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              <text>musique traditionnelle</text>
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              <text>accordéon diatonique</text>
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              <text>chant danse bourrée quadrille</text>
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              <text>perpezac le blanc</text>
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              <text>badefols d'ans</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples francis chaminade j et p dupetitmagnieux collectages chanteurs et musiciens 5 chanteur accordeon correze dordogne</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2013-06-20 18:51:47</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Perpezac-le-Blanc</text>
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                <text>IEO Lemosin, dépôt Chavilhier</text>
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                <text>Collectages, Chanteurs et musiciens (5)</text>
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                <text>Chansons</text>
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                <text>Enregistrement de M Brégère, chanteur à Perpezac le Blanc et de M Lachaud de Badefols d'Ans</text>
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                <text>[Informateurs multiples]</text>
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                <text>1982</text>
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                <text>Francis Chaminade, Jean et Popy Dupetimagnieux</text>
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            <description>The nature or genre of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/589/JeanEtBregere.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Jean, Popy Dupetitmagnieux et Francis Chaminade, membres fondateurs de l'association "Lo chavilhier"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement non daté (1981 ou 1982) nous entendons deux informateurs :&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;strong&gt;M. Gabriel Brégère&lt;/strong&gt;, de Perpezac le Blanc (informateur réputé dont plusieurs enregistrements sont sur le site) qui chante des chansons datant de la guerre de 14/18 (Voilà les gars de la culture - sur l'air des gars de la marine, Sous le pont de Minaucourt - Les ponts de Paris, Un chien français, deux chansons sur l'affaire Charles Barataud ... ) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite &lt;strong&gt;M. Lachaud&lt;/strong&gt; de Badefols d'Ans (en Dordogne voisine) , joueur d'accordéon diatonique, alors agé de 82 ans joue un beau répertoire d'airs de danses : valses, scottishs, sautières, marches, polkas, quadrilles, mazurkas  etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;(Sur la vignette illustrant cette enquête, Jean enregistrant M Brégère .)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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              <text>Enregistré au domicile de l'informatrice, à Bonnat, commune de Chamberet (19)</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>FE023Pathier.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Jan dau Melhau</text>
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              <text>Marcelle Pathier</text>
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              <text>chanteuse de tradition</text>
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              <text>hitoires drôles</text>
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              <text>Sur la grève de Paris</text>
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              <text>À l'âge de 15 ans</text>
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              <text>L'autre jour me promenant</text>
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              <text>Le garçon chaudronnier</text>
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              <text>La fermeture éclair</text>
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              <text>C'est les filles de Praline</text>
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              <text>La jouvence de l'Abbé Soury</text>
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              <text>Le curé et le teinturier</text>
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              <text>Je connais un moulin pratique</text>
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              <text>Ce brave paysan</text>
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              <text>La sage-femme presto</text>
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              <text>À Saint-Gilles le petit bourg</text>
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              <text>Quand Marguerite s'en va-t-au bois</text>
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              <text>À Paris la grande ville</text>
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              <text>Je prends le cheval blanc de mon père</text>
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              <text>Las filhas de delai l'aiga</text>
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              <text>Lo maridatge dau Janton</text>
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              <text>Le cirque et le curé</text>
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              <text>Je suis monté c'matin</text>
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              <text>Dans un bosquet</text>
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              <text>Brise-pied</text>
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              <text>L'aurelha de treuia</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>marcelle pathier francoise etay marcelle pathier musique traditionnelle correze limousin occitan patois</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2014-12-08 09:21:52</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>Collectages, Chanteurs et musiciens (3)</text>
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            <name>Provenance</name>
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                <text>Collection Françoise Étay</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Enregistrement de Marcelle Pathier, chanteuse de tradition</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Marcelle PATHIER</text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2002-08</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Françoise Étay</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Raymond avait interprété une série de chansons :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Adieu...charmante Henriette, Les nuits de printemps, &lt;span class="oc"&gt;L'urosa jardiniera,&lt;/span&gt; C'était un curé de campagne (fragments), &lt;span class="oc"&gt;Toina d'a Glandon, &lt;/span&gt; Quand je t'ai vue par hasard sur ma route, ... les feux du régiment [début tronqué], À Saint-Laurent en vérité, C'est nous de Saint-Laurent, Chanson du rassemblement (Chanson des retraités du canton de Saint-Laurent) et La retraite c'est la santé&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et responsable du département de musique traditionnelle. &lt;/span&gt;&lt;/p&gt;
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Dans cet enregistrement que nous a confi&amp;eacute; Fran&amp;ccedil;oise &amp;Eacute;tay pour mise en ligne, un violoneux &lt;strong&gt;&lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt;,&lt;/strong&gt; et un cousin, &lt;strong&gt;Abel Courbet&lt;/strong&gt;.&lt;br /&gt;Fran&amp;ccedil;oise, souhaitant collecter une partie du r&amp;eacute;pertoire chant&amp;eacute; de M. Peyrat, l'avait enregistr&amp;eacute; chez lui &amp;agrave; Roux, commune de Saint-Salvadour, le 16 janvier 1988 en compagnie de Jan dau Melhau.&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Quelques chansons du r&amp;eacute;pertoire fran&amp;ccedil;ais, des chansons limousines (connues et moins connues), des airs &amp;agrave; danser, la plupart en occitan limousin.&amp;nbsp; &lt;br /&gt;Ces chansons ont &amp;eacute;t&amp;eacute; retranscrites par Jan dau Melhau :&amp;nbsp; &lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13410/Peyrat-Courbet_Chansons.pdf" target="_blank" rel="noopener"&gt;&amp;rarr; Acc&amp;eacute;der au textes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;- Abel Courbet (1922-1990) &amp;eacute;tait originaire de Madranges (19)&lt;br /&gt;&lt;br /&gt;- L&amp;eacute;on Peyrat (1904-1988) originaire de Saint-Salvadour (19) &amp;eacute;tait non seulement un violoneux tr&amp;egrave;s r&amp;eacute;put&amp;eacute; mais aussi un chanteur in&amp;eacute;puisable, il fut de nombreuses fois collect&amp;eacute; dans les ann&amp;eacute;es 70/80 et on peut le retrouver sur de nombreuses publications.&lt;br /&gt;Voir ci-dessous quelques liens :&lt;/p&gt;&#13;
&lt;p&gt;- Le &lt;a href="https://crmtl.fr/ressources/pleins-feux/cahier-de-chansons-du-pays-de-tulle-leon-peyrat/" target="_blank" rel="noopener"&gt;Cahier de chansons du Pays de Tulle&lt;/a&gt; (Jean Marc Delaunay, CRMTL 2003) lui est consacr&amp;eacute;.&lt;br /&gt;&lt;br /&gt;- Ainsi qu'une page tr&amp;egrave;s compl&amp;egrave;te sur le site &lt;a href="http://www.violoneux.fr/wiki/L&amp;eacute;on_Peyrat" target="_blank" rel="noopener"&gt;"Violoneux.fr.&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;- On peut le voir dans le film documentaire&lt;a href="https://www.dailymotion.com/video/x9sq54" target="_blank" rel="noopener"&gt; &amp;ldquo;&lt;u&gt;Des Violons en Sabots&lt;/u&gt;&amp;rdquo;&lt;/a&gt; (Francis Lapeyre, 1981).&lt;br /&gt;&lt;br /&gt;- L'&amp;eacute;couter dans plusieurs disques : &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; -&lt;a href="https://crmtl.fr/actions/publications/partitions-livres/violoneux-correziens/" target="_blank" rel="noopener"&gt;"Violoneux Corr&amp;eacute;ziens"&lt;/a&gt; Disque 33 tours 1979 )Les Musiciens Routiniers).&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="https://crmtl.fr/actions/publications/partitions-livres/leon-peyrat/#francais" target="_blank" rel="noopener"&gt;-"Portrait de musicien, L&amp;eacute;on Peyrat"&lt;/a&gt; (Modal 1999).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;rArr; Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noopener"&gt;&amp;rArr; Jan Dau Melhau&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:43.000
La negra e lo peulh&#13;

00:00:43.000 --&gt; 00:04:38.000
Voulez-vous entendre chansonnette &#13;

00:04:38.000 --&gt; 00:07:02.000
La Milheta (AC)&#13;

00:07:02.000 --&gt; 00:08:51.000
Diable sia pas l'ivern d'antan (AC)&#13;

00:08:51.000 --&gt; 00:10:54.000
Par un soir d'été un seigneur volage (AC)&#13;

00:10:54.000 --&gt; 00:14:19.000
Quand la Marie se'n vai-t-el molin (AC)&#13;

00:14:19.000 --&gt; 00:14:40.000
Dernier couplet &#13;

00:14:40.000 --&gt; 00:17:08.000
La chanson des scieurs de long (AC)&#13;

00:17:08.000 --&gt; 00:18:06.000
Dessus la rota del Lonzac&#13;

00:18:06.000 --&gt; 00:18:37.000
Los Chaumelhos &#13;

00:18:37.000 --&gt; 00:18:57.000
Quau la fara dançar&#13;

00:18:57.000 --&gt; 00:19:31.000
Ab'aqui paubres dròlles&#13;

00:19:31.000 --&gt; 00:20:37.000
Delai lo ribatel&#13;

00:20:37.000 --&gt; 00:20:56.000
Sus lo pont d'a Briva&#13;

00:20:56.000 --&gt; 00:21:37.000
Cosin Janton&#13;

00:21:37.000 --&gt; 00:21:59.000
Si ieu tornava jòuna&#13;

00:21:59.000 --&gt; 00:24:22.000
Le matin quand je me lève (AC)&#13;

00:24:22.000 --&gt; 00:25:18.000
Le matin quand je me lève&#13;

00:25:18.000 --&gt; 00:25:46.000
Toute la nuit j'ai pensé à vous&#13;

00:25:46.000 --&gt; 00:26:47.000
Passa bargiera&#13;

00:26:47.000 --&gt; 00:27:01.000
A de gue damenatz lai vos&#13;

00:27:01.000 --&gt; 00:27:37.000
Ah que sont bêtes les femmes &#13;

00:27:37.000 --&gt; 00:27:50.000
Ah que sont bêtes les femmes (AC)&#13;

00:27:50.000 --&gt; 00:28:07.000
Quand les conscrits quitteront leur village&#13;

00:28:07.000 --&gt; 00:29:26.000
Le mois de mai il est venu &#13;

00:29:26.000 --&gt; 00:29:42.000
Na trist'annada&#13;

00:29:42.000 --&gt; 00:30:13.000
L'autre jorn que fasia chalor&#13;

00:30:13.000 --&gt; 00:30:32.000
N'ai mon chapel de palha&#13;

00:30:32.000 --&gt; 00:30:46.000
Garda ton bon temps bargiera&#13;

00:30:46.000 --&gt; 00:31:09.000
Tant vau qu'ieu me maride&#13;

00:31:09.000 --&gt; 00:31:40.000
Pomier qu'as-tu de ròsas&#13;

00:31:40.000 --&gt; 00:34:16.000
L'histoire d'un jeune fanfaron (AC)&#13;

00:34:16.000 --&gt; 00:34:33.000
Portatz chopina (A C)&#13;

00:34:33.000 --&gt; 00:35:25.000
La gerba blauda (A C) &#13;

00:35:25.000 --&gt; 00:35:34.000
Portatz chopina (début)&#13;

00:35:34.000 --&gt; 00:35:45.000
Quand passaretz pitita&#13;

00:35:45.000 --&gt; 00:35:57.000
C'est une fille à plaindre &#13;

00:35:57.000 --&gt; 00:38:06.000
Allons les gars il faut partir (AC)&#13;

00:38:06.000 --&gt; 00:39:18.000
Quand la belle s'en fut sur l'échafaud&#13;

00:39:18.000 --&gt; 00:39:52.000
Bourrée "à tra la la"&#13;

00:39:52.000 --&gt; 00:40:17.000
Lo merle&#13;

00:40:17.000 --&gt; 00:40:36.000
Ma maire n'avia mas 'na dent&#13;

00:40:36.000 --&gt; 00:40:44.000
Ma maire farcissia un peulh (début)&#13;

00:40:44.000 --&gt; 00:41:17.000
La Courbiase (tra la la)&#13;

00:41:17.000 --&gt; 00:41:31.000
Aval dins lo Lemosin&#13;

00:41:31.000 --&gt; 00:42:32.000
Là-bas dedans ce bois&#13;

00:42:32.000 --&gt; 00:44:05.000
Un jour l'envie me prend&#13;

00:44:05.000 --&gt; 00:45:15.000
Aval dins las robieras&#13;

00:45:15.000 --&gt; 00:45:51.000
Chez nous y a une montagne &#13;

00:45:51.000 --&gt; 00:47:58.000
Que feriez-vous riches sur cette terre&#13;

00:47:58.000 --&gt; 00:49:12.000
La chau boidar la chau remplir&#13;

00:49:12.000 --&gt; 00:49:39.000
Paubra maire quand vos m'auretz perdut&#13;

00:49:39.000 --&gt; 00:50:28.000
J'étais parti le coeur plein d'espérance&#13;

00:50:28.000 --&gt; 00:50:42.000
Dins lo vin&#13;

00:50:42.000 --&gt; 00:51:09.000
Dròlles de la montanha&#13;

00:51:09.000 --&gt; 00:51:54.000
J'ai mon amant à Lille en Flandres&#13;

00:51:54.000 --&gt; 00:52:55.000
Buvons mes chers amis buvons&#13;

00:52:55.000 --&gt; 00:54:52.000
De bon matin moi je me suis levé&#13;

00:54:52.000 --&gt; 00:55:55.000
La complainte de Mandrin &#13;

00:55:55.000 --&gt; 00:56:46.000
Ma granda la Margariton &#13;

00:56:46.000 --&gt; 00:58:28.000
Rossignolet des bois&#13;

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&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;On voit ici se c&amp;ocirc;toyer la forme traditionnelle d&amp;rsquo;une seule figure consistant en &amp;laquo; tiroirs &amp;raquo; dont la longueur est ind&amp;eacute;pendante de celle des phrases musicales, et diverses formes revivalistes &amp;agrave; deux figures cal&amp;eacute;es sur la m&amp;eacute;lodie.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Parmi les participants,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;eacute;taient pr&amp;eacute;sents &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;les danseurs de traditions : &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Mme_Eglizeau_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Mme Eglizeau&lt;/strong&gt;&lt;/a&gt; (ni&amp;egrave;ce du violoneux &lt;strong&gt;&amp;laquo; Le N&amp;eacute;grou &amp;raquo;&lt;/strong&gt;), &lt;a href="https://la-biaca.org/files/original/enquetes/13514/Picasso_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Roger Chauzeix&lt;/strong&gt;&lt;/a&gt; (dit &lt;strong&gt;&amp;laquo; Picasso &amp;raquo;&lt;/strong&gt;) et&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Francois_Mathieu_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt;&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&amp;Agrave; noter que &lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt; filmait &amp;agrave; l'aide d'une cam&amp;eacute;ra "Super 8 sonore", ce qui explique&amp;nbsp;la bri&amp;egrave;vet&amp;eacute; des s&amp;eacute;quences.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/01._Tarnac.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:46.000
Bourrée&#13;

00:00:46.000 --&gt; 00:01:24.000
Valse&#13;

00:01:24.000 --&gt; 00:01:36.000
Bourrée&#13;

00:01:36.000 --&gt; 00:02:15.000
Bourrée&#13;

00:02:15.000 --&gt; 00:03:01.000
Bourrée revivaliste&#13;

00:03:01.000 --&gt; 00:03:28.000
Bourrée&#13;

00:03:28.000 --&gt; 00:04:07.000
Bourrée&#13;

00:04:07.000 --&gt; 00:00:00.000
Tentative de bourrée&#13;

00:00:00.000 --&gt; 00:00:00.000

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors des &amp;laquo; Rencontres de violon &amp;raquo; de Saint-Salvadour (19).&lt;br /&gt;&lt;br /&gt;Les violoneux &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Jean_Lamoure.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Jean Lamoure&lt;/strong&gt;&lt;/a&gt; et &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Rene_Auchabie.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Ren&amp;eacute; Auchabie&lt;/strong&gt;&lt;/a&gt; y &amp;eacute;taient invit&amp;eacute;s afin de jouer pour les stagiaires. Nous remarquons aussi la pr&amp;eacute;sence du violoneux &lt;strong&gt;Olivier Durif&lt;/strong&gt; (organisateur) assis &amp;agrave; c&amp;ocirc;t&amp;eacute; de &lt;strong&gt;Jean Lamoure&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13517/13._J._Lamoure_et_R._Auchabie.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Son davalats ; Para lo lop&#13;

00:00:42.000 --&gt; 00:01:39.000
La crosada&#13;

00:01:39.000 --&gt; 00:02:40.000
La Grande&#13;

00:02:40.000 --&gt; 00:03:47.000
Ma pastourelle&#13;

00:03:47.000 --&gt; 00:04:47.000
Mazurka de Lapleau ; Chas la mair Antoana&#13;

00:04:47.000 --&gt; 00:05:19.000
La tornijaira&#13;

00:05:19.000 --&gt; 00:06:14.000
Dija Janton&#13;

00:06:14.000 --&gt; 00:06:49.000
"Et les paroles ?"&#13;

00:06:49.000 --&gt; 00:08:00.000
Aval dins las robieras&#13;

00:08:00.000 --&gt; 00:09:03.000
La baigneuse&#13;

00:09:03.000 --&gt; 00:10:38.000
Bonjour belle bergère&#13;

00:10:38.000 --&gt; 00:12:06.000
Cœur de lilas&#13;

00:12:06.000 --&gt; 00:13:12.000
La Courbiase&#13;

00:13:12.000 --&gt; 00:14:21.000
Discussion sur la Courbiase&#13;

00:14:21.000 --&gt; 00:15:56.000
Montava la marmita&#13;

00:15:56.000 --&gt; 00:16:35.000
La Paimpolaise&#13;

00:16:35.000 --&gt; 00:17:58.000
"Ta mère chantait bien ..."&#13;

00:17:58.000 --&gt; 00:18:49.000
Manon voici le soleil&#13;

00:18:49.000 --&gt; 00:19:03.000
"C'est pas du folklore ..."&#13;

00:19:03.000 --&gt; 00:19:59.000
Belle rose&#13;

00:19:59.000 --&gt; 00:21:22.000
L'aiga de ròsa ; Auprès de ma blonde&#13;

00:21:22.000 --&gt; 00:22:34.000
Ma pastourelle&#13;

00:22:34.000 --&gt; 00:23:33.000
Bonjour Françoise&#13;

00:23:33.000 --&gt; 00:24:50.000
Mariton si veniatz velhar&#13;

00:24:50.000 --&gt; 00:25:44.000
La Valentinou&#13;

00:25:44.000 --&gt; 00:26:29.000
Et quand on s'aime bien tous les deux&#13;

00:26:29.000 --&gt; 00:27:22.000
Oh Maria&#13;

00:27:22.000 --&gt; 00:28:20.000
À petits pas&#13;

00:28:20.000 --&gt; 00:28:59.000
Brin d’amour ; Son davalats&#13;

00:28:59.000 --&gt; 00:30:16.000
La polka-marche Garibaldi&#13;

00:30:16.000 --&gt; 00:32:07.000
Polka de Chanteix&#13;

00:32:07.000 --&gt; 00:33:27.000
Scottish-valse&#13;

00:33:27.000 --&gt; 00:34:13.000
J’ai un petit voyage à faire&#13;

00:34:13.000 --&gt; 00:35:13.000
L'aurelha de lebre&#13;

00:35:13.000 --&gt; 00:36:41.000
"Les bals, comment vous jouiez ?"&#13;

00:36:41.000 --&gt; 00:37:41.000
Enchainement de marches de noces&#13;

00:37:41.000 --&gt; 00:38:41.000
La demenam la paubra nòvia&#13;

00:38:41.000 --&gt; 00:39:33.000
Enchainement de marches de noces (reprise)&#13;

00:39:33.000 --&gt; 00:40:48.000
Piere labora&#13;

00:40:48.000 --&gt; 00:42:32.000
En passant par le bois, Belle rose&#13;

00:42:32.000 --&gt; 00:43:28.000
Depuis Paris jusqu’à Valence&#13;

00:43:28.000 --&gt; 00:44:03.000
"Vous vous êtes appris comment à taper du pied ?"&#13;

00:44:03.000 --&gt; 00:46:16.000
J’ai traversé les plaines et les montagnes&#13;

00:46:16.000 --&gt; 00:47:27.000
Embrasse-moi bien petit Parisien&#13;

00:47:27.000 --&gt; 00:47:57.000
Branle des chevaux&#13;

00:47:57.000 --&gt; 00:48:29.000
Allant à la fontaine&#13;

00:48:29.000 --&gt; 00:49:26.000
Tout est  bien fini ; À quoi sert d’aimer s’il faut oublier&#13;

00:49:26.000 --&gt; 00:50:21.000
La Montagnarde&#13;

00:50:21.000 --&gt; 00:50:38.000
Jolie meunière aux yeux si doux&#13;

00:50:38.000 --&gt; 00:51:06.000
La Tornijaira (début)&#13;

00:51:06.000 --&gt; 00:51:56.000
Ai vist lo lop&#13;

00:51:56.000 --&gt; 00:52:55.000
Le bal vieux&#13;

00:52:55.000 --&gt; 00:53:22.000
Ont menarem&#13;

00:53:22.000 --&gt; 00:53:51.000
Revelhatz-vos pastorels&#13;

00:53:51.000 --&gt; 00:54:54.000
Il est né le divin enfant&#13;

00:54:54.000 --&gt; 00:56:14.000
La marche des anges&#13;

00:56:14.000 --&gt; 00:57:56.000
La valse de Vertougit&#13;

00:57:56.000 --&gt; 00:59:09.000
"On fait quelques bals, encore ..."&#13;

00:59:09.000 --&gt; 00:59:55.000
Heure exquise qui nous grise&#13;

00:59:55.000 --&gt; 01:00:34.000
La Paloma&#13;

01:00:34.000 --&gt; 01:02:46.000
"Et quand vous faisiez les bals ..."&#13;

01:02:46.000 --&gt; 01:03:15.000
Mazurka de Lapleau&#13;

01:03:15.000 --&gt; 01:05:28.000
La Crosada&#13;

01:05:28.000 --&gt; 01:06:32.000
Jolie meunière aux yeux si doux&#13;

01:06:32.000 --&gt; 01:07:17.000
Une partie de pétanque&#13;

01:07:17.000 --&gt; 01:07:29.000
Les maçons de la Creuse&#13;

01:07:29.000 --&gt; 01:08:42.000
Le temps des amourettes durera pas toujours&#13;

01:08:42.000 --&gt; 01:10:13.000
Tout est bien fini, ce n’était qu’un rêve&#13;

01:10:13.000 --&gt; 01:11:11.000
Tu faras los palhassons&#13;

01:11:11.000 --&gt; 01:11:57.000
Ieu n’ai cinc sòus&#13;

01:11:57.000 --&gt; 01:12:20.000
Los esclops&#13;

01:12:20.000 --&gt; 01:13:30.000
Reprise&#13;

01:13:30.000 --&gt; 01:14:12.000
"Lo maridan l’cabdet"&#13;

01:14:12.000 --&gt; 01:15:43.000
Adieu la fleur de ma jeunesse&#13;

01:15:43.000 --&gt; 01:16:55.000
Un jorn dins l’estolhas&#13;

01:16:55.000 --&gt; 01:17:43.000
En passant par le bois&#13;

01:17:43.000 --&gt; 01:18:47.000
La Grande&#13;

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L'année 1918&#13;

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M. Alexandre&#13;

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Le grand Louis Boury&#13;

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Bourrée droite « du Pays Fort »&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Les accord&amp;eacute;onistes &lt;strong&gt;Maurice Desgranges&lt;/strong&gt; et &lt;strong&gt;Roger Depoix&lt;/strong&gt;, ainsi que &lt;strong&gt;Philippe Destrem&lt;/strong&gt; aux cornemuses et &lt;strong&gt;Ricet Gallet&lt;/strong&gt; &amp;agrave; la vielle&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Enquete_1990.06.02._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers les notes d'enqu&amp;ecirc;te manuscrites de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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Première partie : Discussion&#13;

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Un exemple de sifflet&#13;

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Pour faire un "nunu"/"nounou"&#13;

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Avec un morceau de sureau&#13;

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Grelot, "pied de cheval" et chapeau&#13;

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Chalumeau à trous&#13;

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Et les castagnettes ?&#13;

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Mirliton&#13;

00:19:33.000 --&gt; 00:21:36.000
Rhombe&#13;

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Sifflet de roseau&#13;

00:23:02.000 --&gt; 00:24:42.000
Seconde partie : Valse de Vertougit&#13;

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Polka de Madranges&#13;

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Valse de Vertougit&#13;

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Polka piquée&#13;

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Ai vist lo lop&#13;

00:33:07.000 --&gt; 00:34:40.000
Ai vist lo lop (bis)&#13;

00:34:40.000 --&gt; 00:41:46.000
Scottish de Gavinet&#13;

00:41:46.000 --&gt; 00:42:03.000
Ma Pastourelle&#13;

00:42:03.000 --&gt; 00:43:18.000
L’Étoile des troubadours&#13;

00:43:18.000 --&gt; 00:45:50.000
Auvergne jolie&#13;

00:45:50.000 --&gt; 00:46:56.000
Tout le long du bois&#13;

00:46:56.000 --&gt; 00:48:33.000
Polka piquée&#13;

00:48:33.000 --&gt; 00:51:45.000
Le petit vin blanc, puis Voulez-vous danser grand-mère&#13;

00:51:45.000 --&gt; 00:53:01.000
Le dénicheur&#13;

00:53:01.000 --&gt; 00:54:00.000
Scottish-valse&#13;

00:54:00.000 --&gt; 00:55:02.000
Giatte de Chaput&#13;

00:55:02.000 --&gt; 00:57:01.000
La gigue&#13;

00:57:01.000 --&gt; 00:57:57.000
Para lo lop&#13;

00:57:57.000 --&gt; 01:00:22.000
J’ai traversé les plaines et les montagnes&#13;

01:00:22.000 --&gt; 01:02:21.000
Marinella&#13;

01:02:21.000 --&gt; 01:04:03.000
Paso&#13;

01:04:03.000 --&gt; 01:04:47.000
Explications&#13;

01:04:47.000 --&gt; 01:06:50.000
Se’n iran pas tots&#13;

01:06:50.000 --&gt; 01:08:03.000
Essais à 4 couples&#13;

01:08:03.000 --&gt; 01:08:37.000
Los cornards d’a Tula&#13;

01:08:37.000 --&gt; 01:09:36.000
Lo chat e lo rat&#13;

01:09:36.000 --&gt; 01:10:11.000
Comment faut-il faire pour la gigue ?&#13;

01:10:11.000 --&gt; 01:11:06.000
Scottish simple et "double"&#13;

01:11:06.000 --&gt; 01:13:12.000
Polka de Madranges&#13;

01:13:12.000 --&gt; 01:14:18.000
Adios muchachos&#13;

01:14:18.000 --&gt; 01:14:42.000
Ai vist lo lop&#13;

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Rumba&#13;

01:15:21.000 --&gt; 01:16:12.000
Une partie de pétanque&#13;

01:16:12.000 --&gt; 01:17:35.000
Mexico&#13;

01:17:35.000 --&gt; 01:18:09.000
Bonjour belle bergère&#13;

01:18:09.000 --&gt; 01:18:42.000
Valse à Fromenty&#13;

01:18:42.000 --&gt; 01:18:54.000
Valse en Ré&#13;

01:18:54.000 --&gt; 01:21:24.000
La pitiòta Janeta&#13;

01:21:24.000 --&gt; 01:22:35.000
Mets ta vesta roja&#13;

01:22:35.000 --&gt; 00:00:00.000
Caifa-te bian
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; le 10 janvier 1987 &amp;agrave; Feytiat, au domicile de M. &lt;a href="http://www.violoneux.fr/wiki/Fernand_Pauliac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fernand Pauliac&lt;/strong&gt;&lt;/a&gt;, violoneux originaire de Meyssac (19).&lt;/span&gt;&#13;
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L'aiga de ròsa&#13;

00:01:04.000 --&gt; 00:01:40.000
La polka de Ceyrou&#13;

00:01:40.000 --&gt; 00:02:26.000
Polka&#13;

00:02:26.000 --&gt; 00:03:01.000
Le rossignol&#13;

00:03:01.000 --&gt; 00:03:48.000
Valse&#13;

00:03:48.000 --&gt; 00:04:51.000
Le rossignol&#13;

00:04:51.000 --&gt; 00:05:35.000
Arpèges&#13;

00:05:35.000 --&gt; 00:10:36.000
La valse de Ceyrou&#13;

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Les gens qui partaient travailler à Paris&#13;

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Vous faites ce que vous voulez&#13;

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Escota Margarita&#13;

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Vous n'avez jamais fait de chanson sur votre métier&#13;

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Sur la grand-route de Guéret&#13;

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Si ilhs venen trainar los piès&#13;

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La leçon d’épinette&#13;

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Mon Piaron ai bien dau bonur&#13;

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La coupe du meilleur parleur&#13;

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L'histoire qui a remporté la coupe&#13;

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Mise en place&#13;

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Valse&#13;

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Elle avait oublié son caleçon&#13;

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Polka de Chanteix&#13;

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Valse avec ritournelle&#13;

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Prenez mes mandarines&#13;

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Je suis née dans le faubourg Saint-Denis&#13;

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Le plus beau refrain de la vie&#13;

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Valsez midinettes&#13;

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Quand lo merle saut’au prat&#13;

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Valse de Vertougit&#13;

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Les petits-enfants&#13;

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Ce système là ...&#13;

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Air de violon&#13;

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Le violon avec la vielle&#13;

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Violon avec bourdon&#13;

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Les armées françaises dans la campagne de libération&#13;

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Musique militaire&#13;

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Présentation de l'émission&#13;

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Musique militaire&#13;

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Le rôle de la Marine Française&#13;

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Le blocus terrestre&#13;

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L'esprit de ces jeunes troupes&#13;

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La réduction de la poche de Royan&#13;

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Le 13ème régiment de dragons&#13;

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Le deuxième peloton du deuxième escadron&#13;

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La brigade Oléron&#13;

00:34:49.000 --&gt; 00:35:36.000
Conclusion&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On peut y observer une mani&amp;egrave;re particuli&amp;egrave;re de danser la bourr&amp;eacute;e &amp;agrave; la mode &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;laquo; des &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;Mon&amp;eacute;di&amp;egrave;res &amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;Agrave; noter que &lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt; filmait &amp;agrave; l'aide d'une cam&amp;eacute;ra "Super 8 sonore", ce qui explique la bri&amp;egrave;vet&amp;eacute; des s&amp;eacute;quences.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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Marche&#13;

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Ai vist lo lop&#13;

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Caifa-te bian&#13;

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Piere labora&#13;

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Quand la Margui vai au molin&#13;

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Valse&#13;

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Lo Pelele&#13;

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Pomier qu’as-tu de ròsas&#13;

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La Tricotada (première moitié)&#13;

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La Tricotada (seconde moitié)&#13;

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La Paimpolaise&#13;

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Bonjour belle bergère&#13;

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La giate&#13;

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Polka de Madranges&#13;

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La Varsovienne&#13;

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Valse&#13;

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Arrivés dans un village&#13;

00:09:16.000 --&gt; 00:10:42.000
La Passion&#13;

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Ieu me’n vau a Sent-Iriès&#13;

00:00:44.000 --&gt; 00:01:18.000
Leçon de danse&#13;

00:01:18.000 --&gt; 00:01:36.000
En lâchant la main ...&#13;

00:01:36.000 --&gt; 00:02:34.000
À quatre ...&#13;

00:02:34.000 --&gt; 00:03:33.000
La Parisienne&#13;

00:03:33.000 --&gt; 00:05:17.000
La Parisienne (en ligne)&#13;

00:05:17.000 --&gt; 00:07:13.000
La Parisienne (à 4 couples)&#13;

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Bourrée de Meuzac&#13;

00:07:49.000 --&gt; 00:09:42.000
Bourrée de Meuzac&#13;

00:09:42.000 --&gt; 00:09:56.000
Explications&#13;

00:09:56.000 --&gt; 00:10:57.000
Bourrée de Meuzac&#13;

00:10:57.000 --&gt; 00:11:48.000
Explications&#13;

00:11:48.000 --&gt; 00:12:28.000
Bourrée de Meuzac&#13;

00:12:28.000 --&gt; 00:14:13.000
Explications&#13;

00:14:13.000 --&gt; 00:14:43.000
Nouvelle tentative&#13;

00:14:43.000 --&gt; 00:17:00.000
Bourrée de Meuzac&#13;

00:17:00.000 --&gt; 00:18:46.000
"Allez, viens nous aider"&#13;

00:18:46.000 --&gt; 00:20:39.000
Ronde d'introduction&#13;

00:20:39.000 --&gt; 00:22:10.000
Explications&#13;

00:22:10.000 --&gt; 00:24:44.000
Bourrée de Meuzac&#13;

00:24:44.000 --&gt; 00:26:14.000
Bourrée de Meuzac (bis)&#13;

00:26:14.000 --&gt; 00:29:17.000
Avec deux couples de plus&#13;

00:29:17.000 --&gt; 00:31:16.000
Lo pelele&#13;

00:31:16.000 --&gt; 00:31:31.000
Polka de Chanteix&#13;

00:31:31.000 --&gt; 00:33:24.000
Polka-marche Garibaldi&#13;

00:33:24.000 --&gt; 00:35:40.000
C’était la fille d’un fermier&#13;

00:35:40.000 --&gt; 00:37:53.000
Tango&#13;

00:37:53.000 --&gt; 00:39:37.000
Sautière&#13;

00:39:37.000 --&gt; 00:41:26.000
Polka glissante de Lubersac&#13;

00:41:26.000 --&gt; 00:42:22.000
Polka glissante de Lubersac (bis)&#13;

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Bourrée à 4 couples&#13;

00:43:55.000 --&gt; 00:44:52.000
Leçon de danse (sautière)&#13;

00:44:52.000 --&gt; 00:46:52.000
Lo Toana de Glandon&#13;

00:46:52.000 --&gt; 00:49:29.000
La belle Isabeau&#13;

00:49:29.000 --&gt; 00:51:24.000
C’était la fille d’un fermier
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;oise Etay&lt;/a&gt; (qui enqu&amp;ecirc;tait sur les diff&amp;eacute;rentes formes de danses en Limousin) lors d'un bal &amp;agrave; Nedde (87) organis&amp;eacute; par &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Paul Gerbaud&lt;/strong&gt; dans le cadre de l&amp;rsquo;Association des musiciens routiniers &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;du Limousin, le 13 d&amp;eacute;cembre 1986.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens sont &lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt; (violon), &lt;strong&gt;Olivier Durif&lt;/strong&gt; (accord&amp;eacute;on diatonique) et &lt;strong&gt;Philippe Destrem &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(vielle &amp;agrave; roue).&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:27.000
Ai vist lo lop&#13;

00:00:27.000 --&gt; 00:01:08.000
Marion quand t'aimava&#13;

00:01:08.000 --&gt; 00:01:41.000
Valse « de Nard »&#13;

00:01:41.000 --&gt; 00:02:55.000
Polka&#13;

00:02:55.000 --&gt; 00:04:55.000
Valse « du Negrou »&#13;

00:04:55.000 --&gt; 00:06:31.000
Ai vist lo lop&#13;

00:06:31.000 --&gt; 00:06:52.000
Polka « de Rata »&#13;

00:06:52.000 --&gt; 00:08:46.000
Si t'as paur que lo lop s'espine&#13;

00:08:46.000 --&gt; 00:09:09.000
Pinton&#13;

00:09:09.000 --&gt; 00:10:19.000
Ab’aqui paubres garçons&#13;

00:10:19.000 --&gt; 00:11:25.000
La Chamejada — Marion quand t'aimava&#13;

00:11:25.000 --&gt; 00:12:46.000
Valse « de Nard »&#13;

00:12:46.000 --&gt; 00:14:26.000
Mazurka&#13;

00:14:26.000 --&gt; 00:16:28.000
Le plus beau de tous les tangos du monde&#13;

00:16:28.000 --&gt; 00:17:37.000
La chèvre&#13;

00:17:37.000 --&gt; 00:18:28.000
L'aiga de ròsa&#13;

00:18:28.000 --&gt; 00:19:25.000
La Jaçona&#13;

00:19:25.000 --&gt; 00:21:00.000
Qu’es lo chat embe lo rat&#13;

00:21:00.000 --&gt; 00:22:51.000
Le Pélélé&#13;

00:22:51.000 --&gt; 00:24:58.000
Sous les ponts de Paris&#13;

00:24:58.000 --&gt; 00:27:11.000
Glissante&#13;

00:27:11.000 --&gt; 00:28:04.000
Ai vist lo lop&#13;

00:28:04.000 --&gt; 00:29:26.000
Para lo lop&#13;

00:29:26.000 --&gt; 00:30:42.000
La Balada&#13;

00:30:42.000 --&gt; 00:30:54.000
La fille du fermier&#13;

00:30:54.000 --&gt; 00:32:01.000
La Valentinou&#13;

00:32:01.000 --&gt; 00:32:40.000
Piere labora&#13;

00:32:40.000 --&gt; 00:34:32.000
A ta santat mon pair François.&#13;

00:34:32.000 --&gt; 00:36:05.000
La Gigue&#13;

00:36:05.000 --&gt; 00:38:03.000
Valse du Negrou&#13;

00:38:03.000 --&gt; 00:39:33.000
Polka&#13;

00:39:33.000 --&gt; 00:41:23.000
Mazurka&#13;

00:41:23.000 --&gt; 00:43:36.000
La Java Bleue&#13;

00:43:36.000 --&gt; 00:44:22.000
La Planette&#13;

00:44:22.000 --&gt; 00:44:47.000
À quoi sert d’aimer s’il faut oublier&#13;

00:44:47.000 --&gt; 00:47:41.000
Bourrée inspirée de La Crosada et d’autres&#13;

00:47:41.000 --&gt; 00:50:12.000
La Paloma&#13;

00:50:12.000 --&gt; 00:51:32.000
Caifa-te bian&#13;

00:51:32.000 --&gt; 00:51:56.000
Tout le long du bois&#13;

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Si voletz dançar&#13;

00:00:23.000 --&gt; 00:02:41.000
Valse « à Tintin »&#13;

00:02:41.000 --&gt; 00:03:57.000
Valse « à Tintin »&#13;

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Les Abeilles bergeracoises&#13;

00:04:11.000 --&gt; 00:07:04.000
Valse « à Tintin »&#13;

00:07:04.000 --&gt; 00:09:21.000
Valse « à Tintin »&#13;

00:09:21.000 --&gt; 00:12:32.000
J’ai deux amours, mon pays et Paris&#13;

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Pampero&#13;

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Le plus beau de tous les tangos du monde&#13;

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Mazurka&#13;

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Recherche ...&#13;

00:19:50.000 --&gt; 00:22:29.000
Tango de Marilou&#13;

00:22:29.000 --&gt; 00:25:44.000
La plus belle des rumbas&#13;

00:25:44.000 --&gt; 00:28:28.000
Marinella&#13;

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Un petit cabanon&#13;

00:30:40.000 --&gt; 00:33:02.000
La grand’aiga&#13;

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C’est à Capri&#13;

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Polka des ménétriers&#13;

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Polcà daus Picadis&#13;

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La Valentinou&#13;

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J’écoute la guitare&#13;

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L’air pour « une jeune qui s’était enterrée »&#13;

00:46:48.000 --&gt; 00:49:35.000
Hymne à Bernadette&#13;

00:49:35.000 --&gt; 00:52:06.000
"On croirait qu’on entend des Corses"&#13;

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Première voix&#13;

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Autre air à 2 vielles&#13;

00:56:05.000 --&gt; 00:58:06.000
Les noces de Christine&#13;

00:58:06.000 --&gt; 01:00:13.000
Allons z’éfants&#13;

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"Il est spécial celui-là."&#13;

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La Grand’aiga&#13;

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La Cornadèla&#13;

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La Picatyrolienne&#13;

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Philippe Destrem a la vielle&#13;

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Ré-accordage&#13;

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Mazurka&#13;

00:10:04.000 --&gt; 00:11:04.000
La Putassa&#13;

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                <text>00:00:00.000 --&gt; 00:01:19.000
Bourrée (début de la coupure son)&#13;

00:01:19.000 --&gt; 00:02:34.000
"2ème moitié"&#13;

00:02:34.000 --&gt; 00:04:28.000
Valse&#13;

00:04:28.000 --&gt; 00:05:13.000
Marche&#13;

00:05:13.000 --&gt; 00:07:07.000
Valse&#13;

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L’aiga de ròsa&#13;

00:08:28.000 --&gt; 00:08:58.000
Fin de la coupure du son&#13;

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Polka de Rata&#13;

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Valse de Nard&#13;

00:11:14.000 --&gt; 00:13:38.000
Valse de Nard (autre version)&#13;

00:13:38.000 --&gt; 00:15:23.000
Si t’as paur que lo lop s’espine&#13;

00:15:23.000 --&gt; 00:16:43.000
La Planette&#13;

00:16:43.000 --&gt; 00:18:29.000
À quoi sert d’aimer s’il faut oublier&#13;

00:18:29.000 --&gt; 00:21:05.000
Je suis garçon malheureux sur la terre (L'aurelha de lebre)&#13;

00:21:05.000 --&gt; 00:21:57.000
Vai vai vai chamejada&#13;

00:21:57.000 --&gt; 00:23:08.000
Ai vist lo lop&#13;

00:23:08.000 --&gt; 00:24:33.000
Oh Maria&#13;

00:24:33.000 --&gt; 00:26:01.000
L’Aurillacoise&#13;

00:26:01.000 --&gt; 00:26:26.000
Dija Janton&#13;

00:26:26.000 --&gt; 00:27:20.000
Un tot pitit bocin&#13;

00:27:20.000 --&gt; 00:29:39.000
La valse "des Landes"&#13;

00:29:39.000 --&gt; 00:29:58.000
Tout le long du bois (Ont anarem gardar)&#13;

00:29:58.000 --&gt; 00:31:20.000
Quand los cornard d’a Tula&#13;

00:31:20.000 --&gt; 00:31:27.000
Le matin quand je me lève&#13;

00:31:27.000 --&gt; 00:32:33.000
Bonjour Françoise (coupée)&#13;

00:32:33.000 --&gt; 00:33:13.000
Scottish « à Gavinet »&#13;

00:33:13.000 --&gt; 00:34:21.000
E quand las peras&#13;

00:34:21.000 --&gt; 00:35:50.000
Riquita&#13;

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Pot-bourri de bourrées&#13;

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La calha&#13;

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Les cinq noisettes&#13;

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Une petite blague ...&#13;

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Bourrée de Maurianges&#13;

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La calha&#13;

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Bourrée de Maurianges&#13;

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La calha&#13;

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J’ai traversé les plaines et les montagnes&#13;

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Les cinq noisettes&#13;

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Bourrée de Maurianges&#13;

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La caille&#13;

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Passion&#13;

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Los garçons d’a Neuviala&#13;

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Quand les moutons sont dans la plaine&#13;

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Scottish-valse&#13;

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Scottish de Château-Chinon&#13;

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Bourrée&#13;

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Portatz chopinas&#13;

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Dija Janton&#13;

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La moitié !&#13;

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Portatz chopinas&#13;

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Je suis garçon malheureux sur la terre (extrait)&#13;

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L’as-tu enguera&#13;

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Aquesta annada&#13;

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Ma maire se sabiatz&#13;

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La Sautarel&#13;

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N’i a mas los faures&#13;

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Piere laborava (2ème moitié)&#13;

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Ma maire se sabiatz&#13;

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Je suis la délaissée (ou Allant à la fontaine)&#13;

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                <text>00:00:00.000 --&gt; 00:00:36.000
Ai vist lo lop&#13;

00:00:36.000 --&gt; 00:01:27.000
E quand las peras&#13;

00:01:27.000 --&gt; 00:02:14.000
Polka « de Rata ».&#13;

00:02:14.000 --&gt; 00:03:11.000
Polka de Madranges&#13;

00:03:11.000 --&gt; 00:04:26.000
Para lo lop&#13;

00:04:26.000 --&gt; 00:04:37.000
La Jaçona&#13;

00:04:37.000 --&gt; 00:05:50.000
Preste-lo me&#13;

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Le Pélélé&#13;

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Marion quand t’aimava&#13;

00:07:20.000 --&gt; 00:08:25.000
Quand on s’aime bien tous les deux&#13;

00:08:25.000 --&gt; 00:09:16.000
Piere labora&#13;

00:09:16.000 --&gt; 00:09:34.000
Caifa-te bian&#13;

00:09:34.000 --&gt; 00:10:46.000
L’aiga de ròsa&#13;

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Alai dins lo ribateu&#13;

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Portatz chopinas&#13;

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La Cati&#13;

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Mazurka&#13;

00:16:12.000 --&gt; 00:16:38.000
Un tot pitit bocin&#13;

00:16:38.000 --&gt; 00:16:48.000
Para lo lop&#13;

00:16:48.000 --&gt; 00:18:00.000
Ai vist lo lop&#13;

00:18:00.000 --&gt; 00:19:25.000
Piere labora&#13;

00:19:25.000 --&gt; 00:19:44.000
E quand las peras&#13;

00:19:44.000 --&gt; 00:21:08.000
La mattchiche&#13;

00:21:08.000 --&gt; 00:21:58.000
Paso&#13;

00:21:58.000 --&gt; 00:23:12.000
Le dénicheur&#13;

00:23:12.000 --&gt; 00:26:15.000
Le plus beau de tous les tangos du monde&#13;

00:26:15.000 --&gt; 00:26:58.000
La chenille&#13;

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La balada, Marion quand t'aimava&#13;

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Marion quand t’aimava&#13;

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Bohémienne&#13;

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Mazurka&#13;

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Mazurka&#13;

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Las permenadas&#13;

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La chèvre&#13;

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Scottish-valse&#13;

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                <text>00:00:00.000 --&gt; 00:01:43.000
Bourrée droite&#13;

00:01:43.000 --&gt; 00:03:15.000
Bourrée en V d'Issoudun&#13;

00:03:15.000 --&gt; 00:04:47.000
Bourrée valsée d'Issoudun&#13;

00:04:47.000 --&gt; 00:06:19.000
Bourrée droite de Reuilly&#13;

00:06:19.000 --&gt; 00:07:54.000
Bourrée piquée de Reuilly&#13;

00:07:54.000 --&gt; 00:09:48.000
Polka cafouillée de Vatan&#13;

00:09:48.000 --&gt; 00:11:19.000
Valse pointée de Vatan&#13;

00:11:19.000 --&gt; 00:12:53.000
Bourrée chaînée de Rivarennes&#13;

00:12:53.000 --&gt; 00:13:54.000
Bourrée valsée d'Ardentes&#13;

00:13:54.000 --&gt; 00:14:53.000
Enchainement avec la Bourrée tournante valsée d'Ardentes&#13;

00:14:53.000 --&gt; 00:16:44.000
Bourrée à 6 de Briantes&#13;

00:16:44.000 --&gt; 00:18:41.000
Bourrée carrée de Saint-Chartier&#13;

00:18:41.000 --&gt; 00:20:20.000
Bourrée des quatre péteux&#13;

00:20:20.000 --&gt; 00:21:55.000
Bourrée mussée&#13;

00:21:55.000 --&gt; 00:23:27.000
Pas d'été&#13;

00:23:27.000 --&gt; 00:24:57.000
Rond d'Argenton&#13;

00:24:57.000 --&gt; 00:26:29.000
Danse à la charbe&#13;

00:26:29.000 --&gt; 00:28:28.000
Bourrée d’hommes des Grandes Poteries&#13;

00:28:28.000 --&gt; 00:29:54.000
Bourrée carrée de Sarzay&#13;

00:29:54.000 --&gt; 00:32:41.000
Bourrée à 8&#13;

00:32:41.000 --&gt; 00:35:08.000
La bourrée ronde Étoile&#13;

00:35:08.000 --&gt; 00:36:56.000
Branle de Villegouin&#13;

00:36:56.000 --&gt; 00:39:20.000
Bourrée ronde La Sole&#13;

00:39:20.000 --&gt; 00:40:13.000
Bourrée carrée de La Châtre&#13;

00:40:13.000 --&gt; 00:42:40.000
Les Moutons&#13;

00:42:40.000 --&gt; 00:44:16.000
Bourrée de La Chapelotte&#13;

00:44:16.000 --&gt; 00:46:15.000
Bourrée droite du Pays Fort&#13;

00:46:15.000 --&gt; 00:48:17.000
Branle à 6 de La Châtre&#13;

00:48:17.000 --&gt; 00:49:35.000
L'Ajasse&#13;

00:49:35.000 --&gt; 00:50:43.000
Le Palala&#13;

00:50:43.000 --&gt; 00:51:56.000
Polka du lapin, version « adultes »&#13;

00:51:56.000 --&gt; 00:53:28.000
Polka du lapin, version enfantine&#13;

00:53:28.000 --&gt; 00:55:19.000
Le Casse-noisettes&#13;

00:55:19.000 --&gt; 00:55:53.000
Le petit bossu&#13;

00:55:53.000 --&gt; 00:58:34.000
L'Aéroplane&#13;

00:58:34.000 --&gt; 01:00:09.000
Ronde de Sainte-Sévère&#13;

01:00:09.000 --&gt; 01:01:09.000
Bourrée pastourelle&#13;

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La Rosette&#13;

00:00:16.000 --&gt; 00:01:22.000
Marche des Limousins de Paris&#13;

00:01:22.000 --&gt; 00:03:06.000
L’Étoile des Troubadours&#13;

00:03:06.000 --&gt; 00:04:23.000
Un soir&#13;

00:04:23.000 --&gt; 00:06:05.000
Valse de couleur traditionnelle&#13;

00:06:05.000 --&gt; 00:11:56.000
Je reviens chez nous&#13;

00:11:56.000 --&gt; 00:14:52.000
Garçons  de la montagne, puis La Chamejada&#13;

00:14:52.000 --&gt; 00:17:25.000
Riquita&#13;

00:17:25.000 --&gt; 00:20:26.000
C’est une fleur de Paris&#13;

00:20:26.000 --&gt; 00:23:55.000
A la balada&#13;

00:23:55.000 --&gt; 00:27:25.000
Étoile des neiges&#13;

00:27:25.000 --&gt; 00:30:27.000
Un jorn dins l’estolhas, puis Belle rose du printemps&#13;

00:30:27.000 --&gt; 00:33:17.000
La noce de Jeannette&#13;

00:33:17.000 --&gt; 00:40:19.000
Le tango des fauvettes&#13;

00:40:19.000 --&gt; 00:43:22.000
De delai lo ribatel, puis E quand las peras&#13;

00:43:22.000 --&gt; 00:45:23.000
Les cinq noisettes, puis Ai vist lo lop&#13;

00:45:23.000 --&gt; 00:49:40.000
L’incendie à Rio, puis Le  chouchou de mon coeur&#13;

00:49:40.000 --&gt; 00:54:49.000
Quand on s’aime bien tous les deux, puis Au plaisir des bois&#13;

00:54:49.000 --&gt; 01:00:02.000
La Cati, puis Rossignolet&#13;

01:00:02.000 --&gt; 01:02:34.000
Marche des Limousins de Paris&#13;

01:02:34.000 --&gt; 01:04:20.000
La noce de Jeannette&#13;

01:04:20.000 --&gt; 01:07:42.000
Sous les ponts de Paris&#13;

01:07:42.000 --&gt; 01:09:46.000
Lo turlututu&#13;

01:09:46.000 --&gt; 01:12:38.000
Le chouchou de mon coeur&#13;

01:12:38.000 --&gt; 01:16:11.000
Valse, puis Le Dénicheur&#13;

01:16:11.000 --&gt; 01:21:05.000
Le p’tit bal du samedi soir&#13;

01:21:05.000 --&gt; 01:25:42.000
Tangos&#13;

01:25:42.000 --&gt; 01:28:51.000
Comment ça va, puis La marmite&#13;

01:28:51.000 --&gt; 01:32:02.000
Les Blés d’or&#13;

01:32:02.000 --&gt; 01:32:29.000
La baigneuse&#13;

01:32:29.000 --&gt; 01:35:01.000
Salut les amis&#13;

01:35:01.000 --&gt; 01:38:49.000
Marjolaine&#13;

01:38:49.000 --&gt; 01:43:31.000
Printemps d’Alsace&#13;

01:43:31.000 --&gt; 01:47:01.000
Auvergne jolie&#13;

01:47:01.000 --&gt; 01:50:57.000
Polka de Chanteix&#13;

01:50:57.000 --&gt; 01:52:19.000
Polka de Madranges&#13;

01:52:19.000 --&gt; 01:54:05.000
Pïntou&#13;

01:54:05.000 --&gt; 01:55:34.000
La gigue&#13;

01:55:34.000 --&gt; 02:01:10.000
En passant par le bois, puis Je suis lasse d’être fille, puis Belle rose&#13;

02:01:10.000 --&gt; 02:03:40.000
Valse&#13;

02:03:40.000 --&gt; 02:07:47.000
Marche ou samba, puis Maria de Bahia&#13;

02:07:47.000 --&gt; 02:11:04.000
Les Fiancés d’Auvergne&#13;

02:11:04.000 --&gt; 02:15:46.000
Étoile des Neiges&#13;

02:15:46.000 --&gt; 02:19:49.000
Viva España&#13;

02:19:49.000 --&gt; 02:22:25.000
Paso&#13;

02:22:25.000 --&gt; 02:26:49.000
Valse de couleur régionaliste&#13;

02:26:49.000 --&gt; 02:32:22.000
Tangos, puis Prendre un enfant dans  ses bras&#13;

02:32:22.000 --&gt; 02:35:18.000
L’incendie à Rio, puis Scandale dans la famille&#13;

02:35:18.000 --&gt; 02:38:42.000
La crosada, puis Para lo lop, puis Montava la marmita&#13;

02:38:42.000 --&gt; 02:39:23.000
Tango&#13;

02:39:23.000 --&gt; 02:40:17.000
Charleston&#13;

02:40:17.000 --&gt; 02:40:29.000
Valse&#13;

02:40:29.000 --&gt; 02:41:45.000
Son davalats, puis Quand los cornards d’a Tula&#13;

02:41:45.000 --&gt; 02:44:56.000
Son davalats&#13;

02:44:56.000 --&gt; 02:47:17.000
La Trotteuse, puis On n’a pas tous les jours 20 ans, puis Le temps des gabariers&#13;

02:47:17.000 --&gt; 02:53:33.000
Pot-pourri de marches&#13;

02:53:33.000 --&gt; 02:56:54.000
Dolannes melody, Frou-Frou...&#13;

02:56:54.000 --&gt; 02:29:58.000
Tout le long du bois&#13;

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Chanson de mensonges&#13;

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Quand la Margui s'en va au moulin&#13;

00:03:59.000 --&gt; 00:05:19.000
Chas nos m'avian lojada, la botelha&#13;

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Chas nos m'avian lojada&#13;

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Borreia d'a Jumilhac&#13;

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Qu'es la Catisson de la “Maurelha”&#13;

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J'm'en vais à la fontaine&#13;

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L'asne e lu lop&#13;

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Filhas a maridar&#13;

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Petit Pierre&#13;

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La balada&#13;

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L'autre jour me promenant&#13;

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C'est la fille du boulanger&#13;

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Chibreli&#13;

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La Chamejada&#13;

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Marche à 6/8&#13;

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Tout le long du bois ; La crosada&#13;

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Marche musette&#13;

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La Chamejada&#13;

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La  foire à Sancoins&#13;

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Manha-lo-li&#13;

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Turlututu&#13;

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Quand la Marion vai au molin&#13;

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L’aurelha de lebre&#13;

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Pïntou&#13;

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De delai lo ribatel&#13;

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Marion quand t’aimava&#13;

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