacute;, avec beaucoup de conviction : &lt;em&gt;L&lt;/em&gt;&lt;span class="oc"&gt;&lt;em&gt;o turlututu, Lo pont d'a Briva, Marion quand t'aimava,&lt;/em&gt; L&lt;/span&gt;a rosette,&lt;span class="oc"&gt; la Janeton&lt;/span&gt; et le Saut de la Virolle, (sur l'air de La Paimpolaise) .&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons &amp;agrave; nouveau rencontr&amp;eacute; les Bezeaud chez l'Empereur de Javaud, M. Plazanet en juillet 2010, &lt;a href="https://la-biaca.org/items/show/12867" target="_blank" rel="noopener"&gt;ce document est disponible dans la vid&amp;eacute;oth&amp;egrave;que.&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement nous a été confié pour numérisation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'un enregistrement réalisé à la maison de retraite de Seilhac, Corrèze lors d'un stage en Juillet 1975 . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une suite de chants et contes en occitan et en français par &lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:14pt;"&gt;"Mrs Chalaud, Chastanet, Bouillac, Mayne et Combas" :&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Belle rose, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Darrier chas nos i'a una vielha,&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans la corrèze , &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Je viens te voir ma bourcangère (la bocagère) , &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Io m'en vau per los champs, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;J'ai fait une maitresse, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La batelière, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Chançon d'un cultivator&lt;/span&gt;, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mon père me marie (mal mariée) , &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Conte del diable , &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dois je me marier oui ou non ?, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Quand las peras sont maduras, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Las tres filhas a maridar, Que 'quò es que frotja lo mai,&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;En lui touchant les pieds, Un peu plus haut,&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt; Lo luzer verd e Sus lo pont de Briva&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="oc" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire Départemental de la Creuse et effectue depuis des années des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1977 par Jean Marc Sim&amp;eacute;onin aupr&amp;egrave;s de Madame Rambaudoux &amp;agrave; Uzerche&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur ce document nous pouvons entendre, dans une belle langue le conte &lt;span class="oc"&gt;"Pipeta e Laramet"&lt;/span&gt;&lt;br /&gt;Ensuite nous entendons Jean Marc et ses &amp;eacute;l&amp;egrave;ves du ly&amp;ccedil;&amp;eacute;e de Chalus commenter ( en occitan !) un autre conte, &lt;span class="oc"&gt;"Pitit Jan e lo diable"&lt;/span&gt; .&lt;br /&gt;Il s'agit sans doute d'une des derni&amp;egrave;res g&amp;eacute;n&amp;eacute;rations d'enfants pratiquant encore la langue .&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es par J.M. Sim&amp;eacute;onin, collecteur et militant de longue date, pour num&amp;eacute;risation et mise en ligne, elles ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es et trait&amp;eacute;es par Fabrice San Juan &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Sur la face A,&lt;/span&gt; un enregistrement de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, à Germont ( village de la commune de Chamberet en Corrèze) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Marcelle Delpastre conteuse, romancière et ethnologue est interrogée, en présence de sa mère Marie Louise, au sujet du mariage . &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Elle parle aussi du disque qu'elle a enregistré "avec les irlandais" (French folk songs from Corrèze ), &lt;span class="fr" style="font-size:14pt;"&gt;de Jean Ségurel, de toponymie, de son étude alors inédite sur "Le bourgeois et le paysan" ( qu'elle pense de ne pas avoir le temps de le recopier), &lt;/span&gt; du rôle des femmes, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques belles chansons : La Roseta, la version limousine de &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"la mantille" (interrompue un instant) , des marches nuptiales, une jolie version du &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"petit papillon volage", &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;"Ent-eratz vos anada&lt;/span&gt; &lt;span class="oc"&gt;(corbleu Marion )"&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. L'occasion d'un  éclairage bien particulier sur ces chansons. &lt;/span&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s’agit d’enregistrements réalisés par Jean Pierre Graziani, créateur et directeur de la &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;maison de disques «Vendémiaire» dans le but de faire un second volume de «Dits, chants et danses&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; populaires du Limousin», ce projet de disque n'a pas abouti «pour des raisons financières».&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Voir ci dessous la face A, un enregistrement de l' École de Bourrée de Davignac&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette, nous entendons un violoneux, M. &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston CESSAC&lt;/strong&gt;&lt;/a&gt;.&lt;br /&gt;Il s'agit d'un enregistrement familial r&amp;eacute;alis&amp;eacute; par M. &amp;Eacute;mile Massias qui interroge son beau fr&amp;egrave;re M. Cessac . &lt;br /&gt;G. Cessac &amp;eacute;tait n&amp;eacute; &amp;agrave; Voutezac le 4 octobre 1906 (il est d&amp;eacute;c&amp;eacute;d&amp;eacute; le 30 mars 1996) . Agriculteur et viticulteur sur les coteaux de Vertougit, il anima de nombreux bals et noces dans la r&amp;eacute;gion et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;pratiqua le violon &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;jusqu'&amp;agrave; la fin de sa vie &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement une suite d'airs &amp;agrave; danser : bourr&amp;eacute;es, valses, sauti&amp;egrave;res, marches nuptiales, quadrilles ... A plusieurs reprises, la famille chante, accompagn&amp;eacute;e par le violon .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Monsieur Jean Pierre Massias; &amp;agrave; qui appartient l'enregistrement nous pr&amp;eacute;cise :&lt;br /&gt;&lt;em&gt;" L' enregistrement a eu lieu &amp;agrave; Saint Solve en juillet 1957 sur un magn&amp;eacute;tophone de marque Phillips. Etaient pr&amp;eacute;sents en plus de Gaston Cessac: Emile Massias, mon p&amp;egrave;re, ma m&amp;egrave;re, moi-m&amp;ecirc;me (j'avais 10 ans mais je garde toujours un souvenir pr&amp;eacute;cis), madame Cessac, monsieur et madame Sermadiras beau-fr&amp;egrave;re et belle-soeur de monsieur Cessac, monsieur Cressent et son &amp;eacute;pouse (c'est lui qui poss&amp;eacute;d&amp;acirc;t le magn&amp;eacute;tophone). &lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;L'enregistrement a dur&amp;eacute; toute la journ&amp;eacute;e. Monsieur Cessac &amp;eacute;tait tr&amp;egrave;s petit ce qui fait que, assis sur une chaise, ses pieds ne touchaient le sol que du bout ce qui lui permettait de marquer le rythme. C'est ce qu'on entend dans l'enregistrement. De plus comme il faisait tr&amp;egrave;s chaud et que monsieur Cessac se d&amp;eacute;pensait beaucoup, il a pas mal bu, ce qui explique en partie les grincements de la fin de l'enregistrement&lt;/span&gt;&lt;/span&gt;."&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Popy Dupetitmagnieux qui nous ont aussi confi&amp;eacute; un enregistrement de M. Cessac r&amp;eacute;alis&amp;eacute; par leur soin en 1985 . &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;Cette cassette audio fut enregistr&amp;eacute;e par &lt;span class="artist_name"&gt;M. Louis Fortunade &lt;/span&gt;vers 1985, &amp;agrave; l'attention de ses coll&amp;egrave;gues de Brive Principal.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Nous y retrouvons des textes (dont quelques in&amp;eacute;dits) d'Antoine Paucard et &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt;, tous deux de Saint Salvadour.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; en 2003 lors de l'enqu&amp;ecirc;te municipale de Dampniat par M. et Mme Vidalie que nous remercions vivement.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;br /&gt;Nous remercions aussi M. Philippe Fortunade, qui a bien voulu nous autoriser &amp;agrave; diffuser ce document.&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans le cadre de son travail universitaire, " EMIGRES DE L'INTERIEUR : Limousins Peyrelevadois et la culture occitane", Myette Hébrant – Marouby a enregistré des corréziens de Peyrelevade ayant exercé à Paris , ici &lt;strong&gt;René TERT&lt;/strong&gt; dit "Telou", en compagnie de sa femme .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Monsieur Tert est parti, aussitot après la démobilisation, à Paris chercher du travail . Il a d'abord exercé comme manoeuvre puis comme ouvrier chez Renault puis chez Citroen . Homme au caractère bien trempé ("une tête de Corrézien" dit sa femme) . Il a ensuite exercé chez plusieurs patrons comme chauffeur de taxi avant de s'installer à son compte .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;A la fin de l'entretien M. Tert évoque sa scolarité à l'Ecole du Rat.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fait partie d'une série de plusieurs dizaines de cassettes que Mme &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;Myette Hébrant – Marouby&lt;/span&gt; nous a confiées &lt;span class="fr" style="font-size:14pt;"&gt;pour numérisation et mise en ligne .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Myette H&amp;eacute;brant-Marouby . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo; enregistrements r&amp;eacute;alis&amp;eacute;s par Jean Pierre Graziani, cr&amp;eacute;ateur et directeur de la maison de disques &amp;laquo;Vend&amp;eacute;miaire&amp;raquo; dans le but de faire un second volume de &amp;laquo;Dits, chants et danses populaires du Limousin&amp;raquo; ,ce projet de disque n'a pas abouti &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;laquo;&lt;em&gt;pour des raisons financi&amp;egrave;res&lt;/em&gt;&amp;raquo; les bandes semblent avoir disparu et il ne reste de cet enregistrement que cette copie de qualit&amp;eacute; bien moyenne .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ces enregistrements datent du printemps 1981, les informateurs sont interrog&amp;eacute;s par Paulette et Myette Marouby,quelques un de ces titres figuraient d&amp;eacute;j&amp;agrave; sur le Volume 1 (Maridan la Mietto, La Margui, La marche nuptiale de F. Malthieu)&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons d&amp;rsquo;abord &lt;strong&gt;Constance Manoux&lt;/strong&gt; de Laval de Sornac, enregistr&amp;eacute;e le 17 avril 1981 &amp;laquo;&lt;span class="oc"&gt;Ente &amp;lsquo;ra vo annada ...Marion&lt;/span&gt; (chant&amp;eacute; &amp;agrave; deux avec Paulette Marouby,) &lt;span class="oc"&gt;la Margui vai au molin, Maridan la Mietto&lt;/span&gt;&amp;raquo;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la seconde face de la cassette (&amp;agrave; partir de 25.12mn) &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;ois &lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Malthieu&lt;/strong&gt; &lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;(dit Lilou) de La Combe de Tarnac . Ce violoneux bien connu interpr&amp;egrave;te de nombreux airs de son r&amp;eacute;pertoire (Valses, bourr&amp;eacute;es, marches nuptiales, polkas, mazurkas ...) et parle de son violon, de sa pratique, mais aussi des visites r&amp;eacute;centes de collecteurs et de sa joie de jouer &amp;agrave; nouveau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Le signal &amp;eacute;tant parfois tr&amp;egrave;s faible, surtout sur le discours, nous avons d&amp;ucirc; l&amp;rsquo; amplifier consid&amp;eacute;rablement pour le rendre audible, g&amp;eacute;n&amp;eacute;rant bruit de fond et irr&amp;eacute;gularit&amp;eacute;s .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de nous avoir donn&amp;eacute; son accord pour la diffusion de ces documents&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date Issued</name>
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                <text>2013-11-12 14:27:49</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la face B, un enregistrement de l' École de Bourrée de Davignac en Corrèze. Ce groupe folklorique, alors âgé d'une petite dizaine d'année était "mené" par M. Raymond Plas à l'accordéon chromatique, il livre ici à Miette une partie de son répertoire : de nombreuses bourrées (bourrée de Vitrac, Son davalats, &lt;span style="font-size:14pt;"&gt;bourrée&lt;/span&gt; de Chaumeil, &lt;span style="font-size:14pt;"&gt;bourrée&lt;/span&gt; de Davignac, la chamairada...) mais aussi quelques marches, scottish ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir ci dessous la face B, un enregistrement de Marcelle Delpastre. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s’agit d’enregistrements réalisés par Jean Pierre Graziani, créateur et directeur de la &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;maison de disques «Vendémiaire» dans le but de faire un second volume de «Dits, chants et danses&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; populaires du Limousin», ce projet de disque n'a pas abouti «pour des raisons financières».&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>https://la-biaca.org/items/show/875</text>
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                <text>La Chapelle-aux-Saints</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;C'est sur les conseils d'un de ses voisins, Jean-Claude Cluzan, que nous avons rencontr&amp;eacute;, au mois de f&amp;eacute;vrier 2018, &lt;strong&gt;Odette BROUSSE&lt;/strong&gt;, &amp;agrave; La Chapelle-aux-Saints dans le sud de la Corr&amp;egrave;ze &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Nous avons extrait de cette collecte un petit document &amp;raquo; &lt;em&gt;&lt;a href="https://www.youtube.com/watch?v=XJ2Gu17PYZ4&amp;amp;t=27s" target="_blank" style="color: #000000;" rel="noreferrer noopener"&gt;(Far la far&amp;ccedil;adura)&lt;/a&gt; &lt;/em&gt;sur la fabrication de la farcidure (farce-dure, mique ...), ou plut&amp;ocirc;t d'une des formes de farcidures &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&amp;raquo; &lt;/span&gt;(&lt;a href="https://la-biaca.org/items/show/710" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Voir la collecte aupr&amp;egrave;s de Mme Thieyre&lt;/a&gt;). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Mme Brousse nous avait aussi parl&amp;eacute; de sa vie, de la pratique de la langue, etc. et il nous a paru int&amp;eacute;ressant de mettre en ligne l'int&amp;eacute;grale de cet enqu&amp;ecirc;te.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Enregistr&amp;eacute; en pr&amp;eacute;sence de Jean-Claude et Genevi&amp;egrave;ve Cluzan, Henri Audubert, Daniel Perrinet et Denise Rajewski.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Interview, montage et prise de vue : IEO Lemosin, Pascal Boudy, Jean Pierre Lacombe&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrements de musiciens et chanteurs r&amp;eacute;alis&amp;eacute;s &amp;agrave; Juillac et Lubersac</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e en 1982 par Popy &lt;span style="font-size: 14pt;"&gt;Dupetitmagnieux &lt;/span&gt;et Odile Farges pour le groupe " Lo Chavilhier"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la face A de cette cassette, nous entendons &lt;strong&gt;M. Dubernard&lt;/strong&gt;, enregistr&amp;eacute; &amp;agrave; son domicile, &amp;agrave; Tournevite sur la commune de Lubersac (19) . M. Dubernard (dit Toine) fut dans la r&amp;eacute;gion un accord&amp;eacute;oniste renomm&amp;eacute;, il avait jou&amp;eacute; &amp;agrave; Paris !&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser : bourr&amp;eacute;es, scottishs, mazurkas, polkas, valses, quadrilles, .. et quelques chansons : &lt;span class="oc"&gt;I&amp;ograve; m'en vau a St Iri&amp;egrave;s&lt;/span&gt;, T&amp;ograve;ane de Glandon, La fille du fermier, La belle Isabeau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Nous avons rencontr&amp;eacute; Mme Dubernard (que l'on entend dans cet enregistrement) quelques ann&amp;eacute;es plus tard lors de l'enqu&amp;ecirc;te &amp;agrave; Arnac Pompadour, elle nous avait parl&amp;eacute; de son mari &lt;a href="https://la-biaca.org/items/show/357" target="_blank" rel="noopener"&gt;(Arnac-Pompadour 1/3, plage 6)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, sur la face B un enregistrement fait aupr&amp;egrave;s du club du 3&amp;egrave;me &amp;acirc;ge de Juillac dans lequel nous entendons plusieurs informateurs (Mme Boudy, Mme Rouland, ...).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Popy Dupetitmagnieux d&amp;eacute;crit ce document ainsi : &lt;span style="color: #808080;"&gt;Chanson en vogue en 1917, La Paimpolaise, Sous les ponts de Paris, La Valse Brune, La Java bleue, J&amp;rsquo;ai deux grands b&amp;oelig;ufs dans mon &amp;eacute;table, La chanson de la mari&amp;eacute;e (Mme Boudy), La Fanchon, La Brigitte, Les r&amp;eacute;veill&amp;eacute;es (Mme Rouland), Le petit chasseur de Rennes, La Marion va au moulin&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Accord&amp;eacute;on : La guimbarde, Sauti&amp;egrave;re, Turlututu, La paimpolaise, Sur les ponts de Paris, La Valse Brune, Mazurka ( Ah que les femmes sont b&amp;ecirc;tes !), Pinton, Je suis lasse d&amp;rsquo;&amp;ecirc;tre fille, Rosette, &lt;em&gt;&lt;span class="oc"&gt;Morelhada, Quand los cornards d'a Tula, Ont' menara pita bargier&amp;ograve;ta, Son davalats, Las peras son maduras,&lt;/span&gt;&lt;/em&gt; Le tailleur de pierres, &lt;em&gt;&lt;span class="oc"&gt;La borreia d&amp;rsquo;Auvernha&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p style="font-size:14px;"&gt;&lt;span class="fr"&gt;Première partie de l' enquête municipale à Collonges la Rouge&lt;/span&gt;&lt;br /&gt;&lt;span class="fr"&gt;Enregistrée à la mairie de Collonges le 31 mars 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr"&gt;Ont participé :&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:14px;"&gt;&lt;span class="fr"&gt;Mesdames &lt;span class="artist_name"&gt;Eugénie Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Camille Duval&lt;/span&gt;, &lt;span class="artist_name"&gt;Madeleine Farges&lt;/span&gt;,&lt;span class="artist_name"&gt; Joséphine Valen&lt;/span&gt;, &lt;span class="artist_name"&gt;Jeanne Vauzou&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:14px;"&gt;&lt;span class="fr"&gt;Messieurs &lt;span class="artist_name"&gt;Jean Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean Feix&lt;/span&gt;, &lt;span class="artist_name"&gt;André Fernando&lt;/span&gt;, &lt;span class="artist_name"&gt;Gabriel Labrue&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean-François Noël&lt;/span&gt;, &lt;span class="artist_name"&gt;René Tronche&lt;/span&gt; et &lt;span class="artist_name"&gt;Christian Rieux&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:14px;"&gt;&lt;span class="fr"&gt;Remerciements à Henri Bassaler, maire de Collonges la Rouge et Conseiller Régional très impliqué dans l'action en faveur de la langue d' Oc ainsi qu'à Paulette Fender son adjointe pour leur implication dans l'organisation de cette enquête.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr"&gt;Nous remercions aussi Daniel fender pour la "couverture médiatique".&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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              <text>Paulette Fender</text>
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          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Collonges la rouge</text>
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              <text>Collonges-la-rouge</text>
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            <elementText elementTextId="326395">
              <text>tâches ménagères</text>
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              <text>cuisine</text>
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              <text>alimentation</text>
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              <text>animaux</text>
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            <elementText elementTextId="326399">
              <text>bêtes</text>
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            <elementText elementTextId="326400">
              <text>foire</text>
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            <elementText elementTextId="326401">
              <text>vin</text>
            </elementText>
            <elementText elementTextId="326402">
              <text>vigne</text>
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            <elementText elementTextId="326403">
              <text>vignoble</text>
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            <elementText elementTextId="326404">
              <text>dictons</text>
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            <elementText elementTextId="326405">
              <text>fontaine</text>
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            <elementText elementTextId="326406">
              <text>moulin</text>
            </elementText>
            <elementText elementTextId="326407">
              <text>meunier</text>
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            <elementText elementTextId="326408">
              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="326409">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="326410">
              <text>IEO Limousin</text>
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            <elementText elementTextId="326411">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="326412">
              <text>biaça</text>
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            <elementText elementTextId="326413">
              <text>besace</text>
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            <elementText elementTextId="326414">
              <text>Patois</text>
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              <text>Occitan</text>
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              <text>Limousin</text>
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            <elementText elementTextId="326417">
              <text>Patois Limousin</text>
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            <elementText elementTextId="326418">
              <text>Occitan limousin</text>
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              <text>langue limousine</text>
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              <text>collectage</text>
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            <elementText elementTextId="326422">
              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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            <name>Alternative Title</name>
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                <text>Enquête Municipale seconde partie</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="326374">
                <text>2011-09-16 13:24:29</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>8921</text>
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                <text>Collonges-la-Rouge 1/2</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Collonges</text>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
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              <elementText elementTextId="326379">
                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Collonges-la-Rouge 2/2</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>1-0079</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2004-03</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="326388">
                <text>https://la-biaca.org/items/show/265</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331139">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/265/img006.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334401">
                <text>&lt;p class="fr" style="font-size:14px;"&gt;Seconde partie de l'enquête municipale à Collonges la Rouge&lt;br /&gt;Enregistrée à la mairie de Collonges le 6 Avril 2004&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Ont participé :&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Mesdames : &lt;span class="artist_name"&gt;Eugénie Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Camille Duval&lt;/span&gt;, &lt;span class="artist_name"&gt;Madeleine Farges&lt;/span&gt;, &lt;span class="artist_name"&gt;Joséphine Valen&lt;span class="artist_name"&gt;,&lt;/span&gt; Jeanne Vauzou&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Messieurs : &lt;span class="artist_name"&gt;Jean Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean Feix&lt;/span&gt;, &lt;span class="artist_name"&gt;André Fernando&lt;/span&gt;, &lt;span class="artist_name"&gt;Gabriel Labrue&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean-François Noël&lt;/span&gt;, &lt;span class="artist_name"&gt;René Tronche&lt;/span&gt; et &lt;span class="artist_name"&gt;Christian Rieux&lt;/span&gt;.&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Remerciements à Henri Bassaler, maire de Collonges la Rouge et Conseiller Régional très impliqué dans l'action en faveur de la langue d' Oc ainsi qu'à Paulette Fender son adjointe pour leur implication dans l'organisation de cette enquête .&lt;br /&gt;Nous remercions aussi Daniel Fender pour la "couverture médiatique".&lt;/p&gt;</text>
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        <name>Collonges</name>
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      <tag tagId="3">
        <name>Corrèze (19)</name>
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  </item>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
                </elementText>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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              </elementTextContainer>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Au domicile des informateurs, à Marzeix, commune d'Egletons</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="326343">
              <text>Nard02.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="326344">
              <text>3067</text>
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          </elementTextContainer>
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        <element elementId="30">
          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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            <elementText elementTextId="326345">
              <text>M. Léo Chamalot</text>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="326346">
              <text>rites calendaires</text>
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            <elementText elementTextId="326347">
              <text>son-son</text>
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            <elementText elementTextId="326348">
              <text>enfantines</text>
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              <text>comptines pour enfants</text>
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              <text>comptine</text>
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            <elementText elementTextId="326351">
              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="326352">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="326353">
              <text>IEO Limousin</text>
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            <elementText elementTextId="326354">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="326355">
              <text>biaça</text>
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            <elementText elementTextId="326356">
              <text>besace</text>
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            <elementText elementTextId="326357">
              <text>Patois</text>
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            <elementText elementTextId="326358">
              <text>Occitan</text>
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            <elementText elementTextId="326359">
              <text>Limousin</text>
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            <elementText elementTextId="326360">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="326361">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="326362">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="326363">
              <text>langue d'oc</text>
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            <elementText elementTextId="326364">
              <text>collectage</text>
            </elementText>
            <elementText elementTextId="326365">
              <text>collectatge</text>
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            <elementText elementTextId="326366">
              <text>collection</text>
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            <elementText elementTextId="326367">
              <text>colleccion</text>
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            <elementText elementTextId="326368">
              <text>mémoire</text>
            </elementText>
            <elementText elementTextId="326369">
              <text>memòria</text>
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            <elementText elementTextId="326370">
              <text>mémoire sonore</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="326371">
              <text>rites calendaires son son enfantines comptines pour enfants comptine</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="326330">
                <text>2011-09-19 14:52:40</text>
              </elementText>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="326331">
                <text>IEO Lemosin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="326332">
                <text>M. et Mme NARD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="326333">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="326334">
                <text>Collecte en langue limousine, Egletons, Corrèze</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="326335">
                <text>M. et Mme NARD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="326336">
                <text>1-0038</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="326337">
                <text>2005-04</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="326338">
                <text>Pascal Boudy</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="326340">
                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="326341">
                <text>https://la-biaca.org/items/show/266</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331140">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/266/Nard.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334400">
                <text>&lt;p class="fr" style="font-size:14px;"&gt;C'est à la suite de l'enquête municipale à Égletons, que Léo Chamalot nous a conduit ce 26 avril 2005 à Marzeix, chez &lt;span class="artist_name"&gt;M. et Mme Nard&lt;/span&gt;, qui nous ont très aimablement accueillis.&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Nous avons enregistré plusieurs beaux morceaux du patrimoine oral, Une rare série de comptines enfantines &lt;span class="oc"&gt;(tres chabras e una, la lebrauta, daulin daulan, ari pototon)&lt;/span&gt; , une berceuse, une devinette &lt;span class="oc"&gt;(Pompompoli)&lt;/span&gt; des proverbes ... Quelques témoignages intéressants au sujet des rites calendaires et même un bon conseil pour fendre le bois cet hiver ...&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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      <tag tagId="5">
        <name>Egletons</name>
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  <item itemId="269" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <text>memòria</text>
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              <text>cabas paniers artisanat tresses paille</text>
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                <text>2011-09-22 13:16:01</text>
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                <text>Beynat</text>
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            <description>A name given to the resource</description>
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                <text>Les cabas de Beynat</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Savoir-faire</text>
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            <description>An account of the resource</description>
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                <text>cabas de beynat</text>
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                <text>Léontine LACHAUD</text>
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&lt;p style="font-size: 16px;"&gt;&lt;big class="fr"&gt;D'une rare gentillesse, Mme Sauviat nous a parl&amp;eacute; des pratiques autour de l'eau, de l'irrigation, des puits &lt;em&gt;(i'avia quatre potz &amp;agrave; banleva dins lo vilatge)&lt;/em&gt;, de la lessive, des fontaines, des processions, elle nous a livr&amp;eacute; une belle s&amp;eacute;rie de proverbes, quelques contines, parl&amp;eacute; des sourciers, de la tourbe, &lt;/big&gt;&lt;big&gt;&lt;span class="fr"&gt;du sorcier de Chadebec, etc ...&lt;/span&gt; &lt;/big&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="readonly plg-desc"&gt;&lt;em&gt;&lt;a style="font-size: 16px;" href="https://la-biaca.org/items/show/13387#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=3&amp;amp;xywh=-31%2C0%2C1060%2C749" target="_blank" rel="noopener"&gt;&amp;rarr;Cliquer ici pour voir la galerie&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:15.000
Présentation&#13;

00:01:15.000 --&gt; 00:03:30.000
L'aiga&#13;

00:03:30.000 --&gt; 00:04:06.000
Istòria de vita&#13;

00:04:06.000 --&gt; 00:04:26.000
La ferma&#13;

00:04:26.000 --&gt; 00:10:25.000
La bujada&#13;

00:10:25.000 --&gt; 00:15:19.000
Lo potz&#13;

00:15:19.000 --&gt; 00:16:02.000
Trobar l'aiga&#13;

00:16:02.000 --&gt; 00:17:31.000
Lo sorcier de 'n Chadabec&#13;

00:17:31.000 --&gt; 00:18:10.000
Lo pan au potz&#13;

00:18:10.000 --&gt; 00:19:55.000
Las levadas&#13;

00:19:55.000 --&gt; 00:23:46.000
Las levadas&#13;

00:23:46.000 --&gt; 00:24:08.000
Las levadas&#13;

00:24:08.000 --&gt; 00:24:18.000
La torba&#13;

00:24:18.000 --&gt; 00:26:48.000
Los peissons, la Coresa, La font Saunada&#13;

00:26:48.000 --&gt; 00:26:59.000
Las processions&#13;

00:26:59.000 --&gt; 00:28:24.000
Las bonas fonts&#13;

00:28:24.000 --&gt; 00:29:17.000
La font a Sent-Merd&#13;

00:29:17.000 --&gt; 00:31:22.000
Proverbes&#13;

00:31:22.000 --&gt; 00:31:57.000
La lebrauta&#13;

00:31:57.000 --&gt; 00:32:28.000
De l'aiga&#13;

00:32:28.000 --&gt; 00:34:40.000
Lo potz de'n Chadabec&#13;

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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;Seconde et derni&amp;egrave;re partie de l'enqu&amp;ecirc;te municipale, en pr&amp;eacute;sence des participants &amp;agrave; la premi&amp;egrave;re s&amp;eacute;ance (&lt;span class="artist_name"&gt;Jean-Pierre Bachellerie&lt;/span&gt; et &lt;span class="artist_name"&gt;Fran&amp;ccedil;ois Maison&lt;/span&gt;) ainsi que de Mmes &lt;span class="artist_name"&gt;Paulette Brette&lt;/span&gt; et &lt;span class="artist_name"&gt;H&amp;eacute;l&amp;egrave;ne Vinatier&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;La langue du pays, des proverbes, quelques chansons, la vie au pays, les processions, le travail &amp;agrave; la ferme, les pratiques religieuses, les amusements, la p&amp;ecirc;che, la chasse...&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Vous trouverez ci-dessous des photos&amp;nbsp; anciennes qui ont &amp;eacute;t&amp;eacute; mises &amp;agrave; notre disposition par la municipalit&amp;eacute; que nous remercions vivement de son aide efficace.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/12836" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 12pt;"&gt;Per veire las f&amp;ograve;t&amp;ograve;s&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ont particip&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mesdames &lt;strong&gt;&lt;span class="artist_name"&gt;Borie&lt;/span&gt;, &lt;span class="artist_name"&gt;Delgoulet&lt;/span&gt;&lt;/strong&gt; et&lt;strong&gt;&lt;span class="artist_name"&gt; Espinet&lt;/span&gt;&lt;/strong&gt;, &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Messieurs &lt;strong&gt;&lt;span class="artist_name"&gt;Agnoux&lt;/span&gt;, &lt;span class="artist_name"&gt;Conjat&lt;/span&gt;, &lt;span class="artist_name"&gt;Delgoulet&lt;/span&gt;, &lt;span class="artist_name"&gt;Desaguiller&lt;/span&gt;,&lt;/strong&gt; et&lt;strong&gt; &lt;span class="artist_name"&gt;Jarriges&lt;/span&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous tenons &amp;agrave; remercier Mme Christine Faurie, alors maire de Pierrefitte, qui nous a grandement facilit&amp;eacute; la t&amp;acirc;che.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/291/1320324758_Photo_pierrefite_pr_le_web.jpg</text>
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              <text>philosophie sectes supersticions devotions pour avoir un enfant pour avoir des enfants mariage ferme bestiaux animaux ecole souvenirs temoignage enfance pain agriculture jardinage vin vigne</text>
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                <text>Andréa Perrier</text>
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                <text>Pascal Boudy</text>
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                <text>&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enqu&amp;ecirc;tes r&amp;eacute;alis&amp;eacute;es aupr&amp;egrave;s de Mme &lt;strong&gt;&lt;span class="artist_name"&gt;Andr&amp;eacute;a Perrier&lt;/span&gt;&lt;/strong&gt; le 6 juillet et le 18 ao&amp;ucirc;t 2004.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme Perrier, n&amp;eacute;e en 1908, a eu la gentillesse de nous recevoir chez elle, &amp;agrave; Blavignac, commune de Lostanges.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Elle a facilement accept&amp;eacute; de nous parler de son village, de l'exercice de son m&amp;eacute;tier d'agricultrice, de la vie &amp;agrave; Lostanges (les rites calendaires, les &amp;eacute;tapes de la vie, les &amp;eacute;v&amp;egrave;nements, etc.) mais aussi de nous livrer quelques &amp;eacute;l&amp;eacute;ments de r&amp;eacute;flexion sur... le sens de la vie.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>1-26-06</text>
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                <text>oci</text>
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                <text>00:00:00.000 --&gt; 00:01:14.000
Chas lo petaire&#13;

00:01:14.000 --&gt; 00:01:58.000
Presentation&#13;

00:01:58.000 --&gt; 00:04:42.000
Bio&#13;

00:04:42.000 --&gt; 00:06:01.000
Pita leberota&#13;

00:06:01.000 --&gt; 00:07:07.000
La religion las sectas&#13;

00:07:07.000 --&gt; 00:07:49.000
La supersticion&#13;

00:07:49.000 --&gt; 00:10:43.000
Lachaud de Briva, La politica&#13;

00:10:43.000 --&gt; 00:11:45.000
Los chaffres&#13;

00:11:45.000 --&gt; 00:13:13.000
Una supersticion&#13;

00:13:13.000 --&gt; 00:16:43.000
 Dau diable&#13;

00:16:43.000 --&gt; 00:18:04.000
Del vesin &#13;

00:18:04.000 --&gt; 00:18:20.000
Ne'n sabiatz&#13;

00:18:20.000 --&gt; 00:19:52.000
Ren chausir&#13;

00:19:52.000 --&gt; 00:20:55.000
Per los reis&#13;

00:20:55.000 --&gt; 00:22:12.000
Chandeleur, los crespels, las mervelhas&#13;

00:22:12.000 --&gt; 00:23:46.000
N'eram pas de "bons crestiens"&#13;

00:23:46.000 --&gt; 00:24:29.000
Galopar las crotz&#13;

00:24:29.000 --&gt; 00:25:44.000
La festa de Carnaval&#13;

00:25:44.000 --&gt; 00:26:55.000
La guerra de 14&#13;

00:26:55.000 --&gt; 00:27:44.000
Lo caresme&#13;

00:27:44.000 --&gt; 00:29:38.000
Per rampalms&#13;

00:29:38.000 --&gt; 00:29:59.000
Per Sent Jan &#13;

00:29:59.000 --&gt; 00:32:07.000
La setmana senta&#13;

00:32:07.000 --&gt; 00:33:57.000
Paschas, 'na granda festa&#13;

00:33:57.000 --&gt; 00:34:37.000
Las rogacions&#13;

00:34:37.000 --&gt; 00:35:39.000
St Jan&#13;

00:35:39.000 --&gt; 00:36:10.000
La guerra de 14&#13;

00:36:10.000 --&gt; 00:37:02.000
Sent Jan, las fuelhas de nogier&#13;

00:37:02.000 --&gt; 00:37:29.000
Los conselh de revision&#13;

00:37:29.000 --&gt; 00:39:23.000
La vòta a Lostanjas, las aubadas&#13;

00:39:23.000 --&gt; 00:39:57.000
Los riches fasian coma los autres&#13;

00:39:57.000 --&gt; 00:40:45.000
La vòta&#13;

00:40:45.000 --&gt; 00:42:19.000
Lo bal&#13;

00:42:19.000 --&gt; 00:43:38.000
Lo maridatge&#13;

00:43:38.000 --&gt; 00:46:10.000
St Ròc&#13;

00:46:10.000 --&gt; 00:48:33.000
Nadal&#13;

00:48:33.000 --&gt; 00:49:19.000
Peschar las estrenas&#13;

00:49:19.000 --&gt; 00:50:03.000
La ferma&#13;

00:50:03.000 --&gt; 00:53:07.000
Los tessons, las chastanhas&#13;

00:53:07.000 --&gt; 00:54:39.000
Tuar&#13;

00:54:39.000 --&gt; 00:55:56.000
Las gògas&#13;

00:55:56.000 --&gt; 00:56:34.000
'pelar los ganhons&#13;

00:56:34.000 --&gt; 00:58:21.000
Quatre vachas&#13;

00:58:21.000 --&gt; 00:59:10.000
Las trufas&#13;

00:59:10.000 --&gt; 01:00:43.000
La charelha&#13;

01:00:43.000 --&gt; 01:01:46.000
Lo beu&#13;

01:01:46.000 --&gt; 01:02:08.000
Las olhas&#13;

01:02:08.000 --&gt; 01:04:03.000
Fialavam - la lana&#13;

01:04:03.000 --&gt; 01:05:45.000
La tanta institutrica&#13;

01:05:45.000 --&gt; 01:06:36.000
Minjaviatz de la vianda ?&#13;

01:06:36.000 --&gt; 01:07:03.000
Lo vin &#13;

01:07:03.000 --&gt; 01:07:37.000
Lo chaval&#13;

01:07:37.000 --&gt; 01:09:14.000
Liar las vachas&#13;

01:09:14.000 --&gt; 01:11:00.000
La volalha&#13;

01:11:00.000 --&gt; 01:11:22.000
Lo blat, la segle&#13;

01:11:22.000 --&gt; 01:11:45.000
La carcalina&#13;

01:11:45.000 --&gt; 01:12:48.000
Fasiam lo pan&#13;

01:12:48.000 --&gt; 01:13:04.000
De las bledas, de las trufas&#13;

01:13:04.000 --&gt; 01:14:21.000
"A Blavenhat conten las trufas per cartons"&#13;

01:14:21.000 --&gt; 01:16:00.000
Los crimes a Lostanjas&#13;

01:16:00.000 --&gt; 01:16:17.000
NC&#13;

01:16:17.000 --&gt; 01:17:07.000
'nar a la messa&#13;

01:17:07.000 --&gt; 01:19:37.000
Lo jardin&#13;

01:19:37.000 --&gt; 01:20:44.000
Las chastanhas, las enjas, la terra de mota&#13;

01:20:44.000 --&gt; 01:22:03.000
Daus cacals&#13;

01:22:03.000 --&gt; 01:23:58.000
Fasiam un pauc de vin&#13;

01:23:58.000 --&gt; 01:24:31.000
L'aiga de vita&#13;

01:24:31.000 --&gt; 01:25:02.000
Las pomas&#13;

01:25:02.000 --&gt; 01:26:06.000
Espotissiam las pomas per far lo pomat&#13;

01:26:06.000 --&gt; 01:26:46.000
De las peras d'ivern&#13;

01:26:46.000 --&gt; 01:27:31.000
"Dos bas de mans de brajas"&#13;

01:27:31.000 --&gt; 01:27:48.000
Lo magnetò&#13;

01:27:48.000 --&gt; 01:28:58.000
Los potirons&#13;

01:28:58.000 --&gt; 01:30:35.000
De la terra&#13;

01:30:35.000 --&gt; 01:31:24.000
Los potirons de nogier&#13;

01:31:24.000 --&gt; 01:32:13.000
Coser los potirons&#13;

01:32:13.000 --&gt; 01:32:28.000
Me comprenes ?&#13;

01:32:28.000 --&gt; 01:33:05.000
En Drulhe &#13;

01:33:05.000 --&gt; 01:34:01.000
Lo rei, lo barton, lo diable...&#13;

01:34:01.000 --&gt; 01:35:30.000
"Degun vai a Lostanjas sens se'n planger"&#13;

01:35:30.000 --&gt; 01:36:46.000
Aviam tots dels chafres&#13;

01:36:46.000 --&gt; 01:37:03.000
Nos trobavam riches&#13;

01:37:03.000 --&gt; 01:37:38.000
La terra d'en Codonhos&#13;

01:37:38.000 --&gt; 01:38:15.000
La vielha vacha&#13;

01:38:15.000 --&gt; 01:39:10.000
Chafres&#13;

01:39:10.000 --&gt; 01:39:37.000
À Blavenhat&#13;

01:39:37.000 --&gt; 01:40:20.000
L'escòla&#13;

01:40:20.000 --&gt; 01:43:14.000
L'escòla el Jaladis&#13;

01:43:14.000 --&gt; 01:43:58.000
Lo frances a l'escòla e lo patois a la maison&#13;

01:43:58.000 --&gt; 01:50:16.000
Mon grand paire, lo reire grands...&#13;

01:50:16.000 --&gt; 01:51:45.000
Sabia un pauc de Frances&#13;

01:51:45.000 --&gt; 01:53:18.000
La guerra de 14&#13;

01:53:18.000 --&gt; 01:54:29.000
Los platons&#13;

01:54:29.000 --&gt; 01:58:44.000
La guerra de mon paire&#13;

01:58:44.000 --&gt; 02:00:04.000
De l'escòla&#13;

02:00:04.000 --&gt; 02:03:42.000
Lo lop, Pelissier&#13;

02:03:42.000 --&gt; 02:05:35.000
De l'escòla, portar lo minjar&#13;

02:05:35.000 --&gt; 02:12:40.000
A l'escòla libra a Maumont&#13;

02:12:40.000 --&gt; 02:15:35.000
 La politica - Lo deputat Lachaud&#13;

02:15:35.000 --&gt; 02:17:27.000
Las fieras&#13;

02:17:27.000 --&gt; 02:20:24.000
Lo vin, la basta, la 1/2 peça...&#13;

02:20:24.000 --&gt; 02:20:54.000
Frostir emb los pès&#13;

02:20:54.000 --&gt; 02:21:29.000
Escolar lo vin&#13;

02:21:29.000 --&gt; 02:22:12.000
Lo trolhadis&#13;

02:22:12.000 --&gt; 02:22:58.000
La piqueta, 'na bevanta&#13;

02:22:58.000 --&gt; 00:00:00.000
Lo trabalh de la vinha&#13;

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        <name>Corrèze (19)</name>
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                  <text>Enquêtes et témoignages</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Informateur de qualit&amp;eacute;, nous sommes revenus le voir &amp;agrave; plusieurs reprises, notamment pour qu'il nous initie aux r&amp;egrave;gles de la Bourre, jeu de carte beaucoup pratiqu&amp;eacute; jusque dans les ann&amp;eacute;es 70. &lt;br /&gt;Il nous a m&amp;ecirc;me aid&amp;eacute;s &amp;agrave; fixer les r&amp;egrave;gles et &amp;agrave; organiser un concours &amp;agrave; Ayen en 2004.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Nous remercions ses enfants pour l'accueil et les photos.&lt;/span&gt;&lt;/p&gt;&#13;
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Lo faure e la Petron&#13;

00:00:53.000 --&gt; 00:01:28.000
Chanson de Muratel&#13;

00:01:28.000 --&gt; 00:02:05.000
Lo faure e la Petron, second enregistrement&#13;

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La filha de l'esclopier&#13;

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L'Aurelha de lebre&#13;

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La lebre de chas Lacroix&#13;

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Los parachutistes&#13;

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La mòtò&#13;

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Los sotliers&#13;

00:05:00.000 --&gt; 00:05:09.000
Tres còps lo t'ai manhat&#13;

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&lt;p style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Enregistr&amp;eacute; en pr&amp;eacute;sence de Robert et Yves Parisis, et de Lucien et Anne-Marie Boudy.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;Apr&amp;egrave;s l'enregistrement, nous sommes all&amp;eacute;s au Queyraud o&amp;ugrave; nous avons rencontr&amp;eacute; son fr&amp;egrave;re &lt;span class="artist_name"&gt;Pierre Lamarche&lt;/span&gt; avec lequel nous avons visit&amp;eacute; la tuilerie, un beau patrimoine dans un bel &amp;eacute;tat de conservation.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Patrick nous a remis de nombreux documents annexes, photos, films, croquis... Une partie de ces documents est accessible par la Galerie ci-dessous, le reste en cours de num&amp;eacute;risation.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12838" target="_blank" rel="noopener"&gt;Voir la galerie &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;NB : On trouvera aussi sur "la Bia&amp;ccedil;a" un &lt;a href="https://la-biaca.org/items/show/285" target="_blank" rel="noopener"&gt;t&amp;eacute;moignage de &lt;span class="artist_name"&gt;M. Boisdevezy&lt;/span&gt;&lt;/a&gt; qui a travaill&amp;eacute; &amp;agrave; la tuilerie lorsqu'il &amp;eacute;tait jeune.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;M. Valeille y évoque non seulement son moulin, ce pour quoi nous étions allés à sa rencontre, mais aussi la nature environnante, et, dans une belle langue, quelques anecdotes savoureuses.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Cet enregistrement a été réalisé avec l'aide de Ghislaine Pouget, sous l'œil attentif de Mme Valeille. Nous remercions sa fille, Elisabeth, pour ses photos.&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr"&gt;Nous pouvons retrouver M. Valeille, beaucoup plus jeune,&lt;/span&gt; &lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/387" style="font-size: 12pt;" target="_blank" rel="noopener"&gt;sur un autre enregistrement de la Biaça&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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                <text>M. et Mme LONGUEVILLE</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>A related resource</description>
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                <text>&lt;p class="fr" style="font-size:16px;"&gt;Enregistrements réalisés le 6 et le 18 Novembre 2003 au domicile de &lt;span class="artist_name"&gt;Paul et Marthe Longueville&lt;/span&gt; à la Chabroulie, commune de Saint-Julien-Maumont.&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;M. Longueville nous parle du pays, des pratiques agricoles et surtout de l'expoitation de la truffe et de la fabrication du vin paillé (&lt;span class="oc"&gt;nonmas de las bonas besonhas que tasterem amb grand plaser !&lt;/span&gt;).&lt;br /&gt;Ensuite lui et sa femme ont accepté de nous chanter quelques chansons... &lt;span class="oc"&gt;e per 'chabar visiterem la cava... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Nous avons été conduits chez Longueville par Ghislaine Pouget qui le connaît depuis plusieurs années et nous sommes revenus régulièrement voir ce couple d'informateurs de qualité avec enregistreurs et caméras ... &lt;span class="oc"&gt;zo "biaçarem" ben un jorn !!&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p style="font-size:16px;"&gt;&lt;span class="fr" style="color:#000000;"&gt;Nous avions rencontré M. et &lt;strong&gt;Mme Lenoble&lt;/strong&gt; (née Laurent)  lors de &lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/298" style="color:#ff6600;" target="_blank" rel="noreferrer noopener"&gt;l'enquête municipale à Bugeat&lt;/a&gt;&lt;/span&gt;, nous avions alors convenu de revenir voir &lt;span class="artist_name"&gt;Mme Lenoble&lt;/span&gt; pour enregistrer une chanson sur l'assassinat de Jean Jaurès. &lt;/span&gt;&lt;/p&gt;
&lt;p style="font-size:16px;"&gt;&lt;span class="fr" style="color:#000000;"&gt;Nous y sommes revenus en fin d'année, Marcel et Raymonde Lenoble nous ont très aimablement accueillis et ont bien voulu nous livrer leur répertoire.&lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Pascal Boudy</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Seconde partie de l'enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e &amp;agrave; la maison de retraite de Meyssac&lt;br /&gt;&lt;span class="fr"&gt;Enregistrement du 24 f&amp;eacute;vrier 2003&lt;br /&gt;&lt;br /&gt;&amp;Eacute;taient pr&amp;eacute;sent(e)s : &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Mesdames :&lt;/span&gt; &lt;strong&gt;Marguerite Bourliataux, Eug&amp;eacute;nie Berger, Gis&amp;egrave;le Eyrignoux, Philom&amp;egrave;ne Laubat, H&amp;eacute;l&amp;egrave;ne Malbouyssou&lt;/strong&gt;&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Messieurs :&lt;/span&gt;&lt;/span&gt;&lt;strong&gt; Ren&amp;eacute; Bouyssonie, Pierre Dupuy ainsi que Mm Charrageat et Coste&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;Agrave; la fin de la premi&amp;egrave;re s&amp;eacute;ance, intervention de M. Lagarde (&lt;em&gt;Los novels maridats de Laguerna&lt;/em&gt;) et du groupe folklorique de Meyssac &lt;em&gt;(La Lionarda &lt;/em&gt;et &lt;em&gt;La Chameisada&lt;/em&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;em&gt;)&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;em&gt;Nous remercions le personnel et la direction de l'&amp;eacute;tablissement qui ont permis que cette enqu&amp;ecirc;te se d&amp;eacute;roule dans &lt;/em&gt;&lt;span class="fr"&gt;&lt;em&gt;les meilleures des conditions .&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:49.000
'Quò marcha&#13;

00:02:49.000 --&gt; 00:03:20.000
Lo près daus tessons&#13;

00:03:20.000 --&gt; 00:03:35.000
Anam a Jaiac&#13;

00:03:35.000 --&gt; 00:03:59.000
Quand la pola&#13;

00:03:59.000 --&gt; 00:04:41.000
Se son vantats&#13;

00:04:41.000 --&gt; 00:05:05.000
Quatre domaiseletas&#13;

00:05:05.000 --&gt; 00:06:09.000
Cu 'quò es que bada&#13;

00:06:09.000 --&gt; 00:06:24.000
Quand pleu sus l'espaja&#13;

00:06:24.000 --&gt; 00:06:40.000
Lo vent que tira&#13;

00:06:40.000 --&gt; 00:07:05.000
Sent pierre e Sent paul&#13;

00:07:05.000 --&gt; 00:07:30.000
Quand pleu lo matin&#13;

00:07:30.000 --&gt; 00:08:31.000
Proverbes&#13;

00:08:31.000 --&gt; 00:08:50.000
Lo fum minja la niu&#13;

00:08:50.000 --&gt; 00:09:10.000
Quand lo castel&#13;

00:09:10.000 --&gt; 00:09:30.000
Quand lo pech de Tor&#13;

00:09:30.000 --&gt; 00:09:43.000
L'aiga que cort&#13;

00:09:43.000 --&gt; 00:10:14.000
Sent pierre e Sent paul&#13;

00:10:14.000 --&gt; 00:10:47.000
A Lostanges&#13;

00:10:47.000 --&gt; 00:11:05.000
A Menoire&#13;

00:11:05.000 --&gt; 00:11:51.000
Le conte&#13;

00:11:51.000 --&gt; 00:12:02.000
Chez René&#13;

00:12:02.000 --&gt; 00:14:28.000
Los novels maridats d'a Laguena&#13;

00:14:28.000 --&gt; 00:16:54.000
Lo contròlor daus impòts&#13;

00:16:54.000 --&gt; 00:17:04.000
Quand pleu sur lo rumelet&#13;

00:17:04.000 --&gt; 00:17:38.000
Quand pleu sus la rampela&#13;

00:17:38.000 --&gt; 00:18:13.000
Lo mes de janvier&#13;

00:18:13.000 --&gt; 00:18:57.000
Per nadal&#13;

00:18:57.000 --&gt; 00:19:37.000
Tot aquò, 'quò es ren&#13;

00:19:37.000 --&gt; 00:25:55.000
Proverbes&#13;

00:25:55.000 --&gt; 00:26:32.000
Regardez bien&#13;

00:26:32.000 --&gt; 00:27:29.000
Al mes d'abrial&#13;

00:27:29.000 --&gt; 00:27:48.000
Ço que n'am de plus sec&#13;

00:27:48.000 --&gt; 00:28:20.000
Un brave piquet&#13;

00:28:20.000 --&gt; 00:29:43.000
Luna de divendre&#13;

00:29:43.000 --&gt; 00:30:47.000
Luna mercruda&#13;

00:30:47.000 --&gt; 00:31:03.000
'Quò es una paubra guinla&#13;

00:31:03.000 --&gt; 00:31:38.000
Un beu canja jamai de grescha&#13;

00:31:38.000 --&gt; 00:32:01.000
Tant va la guinla&#13;

00:32:01.000 --&gt; 00:32:48.000
A Lacisca&#13;

00:32:48.000 --&gt; 00:33:03.000
Quand la pola&#13;

00:33:03.000 --&gt; 00:33:53.000
Quand lo gal&#13;

00:33:53.000 --&gt; 00:34:13.000
Sems d'a Potz&#13;

00:34:13.000 --&gt; 00:34:55.000
La musique et un petit couplet&#13;

00:34:55.000 --&gt; 00:38:03.000
La lionarda&#13;

00:38:03.000 --&gt; 00:40:27.000
La chameisada&#13;

00:40:27.000 --&gt; 00:41:03.000
Per Senta Lucia&#13;

00:41:03.000 --&gt; 00:42:17.000
Quand lo chavant&#13;

00:42:17.000 --&gt; 00:43:21.000
Quand la tanta canta&#13;

00:43:21.000 --&gt; 00:43:40.000
Ne chau pas desabilhar Pierre&#13;

00:43:40.000 --&gt; 00:44:26.000
El mes d'abrial&#13;

00:44:26.000 --&gt; 00:44:46.000
Pusleu sofrir&#13;

00:44:46.000 --&gt; 00:46:43.000
Les nhorles de M Lagarde&#13;

00:46:43.000 --&gt; 00:47:29.000
Nhorle&#13;

00:47:29.000 --&gt; 00:48:16.000
Pausar la busa&#13;

00:48:16.000 --&gt; 00:53:25.000
Mon pitiòt filh&#13;

00:53:25.000 --&gt; 00:56:02.000
Las lavairas&#13;

00:56:02.000 --&gt; 00:57:30.000
La prumiera pola&#13;

00:57:30.000 --&gt; 00:59:04.000
Anetz dròlles, bolegatz-vos&#13;

00:59:04.000 --&gt; 00:59:28.000
Ne'n conneissetz d'autras ?&#13;

00:59:28.000 --&gt; 00:59:39.000
Aval dins la ribiera&#13;

00:59:39.000 --&gt; 01:00:27.000
La vole la Mariana&#13;

01:00:27.000 --&gt; 01:00:45.000
Toine&#13;

01:00:45.000 --&gt; 01:02:34.000
Tu t'en vas de per los champs&#13;

01:02:34.000 --&gt; 01:14:05.000
Daus rasims, de la vinha&#13;

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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Première partie de l'enquête réalisée le 9 octobre 2003 à la maison de retraite de Chabrignac. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ont participé à cette séance : &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Madame &lt;strong&gt;Lucienne Malet &lt;/strong&gt;et Messieurs &lt;strong&gt;René Blanchaud, Ricou Burg, M. Champagne, Raymond Conjaud, Henri Géraud, Germain Lacroix, Marcel Lajugie&lt;/strong&gt; et &lt;strong&gt;René Macias. &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les informateurs ont évoqué quelques figures locales : La Caresma, Bilhard e sa Bilharda, ensuite les rites calendaires, le moment de la loue pour les tuiliers, les quilles, les courses à Pompadour,les commerçants ambulants,etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Enregistré en présence de Raymond Latournerie et Philippe Rouvet. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Nous remercions la direction de l'établissement et les animatrices, très investis dans ce projet&lt;/em&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-size:12pt;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;line-height:normal;"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;span style="font-family:'Comic Sans MS';"&gt;&lt;br style="font-family:'Comic Sans MS';" /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Madame &lt;strong&gt;Lucienne Malet &lt;/strong&gt;et Messieurs &lt;strong&gt;Ren&amp;eacute; Blanchaud, Ricou Burg, M. Champagne, Raymond Conjaud, Henri G&amp;eacute;raud, Germain Lacroix, Marcel Lajugie&lt;/strong&gt; et &lt;strong&gt;Ren&amp;eacute; Macias. &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons poursuivi le recueil de t&amp;eacute;moignages sur les travaux agricoles, M. Burg nous a parl&amp;eacute; du travail de meunier, de l'&amp;eacute;cole, de la mine, de la m&amp;eacute;decine populaire, des l&amp;eacute;gendes et croyances...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;em&gt;Nous remercions la direction de l'&amp;eacute;tablissement et les animatrices, tr&amp;egrave;s investis dans ce projet&lt;/em&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"&gt;&lt;span style="font-family: 'Comic Sans MS';"&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;En quête d'informateurs lors de l'enquête sur le thème de l'eau en montagne limousine, on nous avait à plusieurs reprises dirigé vers &lt;span class="artist_name"&gt;M. Aimé Delpastre&lt;/span&gt;. Très occupé par ses activités agricoles il a aimablement accepté de nous recevoir en ce printemps et de nous consacrer un peu de temps. &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Bien qu'habitant hors de la zone concernée par cette enquête, nous l'avons interrogé sur les levades, le moulin, l'exploitation de la tourbe, la langue...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:medium;"&gt;M. Delpastre nous a ensuite montré quelques beaux outils &lt;span style="color:#000000;"&gt;&lt;em&gt;&lt;span class="oc"&gt;(&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;&lt;span class="oc" style="font-size:medium;color:#993300;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries_divers/13319/Pissa_.jpg" target="_blank" title="Picha" style="color:#993300;" rel="noreferrer noopener"&gt;pichas&lt;/a&gt;,&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries_divers/13319/Fessor.jpg" target="_blank" style="color:#000000;" rel="noreferrer noopener"&gt;&lt;span class="oc" style="font-size:medium;"&gt;&lt;span class="oc" style="color:#993300;"&gt; fessor&lt;/span&gt;&lt;span style="color:#993300;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="oc" style="font-size:medium;"&gt;&lt;span style="color:#993300;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries_divers/13319/Talha_prat2.jpg" target="_blank" style="color:#993300;" rel="noreferrer noopener"&gt;&lt;span class="oc"&gt;talha-prat&lt;/span&gt;&lt;/a&gt;,&lt;/span&gt; &lt;span style="color:#993300;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries_divers/13319/Trencha.jpg" target="_blank" style="color:#993300;" rel="noreferrer noopener"&gt;trencha&lt;/a&gt;&lt;/span&gt; ...)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span class="fr"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;color:#000000;"&gt;Enquête réalisée en septembre 2007 dans le cadre de l'enquête thématique : l'eau en montagne limousine / &lt;span class="oc"&gt;de la font a la mar&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;color:#000000;"&gt;Nous avons rencontré &lt;span class="artist_name"&gt;M. et Mme Coignoux&lt;/span&gt; à plusieurs reprises en compagnie de &lt;span class="artist_name"&gt;Claude Manoux&lt;/span&gt;, usselois natif de Lacombe et passionné par son pays.&lt;br /&gt;&lt;br /&gt;Voir ci dessous les enregistrements suivants :&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;- » Second enregistrement&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;- » &lt;/span&gt;Troisième enregistrement&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;- » &lt;/span&gt;Quatrième enregistrement&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Saint-Germain-Lavolps</name>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Maison de retraite d'Allassac</text>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>AllassacMR1Integrale.mp3</text>
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          </elementTextContainer>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>4025</text>
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          <name>Interviewer</name>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
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                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Allassac 1/3</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>1-0049</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/334/Allassac.jpg</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr"&gt;Premi&amp;egrave;re partie de l'enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e &amp;agrave; la maison de retraite d'Allassac&lt;/span&gt;&lt;span class="fr"&gt;.&lt;/span&gt;&lt;br /&gt;Enregistrement du 15 avril 2003.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ont particip&amp;eacute; :&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;MMes &lt;span class="artist_name"&gt;Marthe Commagnac, Jeanine Coudert, Raymonde Deshors, Marie-Jeanne Laffaire, Lucienne Lach&amp;egrave;ze, Marie-Louise Morlet, Cl&amp;eacute;mence Soulet, C&amp;eacute;lestine Val&amp;eacute;ry, Ainsi que Mmes Bury, Dest&amp;egrave;ve, Jarrige, Paquelier, Praudel, Robert, Sanz-Dominguez, Sautour (dont les pr&amp;eacute;noms n'ont pas &amp;eacute;t&amp;eacute; renseign&amp;eacute;s).&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;Messieurs &lt;span class="artist_name"&gt;Roger Chouzenoux, Marcel Dumas, ainsi que Ms Madranges&lt;/span&gt; et &lt;span class="artist_name"&gt;Raynal&lt;/span&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous tenons &amp;agrave; remercier la direction de l'&amp;eacute;tablissement et le personnel qui nous ont grandement facilit&amp;eacute; la t&amp;acirc;che.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Allassac</name>
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        <name>Corrèze (19)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Mot-clé</name>
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              <text>écouter le patois d'Allassac</text>
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              <text>entendre le patois d'Allassac</text>
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              <text>les rites calendaires en Corrèze</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>langue limousine</text>
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              <text>patrimoine oral du Limousin</text>
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            <name>Date Issued</name>
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            <name>Provenance</name>
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            <description>A name given to the resource</description>
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                <text>Allassac 2/3</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Ont particip&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Mesdames &lt;span class="artist_name"&gt;Marthe Commagnac, Jeanine Coudert, Raymonde Deshors, Marie-Jeanne Laffaire, Lucienne Lach&amp;egrave;ze, Marie-Louise Morlet, Cl&amp;eacute;mence Soulet, C&amp;eacute;lestine Val&amp;eacute;ry, &lt;/span&gt;ainsi que&lt;span class="artist_name"&gt; Mmes Bury, Dest&amp;egrave;ve, Jarrige, Paquelier, Praudel , Robert , Sanz-Dominguez, Sautour dont nous n'avons pas les pr&amp;eacute;noms.&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;Messieurs &lt;span class="artist_name"&gt;Roger Chouzenoux, Marcel Dumas, ainsi que Ms Madranges&lt;/span&gt; et &lt;span class="artist_name"&gt;Raynal&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Nous tenons &amp;agrave; remercier la direction de l'&amp;eacute;tablissement et le personnel qui nous ont grandement facilit&amp;eacute; la t&amp;acirc;che.&lt;/span&gt;&lt;/p&gt;</text>
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          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>écouter des chansons traditionnelles du limousin en patois</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>Occitan limousin</text>
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            <elementText elementTextId="322240">
              <text>langue limousine</text>
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            <elementText elementTextId="322241">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="322242">
              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="322250">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="322251">
              <text>écouter le patois de la Corrèze</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>IEO Lemosin, dépôt Boudy</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. GILET</text>
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            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>M. GILET</text>
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            <name>Source</name>
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                <text>BOU 001</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2001-01</text>
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            <name>Creator</name>
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                <text>Pascal Boudy</text>
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                <text>audio/mpeg</text>
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            <name>Identifier</name>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/363/Gilet.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous avions rencontré &lt;strong&gt;M. Gilet&lt;/strong&gt; en janvier 2001 à la résidence du Chapeau-Rouge à Brive où il vivait avec sa femme. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Originaire du Soulier de Chasteaux il pratiquait l'accordéon diatonique et le chant.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Il nous chante quelques chansons bien répandues en Limousin, de belles versions bien complètes. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Peu sûr de son jeu a l'accordéon, alors qu'il nous avait été indiqué comme un bon musicien, il avait gentiment accepté de nous livrer ces chansons, qu'il chantait "plus juste que sur l'accordéon" disait-il. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;(Photo Brive Magazine n°39 Février 2000)&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Chasteaux</name>
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        <name>Corrèze (19)</name>
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            <element elementId="50">
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                  <text>Enquêtes et témoignages</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Maison de retraite de Lubersac</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>écouter des chansons traditionnelles du Limousin en patois</text>
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              <text>écouter des chansons traditionnelles de la Corrèze</text>
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              <text>collectages de chansons traditionnelles en Corrèze</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2012-02-03 08:33:13</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Lubersac</text>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lubersac (Maison de retraite)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>1-0100</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/364</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331238">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/364/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Enquête réalisée à la maison de retraite de Lubersac&lt;/span&gt;. &lt;br /&gt;&lt;span style="font-size:medium;"&gt;Enregistrements des 7 février et 3 avril 2003. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Ont participé :&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Mesdames &lt;span class="artist_name"&gt;Delaud, Léa Golfier, Malaval, Marie-Eugénie Maligne, Jeanne Pacaud Renaudie, Séranno, Valéry,&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Messieurs &lt;span class="artist_name"&gt;André Bagnaud , Lacaurie, Pouyadoux, Roudier, René henri Royer, et André Salesse.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous tenons à remercier la direction de l'établissement et le personnel qui nous ont permis de faire ces enregistrements dans les meilleures conditions.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>doc: enquetes</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Au domicile de M. Amouroux, au bourg de Louignac</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Names of individuals or groups participating in the event</description>
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          <description>Mot-clé "metakeywords"</description>
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Dans ce film il nous explique dans une belle langue l'art de la faux, la battaison, la fabrication des manches, la pierre Lombarde... &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/367"&gt;Acc&amp;egrave;s &amp;agrave; la version non sous-titr&amp;eacute;e&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Enregistr&amp;eacute; sous l'oeil bienveillant de Gilles Ray (&lt;a href="https://www.demain.fr/"&gt;Demain TV&lt;/a&gt;) qui faisait, lui, un sujet sur nos enqu&amp;ecirc;tes.&lt;a href="http://www.demain.fr/les-chaines/demaintv-a-la-carte/demaintv-a-la-carte/fiche-edition/patrimoine-toques-porcelaine-et-occitan/"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Seconde partie de l'enqu&amp;ecirc;te &amp;agrave; Lacombe. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span class="artist_name"&gt;M. Manoux&lt;/span&gt; nous chante une version de la &lt;a href="https://la-biaca.org/items/show/12880" target="_blank" rel="noreferrer noopener"&gt;"chanson de Pipette"&lt;/a&gt;, tr&amp;egrave;s proche de l'original (Fran&amp;ccedil;ois GRABI&amp;Eacute;, Po&amp;eacute;sies patoises, 1984, p. 128-129). Avec quelques voisins, on parle de quelques expressions et de la mani&amp;egrave;re de diriger les b&amp;ecirc;tes . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: medium;"&gt;(Enregistr&amp;eacute; en pr&amp;eacute;sence de deux voisins.)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Voir ci dessous les autres enregistrements :&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Troisi&amp;egrave;me enregistrement&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Des propos sur les pratiques autour de l'eau, les levades, la tourbe, les moulins, l'eau &amp;agrave; la maison... et aussi un t&amp;eacute;moignage tr&amp;egrave;s pr&amp;eacute;cis sur l'exploitation des bois sectionnaux :&lt;/span&gt; &lt;span class="oc"&gt;las fordas&lt;/span&gt;. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/13238#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-34%2C985%2C667"&gt;Lo molin de Lacomba&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color: #ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;- &amp;raquo; Second enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;em&gt;Suite et fin de l'enquête réalisée chez M. et Mme Coignoux à Lacombe. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;em&gt;Enregistrement du 29 février 2008. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;em&gt;Des proverbes, des différentes pièces du moulin.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color:#ff6600;"&gt;- » Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;- » Second enregistrement&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;- » &lt;/span&gt;Troisième enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <text>chansons occitanes de Louignac</text>
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              <text>écouter des chants traditionnels de la Corrèze</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="321982">
              <text>écouter le patois de la Corrèze</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="321946">
                <text>2012-03-20 15:40:15</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Boudy</text>
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            <description>A name given to the resource</description>
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                <text>Paul Vialle</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="321949">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Paul VIALLE</text>
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            <name>Source</name>
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                <text>BOU 003</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003-02</text>
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                <text>Pascal Boudy</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Paul Vialle était né à Louignac en 1928. Il y avait longtemps exercé le métier d'agriculteur, avant de partir "travailler à l'usine" jusqu'à sa retraite.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Il nous avait reçu en 2003, et, dans une belle langue, nous avait régalé de quelques chansons qu'il tenait d'un passage dans un groupe folklorique ainsi que de beaux dires sur le temps, sur les abeilles... &lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter le patois limousin</text>
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              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="321926">
              <text>écouter le patois de la Corrèze</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Dans le cadre des relevés toponymiques effectués pour le PNR, nous avons rencontré M. et Mme Lecadet qui ont bien voulu nous consacrer un peu de temps&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Nous avons recueill&lt;/span&gt;&lt;span class="fr"&gt;i la manière de dire les noms de lieux mais aussi une version de "&lt;span class="oc"&gt;la petiòta babaròta&lt;/span&gt;".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="font-size:medium;"&gt;Nous avons rencontré madame &lt;strong&gt;Paulette Coudert&lt;/strong&gt; à son domicile, à La Bardèche, commune de Darnets pour recueillir la prononciation en limousin des noms de lieux sur cette commune. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt; Aidée en cela par son mari nous avons  fait le tour de la commune et recueilli quelques anecdotes&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter des contes traditionnels du Limousin dans le parler de Condat-sur-Ganaveix</text>
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              <text>écouter des histoires en patois corrézien</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Dans cet enregistrement,&lt;strong&gt; &lt;span class="artist_name"&gt;Annie Dezes&lt;/span&gt;,&lt;/strong&gt; petite-fille de &lt;span class="artist_name"&gt;M. &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="artist_name"&gt;Bertrand&lt;/span&gt; nous dit des contes qu'elle tient de son grand-p&amp;egrave;re. Elle est ici aid&amp;eacute;e par sa m&amp;egrave;re (Mme Dumond, la fille de M. Bertrand) et nous conte, dans une belle langue, quelques contes peu courants :&lt;em&gt;&lt;span class="oc"&gt; Los tres curets, La Janeton, Las tres filhas, La velhada&lt;/span&gt;.&lt;/em&gt; &lt;br /&gt;&amp;Agrave; la fin du document, quelques dires et proverbes par &lt;span class="artist_name"&gt;Mme Dumond&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Nous pouvons retrouver sur le site &lt;a href="https://la-biaca.org/items/show/274" target="_blank" rel="noopener"&gt;des contes dits par M. Bertrand,&lt;/a&gt; enregistr&amp;eacute; par Annie il y a plus de 20 ans. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Digne h&amp;eacute;riti&amp;egrave;re de son grand-p&amp;egrave;re, Annie, &amp;eacute;lue et militante associative, a toujours port&amp;eacute; de l'int&amp;eacute;r&amp;ecirc;t &amp;agrave; la langue et &amp;agrave; la tradition. &lt;br /&gt;Dans la tradition familiale, elle a racont&amp;eacute; ces contes &amp;agrave; ses enfants et n'h&amp;eacute;site pas &amp;agrave; en faire profiter l'assistance &amp;agrave; chaque occasion.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12853#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-352%2C-1%2C1414%2C1000" target="_blank" rel="noopener noreferrer"&gt;Une des participantes avait not&amp;eacute; quelques expressions sur un cahier d'&amp;eacute;colier &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Nous remercions madame &lt;/em&gt;&lt;em&gt;Claudie &lt;/em&gt;&lt;em&gt;GAUTHIER, pr&amp;eacute;sidente du club et instigatrice de ces r&amp;eacute;unions, qui nous a permis de mener cette enqu&amp;ecirc;te dans les meilleures des conditions&amp;nbsp; .&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>[Enquêtes collectives]</text>
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&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/12833#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-19%2C0%2C636%2C450" target="_blank" rel="noopener noreferrer"&gt;Consulter la galerie&lt;/a&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>IEO LEmosin</text>
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              <text>Occitan limousin</text>
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              <text>m et mme boudy pascal boudy m et mme boudy patois proverbes expressions correze occitan</text>
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                <text>IEO Lemosin, dépôt Boudy</text>
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                <text>M. et Mme BOUDY</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="317222">
                <text>Tous les genres</text>
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                <text>M. et Mme BOUDY</text>
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              <elementText elementTextId="317224">
                <text>BOU005</text>
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                <text>2005-02</text>
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                <text>Pascal Boudy</text>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/488</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/488/Boudys.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:medium;"&gt;Depuis des années, Lucien et Anne Marie notent dans un cahier les expressions proverbes, comptines ... qui leur reviennent en mémoire . Au mois de février 2005 nous les avons mis devant la caméra et enregistré tout cela . Tous deux nous livrent souvenirs, expressions, proverbes, comptines et légendes : &lt;span class="oc"&gt;Sangut-besangut, bona nuech de canard, nai-nai, lo vin de Vertogit, Toron boron, la pita lebre, los chercha-pan, la chauça vielha e la berana, e bien d'autras ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:medium;"&gt;En fin d'enregistrement Lucien, sculpteur et poète à ses heures nous lit quelques textes de sa composition : &lt;span class="oc"&gt;Per los enterraments, l'aubre, S'en anaven tots dos, Las velhadas, l'òme vielh &lt;/span&gt;&lt;/span&gt;&lt;span class="oc"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Perpezac-le-Blanc</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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              <text>Enregistré à Saint Julien Maumont (19)</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>VinPalhatSST.mp4</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Mme Marthe Longueville</text>
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          <name>Mot-clé</name>
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              <text>Paul Longueville</text>
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              <text>cave</text>
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              <text>récolte</text>
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              <text>séchage</text>
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              <text>pressage</text>
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              <text>vignification</text>
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            <elementText elementTextId="316609">
              <text>Christian Soulier</text>
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              <text>Archives sonores</text>
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              <text>Patrimoine oral</text>
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              <text>IEO Limousin</text>
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            <elementText elementTextId="316613">
              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>besace</text>
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              <text>Patois</text>
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              <text>Occitan</text>
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              <text>Limousin</text>
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              <text>Patois Limousin</text>
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            <elementText elementTextId="316620">
              <text>Occitan limousin</text>
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              <text>Occitan Corrèze</text>
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              <text>Patois corrèze</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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              <text>memòria</text>
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              <text>sonore</text>
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              <text>tradition</text>
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              <text>enregistrement</text>
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          <name>Mot-clé en liste</name>
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            <elementText elementTextId="316634">
              <text>m et mme longueville pascal boudy lo vin palhat vin paille correze patois occitan longueville</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="316579">
                <text>2013-01-22 11:17:11</text>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="316581">
                <text>Corrèze (19)</text>
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                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lo vin palhat</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Pratiques agricoles</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>La fabrication du vin paill&amp;eacute; part M. Paul Longueville, film en occitan</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="316587">
                <text>M. et Mme LONGUEVILLE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="316588">
                <text>IEO255</text>
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            <name>Date</name>
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                <text>2012</text>
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            <name>Creator</name>
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                <text>Pascal Boudy</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>video/mp4</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="316592">
                <text>Moving Image</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/500</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/500/Paul_2.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avions rencontr&amp;eacute; &lt;strong&gt;Paul Longueville&lt;/strong&gt; et sa femme &amp;agrave; plusieurs reprises, il nous avait parl&amp;eacute;, dans une belle langue, de la culture de la truffe, de la vigne, du vin paill&amp;eacute; ... toutes les visites se terminant autour d'un verre de vin paill&amp;eacute; de sa fabrication. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Soucieux de la transmission de son savoir, il a accept&amp;eacute; en cette fin d'ann&amp;eacute;e 2012 que nous allions, &amp;agrave; plusieurs reprises, le d&amp;eacute;ranger dans son travail . De la vigne &amp;agrave; la maison, de la cave au grenier il nous a montr&amp;eacute; comment, depuis 1946, et avec l'aide de sa femme Marthe il fait le vin paill&amp;eacute; "&amp;agrave; l'ancienne" . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La r&amp;eacute;colte, le s&amp;eacute;chage, le pressage, la vinification .... et la d&amp;eacute;gustation nous avons accompagn&amp;eacute; Paul dans toutes ces &amp;eacute;tapes avec un grand plaisir . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Malheureusement Paul ne fabrique plus que &lt;span class="oc"&gt;"per la maison e per los amics"&lt;/span&gt;, il ne vend plus depuis des ann&amp;eacute;es mais on peut trouver aupr&amp;egrave;s de nombreux producteurs de la r&amp;eacute;gion du vin paill&amp;eacute; &amp;eacute;labor&amp;eacute; de fa&amp;ccedil;on plus moderne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/12898" title="Voir la version sous titr&amp;eacute;e"&gt;&lt;span style="font-size: 12pt;"&gt;Une version sous titr&amp;eacute;e est disponible dans la vid&amp;eacute;oth&amp;egrave;que ou en cliquant ici&amp;nbsp;&lt;/span&gt; &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;Sur le site &lt;a href="https://la-biaca.org/items/show/305" title="Voir l'enregistrement audio de M. et Mme Longueville datant de 2003"&gt;un enregistrement audio , de M. et Mme Longueville datant de 2003&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Nous remercions Christian Soulier pour sa disponibilit&amp;eacute; et son aide efficace derri&amp;egrave;re la cam&amp;eacute;ra&amp;nbsp;&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces images ont été prises lors d'une stage organisé par l'IEO lemosin et l'association "las chambas finas daus Condats" au mois de novembre 2007 . &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Depuis longtemps Marcel Belette nous parlait de la manière de danser la mazurka "à la limousine" qu'il tenait de ses voisins d' Orgnac sur Vézère . Nous lui avons demandé de bien vouloir nous l'enseigner, (et ce fut laborieux pour quelques uns !) &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous avons passé du bon temps cet après midi et, comme souvent avec les amis de Condat, cela s'est terminé un peu tard après un copieux casse-croute .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce sujet des images du stage de mazurka et quelques plans de sautières .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous remercions tous les participants au stage et les musiciens présents ce soir là : &lt;span style="font-size:14pt;"&gt;Jean Marie Caunet&lt;/span&gt;, Serge Chassagne, Christian Madelmont et Jean François Mathieu &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Enregistrement réalisé en 2000 aux Clèdes, commune de Louignac, dans le cadre d'une collecte pour un travail avec les enfants de l'école primaire. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement, &lt;span class="oc"&gt;La busa&lt;/span&gt; (une belle randonnée assez répandue sur le territoire limousin), &lt;span class="oc"&gt;Pendilhon&lt;/span&gt; (la célèbre devinette), &lt;span class="oc"&gt;Lo vent blanc, Tres chabras dins un prat, Fotut potonaïre,&lt;/span&gt; et &lt;span class="oc"&gt;L'aimabla Marion&lt;/span&gt; .&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br class="fr" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="artist_name"&gt;Madame Cousty&lt;/span&gt; nous avait accueillis à plusieurs reprises, acceptant de venir faire des interventions dans les classes et même de participer à quelques spectacles .&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/561/MeynardNet.jpg</text>
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                <text>Enquête municipale à St Sornin Lavolps</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons rentré assez fortuitement la fille de Mme Gratacap qui nous a dit que sa mère, originaire de Capdenac, dans le Lot, habitant la commune de Brive depuis des années, serait ravie de nous parler en occitan.&lt;br /&gt;Nous avons rencontré quelques semaines plus tard, le 30 janvier 2012, &lt;strong&gt;Mme Germaine Gratacap&lt;/strong&gt;, (née Issiot en 1924 dans un hameau de la commune de Capdenac, dans le département voisin du Lot). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Gratacap nous a chanté "Gentille pastourelle", "&lt;span class="oc"&gt;Al fond de la prada"&lt;/span&gt;, &lt;span class="fr" style="font-size:14pt;"&gt;puis, dans une belle langue, elle nous a parlé un peu des veillées, &lt;span class="oc"&gt;del fuòc de nadal ...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;Eacute;taient pr&amp;eacute;sent(e)s : &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Mesdames :&lt;/strong&gt; Denise Alexis, Yvette Latournerie, Sylva Pascarel, Marie jeanne Pradaux, Maguy Vallas.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Messieurs:&lt;/strong&gt; Armand Alexis, Pierre Durand, Robert Labonne, Raymond Latournerie, L&amp;eacute;on Pascarel, Marcel Raynaud, Philippe Rouvet, Adrien Semblat, Emile Tamain, Fernand Vacherie.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce second enregistrement nous parlons rebouteux, fontaines, croyances (la chasse volante, les feux-follets, le loup-garou, la dame blanche, la chouette, le mauvais oeil,...) &amp;eacute;cole, pratique de la langue, jeux des enfants (billes, sifflets, quilles, lances pierres), fabrication des outils, abeilles, proverbes . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ensuite nous abordons le travail de la ferme : (vaches, boeufs, cochons, moutons ...) &lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;Nous pouvons retrouver sur le site &lt;a href="https://la-biaca.org/items/show/274"&gt;des contes dits par M. Bertrand&lt;/a&gt;, enregistr&amp;eacute;s il y a plus de 20 ans; ainsi qu'un premier &lt;a href="https://la-biaca.org/items/show/396" target="_blank" rel="noopener noreferrer"&gt;enregistrement audio d'Annie&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Digne h&amp;eacute;riti&amp;egrave;re de son grand-p&amp;egrave;re, Annie, &amp;eacute;lue et militante associative, a toujours port&amp;eacute; de l'int&amp;eacute;r&amp;ecirc;t &amp;agrave; la langue et &amp;agrave; la tradition. Elle a racont&amp;eacute; ces contes &amp;agrave; ses enfants et n'h&amp;eacute;site pas &amp;agrave; en faire profiter l'assistance &amp;agrave; chaque occasion.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistr&amp;eacute; le 21 avril 2009, e&lt;span style="font-size: 14pt;"&gt;n pr&amp;eacute;sence de M Yves L&amp;eacute;onard, Annie et Jean Claude Dezes, Philippe Lemaire et son &amp;eacute;quipe de l'atelier vid&amp;eacute;o .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il est question de la fabrication du pain, des c&amp;eacute;r&amp;eacute;ales, des moulins, des outils, de l'&amp;eacute;volution, du p&amp;eacute;trissage ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <description>The location of the interview</description>
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              <text>Enregistré au domicile de l'informateur, à La Combe Commune de Perpezac le Blanc</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="310441">
              <text>JeanRoche.mp3</text>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>2384</text>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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          <name>Mot-clé</name>
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              <text>perpezac le blanc</text>
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              <text>four à chaux</text>
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              <text>le treuil</text>
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              <text>fuser</text>
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              <text>ayen</text>
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              <text>blagues</text>
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              <text>nhorles</text>
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              <text>occitan</text>
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              <text>limousin</text>
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              <text>correze</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>jean roche pascal boudy jean roche four a chaux perpezac le blanc jean roche patois occitan</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2014-02-20 14:52:03</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Boudy</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="310430">
                <text>Jean ROCHE</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="310431">
                <text>Histoires locales</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="310432">
                <text>Entretien avec M. Jean Roche, au sujet des fours &amp;agrave; chaux .</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="310433">
                <text>Jean ROCHE</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="310434">
                <text>BOU007</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="310435">
                <text>2001</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="310436">
                <text>Pascal Boudy</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="310437">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310438">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="310439">
                <text>https://la-biaca.org/items/show/662</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331536">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/662/JeanRoche.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334007">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute;&lt;strong&gt; Jean Roche&lt;/strong&gt; &amp;agrave; La Combe, commune de Perpezac le Blanc. nous souhaitions l'interroger au sujet du four &amp;agrave; chaux du Treuil (m&amp;ecirc;me commune), son p&amp;egrave;re y avait travaill&amp;eacute; et Jean avait, lorsqu'il &amp;eacute;tait enfant, donn&amp;eacute; la main et charri&amp;eacute; des brouettes de pierre.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En compagnie de Lucie, sa femme, il nous parle de l'histoire du four, de ses propri&amp;eacute;taires, de la fabrication de la chaux, de sa destination etc.&lt;br /&gt;Avec l'accord des propri&amp;eacute;taires, nous nous sommes rendus ensuite sur place et Jean nous a montr&amp;eacute; les vestiges du four et les lieux dont il avait parl&amp;eacute; pendant l'interview.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De retour &amp;agrave; La Combe il nous a dit quelques histoires - dont la plupart sont bien connues en limousin - que racontait Camille Barret (un Ayennois c&amp;eacute;l&amp;egrave;bre): des plaisanteries sur la chasse, la guerre, la moto ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;L'enregistrement se termine par quelques mimologismes .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12826#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-500%2C-1%2C1999%2C1414" target="_blank" rel="noopener noreferrer"&gt;Voir les &amp;eacute;crits que Jean Roche avait pr&amp;eacute;par&amp;eacute; &amp;agrave; cette occasion&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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      <tag tagId="116">
        <name>Perpezac-le-Blanc</name>
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  </item>
  <item itemId="663" public="1" featured="0">
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      <file fileId="414">
        <src>https://www.la-biaca.org/files/original/enquetes/663/PrugneNet.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistré au domicile de l'informateur à Puy la Mouche, commune de Lanteuil 19</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="310418">
              <text>prugne1.mp4</text>
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          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1201</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>patois</text>
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            <elementText elementTextId="310421">
              <text>occitan</text>
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            <elementText elementTextId="310422">
              <text>lanteuil</text>
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            <elementText elementTextId="310423">
              <text>corrèze</text>
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            <elementText elementTextId="310424">
              <text>limousin</text>
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            <elementText elementTextId="310425">
              <text>ferme</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="310426">
              <text>michel prugne pascal boudy a pueg la mocha patois limousin occitan lanteuil puy la mouche prugne</text>
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        </element>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310402">
                <text>2014-02-20 17:41:38</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="310403">
                <text>1201</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310404">
                <text>Lanteuil</text>
              </elementText>
              <elementText elementTextId="310405">
                <text>Corrèze (19)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310406">
                <text>IEO Lemosin</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310407">
                <text>A Pueg la Mocha</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310408">
                <text>Pratiques agricoles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310409">
                <text>Entretien avec M Prugne, en occitan limousin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310410">
                <text>Michel PRUGNE</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310411">
                <text>IEO281</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310412">
                <text>2012-10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="310413">
                <text>Pascal Boudy</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310414">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310415">
                <text>Moving Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="310416">
                <text>https://la-biaca.org/items/show/663</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331537">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/663/PrugneNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334006">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions croisé les enfants de M. &lt;strong&gt;Michel Prugne&lt;/strong&gt; (et leurs bons fromages) à plusieurs reprises sur le marché de Brive la Gaillarde, échangés quelques mots en "patois" et nous avions parlé de rendre visite à leur père, un auvergnat résidant à Lanteuil depuis longtemps. &lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;À&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; l'occasion d'une journée d'enquête nous lui avons rendu visite le 24 octobre 2012, il nous a parlé de son arrivée en Corrèze, où il venait pour trafiquer les châtaignes puis le tabac, de son amour pour le travail du bois,  &lt;span class="fr" style="font-size:14pt;"&gt;du travail à la ferme (l'élevage, le tabac, la vigne) ,  etc ... &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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      <tag tagId="147">
        <name>Lanteuil</name>
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  </item>
  <item itemId="667" public="1" featured="0">
    <fileContainer>
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        <src>https://www.la-biaca.org/files/original/enquetes/667/mairie2.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="310332">
              <text>Enregistré à la mairie de Larche (19)</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="310333">
              <text>Larche1.mp3</text>
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          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="310334">
              <text>3861</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="310335">
              <text>informateurs multiples pascal boudy larche 1 2 enquete municipale larche patois occitan limousin correze</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Enquête municipale</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2014-02-28 17:14:31</text>
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            <description>The size or duration of the resource.</description>
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                <text>3861</text>
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Présentation&#13;

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La bujada&#13;

00:07:09.000 --&gt; 00:09:05.000
La font&#13;

00:09:05.000 --&gt; 00:09:36.000
Far beure&#13;

00:09:36.000 --&gt; 00:10:50.000
La volalha&#13;

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Trobar l'aiga&#13;

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Los vesins&#13;

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Las levadas&#13;

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Las serbas, los potz&#13;

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Los Ponts&#13;

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Del temps&#13;

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La procession&#13;

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Amusaments&#13;

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Las bonas fonts&#13;

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Lo buis&#13;

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La genciana&#13;

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Lo tonari&#13;

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Proverbes&#13;

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La lebrauta&#13;

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Sautar lo fuoc&#13;

00:30:33.000 --&gt; 00:31:50.000
Las ventosas&#13;

00:31:50.000 --&gt; 00:32:40.000
Los vermes&#13;

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Presentacion&#13;

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Las levadas&#13;

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Los engrais&#13;

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Entretener las levadas&#13;

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La rigoleuse&#13;

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Los peissons&#13;

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Queure l'aiga&#13;

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Las culturas&#13;

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Los legumes&#13;

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Las rabas d'estolhas&#13;

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Per la st Jan&#13;

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Sonhar los uelhs de las vachas&#13;

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Tirar lo fuec&#13;

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Las varrujas&#13;

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La Mair millon&#13;

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Los sorcelatges&#13;

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Sonar las clochas&#13;

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Lo catechirme&#13;

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Los chaffres&#13;

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Tuey&#13;

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trobar l'aiga&#13;

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las fonts&#13;

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los musiciens&#13;

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las chançons&#13;

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daus proverbes&#13;

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las fruchas&#13;

00:53:07.000 --&gt; 00:53:53.000
dau temps&#13;

00:53:53.000 --&gt; 00:54:47.000
las planchas, los ponts&#13;

00:54:47.000 --&gt; 00:56:05.000
lo patois a l'escola&#13;

00:56:05.000 --&gt; 00:59:02.000
parlar patois auei&#13;

00:59:02.000 --&gt; 01:04:22.000
la torba&#13;

01:04:22.000 --&gt; 01:05:48.000
los bestiaus&#13;

01:05:48.000 --&gt; 01:09:43.000
lo laite lo fromatge&#13;

01:09:43.000 --&gt; 01:10:41.000
lo bac de ganhon&#13;

01:10:41.000 --&gt; 01:11:12.000
damorar aqui&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Lorsque nous avions rencontré Henri Salles, il nous avait parlé de la procession à Saint Jean Baptiste et chanté le cantique qui se chante à cette occasion . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions convenu de nous y retrouver le 29 août pour tourner ce sujet . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Malgré un temps digne de Toussaint nous avons pu enregistrer ce témoignage d'une pratique très ancienne destinée aux enfants malades (la bénédiction des enfants, la vénération des reliques, le cantique, etc...) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous remercions &lt;span class="fr" style="font-size:14pt;"&gt;Henri Salles&lt;/span&gt;, &lt;span class="fr" style="font-size:14pt;"&gt;l'abbé Raynal &lt;/span&gt;ainsi que tous les participants, qui ont bien voulu nous faire partager ce moment .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <description>The size or duration of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>A name given to the resource</description>
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                <text>Objat, maison de retraite (1)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>IEO295</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Enqu&amp;ecirc;te collective r&amp;eacute;alis&amp;eacute;e &amp;agrave; la maison de retraite d'Objat. Premi&amp;egrave;re partie, enregistrement du 16 septembre 2003.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;En pr&amp;eacute;sence de: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="text-decoration: underline;"&gt;Mesdames :&lt;/span&gt; Bonnet Marguerite, Boudy Am&amp;eacute;d&amp;eacute;e, Chouzenoux No&amp;eacute;lie, Debas Mathilde, Debet Louise, Decros Yvonne, F&amp;eacute;ral Marie-Louise, Guine-Lacotte Anna, Joudoux Marie-Cl&amp;eacute;mentine, Lafeuille Adrienne, Leymarie Gabrielle, R&amp;eacute;parat Fernande, Rougier Germaine, Roumegieras Ren&amp;eacute;e et Vidal Yvonne&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span style="text-decoration: underline;"&gt;Messieurs :&lt;/span&gt; Ceuille Antoine, Faucon Maurice et Gilibert Jean &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;En compagnie de Philippe Rouvet, nous avons interrog&amp;eacute; les r&amp;eacute;sidents de la maison de retraite sur les cultures (la vigne, le tabac, les petit pois, les chataignes, les prunes, etc) sur la chasse, la p&amp;ecirc;che, les animaux de la ferme (les vaches, les cochons, les brebis), nous avons recueilli quelques bribes de chansons, un t&amp;eacute;moignage sur le patois, sur la chasse au dahu...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Cet enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; possible gr&amp;acirc;ce &amp;agrave; la bienveillance de la direction et avec le concours du personnel de l'&amp;eacute;tablissement que nous remercions vivement .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Enquêtes collectives]</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="359243">
                <text>2015-01-13 00:00:00</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="360381">
                <text>Collecte de la mémoire orale à la maison de retraite d'Objat (19)</text>
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        <name>Corrèze (19)</name>
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        <name>Objat</name>
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              <name>Identifier</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>saint cyr la roche</text>
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              <text>fontaine saint maurice</text>
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          <name>Mot-clé en liste</name>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <description>The size or duration of the resource.</description>
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                <text>3160</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Suite &amp;agrave; la premi&amp;egrave;re visite, nous avons rencontr&amp;eacute; ce jour deux informatrices individuellement :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Jusqu'&amp;agrave; 39 mn 45 sec : Mme Am&amp;eacute;d&amp;eacute;e Boudy n&amp;eacute;e en 1909 Agricultrice &amp;agrave; La grange du Poujol, commune d'Orgnac-sur-V&amp;eacute;z&amp;egrave;re&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;- &amp;agrave; partir de&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;39 mn 45&lt;/span&gt;&amp;nbsp;sec :&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme Marie Louise F&amp;eacute;ral, n&amp;eacute;e en 1921, &amp;agrave; La Mandrie, commune de Saint-Cyr la Roche&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;(elle aussi agricultrice)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons parl&amp;eacute; du tavail &amp;agrave; la ferme, de la vie au village, des danses, des musiciens, de l'&amp;eacute;cole, des l&amp;eacute;gendes, &amp;eacute;voqu&amp;eacute; quelques rites calendaires, etc.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Cet enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; possible gr&amp;acirc;ce &amp;agrave; la bienveillance de la direction et avec le concours du personnel de l'&amp;eacute;tablissement que nous remercions vivement .&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Source</name>
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                <text>IEO296</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003-09</text>
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            <description>The nature or genre of the resource</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te collective r&amp;eacute;alis&amp;eacute;e &amp;agrave; la maison de retraite d'Objat. (Seconde partie, enregistrement du 23 septembre 2003&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;)&lt;/span&gt;&amp;nbsp;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Suite &amp;agrave; la premi&amp;egrave;re visite, nous avons rencontr&amp;eacute; ce jour deux informatrices individuellement :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Jusqu'&amp;agrave; 39 mn 45 sec : Mme Am&amp;eacute;d&amp;eacute;e Boudy n&amp;eacute;e en 1909 Agricultrice &amp;agrave; La grange du Poujol, commune d'Orgnac-sur-V&amp;eacute;z&amp;egrave;re&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;- &amp;agrave; partir de&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;39 mn 45&lt;/span&gt;&amp;nbsp;sec :&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme Marie Louise F&amp;eacute;ral, n&amp;eacute;e en 1921, &amp;agrave; La Mandrie, commune de Saint-Cyr la Roche&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;(elle aussi agricultrice)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons parl&amp;eacute; du tavail &amp;agrave; la ferme, de la vie au village, des danses, des musiciens, de l'&amp;eacute;cole, des l&amp;eacute;gendes, &amp;eacute;voqu&amp;eacute; quelques rites calendaires, etc.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Cet enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; possible gr&amp;acirc;ce &amp;agrave; la bienveillance de la direction et avec le concours du personnel de l'&amp;eacute;tablissement que nous remercions vivement .&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date Issued</name>
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              <elementText elementTextId="307876">
                <text>2015-03-19 16:24:44</text>
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            <description>A name given to the resource</description>
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                <text>Georges LESTRADE</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Enquête</text>
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            <description>An account of the resource</description>
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                <text>Interview de M. Georges Lestrade,agriculteur sur le causse Corrézien</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Georges LESTRADE</text>
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            <name>Source</name>
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              <elementText elementTextId="307882">
                <text>IEO297</text>
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          </element>
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            <name>Date</name>
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            <name>Creator</name>
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              <elementText elementTextId="307884">
                <text>Pascal Boudy</text>
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            <name>Format</name>
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                <text>video/mp4</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="307886">
                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/757</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/757/GLestradeNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Accompagnés de Sylvain Marchou, nous avons rendu visite le 2 juillet 2013 à Georges LESTRADE .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Natif de &lt;span class="fr" style="font-size:14pt;"&gt;La Verderie commune de &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Chartrier-Ferrières,&lt;/span&gt; M. Lestrade y exerça l'agriculture toute sa vie . Il nous parle, avec beaucoup de philosophie de la vie de l'exercice de ce métier sur le causse Corrézien . L'élevage et le commerce des moutons, les truffes, les charbonnières, la gestion de l'eau, la vigne, le jardin, la retraite, son rapport à la langue etc ...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une belle rencontre assurément, l'i tornaram !!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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              <text>Enregistré au domicile des informateurs à La Verde, commune d'Albignac (19)</text>
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          <name>Local URL</name>
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              <text>préparation des boyaux</text>
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              <text>occitan</text>
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              <text>tribu mesturoux pascal boudy del tesson a la goga cochon patois limousin tuada boudin</text>
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          <element elementId="58">
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                <text>IEO Lemosin</text>
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                <text>Del tesson a la gòga</text>
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                <text>IEO298</text>
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                <text>Sound</text>
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          <element elementId="54">
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Un sujet enregistré à Albignac au mois de décembre 2012 .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Après un temps de transaction nous avons été admis à filmer cet évènement familial à la ferme de La Verde . &lt;br /&gt;Une fois obtenu cet accord, la "tribu Mesturoux" (comme ils se nomment avec humour !), nous a reçu avec beaucoup de gentillesse et de générosité .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt; Par un matin glacial de décembre nous avons assisté à un abattage du cochon, dans les règles de l'art et le respect de la tradition ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Abattage, Casse-croûte, découpe, préparation des boyaux, repas pantagruélique fabrication des boudins rien n'a manqué à cette journée ! &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;color:#000000;"&gt;Vous pouvez aussi accéder à la version sous-titrée en cliquant sous le lien ci dessous :&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=aTRIeMd2Cxs" target="_blank" rel="noreferrer noopener"&gt;Del tesson a la gòga, version sous-titrée&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>nhorle en occitan limousin de jean Baptiste Ch&amp;egrave;ze</text>
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                <text>Jean-Pierre FAUGERAS</text>
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                <text>IEO038</text>
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        <name>Egletons</name>
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          <description>The location of the interview</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="322253">
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          <element elementId="90">
            <name>Provenance</name>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="322256">
                <text>Danse</text>
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            </elementTextContainer>
          </element>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322257">
                <text>Édith ARVIS</text>
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            <name>Date</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="322259">
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322260">
                <text>video/mp4</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="322261">
                <text>Moving Image</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Arnac-Pompadour 2/3</text>
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            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>&lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Seconde partie de l'enquête réalisée à la maison de retraite de Pompadour&lt;/em&gt;&lt;/span&gt;. &lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Enregistrement du 29 Avril 2003&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;span class="fr"&gt;É&lt;/span&gt;&lt;em&gt;taient présents : &lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Mesdames &lt;span class="artist_name"&gt;Jeanne Bonnet, Marguerite Brachet, Marie Dubernard, Marie-Fernande Dumond, Madeleine Fallières, Marie-Louise Ferrand, Marie-Thérèse Peyramaure, Yvonne Perpilloux,&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Monsieur &lt;span class="artist_name"&gt;Henri Brugère, Ms Gauthier&lt;/span&gt; et&lt;span class="artist_name"&gt; Sussingeas&lt;/span&gt;.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Nous tenons à remercier la direction et le personnel qui nous ont permis de faire ces enregistrements dans les meilleures des conditions&lt;/em&gt;&lt;/span&gt;.&lt;span class="pdf-icon" style="font-size:medium;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Compilation de plusieurs enregistrements de &lt;strong&gt;Marcel Belette&lt;/strong&gt;,&lt;span class="fr"&gt; enregistr&amp;eacute;s de 2003 &amp;agrave; 2006&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Marcel Belette et sa femme Simone ont &amp;eacute;t&amp;eacute; - d&amp;egrave;s le d&amp;eacute;but des ann&amp;eacute;es 60 - parmi les premiers collecteurs bas-corr&amp;eacute;ziens. Ils ont anim&amp;eacute; plusieurs&lt;/span&gt;&lt;span class="fr"&gt; groupes folkloriques&lt;/span&gt;&lt;span class="fr"&gt; notament dans les ann&amp;eacute;es 70 "La Couade de Troche". &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document est la compilation de plusieurs enregistrements . on y trouvera un tr&amp;egrave;s beau r&amp;eacute;pertoire de sauti&amp;egrave;res du sud-ouest du limousin, des mimologismes, pri&amp;egrave;res, polkas, bourr&amp;eacute;es, scottishs, gnorles, etc... Des renseignements sur les danses, sur les informateurs, des paroles parfois " difficilement traduisibles "&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Marcel, chanteur et musicien de tradition, bien qu'aujourd'hui moins actif, reste un observateur avis&amp;eacute; de ce milieu&lt;/span&gt;&lt;span class="fr"&gt;. &lt;br /&gt;Il nous a re&amp;ccedil;u tr&amp;egrave;s gentiment &amp;agrave; de nombreuses reprises et a accept&amp;eacute; de nous transmettre une partie de son savoir&lt;/span&gt; . &lt;span class="fr"&gt;Informateur &amp;agrave; la m&amp;eacute;moire impressionnante, il est une "personne ressource" incontestable en ce qui concerne le folklore bas limousin, nous lui avons consacr&amp;eacute; un &lt;/span&gt;&lt;a class="fr" href="http://patrimoine-oral-massif-central.fr/spip.php?article19"&gt;sujet sur la bourr&amp;eacute;e, visible sur le site 'Massif Central"&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12845" target="_blank" rel="noopener"&gt;Voir la galerie&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>TARNAC, enquête municipale</text>
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                <text>[Informateurs multiples]</text>
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                <text>Pascal Boudy, Jean Marie Caunet,Jean François Vignaud</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:19px;"&gt;Enregistrement réalisé le 23 Mars 2007 dans le cadre de l'enquête &lt;/span&gt;&lt;span class="fr" style="font-size:19px;"&gt;thématique : l'eau en montagne limousine / De la font a la mar,&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:19px;"&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:19px;"&gt;En présence de Messieurs &lt;span style="font-size:19px;"&gt;Armand &lt;/span&gt;Faurie et Jean Plazanet que nous avons interrogés sur la gestion de l'eau : l&lt;/span&gt;'irrigation des prés, les levades, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;les droits d'eau, la pêche, les mouches en plume de coq, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;les moulins, les grains à moudre, l'étang de Lacombe, la tourbe, les étangs, la fontaine Saint-Georges, l'abreuvage des animaux, la recherche des sources, la lessive,&lt;span class="oc" style="font-size:19px;"&gt; la font de la rana, enquera n'es pas jorn,&lt;/span&gt; une histoire de Panazò ...&lt;/span&gt;&lt;/p&gt;</text>
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&lt;li&gt;&lt;strong&gt;&amp;nbsp;La Marseillaise scolaire des adulte&lt;/strong&gt;s, &amp;eacute;crite le 1er novembre 1883 &amp;laquo; en vers Patois et Fran&amp;ccedil;ais &amp;raquo;&lt;/li&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;Sur cet enregistrement datant probablement de d&amp;eacute;cembre 1958, nous entendons le groupe folklorique la "Bourr&amp;eacute;e Limousine". Il s'agit sans doute de la premi&amp;egrave;re bande d'une s&amp;eacute;rie , les autres n'ont a ce jour pas &amp;eacute;t&amp;eacute; rep&amp;eacute;r&amp;eacute;es .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;Nous y retrouvons, pr&amp;eacute;sent&amp;eacute; par le Dr Jean Marie Serre, un r&amp;eacute;pertoire tr&amp;egrave;s classique compos&amp;eacute; de valses, marche, bourr&amp;eacute;es... bien servi&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La plupart de ces titres se trouvent sur le disque 33 tours produit par &lt;a href="https://la-biaca.org/items/show/12821#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-221%2C-1%2C1441%2C1019" target="_blank" rel="noopener noreferrer"&gt;Ducretet Thomson 250 V 140 &lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;( "La Parisienne vals&amp;eacute;e" devient, par erreur probablement,&amp;nbsp;&amp;nbsp; "&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;la &lt;/span&gt;&lt;/span&gt;Sauti&amp;egrave;re de Juillac")&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt;"&gt;L'enregistrement se termine par deux chants en groupe : "Depuis Paris jusqu'&amp;agrave; Valence" et " Lo Boier "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La Marche du plateau Corr&amp;eacute;zien provenait du r&amp;eacute;pertoire de Raymond et Marguerite Buche (de Lafage sur Sombre) et disait : &lt;br /&gt;&lt;/span&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Chal&amp;nbsp; minjar dins l'escuela de bosc, &lt;br /&gt;Tu siras malaude Guilhaume&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Chal&amp;nbsp; minjar dins l'escuela de bosc, &lt;br /&gt;Tu siras malaude deman&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Bacharas dins aquela del chen, &lt;br /&gt;Tu siras malaude Guilhaume &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Bacharas dins aquela del chen,&lt;br /&gt;Siras malaude deman lo matin&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La Bourr&amp;eacute;e de Naves, enseign&amp;eacute;e par les m&amp;ecirc;mes disait : &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Viva los Naves quand van velhar,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Quand van velhar las menen las menen Quand van velhar las menen per bra&amp;ccedil;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Viva los Naves quand fan l'amor,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Quand fan l'amor las n'en menen n&amp;ograve;stras dr&amp;ograve;las Quand fan l'amor la nuech mai lo jorn&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Les musiciens de la Bourr&amp;eacute;e Limousine &amp;eacute;taient alors :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Cabrettes :&lt;/span&gt; JM Serre, Jo Serre, Jean Lacroix, Raymond Buche et Paul S&amp;eacute;lebran&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Accord&amp;eacute;ons :&lt;/span&gt; Yves Chavagnac et Yves Roy &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Vielle &amp;agrave; roue :&lt;/span&gt; Mme Marguerite Buche &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Cette notice a &amp;eacute;t&amp;eacute; renseign&amp;eacute;e gr&amp;acirc;ce &amp;agrave; l'aide de Marcel Belette, alors &amp;agrave; la Bourr&amp;eacute;e Limousine &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12860#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-12%2C499%2C353"&gt;qui nous a confi&amp;eacute; ces quelques photos&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;&amp;rArr; Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Albert Pestour, Eugène Tarrade</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Bien qu'il soit not&amp;eacute; sur la boite de cette bande 641 que cet enregistrement a &amp;eacute;t&amp;eacute; effectu&amp;eacute; le 17 juillet 1970 pour une diffusion probable le 31 juillet de la m&amp;ecirc;me ann&amp;eacute;e, il ne s'agit pas d'une &amp;eacute;mission pr&amp;ecirc;te &amp;agrave; la diffusion ... sans doute une erreur de boite !&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande elle m&amp;ecirc;me une &amp;eacute;tiquette "Chamberet Violoneux" , il s'agit d'un enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt; (1891-1981), violoneux corr&amp;eacute;zien, probablement r&amp;eacute;alis&amp;eacute; le 21 Avril 1959 . (Informations F. Etay)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement une chanteuse (Mme Brouillac) et M. Tarrade interpr&amp;egrave;tent, parfois en duo, un beau r&amp;eacute;pertoire traditionnel :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des chansons (La Yoyette, &lt;span class="oc"&gt;Pita te maridas pas&lt;/span&gt;, Embrasse moi bien petit Parisien, l'autre jour en m'y promenant...)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des airs &amp;agrave; danser : Des bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, une scottish, 4 figures de quadrille "A ta sant&amp;eacute; mon p&amp;egrave;re Fran&amp;ccedil;ois", "Le rossignol chantait", "On appelle Antoinette" et "La caille et la b&amp;eacute;casse", plusieurs valses dont la "valse de Tarnac"... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pour finir, par Eug&amp;egrave;ne Tarrade, une histoire peu connue "&lt;span class="oc"&gt;la jornada ente vesiam doble&lt;/span&gt;"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Son petit fils, Arnauld GUIZERIX, &amp;agrave; qui nous devons les photos nous pr&amp;eacute;cise ;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;"...je me souviens tr&amp;egrave;s bien des airs jou&amp;eacute;s au violon par mon grand-p&amp;egrave;re Eug&amp;egrave;ne, et j'ai parfaitement reconnu sa voix &amp;eacute;galement quand il racontait ses histoires en patois. Il y a eu certainement diff&amp;eacute;rents enregistrements car il &amp;eacute;tait connu au niveau local, et je me souviens de certaines occasions, peut-&amp;ecirc;tre dans les ann&amp;eacute;es soixante ou soixante-dix, o&amp;ugrave; l'on venait l'interroger et l'enregistrer dans sa maison de Chamberet. J'&amp;eacute;tais enfant mais je garde de lui l'image d'un personnage attachant et pittoresque, qui marquait les personnes qui le connaissaient. Eug&amp;egrave;ne est n&amp;eacute; en 1890 &amp;agrave; Chamberet, &amp;eacute;tait clerc de notaire &amp;agrave; Faux la Montagne avant d'&amp;ecirc;tre appel&amp;eacute; en 1911 pour trois ann&amp;eacute;es de service militaire avant sa mobilisation pour la Grande Guerre, o&amp;ugrave; il servit comme ambulancier. De retour &amp;agrave; Chamberet apr&amp;eacute;s la guerre, il s'installa avec sa m&amp;egrave;re, veuve depuis 1909,&amp;nbsp; dans&amp;nbsp; sa grande maison de Chamberet.&amp;nbsp; Eug&amp;egrave;ne v&amp;eacute;cut dans cette maison jusqu'&amp;agrave; sa mort, vivant de sa pension d'ancien combattant, et de travaux agricoles. Il &amp;eacute;tait le violonneux du village, appr&amp;eacute;ci&amp;eacute; de tous, et animait r&amp;eacute;guli&amp;egrave;rement f&amp;ecirc;tes, veill&amp;eacute;es et mariages. Il avait une vision po&amp;ecirc;tique du monde, enrichie d'une r&amp;eacute;elle culture litt&amp;eacute;raire, et un sens de l' &amp;agrave;-propos qui le rendait attachant..."&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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              <text>informateurs multiples robert dagnas vielle chabrette vielle violon correze tulle</text>
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                <text>Vielle et Chabrette</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 463 sur laquelle il "est not&amp;eacute; "Enregistrement Vielle / Chabrette, Perrichon Tulle", nous entendons une suite de morceaux du r&amp;eacute;pertoire folklorique (belle rose, l'aiga de rochas, la yoyette, la polka de Madranges, le turlututu, la gigue etc ...)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Plusieurs musiciens, M. Perrichon &amp;agrave; la vielle, une cabrette mais aussi un violoniste qui pourrait &amp;ecirc;tre M. Jean &lt;span style="font-size: 12pt;"&gt;Lamoure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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            <description>The topic of the resource</description>
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            <name>Date</name>
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            <name>Format</name>
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            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande portant le num&amp;eacute;ro 716 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;" Chez Nous automne 1965, Le valet, Sim&amp;eacute;on, J'entends chanter ma mie, Belle Bateli&amp;egrave;re, Que faras tu Jeanon, chant chant !! lu clafouti, Camille, non non je ne le dirai pas"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Il s'agit d'un enregistrement public, dans lequel on entend plusieurs chanteurs (non identifi&amp;eacute;s) dans un beau r&amp;eacute;pertoire en fran&amp;ccedil;ais et en limousin :&lt;/span&gt; &lt;em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;o que ieu minge,&lt;/span&gt;&lt;/em&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Sim&amp;eacute;on, L'abb&amp;eacute; de campagne, L&amp;agrave;-bas dans la prairie, La fille d'un boulanger, Si vous voulez savoir un joli tour, La belle bateli&amp;egrave;re, &lt;em&gt;&lt;span class="oc"&gt;Que faras-tu paubra Janon, Lu clafotis,&lt;/span&gt;&lt;/em&gt; Camille fais moi de la camomille, Non, non je ne le dirais pas !, A qui est cette canne ? et quelques airs d'harmonica .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>RD3182.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>IEO LEmosin</text>
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              <text>Occitan Corrèze</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Eugène TARRADE</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/497</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la boite de cette bande une &amp;eacute;tiquette " Tarrade, Chamberet" sans autre indication. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit bien d'un nouvel enregistrement &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt; (1891-1981), violoneux . Enregistrement &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;probablement r&amp;eacute;alis&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 60&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt; &amp;agrave; son domicile, &amp;agrave; Chastangeaux, commune de Chamberet - 19 )&amp;nbsp;&lt;/span&gt;&lt;/span&gt; .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre essentiellement de la musique de danse (Valses, marches, bourr&amp;eacute;es, scottishs, polkas, quadrille ... ) mais aussi quelques m&amp;eacute;lodies : un No&amp;euml;l (Revelhatz vos) , une berceuse (?) (En passant par le bois),Sur la plus haute branche, l' ase de la marion .. Une nouvelle fois la bande a &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e et nous trouvons (vers 25 mn) une &amp;eacute;mission &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;consacr&amp;eacute;e &amp;agrave; la mode&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;, Minutes en dentelles, sans doute diffus&amp;eacute;e sur les ondes de Radio Limoges. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/435" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/521" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (3) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/521" class="permalink"&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/index.php/items/show/523" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4) &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/index.php/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur l'enveloppe de la&amp;nbsp; bande 667 il est not&amp;eacute; :&amp;nbsp;&amp;nbsp; " Quadrille Tarrade " &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Il s'agit d'un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt; (1891-1981) .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; au domicile de M. Tarrade &amp;agrave; Chastangeaux, commune de Chamberet - 19 le 12 mars 1960 &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;M. Dagnas s'est rendu &amp;agrave; Chamberet avec des danseurs du groupe folklorique des Velhadours afin de s'y faire enseigner le Quadrille Limousin . Dans ce document on entends nos seulement M. Tarrade jouer les diff&amp;eacute;rentes figures du quadrille (pendant que les danseurs le danse)&amp;nbsp; mais aussi madame Tarrade, son &amp;eacute;pouse, chanter ces m&amp;ecirc;mes quadrilles (&lt;span class="oc"&gt;A ta santat mon pair Fran&amp;ccedil;ois&lt;/span&gt; (premi&amp;egrave;re partie) , &lt;span class="oc"&gt;En passant per St German&lt;/span&gt; (salutations) , &lt;span class="oc"&gt;Quand te 'nava veire&lt;/span&gt;, Je m'appelle Antoinette (la ronde) ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/435" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/497" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/521" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (3) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/523" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4) &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;A la suite de cet enregistrement des essais de la chorale des Velhadours puis sur la fin de la bande une interview d'un acteur au sujet de son r&amp;ocirc;le de Radoub la pi&amp;egrave;ce de Victor Hugo "Quatre vint treize"&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;(La photo de la maison de Chastangeaux nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Arnaud Guizerix, petit fils de M. Tarrade)&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande sans numéro, un petit morceau de nappe sur lequel il est indiqué "Troche (probablement) -Toine"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une suite de morceaux interprétés par le groupe Folklorique "La Couade de Troche" datant du début des années 60 : &lt;span class="oc"&gt;Un jorn dins l'estolhas, Para lo lop, Paralipampan, La Crosada,&lt;/span&gt; La Varsovienne, &lt;span class="oc"&gt;En lai dins lo ribatel,&lt;/span&gt; La guimbarde, et enfin la célèbre chanson &lt;span class="oc"&gt;"Toine"&lt;/span&gt; sans doute interprétée ici par M. Sargnac .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En toute fin de bande un petit extrait d'une émission de "Chez nous"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande n&amp;deg;704 il est not&amp;eacute; &lt;span style="color: #333300;"&gt;" Enreg.t Tarrade &amp;agrave; Chamberet, Face B Maridas (Gourseaud de l'Age), essai chorale la linga d'or" . &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans un premier temps un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, violoneux domicili&amp;eacute; &amp;agrave; Chamberet (Corr&amp;egrave;ze) . La fiche de cet enregistrement pr&amp;eacute;cise : Scottish vals&amp;eacute;e, Mozart fa&amp;ccedil;on Tarrade, Suite de marches, Scottish, Air limousin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/435"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/497"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/523"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;Agrave; la suite de cet enregistrement (pr&amp;eacute;cise cette m&amp;ecirc;me fiche) on entends &lt;strong&gt;M. Gourseaud&lt;/strong&gt; qui chante &lt;span class="oc"&gt;Maridatz-vos Jana&lt;/span&gt; puis des essais de la chorale des Velhadors .&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 115%; font-family: Arial, 'sans-serif'; color: #808000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la boite de la bande 4591 il est not&amp;eacute; &lt;span style="color: #333333;"&gt;Violon, M. Tarrade &amp;agrave; Chamberet, 21/4/ 59 . &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document ressemble beaucoup &amp;agrave; celui d&amp;eacute;ja mis en ligne &lt;a href="https://la-biaca.org/items/show/435"&gt;(Eug&amp;egrave;ne Tarrade, Violoneux (1)&lt;/a&gt; (s&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;ans doute ce document &amp;eacute;tait il une compilation de plusieurs enregistrements).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt; Une &amp;eacute;coute attentive permet de comprendre que ce document est diff&amp;eacute;rent et s'il reprends bien les m&amp;ecirc;mes enregistrements, il est plus complet et de meilleure qualit&amp;eacute;, on peut y entrendre M. Dagnas pr&amp;eacute;parer les prises, Mme Tarrade conseiller son mari, rectifier des titres et sa fille pr&amp;eacute;senter les diff&amp;eacute;rentes figures de quadrille .. . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs chanteuses seules ou en duo avec M. Tarrade : La Yoyette, Pita te maridas pas, L'autre jour me promenant tout le long des Mon&amp;eacute;di&amp;egrave;res, Belle rose (par Mme Brouilhac), Embrasse moi bien petit Parisien,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Monsieur &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Tarrade&lt;/a&gt; joue de nombreux airs &amp;agrave; danser : bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, scottishs, quadrilles, valses ...&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication nous retrouvons une &amp;eacute;mission de "Chez Nous" telle qu'elle fut sans doute diffus&amp;eacute;e sur les ondes de Radio-Limoges le 10 aout 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement nous retrouvons le groupe folklorique "la Couade de Troche" dans un r&amp;eacute;pertoire sans grande originalit&amp;eacute; (Rebier, Dupont, S&amp;eacute;gurel ...) mais bien servi .&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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                <text>Chez nous, l' École Ventadour</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Emission de radio au sujet du groupe folklorique l' &amp;Eacute;cole Ventadour</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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                <text>Robert DAGNAS</text>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/621</text>
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            <description>A related resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 809, un enregistrement destin&amp;eacute; &amp;agrave; une &amp;eacute;mission de Chez Nous, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les antennes de Radio Limoges le vendredi 23 avril 1971.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;L'&amp;eacute;mission commence par un appel t&amp;eacute;l&amp;eacute;phonique &amp;agrave; Pierre Roussarie, pr&amp;eacute;sident de l' &amp;Eacute;cole Ventadour, au sujet de ce groupe, de l'&amp;eacute;volution de celui ci ...&lt;br /&gt;Ensuite M Roussarie raconte quelques histoires du c&amp;eacute;l&amp;egrave;bre &lt;em&gt;&lt;span class="oc"&gt;"&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;Bornasel"&lt;/span&gt; &lt;/em&gt;soldat d&amp;rsquo;empire : &lt;em&gt;&lt;span class="oc"&gt;La batalha de las Piramidas, la guera d&amp;rsquo;Espanha,&lt;/span&gt;&lt;/em&gt; ensuite le groupe interpr&amp;egrave;te quelques morceaux de son r&amp;eacute;pertoire, bourr&amp;eacute;es, polka&amp;hellip; une belle version des scieurs de long malheureusement interrompue par une all&amp;eacute;gorie de Robert Dagnas sur le limousin. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Paul Roussarie, son fils (lui aussi tr&amp;egrave;s impliqu&amp;eacute; dans le groupe) et &amp;agrave; qui nous devons la photo, nous pr&amp;eacute;cise que son p&amp;egrave;re &amp;eacute;tait n&amp;eacute; en 1908 et qu'il pratiquait " le violon et la nhorle " au sein du groupe .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>License</name>
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              <name>Identifier</name>
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              <text>informateurs multiples robert dagnas les compagnons de la joie ussel folklore correze ussel compagnons de la joie au village</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <description>The size or duration of the resource.</description>
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                <text>Les Compagnons de la Joie au village (2)</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande n° 432 un enregistrement du groupe folklorique d'Ussel," Les compagnons de la joie au village"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;M. Dagnas est sans doute à Ussel et il enregistre le répertoire de ce groupe folklorique . Des airs à danser et des chants ainsi décrits dans la fiche jointe à la bande : &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#808080;"&gt;Coupo santo, la bourrée à six, la togne, Le bal vieux, Le lapin, Lu pair counan, Aï vist lo loup, Bourrée de St Angel, Soun davalas lous garçous, Dis moi le nom de ton village, Bourrée Valse, Bourrée du père Thomas&lt;/span&gt; (présentée par Eugène Thomas), &lt;span style="color:#808080;"&gt;Jeanne et ma montagne&lt;/span&gt; (une chanson de Maximin Deloche chantée par Roger Brugière), &lt;span style="color:#808080;"&gt;Pipette&lt;/span&gt; (par le même chanteur), &lt;span style="color:#808080;"&gt;Bello rose&lt;/span&gt; (par Marc Cisterne), &lt;span style="color:#808080;"&gt;Berceuse du loup garou&lt;/span&gt; (par Yvette Roumanet), &lt;span style="color:#808080;"&gt;Je ne suis pas contente&lt;/span&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande portant les numéros 530 et 6387 il est noté "Uzerche Argentat Dagnas"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Comme souvent nous sommes en présence d'un enregistrement sur une bande déja utilisée pour une émission de Radio Limoges . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Dagnas a enregistré le groupe folklorique d'Argentat " Les Échos Limousins".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Un répertoire très "classique" enregistré lors d'une prestation, sans doute à Uzerche (en 1963 ?) : &lt;span class="oc"&gt;Un jorn dins l'estolhas &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(appelée "Marche Limousine")&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Pinton,&lt;/span&gt; La Montagnarde (bourrée), la gigue, La Cati, etc ... et deux chansons moins courantes et plus locales : "&lt;span class="oc"&gt;Los gabariers de la Dordonha"&lt;/span&gt; (d' Eusèbe Bombal) et "C'est Argentat la belle" . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La bande se termine par une émission de radio au sujet de la programmation de spectacles de Music-Hall dans des casinos de Charente Maritime (sans doute entendons nous M. Roger Genty). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;S'il s'agit d'un enregistrement du groupe folklorique Usselois &lt;strong&gt;"Les compagnons de la joie au village"&lt;/strong&gt;, il est probable que l'enregistrement date de 1964 et qu'il ait pu &amp;ecirc;tre r&amp;eacute;utilis&amp;eacute; pour une &amp;eacute;mission en 1974 .&lt;br /&gt;&lt;br /&gt;Le groupe folklorique propose une succession de &lt;span style="font-size: 14pt;"&gt;danses&lt;/span&gt; et de chants : La ja&amp;ccedil;a, Le p&amp;egrave;re Counant, En gardant tes moutons, Il y a 6 mois que c'&amp;eacute;tait le printemps, Bourr&amp;eacute;e de Saint Angel et B&lt;span style="font-size: 14pt;"&gt;ourr&amp;eacute;e &lt;/span&gt;du p&amp;egrave;re Thomas, Le mois de mai il est venu, etc...&lt;br /&gt;On peut entendre M.Thomas et son fils, Ren&amp;eacute; Brugi&amp;egrave;re, Yvette roumanet, Marcel Cisterne ..&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Présentation&#13;

00:01:25.000 --&gt; 00:02:17.000
La jaça&#13;

00:02:17.000 --&gt; 00:03:20.000
Le père Counant &#13;

00:03:20.000 --&gt; 00:05:13.000
Bourrée-valse&#13;

00:05:13.000 --&gt; 00:09:56.000
En gardant tes moutons&#13;

00:09:56.000 --&gt; 00:11:56.000
Il y a 6 mois que c'était le printemps&#13;

00:11:56.000 --&gt; 00:13:43.000
Bourrée de Saint-Angel&#13;

00:13:43.000 --&gt; 00:15:42.000
Bourrée du père Thomas&#13;

00:15:42.000 --&gt; 00:16:26.000
Quand era chas mon paire&#13;

00:16:26.000 --&gt; 00:18:48.000
Le mois de mai il est venu&#13;

00:18:48.000 --&gt; 00:19:37.000
Porter les couleurs de sa ville&#13;

00:19:37.000 --&gt; 00:20:15.000
Un au-revoir&#13;

00:20:15.000 --&gt; 00:21:10.000
Conclusion de l'émission&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr" style="font-size:16px;"&gt; &lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Enregistrement réalisé en septembre 2002, lors de l'enquête toponymique sur le Canton d'Ayen.&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Nous avons rencontré &lt;span class="artist_name"&gt;M. Delmas&lt;/span&gt; qui fut l'informateur idéal, maîtrisant bien la langue et ayant une parfaite connaissance du pays... &lt;span class="oc"&gt;et que nos faguet tastar un cassis de prumiera !!!!&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Dans cet enregistrement M. Delmas nous parle des noms de lieux de la commune (leur prononciation en occitan, quelques anecdotes pouvant aider à la compréhension du toponyme...) puis avant de nous quitter il nous conte, dans une belle langue, une nhòrle (histoire drôle) en vers : "&lt;span class="oc"&gt;Auvir 'quò compta pas&lt;/span&gt;"&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Chalard - Paroles Images et sons</text>
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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistrement r&amp;eacute;alis&amp;eacute; aupr&amp;egrave;s d' &lt;strong&gt;&lt;span class="artist_name"&gt;&amp;Eacute;lise Besse-Bardinal&lt;/span&gt;&lt;/strong&gt; en 1990 par M. Yvon Chalard (pour le "Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne").&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Mme Besse-Bardinal &amp;eacute;tait n&amp;eacute;e au Montraire en 1910, elle &amp;eacute;tait une amie de la famille de M. Chalard et avait exerc&amp;eacute; toute sa vie le m&amp;eacute;tier d'agricultrice &amp;agrave; Meilhards.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Elle nous parle ici de la fontaine miraculeuse de Sainte Radegonde, des processions de septembre (un temps, la procession se fit dans une chambre chez Mme Besse Bardinal !), de la souscription pour la reconstruction de la chapelle, des foires &amp;agrave; Masseret, de la vie &amp;agrave; Meilhards, de la ferme, des bals, des artisans...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, fonds "Paroles Images et Sons, Archives de Sainte Savine".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Photo : Fascicule "Sainte RADEGONDE, le p&amp;eacute;lerinage de Meilhards" par Michel P&amp;eacute;micaut, &amp;eacute;dition "terre et foi" 1949 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;eacute;der &amp;agrave; un extrait de cet ouvrage&lt;/span&gt; &lt;/span&gt;</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;Monsieur Boisdevesy, n&amp;eacute; aux Gatouilles de Troche le 13 novembre 1907, &amp;eacute;voque une enfance de labeur puis son travail de tuilier : &amp;agrave; Arnac-Pompadour puis dans les Deux-S&amp;egrave;vres.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, fonds "Paroles Images et Sons, Archives de Sainte Savine". &lt;br /&gt;La fille de M. Boisdevesy, Jacquie Gimbert-Boisdevesy, tr&amp;egrave;s proche de sa culture familiale et de la langue, nous a gentiment re&amp;ccedil;us et nous a donn&amp;eacute; toutes les indications utiles au renseignement de cette enqu&amp;ecirc;te.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Dans un autre enregistrement, M. Jean Lamarche t&amp;eacute;moigne &amp;eacute;galement de son travail &amp;agrave; la tuilerie.&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/302" target="_blank" rel="noopener"&gt;Jean Lamarche&lt;/a&gt;&lt;/p&gt;</text>
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                <text>https://la-biaca.org/items/show/310</text>
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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistrement r&amp;eacute;alis&amp;eacute; avec les &amp;eacute;l&amp;egrave;ves de l'&amp;eacute;cole de Larche (Serge et Yvon Trinquet, Philippe Carrier) prise de son Yvon Chalard pour le "Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit du t&amp;eacute;moignage de &lt;strong&gt;&lt;span class="artist_name"&gt;Mme Marty&lt;/span&gt; &lt;/strong&gt;de Larche (19), mme Marty &amp;eacute;tait n&amp;eacute;e le 20 ao&amp;ucirc;t 1860. &lt;br /&gt;Avec son mari ils furent fermiers au ch&amp;acirc;teau de Cramier, chez M et Mme Lavalette.&lt;br /&gt;&lt;br /&gt;Un trop court t&amp;eacute;moignage sur la vie &amp;agrave; Larche, l'alimentation, le partage des culture, les hommes qui marchaient pieds nus pour &amp;eacute;conomiser les souliers, la vente d'un coq &amp;agrave; Brive, la barque qui traversait la V&amp;eacute;z&amp;egrave;re, la guerre de 1870, les gardes nationaux, les jeunes d'aujourd'hui...)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12846#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-473%2C-1%2C1644%2C1113" target="_blank" rel="noopener noreferrer"&gt;"La centenaire avait de l'humour" &lt;/a&gt;article paru dans la revue Mon Limousin n&amp;deg; 33 de d&amp;eacute;cembre 1963&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Ici un premier montage de cet enregistrement dont une partie fut diffus&amp;eacute;e sur Radio France et publi&amp;eacute; dans la BT Sonore 823 d'avril 1965.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="http://www.icem-freinet.net/btj1/BTson823/btson823.htm?choix=1062#" target="_blank" rel="noopener"&gt;"1870-1900 : les Paysans"&lt;/a&gt;&lt;span class="fr"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span class="fr"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, &amp;laquo; fonds Paroles Images et Sons, Archives de Sainte-Savine &amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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              <text>anciens metiers du limousin anciens metiers de la correze</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;T&amp;eacute;moignage de M. &lt;strong&gt;Louis Larivi&amp;egrave;re&lt;/strong&gt; n&amp;eacute; en 1903 &amp;agrave; Gourdon (commune de Gourdon-Murat).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute; en 1975 par Yvon Chalard, au cours d'un stage du "Groupe R&amp;eacute;gional de l'&amp;eacute;cole moderne"&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;M. Larivi&amp;egrave;re &amp;eacute;voque ses diff&amp;eacute;rents m&amp;eacute;tiers (domestique, scieur de long, boiseur...), mais aussi ses exp&amp;eacute;riences de coureur cycliste et plus r&amp;eacute;cemment de sculpteur sur bois.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Une partie de cet entretien a &amp;eacute;t&amp;eacute; diffus&amp;eacute; par Jean Th&amp;eacute;venot sur les antennes de Radio France (extrait &amp;agrave; partir de 28min 53sec). Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, &amp;laquo; fonds Paroles Images et Sons, Archives de Sainte Savine &amp;raquo;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Los pes tarros</text>
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                <text>Hélène LAJUGIE</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Témoignage de madame Hélène Lajugie. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Enregistrement réalisé dans les années 1975 par Yvon Chalard &lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;pour "le Groupe Corrézien de l'école moderne".&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Mme Lajugie évoque la culture fruitière, les marchés, le commerce des fruits et légumes...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:10pt;"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;&lt;span class="fr" style="font-family:arial, helvetica, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;Ce document nous a été aimablement transmis par Yvon Chalard et Madeleine Guérin, &lt;/span&gt;&lt;span style="line-height:115%;"&gt;&lt;span style="font-size:small;"&gt;fonds "Paroles Images et Sons, Archives de Sainte-Savine".&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>condat sur ganaveix condat sur ganaveix battage culture agriculture battage culture agriculture fleau tarare palhassons paillasous paille de seigle ble noir ambiances sonores ambiance sonore</text>
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                <text>IEO Lemosin, dépôt Chalard - Paroles Images et sons</text>
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                <text>Mme Maury et M. Lespinat</text>
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            <description>The topic of the resource</description>
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                <text>Pratiques agricoles</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Elise MAURY et Henri LESPINAT</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>PISYG 006</text>
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                <text>Yvon Chalard, Jean Colombier</text>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/268/k7MauryLespinat.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Num&amp;eacute;risation d'un enregistrement sur cassette audio, datant du d&amp;eacute;but des ann&amp;eacute;es 70 par Yvon Chalard et Jean Colombier pour "le Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement avait &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; aupr&amp;egrave;s de &lt;span class="artist_name"&gt;Mme &lt;strong&gt;&amp;Eacute;lise Maury&lt;/strong&gt;&lt;/span&gt; et de &lt;span class="artist_name"&gt;M. &lt;strong&gt;Henry Lespinat&lt;/strong&gt;&lt;/span&gt;, agriculteurs &amp;agrave; Condat- sur-Ganaveix. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;On y entend d' int&amp;eacute;ressants t&amp;eacute;moignages sur le battage au fl&amp;eacute;au, le tarare, les &lt;em&gt;palhassons&lt;/em&gt;, la paille de seigle, le bl&amp;eacute; noir... mais aussi de belles ambiances sonores.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;L'enregistrement a &amp;eacute;t&amp;eacute; fait sur un magn&amp;eacute;tophone cassette de marque Phillips, "am&amp;eacute;lior&amp;eacute;" par Gilbert Paris (Parisonor).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, fonds "Paroles Images et Sons, Archives de Sainte Savine".&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Il nous livre un t&amp;eacute;moignage sur les "croquants en r&amp;eacute;volte" (1932 &amp;agrave; 1934).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #808080;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, fonds "Paroles Images et Sons, Archives de Sainte Savine".&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistrement de &lt;strong&gt;&lt;span class="artist_name"&gt;L&amp;eacute;on et Marie Louise Dautrement&lt;/span&gt;&lt;/strong&gt; &amp;agrave; leur domicile de Brive (actuellement rue L. Dautrement).&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt; Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1976 par Yvon Chalard pour "le Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne".&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt; M. Dautrement, n&amp;eacute; en 1899, fut instituteur militant, &amp;eacute;crivain, historien, g&amp;eacute;ographe, pr&amp;eacute;sident de la soci&amp;eacute;t&amp;eacute; arch&amp;eacute;ologique... &lt;br /&gt;Il est l'auteur de &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;quantit&amp;eacute; de publications et de &lt;/span&gt;plusieurs ouvrages (scolaires et grand public) : &lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;- &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="display-5"&gt;Le Limousin et le pays Corr&amp;eacute;zien&lt;br /&gt;- L&lt;/span&gt;&lt;span class="display-5"&gt;&lt;span class="display-5"&gt;e pays &lt;/span&gt;&lt;/span&gt;&lt;span class="display-5"&gt;&lt;span class="display-5"&gt;&lt;span class="display-5"&gt;Corr&amp;eacute;zien&lt;/span&gt;, notions &amp;eacute;l&amp;eacute;mentaires de g&amp;eacute;ographie locale&lt;br /&gt;- La Corr&amp;egrave;ze &amp;agrave; vol d'oiseau et en zig zag&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="display-5"&gt;&lt;span class="display-5"&gt;&lt;a href="https://www.le-livre.fr/livres/fiche-r240081050.html" title="Livres occasion title%&amp;gt;"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il &amp;eacute;voque dans cet enregistrement la vie &amp;agrave; Branceilles o&amp;ugrave; il est n&amp;eacute; puis il parle de l'hygi&amp;egrave;ne, des soins dentaires... et finit par raconter son enfance parisienne, avant la guerre de 14.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt; Une partie de cet enregistrement fut diffus&amp;eacute;e dans les Biblioth&amp;egrave;ques de travail n&amp;deg;876 et 897. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; aimablement transmis par Yvon Chalard et Madeleine Gu&amp;eacute;rin, &amp;laquo; fonds Paroles Images et Sons, Archives de Sainte Savine &amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur cet enregistrement datant probablement de 1958, la bande 769, sans aucune indication de lieu ni de date . Il s'agit de l'enregistrement d'une repr&amp;eacute;sentation folklorique &amp;agrave; laquelle particip&amp;egrave;rent les "Veilladours de St Junian" &amp;agrave; Uzerche . Nous y retrouvons un r&amp;eacute;pertoire tr&amp;egrave;s "classique" d'un int&amp;eacute;r&amp;ecirc;t relatif (Gigue, p&amp;eacute;l&amp;eacute;l&amp;eacute;, crosada, varsovienne....) mais aussi quelques belles interpr&amp;eacute;tations de chansons : &lt;span class="oc"&gt;la bela maire&lt;/span&gt;, le seigneur et la berg&amp;egrave;re, &lt;span class="oc"&gt;la meschanta maire &lt;/span&gt;(paroles de Joseph Mazabraud) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Dans une seconde partie, apr&amp;egrave;s l'enregistrement de la remise d'une d&amp;eacute;coration &amp;agrave; M. "Fleichman", pr&amp;eacute;sident d'une amicale Corr&amp;eacute;zienne de "l'Ecole Nationale Professionnelle" une &amp;eacute;mission de radio "&lt;span class="oc"&gt;Lo temps passat&lt;/span&gt;" &lt;br /&gt;Ensuite une &amp;eacute;mission de radio avec"l' Eglantino do Lemouzi" enregistr&amp;eacute;e &amp;agrave; l' h&amp;ocirc;tel de ville de Limoges &amp;agrave; l'occasion du 25&amp;egrave;me anniversaire de la cr&amp;eacute;ation du groupe en 1933&lt;/span&gt; (&amp;agrave; 58' 12'' la "Marche des bouchers") &lt;/span&gt;&lt;br style="font-size: medium;" /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Cet enregistrement date de 2004 . Nous avions, en compagnie de Gislaine Pouget rencontré Mme Poignet à son domicile à la Foucherie de Meyssac. &lt;br /&gt;Mme Poignet nous a dit quelques contes (le loup et le renard, la pel de vacha, lo curet e son mairilhier,... ) une suite de proverbes et parlé des surnoms donnés aux voisins Lageygeolles, Saillac, Collonges, Branceilles ... &lt;br /&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Mme Pouget avait déjà enregistrée Mme Poignet en compagnie de sa mère, Mme Dautrement à la fin des années 70, voir ci dessous&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Sur cette bande, n&amp;deg; 528, une &amp;eacute;mission probablement intitul&amp;eacute;e "Amis de l'accord&amp;eacute;on" consacr&amp;eacute;e &amp;agrave; &lt;strong&gt;Jean Lapeyre&lt;/strong&gt;, accord&amp;eacute;oniste, professeur de musique et compositeur Corr&amp;eacute;zien. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Nous entendons une suite de morceaux jou&amp;eacute;s par Jean Lapeyre peu de temps avant sa mort : deux valses (Sans rancune et la Valse des flocons de Victor Marceau), un paso-doble avec Pierre Lemercier et Yvonov, une intervention au sujet d'un concerto de Vivaldi (dans une &amp;eacute;cole de Sainte-Fortunade) et enfin le g&amp;eacute;n&amp;eacute;rique de l'&amp;eacute;mission .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="color: #000000;"&gt;Jean Lapeyre habitait &amp;agrave; St Cl&amp;eacute;ment mais il &amp;eacute;tait n&amp;eacute; en 1933 &amp;agrave; Albussac (19), il disparut dans un accident de la route en 1966 . &lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr"&gt;Instituteur &lt;/span&gt;&lt;span class="fr"&gt;d&amp;eacute;tach&amp;eacute; au "Centres musicaux ruraux"&lt;/span&gt;, i&lt;span class="fr"&gt;l avait beaucoup pratiqu&amp;eacute; la musique (dans un groupes folkloriques puis dans les bals, les concours ... ). &lt;br /&gt;Compositeur,&lt;/span&gt;&lt;span class="fr"&gt; il avait particip&amp;eacute; &amp;agrave; de nombreuses &amp;eacute;missions&lt;/span&gt;&lt;span class="fr"&gt; et enregistr&amp;eacute; un premier 45 tours que l'on peut &amp;eacute;couter sur Youtube, &lt;a href="https://www.youtube.com/watch?v=y02t7b8_KSE" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; cliquer ici.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000; font-size: 12pt;"&gt;M. Florent Lapeyre (lui aussi musicien et enseignant) nous a fourni les documents illustrant cet enregistrement et nous l'en remercions vivement&amp;nbsp; : &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre06.jpg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Jean Lapeyre, virtuose de l'accord&amp;eacute;on&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre02.jpg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; La coupe du pr&amp;eacute;sident de la R&amp;eacute;publique&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre03.jpg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Un accident de voiture (21 f&amp;eacute;vrier 1966)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre04.jpg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; L'accord&amp;eacute;oniste Jean Lapeyre (22 f&amp;eacute;vrier 1966).&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre05.jpg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Le premier disque de Jean Lapeyre&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12827/Lapeyre06.jpg" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 12pt;"&gt;-&amp;raquo; Saint-Cl&amp;eacute;ment rend hommage &amp;agrave; un de ses enfants&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG		" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Le Fonds Robert Dagnas&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement est la première partie de l'enquête collective réalisée sur la commune d'Uzerche il date du le 25 Octobre 2005 .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Avec :&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Mesdames :&lt;/span&gt; Annette Bach, Jeanne Bouillaguet, Thérèse Courteix, Michèle Dachi, Annie Dezes, Mme Dumond, Marie Françoise Flageolet, Jeanine Geneste, Mélanie Hilaire, Marguerite Lachaud, Ghislaine Lachaud, Marie Thérèse Lachaud, &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Messieurs :&lt;/span&gt; Michel Agnoux et Jean Louis Champeaux&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Les croyances :&lt;span class="oc"&gt; &lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt; La chaça volanta, lo charivari, lo leberon, lo fuec folet, la bera, la vinagran, lo drac, lo dahu, ...) , de las istòrias de lop, l'arcador, dires per carnavar,far las crespas, los tortons, escodre lo blat negre la nuech&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite nous avons parlé des rites calendaires, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;daus reis a la Sent Jan. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite, Mme Marguerite Lachaud nous a livré quelques comptines &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;( Chabra mòrta, I'eran un, Dis me un conte ...) &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;puis un beau conte :&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt; Lo conte de Faralhe ) &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Mme Bouillaguet :&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt; Auvir 'quò compta pas, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une nhorle de Jean Baptiste Chèze &lt;br /&gt;Mme Dumond, quelques proverbes &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;À partir de 1h34mn, l'enregistrement de la seconde séance (le 8 Novembre) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Des propos sur le mariage, les relations aujourd'hui, &lt;span class="oc"&gt;La vòta, la feira...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement sur cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;et mise en ligne par Chantal Eymard&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'une causerie musicale d'Yvon Chalard, au sujet du mariage, enregistr&amp;eacute;e l&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;ors d'une soir&amp;eacute;e organis&amp;eacute;e &amp;agrave; Saint Cernin de Larche en &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;1985 ou 1986 &amp;agrave; l'invitation de Maurice Girodolle.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les diff&amp;eacute;rents aspects du mariage autrefois sont abord&amp;eacute;s de mani&amp;egrave;re presque exhaustive ( un peu d'histoire, les gar&amp;ccedil;ons, les filles, les "mariages de raison", l'autorit&amp;eacute; parentale, les rites et croyances, les accordailles, le contrat, &lt;span class="oc"&gt;achaptar los peta&amp;ccedil;ons,&lt;/span&gt; la noce, la nuit de noce ...) , &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Comme &amp;agrave; son habitude, Yvon, s'accompagnant de son banjo-mandoline &amp;eacute;mailla sa conf&amp;eacute;rence de chansons en limousin et en fran&amp;ccedil;ais (&lt;span class="oc"&gt;Piaron ven de laborar, La Franchon, Me v&amp;ograve;li maridar, Quand las peras sont maduras,&lt;/span&gt; La Yoyette, la Rosette,&lt;span class="oc"&gt; la n'en menam,&lt;/span&gt; Adieu la fleur de ma jeunesse,&lt;span class="oc"&gt; A la poncha d'un sucqueton,&lt;/span&gt; Les "chieurs" de long, &lt;span class="oc"&gt;Manha lo li,&lt;/span&gt; Ec...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Yvon, comme il se plaisait &amp;agrave; le dire, "avait plusieurs cordes &amp;agrave; son banjo" &lt;span class="fr" style="font-size: 14pt;"&gt;enseignant, p&amp;eacute;dagogue, historien, amoureux de la langue limousine,chercheur,&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;musicien, auteur de nombreuses publications et d'autant de conf&amp;eacute;rences, etc ...)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il y a quelques ann&amp;eacute;es Yvon nous avait confi&amp;eacute; des enregistrements qu'il avait fait dans la r&amp;eacute;gion avec le Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne, notamment celui de &lt;a href="https://la-biaca.org/items/show/310" target="_blank" rel="noopener noreferrer"&gt;Mme Marty &amp;agrave; Larche&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Marcel Belette, folkloriste, collecteur et grand connaisseur de la tradition, il s'agit d'une répétition du groupe folklorique "La coada de Tròcha" - dont il fut un de&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;s éléme&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;nts moteurs. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Accordéon : Claude Sagne&lt;br /&gt;Solistes : Aimée et Maurice Sargnac&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement qui date du 19 mars 1988, les chanteurs interprètent : &lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;La moissoniera, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une chanson traditionnelle en français &lt;span style="font-size:12pt;"&gt;(recueillie à Troche par Marcel Belette)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Reina daus ceus,&lt;/span&gt; une chansons de Jean Rebier sur une musique d'André Le Gentile&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Copa santa, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;l'hymne provençal félibréen écrit par Frédéric Mistral &lt;span style="font-size:12pt;"&gt;(un travail de répétition, au tempo un peu lent )&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Nous devons cet enregistrement à l'Abbé Robert Moisset&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span class="fr" style="font-size:10pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La photo de vignette nous a été confiée par M. Belette, elle a été prise en 1982 lors d'une mémorable soirée de quête des oeufs . De gauche à droite : Maurice Sargnac, Claude Dufaure, Jean Sargnac, Christian Besse, Michel Golfier, Jeannot T'yaccks, Jeantou Sargnac, Marcel belette, Louis Barbara et Jacques Chabrier&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Titres et graphie du groupe&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Clair Mah&amp;eacute; . &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Des extraits de pi&amp;egrave;ces de th&amp;eacute;atre ; Un march&amp;eacute; difficile, &lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a&lt;/span&gt; d' Antoine Soubrenie, La gerbablauda&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt; &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document, qui nous a été confié pour mise en ligne par le Centre Occitan des Musiques et Danses Traditionnelles, un enregistrement de M. &lt;strong&gt;Ernest MELON&lt;/strong&gt;, à Soudeilles (19).&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces enregistrements furent réalisés, pour le Conservatoire Occitan, au domicile du musicien le 11 avril 1979 par Guy Bertrand, musicien et ethnomusicologue.&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit de deux enregistrements, l'un réalisé le matin, l'autre l'après-midi (à partir de 48.07)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;M. Ernest Melon, âgé alors de 78 ans, est accompagné d'informateurs (Jean Giron, Henriette Bardèche, etc.). Il évoque sa pratique musicale, son répertoire , les autres musiciens (Juille, son frère, Janton l'aveugle, Rempart, Chadebec, Faugeron, Cisterne), les bals, les "réveillées" ... mais aussi les rites calendaires, les mariages, le "tracasson", Carnaval, les "brandonnées", la fabrication du pain, l'entretien des meules, &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; Ce musicien jouait de l'accordéon diatonique, il chante quelques chansons (La belle se promène, Coifa-te bien, Aval dins la robiera) et joue (sur un des instruments de ses visiteurs) quelques airs à danser : bourrées, polkas, scottishs, etc.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Marcel Belette, musicien, danseur, folkloriste et collecteur. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette face de la cassette, &amp;agrave; Orgnac-sur-V&amp;eacute;z&amp;egrave;re, Marcel Belette enregistre quelques-unes de ses voisines (Jeanne Chabassier, Marie Monteil, alors &amp;acirc;g&amp;eacute;e de 84 ans, Mme Raynal, etc..&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Belette nous avait livr&amp;eacute; il y a quelques ann&amp;eacute;es une partie de son r&amp;eacute;pertoire : &lt;a href="https://la-biaca.org/items/show/329" target="_blank" rel="noopener noreferrer"&gt;Marcel Belette&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons rencontré au Clos, commune de Saint-Clément (19), M. Albert Leygnac, le 22 octobre 2016.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Leygnac, né le 17 juillet 1926 dans la commune voisine de Saint-Jal, est passionné par la culture limousine, la langue, la revalorisation de la châtaigneraie... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il nous parle, dans une belle langue, de &lt;span class="oc"&gt;« l' Àrgus »&lt;/span&gt; une pratique visant à l'éradication du patois et de &lt;span class="oc"&gt;"La fisica" (lo petit chen, lo cavalier, la chaça volanta etc.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size:12pt;"&gt;Ont assisté à l'entretien: Marie-Louise, son épouse ainsi que Pierre et Christine Leygnac, Saber Kouki, Paulette Laigroz et Paula Minotte.&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span style="font-size:12pt;"&gt; &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>Fernand LONGEANIE</text>
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            <description>An account of the resource</description>
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                <text>enregistrement en langue limousine de Fernand Longeanie .</text>
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                <text>Fernand LONGEANIE</text>
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                <text>IEO313</text>
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                <text>video/mp4</text>
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            <name>Type</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/821/Longeanie2Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur les recommandations d'Albert Vacher, nous sommes all&amp;eacute;s rencontrer un de ses "compagnons de langue", &lt;strong&gt;Fernand LONGEANIE&lt;/strong&gt;, &amp;agrave; Prunt, commune de Confolent-Port-Dieu, aux confins du Limousin et de l'Auvergne. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;N&amp;eacute; en 1926, sur la commune voisine de Monestier-Port-Dieu, il fait toujours aller sa scierie lorsque le besoin s'en fait sentir. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La vall&amp;eacute;e engloutie, le train, son installation &amp;agrave; Prunt, les bois, la scierie, les champignons nous sont cont&amp;eacute;s... non sans malice !&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;E chauguet be bieure quauquaren davant 'nar veire la scieita ! &lt;/span&gt; &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="306272">
              <text>G_Cessac72.mp3</text>
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            <name>Date Issued</name>
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                <text>Gaston CESSAC, Violoneux (1)</text>
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            <description>Spatial characteristics of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Musique</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gaston CESSAC</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Leb004</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="306267">
                <text>1972</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="306268">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="306269">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/823</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/823/LesCessacNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par la famille Lebas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Nous retrouvons dans cet enregistrement un violoneux bien connu en Limousin, &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston Cessac &lt;/strong&gt;&lt;/a&gt;qui est interrog&amp;eacute; ici par Yves Lebas, folkloriste, militant et collecteur.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;M. Cessac joue, au violon, des airs &amp;agrave; danser : marches, valses, bourr&amp;eacute;es, sauteuses (sauti&amp;egrave;res), mazurkas, parisienne vals&amp;eacute;e... Il chante quelques chansons (la Parisienne d'Uzerche "au tralala" et &lt;em&gt;Alai dins las rebieras&lt;/em&gt; ) . &lt;br /&gt;Accompagn&amp;eacute;e par son mari, Mme Cessac chante, avec le collecteur, &lt;em&gt;"La granda velhada"&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il nous parle aussi de son apprentissage, des musiciens aupr&amp;egrave;s desquels il a appris son r&amp;eacute;pertoire (Eug&amp;egrave;ne Solomagne dit "Micalet" dont le p&amp;egrave;re tenait ses airs du grand "Sans Fa&amp;ccedil;on", M. Bretagnolle de Vigeois : "un musicien qui avait fait plus de 700 noces, un violoneux mais un artiste !&lt;em&gt;"&lt;/em&gt;), des bals, de son service militaire. &lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Il nous confie l'origine d'un v&amp;eacute;ritable "tube" la Valse de Vertougit : en fait une valse (Souvenir de Villecomtal) &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;jou&amp;eacute;e par Martin Cayla &lt;/span&gt;qu'il a entendue &lt;em&gt;"&amp;agrave; la t&amp;eacute;l&amp;eacute;, &amp;agrave; l'&amp;eacute;poque"&lt;/em&gt;, ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Le fils de Gaston Cessac, Lucien, lui aussi musicien (il jouait parfois de l'accord&amp;eacute;on avec son p&amp;egrave;re), chante des chansons de sa composition : "Ma Corr&amp;egrave;ze", &lt;em&gt;"Lo monde de la terra"&lt;/em&gt;, "Venez &amp;agrave; Vertougit" et "La bourr&amp;eacute;e du cantou".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Vous pouvez retrouver Gaston Cessac sur "L&lt;span class="oc"&gt;a bia&amp;ccedil;a"&lt;/span&gt; en cliquant sur le lien ci dessous :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/566" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Gaston Cessac, Violoneux&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Clair Mahé (cassette 1, face A et B).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cet enregistrement, datant du début de l'année 2012, nous entendons Bernadette PLAS, originaire de Chaumeil.&lt;br /&gt;&lt;br /&gt;Chanteuse, passionnée par la langue, Bernadette nous propose deux contes &lt;span class="oc"&gt;(Lo polsin pialat, La merlata lo rainard e lo chen de chas Grofard&lt;/span&gt;&lt;span style="color:#003333;"&gt;&lt;span class="oc"&gt;)&lt;/span&gt; et plusieurs chansons &lt;span class="oc"&gt;(Aquesta nuech ai fach un somnhe, Nos la dansaram plus, Barr'amb clau, La bèla Fanchon, Darrier lo chastel de Montviel, I'a gaire qu'ai auvist&lt;/span&gt; et&lt;span class="oc"&gt; Maridavam la Mieta) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;a href="http://al.deliquet.free.fr/Occitan/PLAS/la-merlata.html" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Cliquer ici pour accéder au texte de&lt;br /&gt;"La merlata, lo rainard e lo chen de chas Gròfard". &lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:10pt;"&gt;L'image illustrant cet enregistrement a été prise par nos soins lors du repas chantant à Château-Chervix, en mars 2014&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; pour Jean-Christophe Dourdet* dans le cadre d'un travail de recherche universitaire (il pr&amp;eacute;parait alors une th&amp;egrave;se sur l'atypicit&amp;eacute; accentuelle de l'espace linguistique occitan limousin).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une liste de mots a &amp;eacute;t&amp;eacute; propos&amp;eacute;e &amp;agrave; l'informateur &amp;agrave; qui nous avons demand&amp;eacute; de les traduire en occitan, exercice un peu laborieux auquel il a bien voulu se plier.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt; *Jean-Christophe Dourdet, enseignant &amp;agrave; l'universit&amp;eacute; de Poitiers (o&amp;ugrave; il enseigne la linguistique, la sociolinguistique ainsi que l'occitan et le poitevin-saintongeais) est l'auteur de nombreuses publications sur la langue limousine.&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Marcel Belette, musicien, danseur, folkloriste et collecteur. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cet enregistrement effectué à la demande de musiciens en quête de répertoire, il chante une belle série de sautières collectées, par ses soins, auprès de chanteurs et musiciens il y a quelques années.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En fin d'enregistrement quelques morceaux interprétés par "La Coada de Tròcha", groupe folklorique corrézien dont il fut un des animateurs.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/530" target="_blank" rel="noreferrer noopener"&gt;Cliquer ici pour voir les images enregistrées lors d'un stage de danse à Condat sur Ganaveix en 2007&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Sur l'image d'illustration, Marcel Belette (ici en compagnie de Françoise Étay) montrant la sautière pendant de ce stage&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit en fait de deux enregistrements diff&amp;eacute;rents : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- M. Fieyre, originaire de Lall&amp;eacute;, commune de Champagnac la Noaille qui dit quelques "nh&amp;ograve;rles", histoires dr&amp;ocirc;les dont les textes ont &amp;eacute;t&amp;eacute; publi&amp;eacute;s dans la revue Lemouzi &lt;em&gt;(cliquer sur les liens ci-dessous pour acc&amp;eacute;der aux textes tels que propos&amp;eacute;s par Clair Mah&amp;eacute;)&lt;/em&gt; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;La messa del curet Pinton&lt;/em&gt; :&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="oc"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-1.jpg" target="_blank" rel="noopener noreferrer"&gt;(page 1,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-2.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2 ,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-3.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-4.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Lo-decret.jpg" target="_blank" rel="noopener noreferrer"&gt;Lo decret &lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Levesque.jpg" target="_blank" rel="noopener" title="L'Evesque"&gt;&lt;em&gt;L'Evesque&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- Ensuite, M Ponty, sur la m&amp;ecirc;me commune, nous parle de l'agriculture, des engrais, de la production de viande limousine, du jardin, du moulin, du jardin, etc. Cet entretien fit l'objet, en mars 1985, de deux chroniques occitanes dans le journal l'Echo :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan1.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(1)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan2.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(2)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne . &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s et trait&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Chamboulive</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>M. FORTUNADE Louis</text>
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                <text>Louis FORTUNADE</text>
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            <name>Source</name>
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                <text>Mar001</text>
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            <name>Date</name>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/854/CassetteLouisFortunade.jpg</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ce document fut enregistr&amp;eacute; pour la famille Marty de Saint-Cl&amp;eacute;ment, qui a bien voulu nous la confier pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous y retrouvons des textes d'Antoine Paucard (La chanson des mois, Pierre de S&amp;eacute;dulix), et de &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; (Los ressejaires, Los comaires), tous deux de Saint-Salvadour.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Voir le site consacr&amp;eacute; &amp;agrave; A. Paucard : &lt;a href="http://solenedeluol.wixsite.com/antoine-paucard"&gt;Antoine Paucard, entre mythes et r&amp;eacute;alit&amp;eacute;.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Vois ci-dessous un autre document sur la Bia&amp;ccedil;a, du m&amp;ecirc;me auteur sur lequel on retrouve les chansons de cet enregistrement.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <name>Local URL</name>
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              <text>LesOiseauxMarty.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>occitan corrèze</text>
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              <text>adeline larue mimologismes adeline larue patois occitan correze limousin patrimoine oral oiseaux mimologismes</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="305460">
                <text>2018-04-24 10:52:58</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Saint-Clément</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Enregistrements de mimologismes en occitan limousin</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Adeline LARUE</text>
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                <text>1999-01</text>
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                <text>&lt;p&gt;&lt;span class="artist_name" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Sylvette Marty. &lt;br /&gt;Il s'agit d'un enregistrement familial datant de janvier 1999, fait à Saint-Clément (19), au domicile de la famille Marty. &lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="artist_name"&gt;&lt;strong&gt;Adeline Larue &lt;/strong&gt;&lt;/span&gt;(1913 - 2008) donne quelques mimologismes (Le loriot, la mésange, le merle, le pinson, le coucou, etc.) puis Jean et Marie Marty chantent quelques chansons : La bergère, Enquera n'es pas jorn, Les vieux sabots et la Ronde bretonne des sabots.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="artist_name" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Avec : &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Auriat Daniel, Gervais, Jeannette, Baffet Eléonore, Blavignat Marie Louise.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Brousse Denise, Champ Gisèle, Marcel et Roger, Champy Danièle, Mme Darliguie née Bourdelle, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Delbos Pierrette, Garel Renée, Grandchamp Josette, Grassien Marie José, Guth Colette,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Havède Marinette, Mme Longeanie née Grandchamp, Marty Alice et Gilbert, Mme Muzard née Beaussière,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pech Janine, Petit Claude, Pradoux Simone et Joseph, Puydebois H., Reyt André, Reyt Yvonne, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Rivière Hélène, Saulle Elise, Schill Catherine et Martine&lt;/em&gt;&lt;br /&gt;&lt;em&gt; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Avec la participation de Mme Jacquemin Aline et MM De Geitere Jean M. et Geneste Olivier&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, un enregistrement r&amp;eacute;alis&amp;eacute; au bourg de Favars (19), aupr&amp;egrave;s de M. et Mme &lt;strong&gt;Murat&lt;/strong&gt; (&amp;Eacute;douard).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Les informateurs sont interrog&amp;eacute;s au sujet des rites calendaires, de la m&amp;eacute;decine populaire, des jeux pour enfants (les toupies, les billes, le bouchon, le diable bo&amp;icirc;teux, la p&amp;eacute;tarade...), les jeux d'adultes (les quilles, le but, les cartes), les veill&amp;eacute;es, quelques chansons, les danses, les histoires fantastiques (lo drac, la chasse volante, le loup garou, la bera...)&lt;/span&gt;&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;Pour terminer, un enregistrement r&amp;eacute;alis&amp;eacute; lors d'une veill&amp;eacute;e &amp;agrave; Favars :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- La vacha esbanada (Fraysse Alexandre et Pierre) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Bourr&amp;eacute;e frapp&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Chanson des mois (Alexandre Fraysse et Marcel Geneste) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Charbonnier mon amic (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Voir les notices accompagnant cette bande: &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1001.jpg" target="_blank" rel="noopener noreferrer"&gt;page 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1002.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1003.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1004.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1005.jpg" target="_blank" rel="noopener noreferrer"&gt;page 5,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1006.jpg" target="_blank" rel="noopener noreferrer"&gt;page 6.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Collecte réalisée le 29 juin 2016 auprès de M. &lt;strong&gt;André Labauze&lt;/strong&gt;, à Nuzéjoux, commune de Sarroux-Saint-Julien (19).&lt;br /&gt;M. Labauze, ancien ébéniste, évoque avec Jean-Pierre Lacombe quelques figures de la région : &lt;span class="oc"&gt;Lo Miarle, Le Talhairon...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
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                <text>Alexandre Fraysse</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros* un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) en 1975 lors d'une veill&amp;eacute;e . Nous&lt;/span&gt; retrouvons quelques informateurs pr&amp;eacute;sents sur le premier enregistrement &lt;em&gt;(voir en bas de page) &lt;/em&gt;: &lt;br /&gt;- L'autre jorn me permenava (Alexandre Fraysse) &lt;br /&gt;- Berger mon doux berger (Alexandre Fraysse et Marcel Geneste)&lt;br /&gt;- D&amp;eacute;part pour l'Afrique (Marcelle Bourg)&lt;br /&gt;- Marion (Alexandre Fraysse) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Et une suite de morceaux de musique (utilis&amp;eacute;s par le foyer de Favars pour leurs r&amp;eacute;p&amp;eacute;titions) par le groupe folklorique "Les troubadours de Tulle" :&lt;em&gt; La gigue, la bourr&amp;eacute;e de Chanac, un Menuet, La guimbarde, La balade, La gigue, La Rosette et &amp;agrave; nouveau le menuet.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette nouvelle bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros*, un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) vers 1975, lors d'une veill&amp;eacute;e. Nous retrouvons quelques informateurs pr&amp;eacute;sents sur les premiers enregistrements (voir en bas de page) : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- En Alg&amp;eacute;rie (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La petite Marie &amp;agrave; Paris (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les grands yeux noirs (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La jeune fille (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Histoire de Naves, les Madelmont (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Sur les bords de la Loire (Marcelle Bourg et Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les filles de Champagnac (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les ouvriers mangent trop (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Le Forgeron (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Riquita (Marcel Geneste)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Voir les documents accompagnant cette bande : &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche1.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche2.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour Les films du geni&amp;egrave;vre.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Sur ce document, qu'a bien voulu nous confier Jean Maison, se trouve la premi&amp;egrave;re partie d'un enregistrement qu'il a r&amp;eacute;alis&amp;eacute;, le 10 ao&amp;ucirc;t 1999, aupr&amp;egrave;s de &lt;strong&gt;&lt;a href="https://fr.wikipedia.org/wiki/Pierre_Monteil" style="color: #000000;"&gt;Pierre Monteil.&lt;/a&gt;&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt; &lt;br class="fr" style="font-size: 14pt; color: #000000;" /&gt;&lt;span style="color: #808080; font-size: 12pt;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Jean Maison, bon connaisseur de la culture locale, interroge cet &amp;eacute;rudit - natif de Saint-Augustin - sur ses motivations, la langue et sa disparition, ses choix concernant la graphie, ses m&amp;eacute;thodes de travail. Ce premier enregistrement se termine par une &amp;eacute;tude des noms de lieux de la commune.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span style="color: #808080; font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Pierre Monteil (1925-2005), &amp;eacute;crivain, universitaire et linguiste parle de son ouvrage :&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;em&gt;L&lt;/em&gt;&lt;em&gt;e parler de Saint-Augustin,&lt;/em&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;em&gt;description linguistique d'un micro-dialecte occitan de Corr&amp;egrave;ze, 2 tomes, Limoges, PULIM, 1997&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Le premier tome de ces deux ouvrages est divis&amp;eacute; en trois parties : &lt;br /&gt;- Phon&amp;eacute;tique et phonologie&lt;br /&gt;- Morphologie &lt;br /&gt;- Syntaxe &lt;br /&gt;&lt;br /&gt;Le second tome, est un lexique alphab&amp;eacute;tique (en graphie phon&amp;eacute;tique) compl&amp;eacute;t&amp;eacute; par la liste des verbes irr&amp;eacute;guliers et une bibliographie&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #808080;"&gt;Ces cassettes audio ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par le &lt;a href="https://crmtl.fr/" target="_blank" rel="noopener"&gt;CRMT en Limousin.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Présentation&#13;

00:00:15.000 --&gt; 00:04:28.000
Quelle motivation ?&#13;

00:04:28.000 --&gt; 00:08:25.000
Une dette envers la langue ?&#13;

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La notion de langue&#13;

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L'origine de ce parler&#13;

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Les travaux des érudits&#13;

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La graphie&#13;

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Les Monédières&#13;

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La méthode&#13;

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Les Augustinois&#13;

01:02:12.000 --&gt; 01:02:40.000
Les noms de lieux de la commune&#13;

01:02:40.000 --&gt; 01:03:32.000
Ma prononciation&#13;

01:03:32.000 --&gt; 01:03:50.000
Des noms de lieux d'interprétation simple&#13;

01:03:50.000 --&gt; 01:04:21.000
Les Escures&#13;

01:04:21.000 --&gt; 01:04:54.000
La Combette&#13;

01:04:54.000 --&gt; 01:05:45.000
La Vialle-Neuve&#13;

01:05:45.000 --&gt; 01:07:21.000
La France rurale&#13;

01:07:21.000 --&gt; 01:08:18.000
Le Coustalou&#13;

01:08:18.000 --&gt; 01:09:11.000
Le Mas&#13;

01:09:11.000 --&gt; 01:10:39.000
Le Theil&#13;

01:10:39.000 --&gt; 01:11:04.000
Des noms de lieux qui se terminent en -ie-&#13;

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Les prononcer en patois&#13;

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La Bernardie,leymarie&#13;

01:15:09.000 --&gt; 01:17:46.000
La Borie et La Pouge&#13;

01:17:46.000 --&gt; 01:17:59.000
Des noms de lieux d'origine moins claire&#13;

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Sarlat &#13;

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Les Boiroux&#13;

01:21:11.000 --&gt; 01:22:41.000
La gane&#13;

01:22:41.000 --&gt; 01:23:16.000
Courmelas&#13;

01:23:16.000 --&gt; 01:25:51.000
La garenne&#13;

01:25:51.000 --&gt; 01:26:37.000
Le bos&#13;

01:26:37.000 --&gt; 01:27:46.000
Les Brejades&#13;

01:27:46.000 --&gt; 01:28:01.000
Roumailhac&#13;

01:28:01.000 --&gt; 01:30:15.000
Le Pont-Peyrie&#13;

01:30:15.000 --&gt; 01:30:59.000
Lafarge&#13;

01:30:59.000 --&gt; 01:32:34.000
Grandsaigne&#13;

01:32:34.000 --&gt; 01:33:03.000
Chauzeix&#13;

01:33:03.000 --&gt; 01:33:51.000
Beyssac&#13;

01:33:51.000 --&gt; 00:00:00.000
Mézinges&#13;

00:00:00.000 --&gt; 01:34:34.000

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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, un enregistrement r&amp;eacute;alis&amp;eacute; le 8 juillet 1975 &amp;agrave; Favars (19), lors d'une soir&amp;eacute;e "chant et danse traditionnelle&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr"&gt;On retrouve dans cet enregistrement les fr&amp;egrave;res Fraysse interpr&amp;eacute;tant &lt;em&gt;"La vacha desbanada"&lt;/em&gt;, le groupe folklorique du foyer de Favars (bourr&amp;eacute;e, suite de valses, quadrille), M. Dubois qui raconte quelques blagues en fran&amp;ccedil;ais et en occitan (Le soldat, &lt;em&gt;La cosina es malauda, Lo degertuc,&lt;/em&gt; La femme du boulanger), Alexandre Fraysse et Marcel Geneste (La chanson des mois et Tire-larigot), Alexandre Fraysse et &lt;/span&gt;&lt;span class="fr"&gt;Andr&amp;eacute; Dubois (La &lt;/span&gt;&lt;span class="fr"&gt;meuni&amp;egrave;re), Alexandre Fraysse (Qu'as tu mignonne), Marcelle Bourg (&lt;em&gt;Lo charbonier,&lt;/em&gt; 3 jeunes matelots) et Jean Pierre Marty &lt;em&gt;(La Margui)&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;Les documents accompagnant la bande :&lt;/span&gt;&lt;br /&gt;&lt;a href="/items/show/13227" target="_blank" rel="noreferrer noopener"&gt;- La bande et le boitier&lt;/a&gt;&lt;br /&gt;&lt;a href="/items/show/13228" target="_blank" rel="noreferrer noopener"&gt;- Notice Recto&lt;/a&gt;&lt;br /&gt;&lt;a href="/items/show/13229" target="_blank" rel="noreferrer noopener"&gt;- Notice verso&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Image d'illustration, Alexandre (dit Sandrou) et Pierre Fraysse (collection Delcros) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Ce cahier d'&amp;eacute;colier contient, &amp;eacute;crit de la main de J.B Leymarie le texte de l'ouvrage&amp;nbsp;&lt;strong&gt; "Lou miécart de las negras"&lt;/strong&gt; (Le demi-quart des puces) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Ce texte r&amp;eacute;dig&amp;eacute; &amp;agrave; la plume est dat&amp;eacute; du 4 mai 1889 et sign&amp;eacute; de la main de l'auteur.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il est d&amp;eacute;di&amp;eacute; (comme l'ouvrage imprim&amp;eacute;) &amp;agrave;&lt;em&gt; "Monsieur Raymond Toinet, jadis avocat g&amp;eacute;n&amp;eacute;ral aujourd'hui avocat &amp;agrave; Tulle, rue du Trech"&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Ce texte sera &amp;eacute;dit&amp;eacute; quelques ann&amp;eacute;es plus tard, en 1894. Il fut imprim&amp;eacute; chez Mazeyrie &amp;agrave; Tulle.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;"Souvenir de Tulle, N&amp;deg; 1 Lou Mi&amp;eacute;cart de las Negras, po&amp;eacute;sie en langue limousine : Dialecte de Tulle&amp;nbsp; par Jean Beyramiel&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;Illustrations par deux jeunes compatriotes"&lt;br /&gt;&lt;a href="https://gallica.bnf.fr/ark:/12148/bpt6k9415133/f5.image" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo;Voir le document sur Gallica&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;En pr&amp;eacute;face un texte sur la "Prononciation du langage Tulliste", ensuite le texte propos&amp;eacute; ici puis, &amp;agrave; partir de la page 31, un appendice fourni de notes et r&amp;eacute;f&amp;eacute;rences : B&amp;eacute;ronie Vialle, les membres de la soci&amp;eacute;t&amp;eacute; des lettres, sciences et art de la Corr&amp;egrave;ze, l'origine du nom de la ville de Tulle, l'histoire de Tulle, Boudigal.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;On y trouve aussi quelques textes en occitan ou en fran&amp;ccedil;ais : &lt;br /&gt;- &lt;/span&gt;&lt;span style="color: #000000;"&gt;le texte de la chanson &lt;em&gt;"le demi-quart de puce"&lt;/em&gt; par F. Bonnelye,&lt;br /&gt;- la chanson d' E. Bonnelye &lt;em&gt;"Efonts dei Trech",&lt;/em&gt; &lt;br /&gt;- d' Anne Vialle &lt;em&gt;"La pesto de Tulo"&lt;/em&gt; ,&amp;nbsp;&amp;nbsp; &lt;em&gt;"Lou souvodour de lo Fran&amp;ccedil;o"&lt;/em&gt;, - quelques No&amp;euml;ls, "Le clocher de Tulle",&lt;em&gt; "La Calha"&lt;/em&gt; une chanson "am&amp;eacute;lior&amp;eacute;e", &lt;em&gt;"Lo bar ei chouler"&lt;/em&gt;, &lt;em&gt;"Tulo e lou braves Tulauds"&lt;/em&gt; et &lt;em&gt;"Jeanne et ma montagne"&lt;/em&gt;, de Maximin Deloche.&lt;/span&gt;&lt;/p&gt;</text>
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Les contacter</text>
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            <name>Date</name>
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                <text>Émile dit "Milou" DAURAT</text>
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                <text>&lt;p&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Marcel Belette pour num&amp;eacute;risation et mise en ligne. &lt;br /&gt;Sur la face B de cette cassette, se trouve un enregistrement datant du 17 septembre 1979, collect&amp;eacute; par Marcel Belette et Philippe Rouvet. &lt;br /&gt;&amp;Eacute;mile Daurat, dit Milou ou &lt;em&gt;Lo pair Milon&lt;/em&gt;, &amp;eacute;tait n&amp;eacute; en 1907 et demeurait &amp;agrave; La Suza commune de Beyssenac (19). Il jouait sur un accord&amp;eacute;on diatonique &amp;agrave; 3 rang&amp;eacute;es (un Dedenis ?) dont une note &amp;eacute;tait cass&amp;eacute;e au moment de l'enregistrement.&lt;br /&gt;M. Daurat avait fait, lorsqu'il &amp;eacute;tait jeune, les bals et les mariages dans la r&amp;eacute;gion de Pompadour mais il ne jouait plus qu'&amp;agrave; de rares occasions. &lt;br /&gt;Marcel Belette avait amen&amp;eacute;, pour la visite, l'accord&amp;eacute;on Maugein de son p&amp;egrave;re sur lequel le musicien jouera la plupart des morceaux.&lt;br /&gt;&lt;br /&gt;M. Daurat, &amp;agrave; la demande du collecteur &amp;agrave; la recherche de r&amp;eacute;pertoire pour le groupe folklorique dont il est membre, Les Compagnons de la Couade de Troche (19), interpr&amp;egrave;te une s&amp;eacute;rie d'airs &amp;agrave; danser (danse du tapis, polkas, quadrille, bourr&amp;eacute;e, scottish, mazurka, valses...). &lt;br /&gt;La plupart du temps il joue, puis chante quelques paroles de la chanson et parfois les commente.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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	Marche&#13;

00:00:47.000 --&gt; 00:01:38.000
Danse du tapis&#13;

00:01:38.000 --&gt; 00:02:25.000
	Commentaires&#13;

00:02:25.000 --&gt; 00:02:40.000
Pòlca de Madranjas, chant&#13;

00:02:40.000 --&gt; 00:03:30.000
La danse du tapis&#13;

00:03:30.000 --&gt; 00:05:09.000
Comment ils disent ?&#13;

00:05:09.000 --&gt; 00:05:47.000
Las Passions, instrumental&#13;

00:05:47.000 --&gt; 00:05:54.000
Las Passions, chant&#13;

00:05:54.000 --&gt; 00:07:11.000
La quête des oeufs&#13;

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Essai de l'accordéon&#13;

00:09:11.000 --&gt; 00:09:38.000
Essai, bourrée&#13;

00:09:38.000 --&gt; 00:11:30.000
Danser la bourrée, commentaires&#13;

00:11:30.000 --&gt; 00:12:30.000
"Sicotiche"&#13;

00:12:30.000 --&gt; 00:13:16.000
Chau que fumam&#13;

00:13:16.000 --&gt; 00:14:24.000
Pòlca&#13;

00:14:24.000 --&gt; 00:14:59.000
Le quadrille (1ère partie)&#13;

00:14:59.000 --&gt; 00:16:02.000
Quadrille, suite&#13;

00:16:02.000 --&gt; 00:17:47.000
L'aiga de ròsa  &#13;

00:17:47.000 --&gt; 00:18:01.000
Le ressort est cassé&#13;

00:18:01.000 --&gt; 00:19:23.000
Mazurka&#13;

00:19:23.000 --&gt; 00:20:32.000
Pintou&#13;

00:20:32.000 --&gt; 00:20:54.000
Et le pélélé ?&#13;

00:20:54.000 --&gt; 00:21:42.000
Il y a un joli moment&#13;

00:21:42.000 --&gt; 00:22:58.000
Le pélélé&#13;

00:22:58.000 --&gt; 00:23:26.000
Pélélé chant&#13;

00:23:26.000 --&gt; 00:25:53.000
E La parisiena ?&#13;

00:25:53.000 --&gt; 00:28:32.000
La parisienne&#13;

00:28:32.000 --&gt; 00:29:43.000
Comment vous la chantez ?&#13;

00:29:43.000 --&gt; 00:30:56.000
Vous la preniez en bas &#13;

00:30:56.000 --&gt; 00:31:43.000
Les paroles ?&#13;

00:31:43.000 --&gt; 00:32:17.000
Pòlca daus Beissenacs &#13;

00:32:17.000 --&gt; 00:32:52.000
Chant&#13;

00:32:52.000 --&gt; 00:33:22.000
Valse &#13;

00:33:22.000 --&gt; 00:33:35.000
Elle est jolie &#13;

00:33:35.000 --&gt; 00:34:06.000
Valse lente &#13;

00:34:06.000 --&gt; 00:34:33.000
C'est pour ça qu'on enregistre&#13;

00:34:33.000 --&gt; 00:35:46.000
Scottish-valse&#13;

00:35:46.000 --&gt; 00:36:07.000
Mon père la jouait&#13;

00:36:07.000 --&gt; 00:36:53.000
Pierre ne t'en va pas si vite
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Il s'agit d'une succession d'enregistrements de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, faits &amp;agrave; Germont (commune de Chamberet, Corr&amp;egrave;ze). &lt;br /&gt;Datant du d&amp;eacute;but des ann&amp;eacute;es 1980, une partie de ce document a &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e par Marcelle Delpastre elle m&amp;ecirc;me, l'autre par &lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Jan dau Melhau.&lt;br /&gt;&lt;br /&gt;Marcelle Delpastre dit quelques-uns de ses textes :&lt;br /&gt;- S&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&amp;eacute;quences 1 &amp;agrave; 8 : &amp;laquo; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Chansons &amp;agrave; d&amp;eacute;charger le fumier &amp;raquo; ; &lt;br /&gt;- S&amp;eacute;quences 9 &amp;agrave; 17 : une suite de chansons traditionnelles ;&lt;br /&gt;- S&amp;eacute;quences 18 et 19 : &amp;laquo; Nathana&amp;euml;l sous le figuier &amp;raquo;, extraits du recueil &amp;eacute;ponyme paru en 1987 au Chamin de sent Jaume.&lt;br /&gt;&lt;br /&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, qui s'est charg&amp;eacute;e du s&amp;eacute;quencement, pr&amp;eacute;cise que, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;de 12 &amp;agrave; 16, ce sont divers appels de &amp;laquo; la haula &amp;raquo;. &lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;(&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;-&amp;raquo; &lt;/span&gt;&lt;/span&gt;Voir &amp;agrave;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt; ce sujet l'article de Marcelle Delpastre paru dans le N&amp;deg; 29 du Bulletin de la SELM datant de juillet 1968).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13321/Chansons_a_de_charger_le_fumier.pdf" target="_blank" rel="noopener"&gt;-&amp;raquo; Marcelle Delpastre : Dossier rassembl&amp;eacute; &amp;amp; pr&amp;eacute;sent&amp;eacute; par Jan dau Melhau, &amp;Eacute;ditions Plein Chant&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://fr.wikipedia.org/wiki/Marcelle_Delpastre" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; La page Wikip&amp;eacute;dia consacr&amp;eacute;e &amp;agrave; Marcelle Delpastre&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; 50 ans de borbolh occitan (INA)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://www.youtube.com/watch?v=IPde76jtTrg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Une vie, une oeuvre : Po&amp;egrave;te et paysanne, une &amp;eacute;mission de France Culture&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span class="fr"&gt;Marcelle Delpastre &lt;/span&gt;&lt;span class="fr"&gt;(1925-1998) po&amp;egrave;te, conteuse, romanci&amp;egrave;re et ethnologue &lt;/span&gt;est l&amp;rsquo;auteur d&amp;rsquo;une &amp;oelig;uvre de grande envergure et tr&amp;egrave;s diversifi&amp;eacute;e (po&amp;eacute;sie, nouvelles, travaux d&amp;rsquo;ethnographie, m&amp;eacute;moires, etc.), en fran&amp;ccedil;ais et en occitan limousin. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:07.000
 &#13;

00:00:07.000 --&gt; 00:01:28.000
Alchimie&#13;

00:01:28.000 --&gt; 00:03:32.000
L'inventaire&#13;

00:03:32.000 --&gt; 00:05:38.000
Per nainar lo pitit...&#13;

00:05:38.000 --&gt; 00:07:16.000
Petit bestiaire&#13;

00:07:16.000 --&gt; 00:07:50.000
Fille d'ici&#13;

00:07:50.000 --&gt; 00:08:39.000
Le soleil&#13;

00:08:39.000 --&gt; 00:11:16.000
Au jardin d'Aladin&#13;

00:11:16.000 --&gt; 00:14:05.000
Chanson pour les enfants&#13;

00:14:05.000 --&gt; 00:16:13.000
Granda Marie&#13;

00:16:13.000 --&gt; 00:18:11.000
Nicolas&#13;

00:18:11.000 --&gt; 00:18:26.000
Lo chanabon&#13;

00:18:26.000 --&gt; 00:20:12.000
Òc-es las filhas&#13;

00:20:12.000 --&gt; 00:22:41.000
Te vòle far maridar&#13;

00:22:41.000 --&gt; 00:25:05.000
N'autras avem de braves ribans&#13;

00:25:05.000 --&gt; 00:29:31.000
T'ai plan 'gut l'alen&#13;

00:29:31.000 --&gt; 00:30:53.000
Bote botelha&#13;

00:30:53.000 --&gt; 00:32:57.000
En traversar lo país de l'Auvernha&#13;

00:32:57.000 --&gt; 00:36:49.000
Natanael jos lo figuier&#13;

00:36:49.000 --&gt; 00:00:00.000
Natanael jos lo figuier (seguida)&#13;

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