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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/622/Marcelle_delpastre.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Sur la face A,&lt;/span&gt; un enregistrement de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, à Germont ( village de la commune de Chamberet en Corrèze) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Marcelle Delpastre conteuse, romancière et ethnologue est interrogée, en présence de sa mère Marie Louise, au sujet du mariage . &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Elle parle aussi du disque qu'elle a enregistré "avec les irlandais" (French folk songs from Corrèze ), &lt;span class="fr" style="font-size:14pt;"&gt;de Jean Ségurel, de toponymie, de son étude alors inédite sur "Le bourgeois et le paysan" ( qu'elle pense de ne pas avoir le temps de le recopier), &lt;/span&gt; du rôle des femmes, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques belles chansons : La Roseta, la version limousine de &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"la mantille" (interrompue un instant) , des marches nuptiales, une jolie version du &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;"petit papillon volage", &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;"Ent-eratz vos anada&lt;/span&gt; &lt;span class="oc"&gt;(corbleu Marion )"&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. L'occasion d'un  éclairage bien particulier sur ces chansons. &lt;/span&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s’agit d’enregistrements réalisés par Jean Pierre Graziani, créateur et directeur de la &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;maison de disques «Vendémiaire» dans le but de faire un second volume de «Dits, chants et danses&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; populaires du Limousin», ce projet de disque n'a pas abouti «pour des raisons financières».&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Voir ci dessous la face A, un enregistrement de l' École de Bourrée de Davignac&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette, nous entendons un violoneux, M. &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston CESSAC&lt;/strong&gt;&lt;/a&gt;.&lt;br /&gt;Il s'agit d'un enregistrement familial r&amp;eacute;alis&amp;eacute; par M. &amp;Eacute;mile Massias qui interroge son beau fr&amp;egrave;re M. Cessac . &lt;br /&gt;G. Cessac &amp;eacute;tait n&amp;eacute; &amp;agrave; Voutezac le 4 octobre 1906 (il est d&amp;eacute;c&amp;eacute;d&amp;eacute; le 30 mars 1996) . Agriculteur et viticulteur sur les coteaux de Vertougit, il anima de nombreux bals et noces dans la r&amp;eacute;gion et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;pratiqua le violon &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;jusqu'&amp;agrave; la fin de sa vie &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement une suite d'airs &amp;agrave; danser : bourr&amp;eacute;es, valses, sauti&amp;egrave;res, marches nuptiales, quadrilles ... A plusieurs reprises, la famille chante, accompagn&amp;eacute;e par le violon .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Monsieur Jean Pierre Massias; &amp;agrave; qui appartient l'enregistrement nous pr&amp;eacute;cise :&lt;br /&gt;&lt;em&gt;" L' enregistrement a eu lieu &amp;agrave; Saint Solve en juillet 1957 sur un magn&amp;eacute;tophone de marque Phillips. Etaient pr&amp;eacute;sents en plus de Gaston Cessac: Emile Massias, mon p&amp;egrave;re, ma m&amp;egrave;re, moi-m&amp;ecirc;me (j'avais 10 ans mais je garde toujours un souvenir pr&amp;eacute;cis), madame Cessac, monsieur et madame Sermadiras beau-fr&amp;egrave;re et belle-soeur de monsieur Cessac, monsieur Cressent et son &amp;eacute;pouse (c'est lui qui poss&amp;eacute;d&amp;acirc;t le magn&amp;eacute;tophone). &lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;L'enregistrement a dur&amp;eacute; toute la journ&amp;eacute;e. Monsieur Cessac &amp;eacute;tait tr&amp;egrave;s petit ce qui fait que, assis sur une chaise, ses pieds ne touchaient le sol que du bout ce qui lui permettait de marquer le rythme. C'est ce qu'on entend dans l'enregistrement. De plus comme il faisait tr&amp;egrave;s chaud et que monsieur Cessac se d&amp;eacute;pensait beaucoup, il a pas mal bu, ce qui explique en partie les grincements de la fin de l'enregistrement&lt;/span&gt;&lt;/span&gt;."&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Popy Dupetitmagnieux qui nous ont aussi confi&amp;eacute; un enregistrement de M. Cessac r&amp;eacute;alis&amp;eacute; par leur soin en 1985 . &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;Cette cassette audio fut enregistr&amp;eacute;e par &lt;span class="artist_name"&gt;M. Louis Fortunade &lt;/span&gt;vers 1985, &amp;agrave; l'attention de ses coll&amp;egrave;gues de Brive Principal.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Nous y retrouvons des textes (dont quelques in&amp;eacute;dits) d'Antoine Paucard et &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt;, tous deux de Saint Salvadour.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; en 2003 lors de l'enqu&amp;ecirc;te municipale de Dampniat par M. et Mme Vidalie que nous remercions vivement.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;br /&gt;Nous remercions aussi M. Philippe Fortunade, qui a bien voulu nous autoriser &amp;agrave; diffuser ce document.&lt;/p&gt;</text>
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            <name>Contributor</name>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans le cadre de son travail universitaire, " EMIGRES DE L'INTERIEUR : Limousins Peyrelevadois et la culture occitane", Myette Hébrant – Marouby a enregistré des corréziens de Peyrelevade ayant exercé à Paris , ici &lt;strong&gt;René TERT&lt;/strong&gt; dit "Telou", en compagnie de sa femme .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Monsieur Tert est parti, aussitot après la démobilisation, à Paris chercher du travail . Il a d'abord exercé comme manoeuvre puis comme ouvrier chez Renault puis chez Citroen . Homme au caractère bien trempé ("une tête de Corrézien" dit sa femme) . Il a ensuite exercé chez plusieurs patrons comme chauffeur de taxi avant de s'installer à son compte .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;A la fin de l'entretien M. Tert évoque sa scolarité à l'Ecole du Rat.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fait partie d'une série de plusieurs dizaines de cassettes que Mme &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;Myette Hébrant – Marouby&lt;/span&gt; nous a confiées &lt;span class="fr" style="font-size:14pt;"&gt;pour numérisation et mise en ligne .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Mme Manoux, M. Malthieu</text>
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                <text>François MALTHIEU</text>
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                <text>Myette Hébrant – Marouby</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Myette H&amp;eacute;brant-Marouby . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo; enregistrements r&amp;eacute;alis&amp;eacute;s par Jean Pierre Graziani, cr&amp;eacute;ateur et directeur de la maison de disques &amp;laquo;Vend&amp;eacute;miaire&amp;raquo; dans le but de faire un second volume de &amp;laquo;Dits, chants et danses populaires du Limousin&amp;raquo; ,ce projet de disque n'a pas abouti &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;laquo;&lt;em&gt;pour des raisons financi&amp;egrave;res&lt;/em&gt;&amp;raquo; les bandes semblent avoir disparu et il ne reste de cet enregistrement que cette copie de qualit&amp;eacute; bien moyenne .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ces enregistrements datent du printemps 1981, les informateurs sont interrog&amp;eacute;s par Paulette et Myette Marouby,quelques un de ces titres figuraient d&amp;eacute;j&amp;agrave; sur le Volume 1 (Maridan la Mietto, La Margui, La marche nuptiale de F. Malthieu)&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons d&amp;rsquo;abord &lt;strong&gt;Constance Manoux&lt;/strong&gt; de Laval de Sornac, enregistr&amp;eacute;e le 17 avril 1981 &amp;laquo;&lt;span class="oc"&gt;Ente &amp;lsquo;ra vo annada ...Marion&lt;/span&gt; (chant&amp;eacute; &amp;agrave; deux avec Paulette Marouby,) &lt;span class="oc"&gt;la Margui vai au molin, Maridan la Mietto&lt;/span&gt;&amp;raquo;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la seconde face de la cassette (&amp;agrave; partir de 25.12mn) &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;ois &lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Malthieu&lt;/strong&gt; &lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;(dit Lilou) de La Combe de Tarnac . Ce violoneux bien connu interpr&amp;egrave;te de nombreux airs de son r&amp;eacute;pertoire (Valses, bourr&amp;eacute;es, marches nuptiales, polkas, mazurkas ...) et parle de son violon, de sa pratique, mais aussi des visites r&amp;eacute;centes de collecteurs et de sa joie de jouer &amp;agrave; nouveau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Le signal &amp;eacute;tant parfois tr&amp;egrave;s faible, surtout sur le discours, nous avons d&amp;ucirc; l&amp;rsquo; amplifier consid&amp;eacute;rablement pour le rendre audible, g&amp;eacute;n&amp;eacute;rant bruit de fond et irr&amp;eacute;gularit&amp;eacute;s .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de nous avoir donn&amp;eacute; son accord pour la diffusion de ces documents&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la face B, un enregistrement de l' École de Bourrée de Davignac en Corrèze. Ce groupe folklorique, alors âgé d'une petite dizaine d'année était "mené" par M. Raymond Plas à l'accordéon chromatique, il livre ici à Miette une partie de son répertoire : de nombreuses bourrées (bourrée de Vitrac, Son davalats, &lt;span style="font-size:14pt;"&gt;bourrée&lt;/span&gt; de Chaumeil, &lt;span style="font-size:14pt;"&gt;bourrée&lt;/span&gt; de Davignac, la chamairada...) mais aussi quelques marches, scottish ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir ci dessous la face B, un enregistrement de Marcelle Delpastre. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s’agit d’enregistrements réalisés par Jean Pierre Graziani, créateur et directeur de la &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;maison de disques «Vendémiaire» dans le but de faire un second volume de «Dits, chants et danses&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; populaires du Limousin», ce projet de disque n'a pas abouti «pour des raisons financières».&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="305023">
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            <elementText elementTextId="305024">
              <text>la chapelle aux saints</text>
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                <text>Autour de la farcidure</text>
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                <text>Odette BROUSSE</text>
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                <text>Collecte film&amp;eacute;e autour d'une recette traditionnelle corr&amp;eacute;zienne</text>
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            <name>Source</name>
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                <text>Odette BROUSSE</text>
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                <text>video/mp4</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/875</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>La Chapelle-aux-Saints</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/875/OdetteBrousse2.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;C'est sur les conseils d'un de ses voisins, Jean-Claude Cluzan, que nous avons rencontr&amp;eacute;, au mois de f&amp;eacute;vrier 2018, &lt;strong&gt;Odette BROUSSE&lt;/strong&gt;, &amp;agrave; La Chapelle-aux-Saints dans le sud de la Corr&amp;egrave;ze &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Nous avons extrait de cette collecte un petit document &amp;raquo; &lt;em&gt;&lt;a href="https://www.youtube.com/watch?v=XJ2Gu17PYZ4&amp;amp;t=27s" target="_blank" style="color: #000000;" rel="noreferrer noopener"&gt;(Far la far&amp;ccedil;adura)&lt;/a&gt; &lt;/em&gt;sur la fabrication de la farcidure (farce-dure, mique ...), ou plut&amp;ocirc;t d'une des formes de farcidures &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&amp;raquo; &lt;/span&gt;(&lt;a href="https://la-biaca.org/items/show/710" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Voir la collecte aupr&amp;egrave;s de Mme Thieyre&lt;/a&gt;). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Mme Brousse nous avait aussi parl&amp;eacute; de sa vie, de la pratique de la langue, etc. et il nous a paru int&amp;eacute;ressant de mettre en ligne l'int&amp;eacute;grale de cet enqu&amp;ecirc;te.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Enregistr&amp;eacute; en pr&amp;eacute;sence de Jean-Claude et Genevi&amp;egrave;ve Cluzan, Henri Audubert, Daniel Perrinet et Denise Rajewski.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Interview, montage et prise de vue : IEO Lemosin, Pascal Boudy, Jean Pierre Lacombe&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>La Chapelle-aux-Saints</name>
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            <element elementId="50">
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                  <text>Enquêtes et témoignages</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Mme Marie Dubernard</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="313464">
              <text>Patois Limousin</text>
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              <text>Patois corrèze</text>
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            <elementText elementTextId="313468">
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              <text>langue d'oc</text>
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              <text>musique traditionnelle</text>
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              <text>juillac</text>
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              <text>informateurs multiples odile farges popy dupetitmagnieux collectages chanteurs et musiciens 4 accordeon chants tradition correze limousin occitan</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2013-05-28 10:04:36</text>
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            <description>The size or duration of the resource.</description>
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                <text>Corrèze (19)</text>
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                <text>IEO Lemosin, dépôt Chavilhier</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Collectages, Chanteurs et musiciens (4)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="313443">
                <text>Enregistrements de musiciens et chanteurs r&amp;eacute;alis&amp;eacute;s &amp;agrave; Juillac et Lubersac</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="313444">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>CHAV008</text>
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            <name>Date</name>
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                <text>1982</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="313447">
                <text>Odile Farges, Popy Dupetitmagnieux</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/572/Cassette.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e en 1982 par Popy &lt;span style="font-size: 14pt;"&gt;Dupetitmagnieux &lt;/span&gt;et Odile Farges pour le groupe " Lo Chavilhier"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la face A de cette cassette, nous entendons &lt;strong&gt;M. Dubernard&lt;/strong&gt;, enregistr&amp;eacute; &amp;agrave; son domicile, &amp;agrave; Tournevite sur la commune de Lubersac (19) . M. Dubernard (dit Toine) fut dans la r&amp;eacute;gion un accord&amp;eacute;oniste renomm&amp;eacute;, il avait jou&amp;eacute; &amp;agrave; Paris !&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser : bourr&amp;eacute;es, scottishs, mazurkas, polkas, valses, quadrilles, .. et quelques chansons : &lt;span class="oc"&gt;I&amp;ograve; m'en vau a St Iri&amp;egrave;s&lt;/span&gt;, T&amp;ograve;ane de Glandon, La fille du fermier, La belle Isabeau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Nous avons rencontr&amp;eacute; Mme Dubernard (que l'on entend dans cet enregistrement) quelques ann&amp;eacute;es plus tard lors de l'enqu&amp;ecirc;te &amp;agrave; Arnac Pompadour, elle nous avait parl&amp;eacute; de son mari &lt;a href="https://la-biaca.org/items/show/357" target="_blank" rel="noopener"&gt;(Arnac-Pompadour 1/3, plage 6)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, sur la face B un enregistrement fait aupr&amp;egrave;s du club du 3&amp;egrave;me &amp;acirc;ge de Juillac dans lequel nous entendons plusieurs informateurs (Mme Boudy, Mme Rouland, ...).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Popy Dupetitmagnieux d&amp;eacute;crit ce document ainsi : &lt;span style="color: #808080;"&gt;Chanson en vogue en 1917, La Paimpolaise, Sous les ponts de Paris, La Valse Brune, La Java bleue, J&amp;rsquo;ai deux grands b&amp;oelig;ufs dans mon &amp;eacute;table, La chanson de la mari&amp;eacute;e (Mme Boudy), La Fanchon, La Brigitte, Les r&amp;eacute;veill&amp;eacute;es (Mme Rouland), Le petit chasseur de Rennes, La Marion va au moulin&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Accord&amp;eacute;on : La guimbarde, Sauti&amp;egrave;re, Turlututu, La paimpolaise, Sur les ponts de Paris, La Valse Brune, Mazurka ( Ah que les femmes sont b&amp;ecirc;tes !), Pinton, Je suis lasse d&amp;rsquo;&amp;ecirc;tre fille, Rosette, &lt;em&gt;&lt;span class="oc"&gt;Morelhada, Quand los cornards d'a Tula, Ont' menara pita bargier&amp;ograve;ta, Son davalats, Las peras son maduras,&lt;/span&gt;&lt;/em&gt; Le tailleur de pierres, &lt;em&gt;&lt;span class="oc"&gt;La borreia d&amp;rsquo;Auvernha&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p style="font-size:14px;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Messieur&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;s :&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="artist_name"&gt;Jean-Pierre Boissière&lt;/span&gt;, &lt;span class="artist_name"&gt;Gilbert Chauffengeal&lt;/span&gt;, &lt;span class="artist_name"&gt;Maurice Duroux&lt;/span&gt;, &lt;span class="artist_name"&gt;Lucien Fouillade&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean Laumont&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean-Michel Laurensou&lt;/span&gt;, &lt;span class="artist_name"&gt;René Laurençon&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean Mirat&lt;/span&gt;, &lt;span class="artist_name"&gt;André Monédières&lt;/span&gt;, &lt;span class="artist_name"&gt;Henri Saint Peyre&lt;/span&gt;, &lt;span class="artist_name"&gt;Raymond Ventéjoux&lt;/span&gt; &lt;span class="fr"&gt;et&lt;/span&gt; &lt;span class="artist_name"&gt;Jean-Pierre Vidalie&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Collonges la rouge</text>
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              <text>animaux</text>
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              <text>vigne</text>
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              <text>moulin</text>
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              <text>meunier</text>
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              <text>Patrimoine oral</text>
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              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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                <text>Enquête Municipale seconde partie</text>
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                <text>Collonges-la-Rouge 1/2</text>
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                <text>Collonges</text>
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                <text>Corrèze (19)</text>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Collonges-la-Rouge 2/2</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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                <text>[Enquêtes collectives]</text>
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                <text>1-0079</text>
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                <text>Pascal Boudy</text>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/265</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/265/img006.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr" style="font-size:14px;"&gt;Seconde partie de l'enquête municipale à Collonges la Rouge&lt;br /&gt;Enregistrée à la mairie de Collonges le 6 Avril 2004&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Ont participé :&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Mesdames : &lt;span class="artist_name"&gt;Eugénie Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Camille Duval&lt;/span&gt;, &lt;span class="artist_name"&gt;Madeleine Farges&lt;/span&gt;, &lt;span class="artist_name"&gt;Joséphine Valen&lt;span class="artist_name"&gt;,&lt;/span&gt; Jeanne Vauzou&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Messieurs : &lt;span class="artist_name"&gt;Jean Bonneval&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean Feix&lt;/span&gt;, &lt;span class="artist_name"&gt;André Fernando&lt;/span&gt;, &lt;span class="artist_name"&gt;Gabriel Labrue&lt;/span&gt;, &lt;span class="artist_name"&gt;Jean-François Noël&lt;/span&gt;, &lt;span class="artist_name"&gt;René Tronche&lt;/span&gt; et &lt;span class="artist_name"&gt;Christian Rieux&lt;/span&gt;.&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Remerciements à Henri Bassaler, maire de Collonges la Rouge et Conseiller Régional très impliqué dans l'action en faveur de la langue d' Oc ainsi qu'à Paulette Fender son adjointe pour leur implication dans l'organisation de cette enquête .&lt;br /&gt;Nous remercions aussi Daniel Fender pour la "couverture médiatique".&lt;/p&gt;</text>
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        <name>Collonges</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Au domicile des informateurs, à Marzeix, commune d'Egletons</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="326343">
              <text>Nard02.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>3067</text>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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              <text>M. Léo Chamalot</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>rites calendaires</text>
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              <text>son-son</text>
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              <text>enfantines</text>
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              <text>comptine</text>
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              <text>Archives sonores</text>
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            <elementText elementTextId="326352">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="326353">
              <text>IEO Limousin</text>
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            <elementText elementTextId="326354">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="326355">
              <text>biaça</text>
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              <text>besace</text>
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              <text>Patois</text>
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              <text>Occitan</text>
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              <text>Limousin</text>
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            <elementText elementTextId="326360">
              <text>Patois Limousin</text>
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            <elementText elementTextId="326361">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="326362">
              <text>langue limousine</text>
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            <elementText elementTextId="326363">
              <text>langue d'oc</text>
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            <elementText elementTextId="326364">
              <text>collectage</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>rites calendaires son son enfantines comptines pour enfants comptine</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="326330">
                <text>2011-09-19 14:52:40</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. et Mme NARD</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="326333">
                <text>Tous les genres</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="326334">
                <text>Collecte en langue limousine, Egletons, Corrèze</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="326335">
                <text>M. et Mme NARD</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="326336">
                <text>1-0038</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2005-04</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/266</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/266/Nard.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334400">
                <text>&lt;p class="fr" style="font-size:14px;"&gt;C'est à la suite de l'enquête municipale à Égletons, que Léo Chamalot nous a conduit ce 26 avril 2005 à Marzeix, chez &lt;span class="artist_name"&gt;M. et Mme Nard&lt;/span&gt;, qui nous ont très aimablement accueillis.&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;Nous avons enregistré plusieurs beaux morceaux du patrimoine oral, Une rare série de comptines enfantines &lt;span class="oc"&gt;(tres chabras e una, la lebrauta, daulin daulan, ari pototon)&lt;/span&gt; , une berceuse, une devinette &lt;span class="oc"&gt;(Pompompoli)&lt;/span&gt; des proverbes ... Quelques témoignages intéressants au sujet des rites calendaires et même un bon conseil pour fendre le bois cet hiver ...&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Egletons</name>
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              <text>cabas paniers artisanat tresses paille</text>
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                <text>Beynat</text>
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            <description>A name given to the resource</description>
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                <text>Les cabas de Beynat</text>
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            <description>The topic of the resource</description>
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                <text>Savoir-faire</text>
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            <description>An account of the resource</description>
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                <text>cabas de beynat</text>
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                <text>Léontine LACHAUD</text>
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&lt;p style="font-size: 16px;"&gt;&lt;big class="fr"&gt;D'une rare gentillesse, Mme Sauviat nous a parl&amp;eacute; des pratiques autour de l'eau, de l'irrigation, des puits &lt;em&gt;(i'avia quatre potz &amp;agrave; banleva dins lo vilatge)&lt;/em&gt;, de la lessive, des fontaines, des processions, elle nous a livr&amp;eacute; une belle s&amp;eacute;rie de proverbes, quelques contines, parl&amp;eacute; des sourciers, de la tourbe, &lt;/big&gt;&lt;big&gt;&lt;span class="fr"&gt;du sorcier de Chadebec, etc ...&lt;/span&gt; &lt;/big&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="readonly plg-desc"&gt;&lt;em&gt;&lt;a style="font-size: 16px;" href="https://la-biaca.org/items/show/13387#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=3&amp;amp;xywh=-31%2C0%2C1060%2C749" target="_blank" rel="noopener"&gt;&amp;rarr;Cliquer ici pour voir la galerie&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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L'aiga&#13;

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Istòria de vita&#13;

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La ferma&#13;

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La bujada&#13;

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Lo potz&#13;

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Trobar l'aiga&#13;

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Lo sorcier de 'n Chadabec&#13;

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Lo pan au potz&#13;

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Las levadas&#13;

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Las levadas&#13;

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Las levadas&#13;

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La torba&#13;

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Los peissons, la Coresa, La font Saunada&#13;

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Las processions&#13;

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Las bonas fonts&#13;

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La font a Sent-Merd&#13;

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Proverbes&#13;

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La lebrauta&#13;

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De l'aiga&#13;

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Lo potz de'n Chadabec&#13;

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                <text>&lt;p class="fr" style="font-size: 16px;"&gt;Seconde et derni&amp;egrave;re partie de l'enqu&amp;ecirc;te municipale, en pr&amp;eacute;sence des participants &amp;agrave; la premi&amp;egrave;re s&amp;eacute;ance (&lt;span class="artist_name"&gt;Jean-Pierre Bachellerie&lt;/span&gt; et &lt;span class="artist_name"&gt;Fran&amp;ccedil;ois Maison&lt;/span&gt;) ainsi que de Mmes &lt;span class="artist_name"&gt;Paulette Brette&lt;/span&gt; et &lt;span class="artist_name"&gt;H&amp;eacute;l&amp;egrave;ne Vinatier&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;La langue du pays, des proverbes, quelques chansons, la vie au pays, les processions, le travail &amp;agrave; la ferme, les pratiques religieuses, les amusements, la p&amp;ecirc;che, la chasse...&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Vous trouverez ci-dessous des photos&amp;nbsp; anciennes qui ont &amp;eacute;t&amp;eacute; mises &amp;agrave; notre disposition par la municipalit&amp;eacute; que nous remercions vivement de son aide efficace.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/12836" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 12pt;"&gt;Per veire las f&amp;ograve;t&amp;ograve;s&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ont particip&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mesdames &lt;strong&gt;&lt;span class="artist_name"&gt;Borie&lt;/span&gt;, &lt;span class="artist_name"&gt;Delgoulet&lt;/span&gt;&lt;/strong&gt; et&lt;strong&gt;&lt;span class="artist_name"&gt; Espinet&lt;/span&gt;&lt;/strong&gt;, &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Messieurs &lt;strong&gt;&lt;span class="artist_name"&gt;Agnoux&lt;/span&gt;, &lt;span class="artist_name"&gt;Conjat&lt;/span&gt;, &lt;span class="artist_name"&gt;Delgoulet&lt;/span&gt;, &lt;span class="artist_name"&gt;Desaguiller&lt;/span&gt;,&lt;/strong&gt; et&lt;strong&gt; &lt;span class="artist_name"&gt;Jarriges&lt;/span&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous tenons &amp;agrave; remercier Mme Christine Faurie, alors maire de Pierrefitte, qui nous a grandement facilit&amp;eacute; la t&amp;acirc;che.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/291/1320324758_Photo_pierrefite_pr_le_web.jpg</text>
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              <text>philosophie sectes supersticions devotions pour avoir un enfant pour avoir des enfants mariage ferme bestiaux animaux ecole souvenirs temoignage enfance pain agriculture jardinage vin vigne</text>
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                <text>Andréa Perrier</text>
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                <text>Pascal Boudy</text>
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                <text>&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enqu&amp;ecirc;tes r&amp;eacute;alis&amp;eacute;es aupr&amp;egrave;s de Mme &lt;strong&gt;&lt;span class="artist_name"&gt;Andr&amp;eacute;a Perrier&lt;/span&gt;&lt;/strong&gt; le 6 juillet et le 18 ao&amp;ucirc;t 2004.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme Perrier, n&amp;eacute;e en 1908, a eu la gentillesse de nous recevoir chez elle, &amp;agrave; Blavignac, commune de Lostanges.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Elle a facilement accept&amp;eacute; de nous parler de son village, de l'exercice de son m&amp;eacute;tier d'agricultrice, de la vie &amp;agrave; Lostanges (les rites calendaires, les &amp;eacute;tapes de la vie, les &amp;eacute;v&amp;egrave;nements, etc.) mais aussi de nous livrer quelques &amp;eacute;l&amp;eacute;ments de r&amp;eacute;flexion sur... le sens de la vie.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>1-26-06</text>
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                <text>oci</text>
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              <elementText elementTextId="1296309">
                <text>00:00:00.000 --&gt; 00:01:14.000
Chas lo petaire&#13;

00:01:14.000 --&gt; 00:01:58.000
Presentation&#13;

00:01:58.000 --&gt; 00:04:42.000
Bio&#13;

00:04:42.000 --&gt; 00:06:01.000
Pita leberota&#13;

00:06:01.000 --&gt; 00:07:07.000
La religion las sectas&#13;

00:07:07.000 --&gt; 00:07:49.000
La supersticion&#13;

00:07:49.000 --&gt; 00:10:43.000
Lachaud de Briva, La politica&#13;

00:10:43.000 --&gt; 00:11:45.000
Los chaffres&#13;

00:11:45.000 --&gt; 00:13:13.000
Una supersticion&#13;

00:13:13.000 --&gt; 00:16:43.000
 Dau diable&#13;

00:16:43.000 --&gt; 00:18:04.000
Del vesin &#13;

00:18:04.000 --&gt; 00:18:20.000
Ne'n sabiatz&#13;

00:18:20.000 --&gt; 00:19:52.000
Ren chausir&#13;

00:19:52.000 --&gt; 00:20:55.000
Per los reis&#13;

00:20:55.000 --&gt; 00:22:12.000
Chandeleur, los crespels, las mervelhas&#13;

00:22:12.000 --&gt; 00:23:46.000
N'eram pas de "bons crestiens"&#13;

00:23:46.000 --&gt; 00:24:29.000
Galopar las crotz&#13;

00:24:29.000 --&gt; 00:25:44.000
La festa de Carnaval&#13;

00:25:44.000 --&gt; 00:26:55.000
La guerra de 14&#13;

00:26:55.000 --&gt; 00:27:44.000
Lo caresme&#13;

00:27:44.000 --&gt; 00:29:38.000
Per rampalms&#13;

00:29:38.000 --&gt; 00:29:59.000
Per Sent Jan &#13;

00:29:59.000 --&gt; 00:32:07.000
La setmana senta&#13;

00:32:07.000 --&gt; 00:33:57.000
Paschas, 'na granda festa&#13;

00:33:57.000 --&gt; 00:34:37.000
Las rogacions&#13;

00:34:37.000 --&gt; 00:35:39.000
St Jan&#13;

00:35:39.000 --&gt; 00:36:10.000
La guerra de 14&#13;

00:36:10.000 --&gt; 00:37:02.000
Sent Jan, las fuelhas de nogier&#13;

00:37:02.000 --&gt; 00:37:29.000
Los conselh de revision&#13;

00:37:29.000 --&gt; 00:39:23.000
La vòta a Lostanjas, las aubadas&#13;

00:39:23.000 --&gt; 00:39:57.000
Los riches fasian coma los autres&#13;

00:39:57.000 --&gt; 00:40:45.000
La vòta&#13;

00:40:45.000 --&gt; 00:42:19.000
Lo bal&#13;

00:42:19.000 --&gt; 00:43:38.000
Lo maridatge&#13;

00:43:38.000 --&gt; 00:46:10.000
St Ròc&#13;

00:46:10.000 --&gt; 00:48:33.000
Nadal&#13;

00:48:33.000 --&gt; 00:49:19.000
Peschar las estrenas&#13;

00:49:19.000 --&gt; 00:50:03.000
La ferma&#13;

00:50:03.000 --&gt; 00:53:07.000
Los tessons, las chastanhas&#13;

00:53:07.000 --&gt; 00:54:39.000
Tuar&#13;

00:54:39.000 --&gt; 00:55:56.000
Las gògas&#13;

00:55:56.000 --&gt; 00:56:34.000
'pelar los ganhons&#13;

00:56:34.000 --&gt; 00:58:21.000
Quatre vachas&#13;

00:58:21.000 --&gt; 00:59:10.000
Las trufas&#13;

00:59:10.000 --&gt; 01:00:43.000
La charelha&#13;

01:00:43.000 --&gt; 01:01:46.000
Lo beu&#13;

01:01:46.000 --&gt; 01:02:08.000
Las olhas&#13;

01:02:08.000 --&gt; 01:04:03.000
Fialavam - la lana&#13;

01:04:03.000 --&gt; 01:05:45.000
La tanta institutrica&#13;

01:05:45.000 --&gt; 01:06:36.000
Minjaviatz de la vianda ?&#13;

01:06:36.000 --&gt; 01:07:03.000
Lo vin &#13;

01:07:03.000 --&gt; 01:07:37.000
Lo chaval&#13;

01:07:37.000 --&gt; 01:09:14.000
Liar las vachas&#13;

01:09:14.000 --&gt; 01:11:00.000
La volalha&#13;

01:11:00.000 --&gt; 01:11:22.000
Lo blat, la segle&#13;

01:11:22.000 --&gt; 01:11:45.000
La carcalina&#13;

01:11:45.000 --&gt; 01:12:48.000
Fasiam lo pan&#13;

01:12:48.000 --&gt; 01:13:04.000
De las bledas, de las trufas&#13;

01:13:04.000 --&gt; 01:14:21.000
"A Blavenhat conten las trufas per cartons"&#13;

01:14:21.000 --&gt; 01:16:00.000
Los crimes a Lostanjas&#13;

01:16:00.000 --&gt; 01:16:17.000
NC&#13;

01:16:17.000 --&gt; 01:17:07.000
'nar a la messa&#13;

01:17:07.000 --&gt; 01:19:37.000
Lo jardin&#13;

01:19:37.000 --&gt; 01:20:44.000
Las chastanhas, las enjas, la terra de mota&#13;

01:20:44.000 --&gt; 01:22:03.000
Daus cacals&#13;

01:22:03.000 --&gt; 01:23:58.000
Fasiam un pauc de vin&#13;

01:23:58.000 --&gt; 01:24:31.000
L'aiga de vita&#13;

01:24:31.000 --&gt; 01:25:02.000
Las pomas&#13;

01:25:02.000 --&gt; 01:26:06.000
Espotissiam las pomas per far lo pomat&#13;

01:26:06.000 --&gt; 01:26:46.000
De las peras d'ivern&#13;

01:26:46.000 --&gt; 01:27:31.000
"Dos bas de mans de brajas"&#13;

01:27:31.000 --&gt; 01:27:48.000
Lo magnetò&#13;

01:27:48.000 --&gt; 01:28:58.000
Los potirons&#13;

01:28:58.000 --&gt; 01:30:35.000
De la terra&#13;

01:30:35.000 --&gt; 01:31:24.000
Los potirons de nogier&#13;

01:31:24.000 --&gt; 01:32:13.000
Coser los potirons&#13;

01:32:13.000 --&gt; 01:32:28.000
Me comprenes ?&#13;

01:32:28.000 --&gt; 01:33:05.000
En Drulhe &#13;

01:33:05.000 --&gt; 01:34:01.000
Lo rei, lo barton, lo diable...&#13;

01:34:01.000 --&gt; 01:35:30.000
"Degun vai a Lostanjas sens se'n planger"&#13;

01:35:30.000 --&gt; 01:36:46.000
Aviam tots dels chafres&#13;

01:36:46.000 --&gt; 01:37:03.000
Nos trobavam riches&#13;

01:37:03.000 --&gt; 01:37:38.000
La terra d'en Codonhos&#13;

01:37:38.000 --&gt; 01:38:15.000
La vielha vacha&#13;

01:38:15.000 --&gt; 01:39:10.000
Chafres&#13;

01:39:10.000 --&gt; 01:39:37.000
À Blavenhat&#13;

01:39:37.000 --&gt; 01:40:20.000
L'escòla&#13;

01:40:20.000 --&gt; 01:43:14.000
L'escòla el Jaladis&#13;

01:43:14.000 --&gt; 01:43:58.000
Lo frances a l'escòla e lo patois a la maison&#13;

01:43:58.000 --&gt; 01:50:16.000
Mon grand paire, lo reire grands...&#13;

01:50:16.000 --&gt; 01:51:45.000
Sabia un pauc de Frances&#13;

01:51:45.000 --&gt; 01:53:18.000
La guerra de 14&#13;

01:53:18.000 --&gt; 01:54:29.000
Los platons&#13;

01:54:29.000 --&gt; 01:58:44.000
La guerra de mon paire&#13;

01:58:44.000 --&gt; 02:00:04.000
De l'escòla&#13;

02:00:04.000 --&gt; 02:03:42.000
Lo lop, Pelissier&#13;

02:03:42.000 --&gt; 02:05:35.000
De l'escòla, portar lo minjar&#13;

02:05:35.000 --&gt; 02:12:40.000
A l'escòla libra a Maumont&#13;

02:12:40.000 --&gt; 02:15:35.000
 La politica - Lo deputat Lachaud&#13;

02:15:35.000 --&gt; 02:17:27.000
Las fieras&#13;

02:17:27.000 --&gt; 02:20:24.000
Lo vin, la basta, la 1/2 peça...&#13;

02:20:24.000 --&gt; 02:20:54.000
Frostir emb los pès&#13;

02:20:54.000 --&gt; 02:21:29.000
Escolar lo vin&#13;

02:21:29.000 --&gt; 02:22:12.000
Lo trolhadis&#13;

02:22:12.000 --&gt; 02:22:58.000
La piqueta, 'na bevanta&#13;

02:22:58.000 --&gt; 00:00:00.000
Lo trabalh de la vinha&#13;

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        <name>Corrèze (19)</name>
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                  <text>Enquêtes et témoignages</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Informateur de qualit&amp;eacute;, nous sommes revenus le voir &amp;agrave; plusieurs reprises, notamment pour qu'il nous initie aux r&amp;egrave;gles de la Bourre, jeu de carte beaucoup pratiqu&amp;eacute; jusque dans les ann&amp;eacute;es 70. &lt;br /&gt;Il nous a m&amp;ecirc;me aid&amp;eacute;s &amp;agrave; fixer les r&amp;egrave;gles et &amp;agrave; organiser un concours &amp;agrave; Ayen en 2004.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;&lt;span style="font-size: 14pt;"&gt;Nous remercions ses enfants pour l'accueil et les photos.&lt;/span&gt;&lt;/p&gt;&#13;
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Lo faure e la Petron&#13;

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Chanson de Muratel&#13;

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Lo faure e la Petron, second enregistrement&#13;

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La filha de l'esclopier&#13;

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L'Aurelha de lebre&#13;

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La lebre de chas Lacroix&#13;

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Tres còps lo t'ai manhat&#13;

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&lt;p class="fr" style="font-size: 16px;"&gt;Apr&amp;egrave;s l'enregistrement, nous sommes all&amp;eacute;s au Queyraud o&amp;ugrave; nous avons rencontr&amp;eacute; son fr&amp;egrave;re &lt;span class="artist_name"&gt;Pierre Lamarche&lt;/span&gt; avec lequel nous avons visit&amp;eacute; la tuilerie, un beau patrimoine dans un bel &amp;eacute;tat de conservation.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Patrick nous a remis de nombreux documents annexes, photos, films, croquis... Une partie de ces documents est accessible par la Galerie ci-dessous, le reste en cours de num&amp;eacute;risation.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12838" target="_blank" rel="noopener"&gt;Voir la galerie &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;NB : On trouvera aussi sur "la Bia&amp;ccedil;a" un &lt;a href="https://la-biaca.org/items/show/285" target="_blank" rel="noopener"&gt;t&amp;eacute;moignage de &lt;span class="artist_name"&gt;M. Boisdevezy&lt;/span&gt;&lt;/a&gt; qui a travaill&amp;eacute; &amp;agrave; la tuilerie lorsqu'il &amp;eacute;tait jeune.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr" style="font-size: 16px;"&gt;M. Valeille y évoque non seulement son moulin, ce pour quoi nous étions allés à sa rencontre, mais aussi la nature environnante, et, dans une belle langue, quelques anecdotes savoureuses.&lt;/p&gt;&#13;
&lt;p class="fr" style="font-size: 16px;"&gt;Cet enregistrement a été réalisé avec l'aide de Ghislaine Pouget, sous l'œil attentif de Mme Valeille. Nous remercions sa fille, Elisabeth, pour ses photos.&lt;/p&gt;&#13;
&lt;p style="font-size: 16px;"&gt;&lt;span class="fr"&gt;Nous pouvons retrouver M. Valeille, beaucoup plus jeune,&lt;/span&gt; &lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/387" style="font-size: 12pt;" target="_blank" rel="noopener"&gt;sur un autre enregistrement de la Biaça&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>IEO LEmosin</text>
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                <text>2011-11-08 15:46:46</text>
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                <text>Las trufas negras</text>
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                <text>M. et Mme LONGUEVILLE</text>
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            <description>The topic of the resource</description>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/305/Longueville_[1].jpg</text>
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                <text>&lt;p class="fr" style="font-size:16px;"&gt;Enregistrements réalisés le 6 et le 18 Novembre 2003 au domicile de &lt;span class="artist_name"&gt;Paul et Marthe Longueville&lt;/span&gt; à la Chabroulie, commune de Saint-Julien-Maumont.&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;M. Longueville nous parle du pays, des pratiques agricoles et surtout de l'expoitation de la truffe et de la fabrication du vin paillé (&lt;span class="oc"&gt;nonmas de las bonas besonhas que tasterem amb grand plaser !&lt;/span&gt;).&lt;br /&gt;Ensuite lui et sa femme ont accepté de nous chanter quelques chansons... &lt;span class="oc"&gt;e per 'chabar visiterem la cava... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Nous avons été conduits chez Longueville par Ghislaine Pouget qui le connaît depuis plusieurs années et nous sommes revenus régulièrement voir ce couple d'informateurs de qualité avec enregistreurs et caméras ... &lt;span class="oc"&gt;zo "biaçarem" ben un jorn !!&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Nòstra Dama Crespiera</text>
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                <text>Tous les genres</text>
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                <text>https://la-biaca.org/items/show/309</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/309/Padimage.jpg</text>
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                <text>&lt;p class="fr" style="font-size:16px;"&gt;&lt;span class="fr"&gt;Dernière partie de l'enquête menée à la Maison de retraite de Chamboulive.&lt;/span&gt; &lt;br /&gt;Enregistrement du 23 Juin 2003, autour du feu de la St Jean.&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Étaient présents :&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Mesdames &lt;span class="artist_name"&gt;Auboiroux, Boissy, Champeval, Conjat, Gourdon, Laporte, Marcilloux, Méchaussie, Salesse,&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;Messieurs &lt;span class="artist_name"&gt;Besse, Jarriges, Gourdon, &lt;/span&gt;et&lt;span class="artist_name"&gt; Pommier&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt; Nous remercions la direction et le personnel de la maison de retraite qui nous ont permis de mener cette enquête dans les meilleures des conditions.&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Duration</name>
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              <text>IEO LEmosin</text>
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              <text>besace</text>
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              <text>langue limousine</text>
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              <text>patrimoine oral</text>
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              <text>patois de Bugeat</text>
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              <text>patois de Corrèze</text>
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              <text>patois corrézien</text>
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          <name>Mot-clé en liste</name>
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              <text>chants par un beau soir d ete guerre chansons engagees fleurs n effeuillez jamais les roses</text>
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            <name>Date Issued</name>
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                <text>2011-11-10 14:20:57</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme Lenoble</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Raymonde LENOBLE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
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                <text>2007-12</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/312</text>
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            <name>Relation</name>
            <description>A related resource</description>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p style="font-size:16px;"&gt;&lt;span class="fr" style="color:#000000;"&gt;Nous avions rencontré M. et &lt;strong&gt;Mme Lenoble&lt;/strong&gt; (née Laurent)  lors de &lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/298" style="color:#ff6600;" target="_blank" rel="noreferrer noopener"&gt;l'enquête municipale à Bugeat&lt;/a&gt;&lt;/span&gt;, nous avions alors convenu de revenir voir &lt;span class="artist_name"&gt;Mme Lenoble&lt;/span&gt; pour enregistrer une chanson sur l'assassinat de Jean Jaurès. &lt;/span&gt;&lt;/p&gt;
&lt;p style="font-size:16px;"&gt;&lt;span class="fr" style="color:#000000;"&gt;Nous y sommes revenus en fin d'année, Marcel et Raymonde Lenoble nous ont très aimablement accueillis et ont bien voulu nous livrer leur répertoire.&lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Bugeat</name>
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        <name>Corrèze (19)</name>
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