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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 484 portant comme seule indication &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"Javerdat biossac 1" ,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; &lt;span class="fr"&gt;un nouvel enregistrement fait chez Pierre Biossac, &amp;agrave; Laplaud .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/389"&gt;Acc&amp;eacute;der &amp;agrave; la premi&amp;egrave;re partie de l'enregistrement&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Quelques chansons, Veiqui la St Jan, la Margui, Per bien la dansar, mais surtout d' int&amp;eacute;ressants t&amp;eacute;moignages : &lt;span class="oc"&gt;la jounessa, las bonas fonts, la venta daus piaus , des peta&amp;ccedil;ons, lojar los valets, las d&amp;eacute;vocions ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication nous retrouvons une &amp;eacute;mission de "Chez Nous" telle qu'elle fut sans doute diffus&amp;eacute;e sur les ondes de Radio-Limoges le 10 aout 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Avant le d&amp;eacute;but de l'&amp;eacute;mission (comme souvent enregistr&amp;eacute;e sur une bande d&amp;eacute;j&amp;agrave; utilis&amp;eacute;e) , nous entendons la fin d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; "Jean S&amp;eacute;gurel et ses troubadours" : Bruy&amp;egrave;res Corr&amp;eacute;ziennes, La marche des c&amp;eacute;libataires, A la ballade, La Cati, Bernadette - Java , Nostalgie de son pays et une suite de bourr&amp;eacute;es .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Deux grandes manifestations estivales &amp;agrave; venir font l'essentiel de cette &amp;eacute;mission, Le festival de Confolens et la f&amp;ecirc;te de l'&amp;eacute;glantine &amp;agrave; Uzerche . Nous entendrons une succession de groupes folkloriques : la Couqueto de Marseille, les Vaillants d'Ossun, La gerbabauda, Les Veilhadours, l'&amp;Eacute;cole du Barbichet, l' &amp;Eacute;cole Ventadour et La Bourr&amp;eacute;e Limousine . &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune mention, nous entendons &lt;strong&gt;Yvette RESTOIN&lt;/strong&gt;, (1926-1998) vielleuse du groupe folklorique " Lous Velhadours de Sen Junio"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enregistr&amp;eacute;e l&amp;agrave; par Robert Dagnas qui pr&amp;eacute;sente les titres, Mlle Restoin livre les morceaux de son r&amp;eacute;pertoire (bourr&amp;eacute;es, scottishs, menuet, polkas, quadrilles,danses imitatives ..) dans le but de les transmettre &amp;agrave; "Pierre et Marie France" ( Pierre Leplant et sa femme ) , d'o&amp;ugrave; une interpr&amp;eacute;tation un peu didactique. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;&amp;nbsp;Le Fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;M. Marc Theillet&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; pour la photo d'illustration &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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            <description>An account of the resource</description>
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                <text>Enregistrement de chansons en Saintonge</text>
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                <text>[Informateurs multiples]</text>
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            <name>Identifier</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/570/Padimage.jpg</text>
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          <element elementId="54">
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 762 sans aucune indication, une enregistrement sans doute r&amp;eacute;alis&amp;eacute; en Saintonge &lt;span class="fr" style="font-size: 14pt;"&gt;(il pourrait s'agir de la suite de l'enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Ch&amp;acirc;teau-Garnier dans la Vienne)&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de chansons et de textes, quelques uns en parlanjhe d'autres en fran&amp;ccedil;ais par des interpr&amp;egrave;tes non identifi&amp;eacute;s&amp;nbsp; : En m'y rendant de noces, La grippe ou l'vertigo, la Yoyette, L'idiot du village, S'en allant &amp;agrave; la fontaine, Le bouc du p&amp;egrave;re Joseph, Rosette, Mon mari &amp;eacute;tait malade, Rossignolet du bois joli, Quand le cur&amp;eacute; s'en va, Rossignolet sauvage&amp;nbsp; et&amp;nbsp; Dedans Paris&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="313600">
              <text>IEO Limousin</text>
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            <elementText elementTextId="313601">
              <text>IEO LEmosin</text>
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                <text>Eugène et René THOMAS</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 458 porte comme seule indication "Bessat 4-3-61" . Il s'agit d'un enregistrement d' &lt;strong&gt;Eug&amp;egrave;ne et Ren&amp;eacute; Thomas&lt;/strong&gt;, musiciens &amp;agrave; Beissat en Creuse . Sans doute une partie de l'enregistrement initial &amp;agrave; partir duquel fut construite l'&amp;eacute;mission &lt;a href="https://la-biaca.org/admin/items/show/393" target="_blank" rel="noopener noreferrer"&gt; "Chez Nous" de mars 1961.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle suite de morceaux du r&amp;eacute;pertoire de ces musiciens : Valses, marches, mazurkas, giattes, bourr&amp;eacute;es, polkas, etc ... Eug&amp;egrave;ne, le p&amp;egrave;re, surnomm&amp;eacute; "Burette", joue de la vielle &amp;agrave; roue et son fils Ren&amp;eacute; de la cornemuse 16 pouces&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean Jacques Le Creurer, musicien, enseignant et collecteur infatiguable nous pr&amp;eacute;cise : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 1 :&lt;/span&gt; "Mignonne". Sans doute une chanson des ann&amp;eacute;es 20/30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 2 :&lt;/span&gt; "la Yoyette"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 3 :&lt;/span&gt; c'est une danse &amp;agrave; base de pas de polka assez locale (sur le sud-est de la Creuse : de Giat &amp;agrave; La Nouaille) : "le P&amp;egrave;re Counaud" &lt;span class="oc"&gt;(lo pa&amp;iuml;r Conaud volia dansar, mas sa doas chambas voliats pas'nar, qu'es lo Pa&amp;iuml;r Conaud que dansa mau)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 4 :&lt;/span&gt; Mazurka " le matin quand je me l&amp;egrave;ve" incipit des paroles (la suite : je demande &amp;agrave; mon mari qu'il me balaie la chambre et qu'il me fasse le lit. Autre couplet : ah qu'elles sont b&amp;ecirc;tes les femmes d'ob&amp;eacute;ir &amp;agrave; leur mari, j'en ai un comme les autres jamais je lui ob&amp;eacute;i ...). Paroles donn&amp;eacute;es par le p&amp;egrave;re Thomas.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 5 :&lt;/span&gt; giatte&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 6 :&lt;/span&gt; bourr&amp;eacute;e : il me l'avais jou&amp;eacute;e et chantonn&amp;eacute; le d&amp;eacute;but :" en&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;passant par l'Auvergne j'&amp;eacute;tais bien fatigu&amp;eacute;". Il semblerait qu'il ait pris&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&amp;ccedil;a &amp;agrave; S&amp;eacute;gurel.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 7 :&lt;/span&gt; la Yousca (appel&amp;eacute;e par ici aussi "le vent fou"). Sorte de marche &amp;agrave; la mode au d&amp;eacute;but du XXe si&amp;egrave;cle.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 8 :&lt;/span&gt; bourr&amp;eacute;e que je ne lui avais jamais entendue jouer !!!! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 9 :&lt;/span&gt; cet air est connu dans tout le coin comme un des airs les plus courant pour danser la carr&amp;eacute;e &lt;span class="oc"&gt;(la carrada)&lt;/span&gt; une des 3 formes de bourr&amp;eacute;es dece secteur (avec l'auvergnate et la giatte). Celui l&amp;agrave; est presque toujoursconnu avec les paroles : &lt;span class="oc"&gt;s'en iran pas tots , los gar&amp;ccedil;ons 'questa 'nada&lt;/span&gt; (avec ensuite des adaptations tr&amp;egrave;s locales)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 10 :&lt;/span&gt; polka piqu&amp;eacute;e tr&amp;egrave;s connue &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 11 :&lt;/span&gt; polka piqu&amp;eacute;e connue elle aussi (comme la plage 9) sur toute la bordure nord du plateau. Avec souvent comme paroles &lt;span class="oc"&gt;"e qu'es ta chamba gaucha, b&amp;egrave;la que te fai mau,&lt;/span&gt; ..." ou "ton chien belle berg&amp;egrave;re est plusgentil que toi, il me fait des caresses et toi tu ne m'en fais pas" (version d'Alfred Gasne de N&amp;eacute;oux).&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 12 :&lt;/span&gt; elle a un trou la marmite : c'est une polka piqu&amp;eacute;e. Je n'ai&lt;br /&gt;entendu jouer &amp;ccedil;a que par eux.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 13 :&lt;/span&gt; bourr&amp;eacute;e. Manifestement prise dans le grand faitout des airs "du pays" plus ou moins de carte postale.&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 14 :&lt;/span&gt; marche&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 15 : &lt;/span&gt;la valse &amp;agrave; Jacques (Thomas lui m&amp;ecirc;me l'appelait comme &amp;ccedil;a). C'est une valse qu'il tenait de Jacques Lagarrigue, travailleur journalier et vielleux vers La Courtine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 419, aucune indication, il s'agit d'un enregistrement de chanteurs du groupe folklorique "Lous Velhadours de Sen Junio" parmi lesquels nous reconnaissons Ir&amp;egrave;ne Besson et Andr&amp;eacute; Danias .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Une succession de chants, la plupart en limousin :&lt;/span&gt; &lt;span class="oc"&gt;Las quatras sasons, Veiqui la nuech, La Brian&amp;ccedil;a, La meschanta maire, La Gerbabauda, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;une belle version de&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt; La bela mair,&lt;/span&gt; &lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Rossignolet du bois et, pour finir une &amp;eacute;tonnante prestation de M Robert Dagnas "Catherine &amp;eacute;tait chr&amp;eacute;tienne".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>danses</text>
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        <element elementId="93">
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
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                <text>2013-05-14 14:13:31</text>
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            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Champagnac la Rivière (1960)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313721">
                <text>Enregistrement d'une veill&amp;eacute;e &amp;agrave; Champagnac la Rivi&amp;egrave;re (87)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="313722">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="313723">
                <text>RD4267</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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              <elementText elementTextId="313728">
                <text>https://la-biaca.org/items/show/565</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/565/Padimage.jpg</text>
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              <elementText elementTextId="334101">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication, nous reconnaissons un intervenant pr&amp;eacute;sent sur l'enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e &amp;agrave; Champagnac la Rivi&amp;egrave;re&amp;nbsp; . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de nhorles un peu lestes &lt;span class="oc"&gt;( La qu'era pas persada, lu piucelatge, lu crochet dau vaslet, l'escarabissas, 'Na bestia de set mes., lu talhor, 'La n&amp;ograve;via que n'avia pas lu mesma lingatge, La goiata que ne volia pas se laissar embra&amp;ccedil;ar&lt;/span&gt; ... ) quelques t&amp;eacute;moignages, lu leberon, la cha&amp;ccedil;a volanta, des chansons en fran&amp;ccedil;ais ( Tout doucement, M&amp;eacute;fiez-vous d'Anatole) et pendant le dernier quart d'heure des anecdotes de veill&amp;eacute;es, (la vie d'avant 14, la guerre de 14, &lt;span class="oc"&gt;fialar la cherbe,&lt;/span&gt; les nouveaux francs, &lt;span class="oc"&gt;Un cultivator a besoenh de far de l'esc&amp;ograve;la,&lt;/span&gt; les paniers, ...) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/615"&gt;Acc&amp;eacute;der &amp;agrave; un autre enregistrement &amp;agrave; Champagnac&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <name>Location</name>
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              <text>Enregistré à Champagnac la Rivière (87)</text>
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          <name>Local URL</name>
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              <text>IEO LEmosin</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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            <elementText elementTextId="313855">
              <text>mémoire</text>
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              <text>memòria</text>
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              <text>sonore</text>
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              <text>contes</text>
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            <elementText elementTextId="313859">
              <text>chansons</text>
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              <text>comptines</text>
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            <elementText elementTextId="313861">
              <text>rites calendaire</text>
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              <text>tradition</text>
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              <text>nhorles</text>
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              <text>gnorles</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>danses</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="313872">
              <text>informateurs multiples robert dagnas champagnac la riviere 1 2 3 champagnac la riviere patois occitan limousin patois limousin</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="313817">
                <text>2013-05-07 10:46:57</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>5324</text>
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            </elementTextContainer>
          </element>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="313819">
                <text>Champagnac la Rivière</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD4248/49/50</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1968-12</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/563</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331437">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/563/ChampagnacNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur les bandes 563, 564 et 565 (RD4248,4249 et 4250) un enregistrement r&amp;eacute;alis&amp;eacute; par Robert Dagnas lors d'une enqu&amp;ecirc;te collective &amp;agrave; Champagnac la Rivi&amp;egrave;re le 12 d&amp;eacute;cembre 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs informateurs non identifi&amp;eacute;s (Commencas, Tharaud, Fayemendy, Milou qui jouait de l'accordeon avant la guerre de 14 &amp;agrave; Sereilhac .... ) se succ&amp;egrave;dent au micro interpr&amp;eacute;tant un tr&amp;egrave;s beau r&amp;eacute;pertoire :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- chansons en fran&amp;ccedil;ais (Mon p&amp;egrave;re my marie, Gar&amp;ccedil;ons en mariage prenez garde &amp;agrave; vous, Voici le beau temps des amants, Ma petite Suzon, Le mal des filles, Le r&amp;eacute;mouleur Mon p&amp;egrave;re avait 500 moutons, Toute fille qui a six amants&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Chansons en limousin &lt;span class="oc"&gt;(La Baudeta,Lu Boier, la Margui ,Veniam de mestiva,&amp;nbsp;&lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Coucou jaloux, cornard et coucou&lt;/span&gt;&lt;/span&gt;, &lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Las femnas daus Dornasacs&lt;/span&gt;&lt;/span&gt;, Tres filhas d'un prince, Lu tendilhon, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;Dija pitit merchant, &lt;/span&gt;&lt;/span&gt;La Janeton s'en vai a la font, La pita Roseta, En laut per l'estolha ...)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; - Histoires &lt;span class="oc"&gt;(l'escarabissa, lu grand pair que tuet lo lop, Quand i'aprenia a montar en becana a ma granda-mair, l'ist&amp;ograve;ria de Burgou, L' auvernhat, Dondar l'asne, la musica ...)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande 776, il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous sommes en pr&amp;eacute;sence d'un montage (sans doute pour la radio) et retrouvons le groupe des Velhadors de St Junien dans un exercice qu'ils ont beaucoup pratiqu&amp;eacute; : la messe de minuit des bergers . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons de circonstances&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; : Le divin enfant, &lt;span class="oc"&gt;la tera es freja, chut chut que l'enfant duerm, Tu Senhor,&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &amp;agrave; vous troupes fid&amp;egrave;les, le chant du &lt;span class="oc"&gt;"poton", lu solelh de justicia&lt;/span&gt; ...&amp;nbsp; Mais aussi &amp;eacute;vangiles, sermon (par l'abb&amp;eacute; Marvaud) , pri&amp;egrave;res et b&amp;eacute;n&amp;eacute;dictions&amp;nbsp; ...&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La Chanson du roulier&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Rossignolet des bois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Le messager des cieux&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nadalon Lemosin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement est ant&amp;eacute;rieur &amp;agrave; l'enregistrement du premier disque du groupe (datant de 1960 et r&amp;eacute;&amp;eacute;dit&amp;eacute;) sur lequel on retrouve quelques unes de ces chansons&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Les quatre chansons proviennent d'un disque 45 tours "Folklore du Limousin FY 2376 datant de 1964 avec Jean Cambon, un r&amp;eacute;&amp;eacute;dition des titres fugurant sur les disques FY 2067 et FY 2069 * &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par R Dagnas d&amp;eacute;crit ainsi le contenu de cet enregistrement : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;4/ Un jour di l'estoulia (J Mazabraud, L Billaut) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pas d'autre renseignement sur les musiciens sans doute Georges Cantournet joue t'il de l'accord&amp;eacute;on sur les deux derniers morceaux &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;* Source Fran&amp;ccedil;oise Etay&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 742 il est not&amp;eacute; : &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;"Emissions Chez Nous, 13/9, 27/9, 11/10 1958 (dont Jean Rebier), la soeur de lait des Tharaud" .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De fait, il s'agit dans la premi&amp;egrave;re partie de deux enregistrements partiels d'&amp;eacute;missions de "Chez nous" (ou la pr&amp;eacute;paration de ces &amp;eacute;missions ? ) telle qu'elles ont pu &amp;ecirc;tre diffus&amp;eacute;es sur les ondes de Radio Limoges (en septembre et octobre 1958 ? )&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On retrouve dans ces &amp;eacute;missions quelques informateurs connus (M. Biossac, Mme Ducouret, Mme Brouillet, Mme Chabeaudie ...) mais aussi de belles nouveaut&amp;eacute;s (Gringalet et Galibart par le duo Colon et Secours ) . La seconde &amp;eacute;mission (17mn &amp;agrave; 21.06 mn) est un extrait d'une &amp;eacute;mission d&amp;eacute;ja mise en ligne .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fin de la bande (&amp;agrave; partir de 21.06) ne correspond pas &amp;agrave; la description sur l'enveloppe il s'agit d'un &lt;span class="fr" style="font-size: 14pt;"&gt;int&amp;eacute;ressant&lt;/span&gt; enregistrement non mont&amp;eacute;, d'une veill&amp;eacute;e &amp;agrave; Biennac &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; pr&amp;egrave;s de Rochechouart dans laquelle nous entendons Mme Basset (informatrice d&amp;eacute;ja rencontr&amp;eacute; dans plusieurs enregistrements) qui chante plusieurs chansons en limousin et en fran&amp;ccedil;ais, puis t&amp;eacute;moigne sur les processions, les bals, les mythes limousins ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 491 il est not&amp;eacute; "Chez Nous (Rameaux 63) Disque du Chaleil (M&amp;eacute;n&amp;eacute;triers)".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document deux enregistrements, une &amp;eacute;mission de "Chez nous" (ou sa pr&amp;eacute;paration) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d'Avril 1963 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Aacute; l'occasion des f&amp;ecirc;tes de Rameaux, M. Dagnas propose les t&amp;eacute;moignages de Pierre Biossac et d' Ang&amp;egrave;le Chabeaudie sur ces f&amp;ecirc;tes, un texte sur le printemps de Charles Sylvestre, quelques pri&amp;egrave;res : &lt;span class="oc"&gt;La rason de Diu, Au jardin des oliviers,&lt;/span&gt; plusieurs chansons : &lt;span class="oc"&gt;Rampalms, , La Passion,&lt;/span&gt;...&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans la seconde partie, un enregistrement du groupe folklorique "Lo Chalelh" . Valses, scottishs, polka piqu&amp;eacute;e, marches, ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A l'occasion des f&amp;ecirc;tes Pascales, M. Dagnas propose les t&amp;eacute;moignages de Pierre Biossac et d' Ang&amp;egrave;le Chabeaudie sur ces f&amp;ecirc;tes puis de nombreuses chansons : &lt;em&gt;&lt;span class="oc"&gt;Lo planh de Senta Magdelena&lt;/span&gt;&lt;/em&gt;, Gai gai pour passer l'eau, &lt;em&gt;&lt;span class="oc"&gt;Lo pont d'a Lion&lt;/span&gt;&lt;/em&gt;, L&amp;agrave; haut sur la montagne, les "soquelons" (?),&lt;em&gt;&lt;span class="oc"&gt; En 'naut sus la montanha&lt;/span&gt;&lt;/em&gt;, par Pierre Biossac, &lt;span class="oc"&gt;&lt;em&gt;La filha del paisan&lt;/em&gt;,&lt;/span&gt; un po&amp;ecirc;me de Jean Rebier par Yves Dusartre, une belle pri&amp;egrave;re du Confolentais, une annonce pour un hommage &amp;agrave; Albert Pestour .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 560 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;"&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Niort 1&amp;egrave;re bande, Les Gueurlets dau Poitou 17 / X / 68"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un bel enregistrement dans lequel nous entendons une succession de chants en fran&amp;ccedil;ais et en occitan qui ne viennent manifestement pas de la r&amp;eacute;gion Niortaise (mais de la r&amp;eacute;gion de l'Artense sans doute !) : Je ne suis pas contente, Les ch&amp;acirc;taignes du Limousin (par Monique Marcillaud), P&amp;egrave;re et fille (par Jeannine Gatignol et Roger Romanet), &lt;em&gt;&lt;span class="oc"&gt;Quand eria chas mon paire&lt;/span&gt;&lt;/em&gt; (par Roger Bruy&amp;egrave;re) , &lt;span class="oc"&gt;&lt;em&gt;La bela fran&amp;ccedil;on&lt;/em&gt;, &lt;em&gt;una ptita nh&amp;ograve;rla&lt;/em&gt;,&lt;/span&gt; Colin (par Annick, Monique et Christiane), L'aimable pastourelle, &lt;span class="oc"&gt;&lt;em&gt;Aval au fond dau prat&lt;/em&gt;,&lt;/span&gt; Le mois de mai, L'autre jour je me promenais ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrement d'une conf&amp;eacute;rence donn&amp;eacute;e en 1969 par le Majoral Marcel Fournier, au sujet de Fr&amp;eacute;d&amp;eacute;ric Mistral</text>
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                <text>Marcel FOURNIER</text>
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                <text>RD4243</text>
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                <text>Robert DAGNAS</text>
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                <text>audio/mpeg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande sans indication de lieu il est not&amp;eacute; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;18/3/69 &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;1&amp;egrave;re bande : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;a) Pr&amp;eacute;sentation Robert Dagnas,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;b) Majoral M. Fournier &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les premi&amp;egrave;res minutes sont consacr&amp;eacute;es &amp;agrave; la pr&amp;eacute;sentation du Majoral &lt;strong&gt;Marcel Fournier&lt;/strong&gt; par Robert Dagnas puis, nous entendons une conf&amp;eacute;rence de M Fournier au sujet de Fr&amp;eacute;d&amp;eacute;ric Mistral . Intervention interrompue par la fin de la bande, (vous pouvez retrouver la suite - doc. RD5326&amp;nbsp; ci dessous )&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Inconnu</name>
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                  <text>Enquêtes et témoignages</text>
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              <text>Enregistré lors d'une soirée à la bourse du travail (St Junien)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>Limousin</text>
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              <text>Occitan Corrèze</text>
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              <text>Patois corrèze</text>
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            <elementText elementTextId="314500">
              <text>Patois Creuse</text>
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              <text>Occitan creuse</text>
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              <text>Patois Haute vienne</text>
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              <text>Occitan Haute Vienne</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>gnorles</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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              <text>violon</text>
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              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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              <text>informateurs multiples robert dagnas bourse du travail fete felibreenne 1957</text>
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            <name>Date Issued</name>
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                <text>2013-04-03 09:30:23</text>
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            <description>The size or duration of the resource.</description>
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                <text>1968</text>
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          <element elementId="79">
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            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bourse du travail Fête félibréenne 1957</text>
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            <description>An account of the resource</description>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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                <text>1957-11</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/550/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 732 il est not&amp;eacute; "Soir&amp;eacute;e Bourse du Travail (11/57) Duplex avec Nice et 1&amp;egrave;re partie de la soir&amp;eacute;e"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Quelques discours, dont un en liaison t&amp;eacute;l&amp;eacute;phonique dans lequel on entends tr&amp;egrave;s bri&amp;egrave;vement le docteur De La Farge fondateur de l'&amp;eacute;cole ventadour, ... souvent interrompus par les prestations des Velhadours&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Par dessus cet enregistrement les Velhadours interpr&amp;egrave;tent &lt;span class="oc"&gt;lo cuer de ma mia, la Meschanta mair,&lt;/span&gt; la bourr&amp;eacute;e de Javerdat, le P&amp;eacute;l&amp;eacute;l&amp;eacute;, &lt;span class="oc"&gt;Un jorn que lo cocut chantava&lt;/span&gt; (Rebier/Le Gentile) interrompu avant la fin, quelques danses ( bal d'Abzac, polka, scottish valse, maniguet, panliran ) puis un hommage &amp;agrave; Jean Teillet (l'orgueilleuse servante et Nai-nai sa berceuse interrompue elle aussi ) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, aucune indication, il est seulement not&amp;eacute; "65A" . Nous sommes en pr&amp;eacute;sence de deux enregistrements d'&amp;eacute;missions de "Chez Nous" telles qu'elles ont sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;es sur les ondes de Radio Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans la seconde partie de cet enregistrement nous retrouvons quelques documents d&amp;eacute;ja entendus sur les bandes des enregistrements r&amp;eacute;alis&amp;eacute;s aux Salles-Lavauguyon.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Dans la premi&amp;egrave;re &amp;eacute;mission : une &amp;eacute;vocation de l'arriv&amp;eacute;e de l'hiver et de "la nostalgie des jours enfuis" par M. Dagnas,, un chant de Bernard de Ventadour et &lt;span class="oc"&gt;Veiqui la nuech&lt;/span&gt; par Ir&amp;egrave;ne Besson, Las quatre sasons, un chant de berg&amp;egrave;re par Lisa Ducouret, &lt;span class="oc"&gt;Chas nos m'an maridada&lt;/span&gt; par Pierre Biossac, &lt;span class="oc"&gt;Lo maniguet&lt;/span&gt; et le lapin par un groupe folklorique, &lt;span class="oc"&gt;Las palissas&lt;/span&gt; puis la conclusion de cette premi&amp;egrave;re &amp;eacute;mission .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La seconde &amp;eacute;mission datant d'un 21 novembre est une compilation des enregistrements r&amp;eacute;alis&amp;eacute;s aus Salles lavauguyon : Les cloches, plusieurs pr&amp;eacute;sentations des Salles Lavauguyon par des enfants, un No&amp;euml;l par Mme Gady, &lt;span class="oc"&gt;Lo pitit petar dau Bon-Diu&lt;/span&gt; par Henri Pelletingeas, les d&amp;eacute;votions par Mme Vilotte, l'enclume de Jean Bourdaraud, &lt;span class="oc"&gt;Aime a dansar&lt;/span&gt; par L&amp;eacute;onard Lathi&amp;egrave;re, &lt;span class="oc"&gt;Plus beure de vin&lt;/span&gt; par Yvonne Bissirieix et Louis Douvry, Julie,ma Julie par Ang&amp;egrave;le Delage, &lt;span class="oc"&gt;La Fran&amp;ccedil;oise daus Gironeus&lt;/span&gt; par Emile Pressigoux ....&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Acc&amp;eacute;der aux autres enregistrements :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/454" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 2/4&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/407" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 3/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/410" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 4/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/464" target="_blank" rel="noopener noreferrer"&gt;Vienne-Tardoire&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 764, un nouvel enregistrement de Mme Marie Duqueyroix (ou Duqueroix) datant du mois d' Avril 1961&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par M. Dagnas le d&amp;eacute;crit ainsi : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- L'Isabeau (chant) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Discussion sur sa jeunesse&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Son &amp;eacute;cole &amp;agrave; &amp;Eacute;tagnac&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Le comte d' &amp;Eacute;tagnac&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Lu maridatge (nhorle) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Som-som&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Les bals&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Jean de Bertand&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Etricor&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Scottish&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Polka piqu&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;---------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande il est not&amp;eacute; "N&amp;deg;775, Chez Nous du 26-9-66, La Nadalie-Burgou"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un montage pour une &amp;eacute;mission de "Chez Nous" telle a sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 26 Septembre 1966.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons sur ce document des locuteurs d&amp;eacute;j&amp;agrave; pr&amp;eacute;sents dans les autres enqu&amp;ecirc;tes &amp;agrave; La Nadalie ("Le p&amp;egrave;re Chaumont dit Cl&amp;eacute; de&lt;/span&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;c&amp;oelig;ur&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;", Marguerite et Pierre Bonnefond, Marguerite Chabeaudie, Jeanne Gl&amp;eacute;nisson, et "le brave Mourier" .&lt;br /&gt;Quelques passages d&amp;eacute;j&amp;agrave; entendus mais beaucoup d'in&amp;eacute;dits int&amp;eacute;ressants .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Des t&amp;eacute;moignages sur l'&amp;eacute;cole &amp;agrave; la Nadalie, &lt;span class="oc"&gt;Los carcalins de La Nadalia&lt;/span&gt;, les amusements des enfants, les f&amp;ecirc;tes votives, les veill&amp;eacute;es, les relations filles/gar&amp;ccedil;ons et surtout une figure locale Burgou, le "bandit limousin" natif de La Nadalie . Des chansons en fran&amp;ccedil;ais et en occitan : J'ai fait l'amour &amp;agrave; une petite, Berg&amp;egrave;re vous n'&amp;ecirc;tes pas sage, &lt;span class="oc"&gt;Tot lo long de l'aiga, La tendilha, Lu cosin&lt;/span&gt; par Pierre Biossac, l'&amp;eacute;mission se termine par Je suis lasse d'&amp;ecirc;tre fille (par un groupe folklorique non identifi&amp;eacute; ) . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chants de Noël</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication, n&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;ous retrouvons la chorale des Velhadors de St Junian lors d'une r&amp;eacute;p&amp;eacute;tition puis la pr&amp;eacute;paration d'une &amp;eacute;mission telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les antennes de Radio Limoges &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De nombreux No&amp;euml;ls, du limousin mais aussi des r&amp;eacute;gions limitrophes : &lt;span class="oc"&gt;Revelhatz vos pastorels, Nos som venguts, Alleluia, Nai-nai, Pitit pastre, Pastre pastressa,&lt;/span&gt; un No&amp;euml;l du Poitou , No&amp;euml;l du Berry, &lt;span class="oc"&gt;La bona novela,&lt;/span&gt; Courons vite &amp;agrave; Bethl&amp;eacute;em, &lt;span class="oc"&gt;Passoleta, Un j&amp;ograve;une pastre ... &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;M. Dagnas annonce la messe de minuit des Velhadors &amp;agrave; l'&amp;eacute;glise du Chalard (nous avons un enregistrement de cette&amp;nbsp; messe, dat&amp;eacute; de d&amp;eacute;cembre 1963) ce qui permet de dater l'enregistrement .&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 515, il est not&amp;eacute; "Isle, 27-4-66 bande 1/2" un bel enregistrement de Mme Ratinaud, enregistr&amp;eacute;e au Mas des Landes, sur la commune d'Isle . &lt;strong&gt;Mme Ratinaud&lt;/strong&gt; et son mari furent au service du po&amp;egrave;te limousin Jean Rebier dont elle parle, &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;peu de temps apr&amp;egrave;s son d&amp;eacute;c&amp;egrave;s, &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;dans la premi&amp;egrave;re partie de ce document .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Madame Ratinaud &amp;eacute;voque les &amp;eacute;crits de Jean Rebier, ses personnages &lt;span class="oc"&gt;(Margui la blonda, La Jan&amp;ograve;ta)&lt;/span&gt;, ses go&amp;ucirc;ts culinaires, la Sent-Jan, elle chante ensuite &lt;span class="oc"&gt;Lo mes d'abriu&lt;/span&gt;, une scottish et quelques vielles chansons ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement quelques chansons : le seigneur volage,&lt;span class="oc"&gt; La gerbabauda&lt;/span&gt; puis des bourr&amp;eacute;es jou&amp;eacute;es par un groupe folklorique non identifi&amp;eacute;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de cette bande &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;l'enregistrement de la fin d'une &amp;eacute;mission de Jazz &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sur laquelle M. Dagnas a fait ces enregistrements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser dont quelques uns sont chant&amp;eacute;s : polkas, pas d'&amp;eacute;t&amp;eacute;, marches, mazukas, marchoise, scottish valse, t'as bu Laurais, l'autrichienne, ton ptit chien, pr&amp;egrave;te moi ton couteau... &lt;br /&gt;L' enregistrement d' Albert Guillet se termine par un air de chasse, un cantique et un&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; commentaire int&amp;eacute;ressant sur l'apprentissage et la pratique de la musique .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Chez nous, la 2ème</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, une seule petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; ""882, 38A, + 658"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Plusieurs enregistrements se succ&amp;egrave;dent : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Un enregistrement de la seconde &amp;eacute;mission de "Chas nos", l'&amp;eacute;mission pr&amp;eacute;sent&amp;eacute;e par &lt;strong&gt;Robert Dagnas&lt;/strong&gt; sur les antennes de Radio Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;On retrouve la chorale des Velhadours&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr"&gt;( &lt;/span&gt;voletz vos durmir,&lt;/span&gt; &lt;span class="fr"&gt;l'orgueilleuse servante), un interview de &lt;strong&gt;M. Bourgoin&lt;/strong&gt; au sujet de ses &amp;eacute;crits, puis il parle des veill&amp;eacute;es, de la danse, et chante&lt;/span&gt; &lt;span class="oc"&gt;"Qu'es sur la 'auta montanha "&lt;/span&gt;&lt;span class="fr"&gt;, la recette des cerises &amp;agrave; l'eau de vie par "le mari de la m&amp;egrave;re Cati" et pour finir les "nouvelles de chez nous" les actualit&amp;eacute;s de la r&amp;eacute;gion &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Entre ces deux enregistrements , des essais de la chorale et une chanson en fran&amp;ccedil;ais par &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : Gaston et Henri &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Ensuite l'enregistrement en public d'une soir&amp;eacute;e folklorique donn&amp;eacute;e par &lt;span class="fr" style="font-size: 14pt;"&gt; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Lous Velhadours de Sen Junio&lt;/span&gt;&lt;/span&gt;" &amp;agrave; la Bourse du Travail de St Junien : M. &lt;strong&gt;Jean Bretenoux&lt;/strong&gt; joue une suite de marches nuptiales &amp;agrave; la clarinette, nous entendons ensuite &lt;strong&gt;Jean Rebier&lt;/strong&gt; ( le Barbichet ) , un hommage &amp;agrave; &lt;strong&gt;Andr&amp;eacute; Le Gentile&lt;/strong&gt; par J&lt;strong&gt;ean Pellautier&lt;/strong&gt; (?) , &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; accompagn&amp;eacute;e par la chorale chante "&lt;span class="oc"&gt;Lu turment de la Margui&lt;/span&gt; et &lt;span class="oc"&gt;la meschanta ma&amp;iuml;re" ,&lt;/span&gt; par un chanteur non identifi&amp;eacute; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;la Briance", &lt;/span&gt;&lt;/span&gt;puis &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; raconte &lt;span class="oc"&gt;"lu Cinema"&lt;/span&gt; . L&lt;/span&gt;&lt;/span&gt;e groupe folklorique "Lous Velhadours de Sen Junio" pr&amp;eacute;sente quelques morceaux de son r&amp;eacute;pertoire : le bal d' Abzac et quelques bourr&amp;eacute;es&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Illustration : Ir&amp;egrave;ne Besson lors d'une repr&amp;eacute;sentation des Velhadours (fin des ann&amp;eacute;es 50) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>The size or duration of the resource.</description>
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                <text>Angèle CHABEAUDIE (3)</text>
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                <text>Angèle CHABEAUDIE (4)</text>
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            <name>Subject</name>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Enregistrement de Mme Ang&amp;egrave;le Chabeaudie, chants limousins</text>
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            <name>Contributor</name>
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                <text>Angele CHABEAUDIE</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/536</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/536/AngeleDetail.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande, comme seule indication&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"67 A : Ang&amp;egrave;le Chabeaudie, 67 B : id. "&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;un - nouvel - enregistrement de Mme Chabeaudie.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La plupart des chansons de cet enregistrement ont d&amp;eacute;ja &amp;eacute;t&amp;eacute; entendues mais cet enregistrement est un original et les interpr&amp;eacute;tations que l'on peut y entendre ne manquent pas d'int&amp;eacute;r&amp;ecirc;t . Il s'agit d'une bande r&amp;eacute;utilis&amp;eacute;e et on peut penser que c'est un des plus anciens enregistrements de &lt;strong&gt;Mme Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; (un enregistrement de "rep&amp;eacute;rage" sans doute ) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De nombreuses chansons en langue limousine et en fran&amp;ccedil;ais : &lt;span class="oc"&gt;La Janon, La cobla de Senta Magdelena&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;, la bela Marion&lt;/span&gt;, Marie monta dans son cabinet, , Quand je suis &amp;agrave; la messe all&amp;eacute;e, La veuve de Belfort, &lt;span class="oc"&gt;Que v&amp;ograve;l auvir ,&lt;/span&gt; Le jour devant le jugement, &lt;span class="oc"&gt;Revelhatz vos,&lt;/span&gt; Le petit ramoneur, Dors mon mignon, &lt;span class="oc"&gt;La pita Janeton, Me l'autre jorn en m'i permenant, l'auseu lo mai que aime, Ma Janeta,&lt;/span&gt; L&amp;eacute;on &amp;eacute;tant dedans la tour, La fille d'un geolier, J'ai fait l'amour dans le long Nivernais, Nous partirons lundi, H&amp;eacute;las ma m&amp;egrave;re, Bonjour jolie berg&amp;egrave;re, &lt;span class="oc"&gt;Lu solelh de justicia,&lt;/span&gt; le long d'un rivage&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12788#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-1472%2C0%2C4622%2C3127" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 12pt;"&gt;Un article paru dans la revue "Limousin Magazine" du 30 Septembre 1963 au sujet d'une &amp;eacute;mission sur les antennes de Radio-Limoges&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Chaillac-sur-Vienne</name>
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        <name>Haute-Vienne (87)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Sans indication de lieu, probablement enregistré à Piégut Pluviers (24)</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>RD3148.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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            <elementText elementTextId="315183">
              <text>IEO Limousin</text>
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            <elementText elementTextId="315184">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="315185">
              <text>biaça</text>
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            <elementText elementTextId="315186">
              <text>besace</text>
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              <text>Patois</text>
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            <elementText elementTextId="315188">
              <text>Occitan</text>
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            <elementText elementTextId="315189">
              <text>Limousin</text>
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            <elementText elementTextId="315190">
              <text>Patois Limousin</text>
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            <elementText elementTextId="315191">
              <text>Occitan limousin</text>
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            <elementText elementTextId="315192">
              <text>occitan périgord</text>
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            <elementText elementTextId="315193">
              <text>occitan dordogne</text>
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            <elementText elementTextId="315194">
              <text>patois périgord</text>
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              <text>Occitan périgord langue limousine</text>
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            <elementText elementTextId="315196">
              <text>langue d'oc</text>
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            <elementText elementTextId="315197">
              <text>collectage</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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            <elementText elementTextId="315201">
              <text>mémoire</text>
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              <text>memòria</text>
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            <elementText elementTextId="315203">
              <text>sonore</text>
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              <text>contes</text>
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              <text>chansons</text>
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              <text>enregistrement</text>
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              <text>chant</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="315208">
              <text>Piégut-Pluviers, chansons, marvaud, brouillet, dordogne, Périgord patois, occitan, limousin</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="315162">
                <text>2013-03-05 17:32:15</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>3153</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="315164">
                <text>À Piégut (2)</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>À Piégut (1)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="315170">
                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers, au d&amp;eacute;but des ann&amp;eacute;es 60 .</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="315172">
                <text>RD3148</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1962</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="315175">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="315176">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="315177">
                <text>https://la-biaca.org/items/show/534</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331408">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/534/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la bande 801 il est not&amp;eacute;&lt;/span&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Gala Paralys&amp;eacute;s de France, 9/3/62&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le contenu n'a en fait rien &amp;agrave; voir avec&lt;span class="fr" style="font-size: 14pt;"&gt; cela,&lt;/span&gt; il s'agit d'une collecte &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;e "en public" &amp;agrave; Pi&amp;eacute;gut-Pluviers (24)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re demi-heure est consacr&amp;eacute;e &amp;agrave; une fanfare (sans doute la "Soci&amp;eacute;t&amp;eacute; Musicale de Pi&amp;eacute;gut" ) qui interpr&amp;egrave;te diff&amp;eacute;rents morceaux polkas, bourr&amp;eacute;es, quadrilles, marches ,valses etc ... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite on peut entendre plusieurs informateurs parmi lesquels nous retrouvons:&lt;br /&gt;&lt;/span&gt;&lt;strong class="fr"&gt;- F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;span class="fr"&gt; qui nous parle de l'origine du march&amp;eacute; de Pi&amp;eacute;gut, du chavilhier, de la tour de Pi&amp;eacute;gut , des cupules, des rochers branlants, de la lanterne, des d&amp;eacute;votions, de Jean de Biennat&lt;/span&gt;&lt;span class="fr"&gt;...&lt;br /&gt;- &lt;/span&gt;&lt;strong class="fr"&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt;&lt;span class="fr"&gt; qui chante&lt;/span&gt; &lt;span class="oc"&gt;&lt;em&gt;"Chantoclar"&lt;/em&gt;,&lt;/span&gt; &lt;span class="fr"&gt;Le march&amp;eacute; de Pi&amp;eacute;gut&lt;/span&gt;, &lt;em&gt;&lt;span class="oc"&gt;"La Bosrin"&lt;/span&gt;&lt;/em&gt;,&lt;span class="fr"&gt; "P&amp;egrave;re Piaud" &lt;br /&gt;&lt;br /&gt;- Plusieurs autres informateurs, (M. Moulinier, Bonnier) nous parlent d' Aim&amp;eacute; Jardry, de Burgou ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La famille de M. Marvaud nous a confi&amp;eacute; les documents accessibles ci-dessous :&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;- &lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;Chantoclar&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/loBourri2.jpg" target="_blank" rel="noopener"&gt;- La Bosrin&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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        <name>Piégut-Pluviers</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur l'enveloppe de la bande 711, sans &lt;span style="font-size:14pt;"&gt;indication de lieux ni de date, &lt;/span&gt;il est noté " a. Etudes de danses, b. Mme Duqueyroix" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une fiche nous renseigne sur le contenu :&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Face A :&lt;/span&gt; Francinou, Guimbarde, Marinou, Quadrille &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;(Ces airs à la vielle à roue sont, sans doute, joués par Yvette Restoin)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Face B :&lt;/span&gt; Madame Marie Duqueyroix de Saillat (dont nous apprenons dans l'enregistrement qu'elle est née Barisseau ) chante &lt;span class="oc"&gt;La Senta Vierja, Lu maridatge&lt;/span&gt; (une chanson de sa composition ), A deux sous, &lt;span class="oc"&gt;Ardich Janeta,&lt;/span&gt; une marche nuptiale et Jésus qui vient de naître&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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              <text>angele chabeaudie robert dagnas chez sadry patois limousin occitan chaillac haute vienne chabeaudie</text>
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                <text>Angele CHABEAUDIE</text>
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                <text>1962-02</text>
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                <text>https://la-biaca.org/items/show/532</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/532/AngeleDetail2.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, la pr&amp;eacute;paration d'une &amp;eacute;mission de " Chez Nous" telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges en 1964 . Le montage en semble pas &amp;ecirc;tre termin&amp;eacute;, pas de g&amp;eacute;n&amp;eacute;rique ni de conclusion de l'&amp;eacute;mission &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; Ang&amp;egrave;le Chabeaudie qui rassemble plusieurs enregsitrements r&amp;eacute;alis&amp;eacute;s aupr&amp;egrave;s de cette extraordinaire informatrice . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;M. Dagnas pr&amp;eacute;sente l' &amp;eacute;mission une visite "Chez Sadry", ensuite Mme Chabeaudie chante &lt;span class="oc"&gt;La pita Janeton,&lt;/span&gt; Bonjour jolie berg&amp;egrave;re, une suite de bourr&amp;eacute;es, &lt;span class="oc"&gt;L'auseu lo mai que aime, T'en donarai&lt;/span&gt; , Les femmes sont bien b&amp;ecirc;tes, Adieu la fleur de ma jeunesse&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; elle &amp;eacute;voque les bals, sa venue &amp;agrave; Chaillac, les veill&amp;eacute;es,&amp;nbsp; les danses ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs autres enregsitrements de mme Chabeaudie sont disponibles sur le site voici les principaux :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/331"&gt;Ang&amp;egrave;le Chabeaudie 1&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/343"&gt;Ang&amp;egrave;le Chabeaudie 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/449"&gt;Ang&amp;egrave;le Chabeaudie 3&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/536"&gt;&lt;span style="font-size: 12pt;"&gt;Ang&amp;egrave;le Chabeaudie 4&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;La photo de cette enqu&amp;ecirc;te nous a &amp;eacute;t&amp;eacute; transmise par la petite fille de Mme Chabeaudie, Sylvie Bellamy que nous remercions vivement&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/529/Champagnac.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la boite de cette bande, il est noté : " 578 / 6 Champagnac la Rivière, Eléments pour chez nous, 26 11 69 Mme Ginette Faure, François Buisson, Jean Vareille "&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une nouvelle fois, M Dagnas a réutilisé une bande de l'O.R.T.F pour y faire ses enregistrements, sur ce document nous entendons plusieurs informateurs interpréter une succession de chansons en occitan et en français : &lt;span class="oc"&gt;Lo clafotis &lt;span style="font-size:14pt;"&gt;(FB)&lt;/span&gt;,&lt;/span&gt; Le moine qui s'appelait Suzon (Simon), Dis moi Nanon le nom de ton village (FB), Le long du Missouri, &lt;span class="oc"&gt;Chas nos m'an maridat &lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;(FB)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;,&lt;/span&gt; Femmes que vous êtes jolies, C'est à Châlus (FB), Lison Lisette, &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;En fin de document nous retrouvons la bande originale, une émission sur la littérature sportive .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Mme Faure nous apprends que les enregistrements ont été faits au domicile des informateurs, à Tamisac pour ce qui concerne Mme Faure et M. Buisson, son père et à La Roueille (commune de Champsac) pour l'enregistrement de M. Jean Vareille&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;A la fin de cette bande sans doute r&amp;eacute;utilis&amp;eacute;e un t&amp;eacute;moin raconte, en fran&amp;ccedil;ais,&amp;nbsp; la guerre de 14, l'Yser , son fait d'armes, sa d&amp;eacute;coration ...&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document ressemble beaucoup &amp;agrave; celui d&amp;eacute;ja mis en ligne &lt;a href="https://la-biaca.org/items/show/435"&gt;(Eug&amp;egrave;ne Tarrade, Violoneux (1)&lt;/a&gt; (s&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;ans doute ce document &amp;eacute;tait il une compilation de plusieurs enregistrements).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt; Une &amp;eacute;coute attentive permet de comprendre que ce document est diff&amp;eacute;rent et s'il reprends bien les m&amp;ecirc;mes enregistrements, il est plus complet et de meilleure qualit&amp;eacute;, on peut y entrendre M. Dagnas pr&amp;eacute;parer les prises, Mme Tarrade conseiller son mari, rectifier des titres et sa fille pr&amp;eacute;senter les diff&amp;eacute;rentes figures de quadrille .. . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs chanteuses seules ou en duo avec M. Tarrade : La Yoyette, Pita te maridas pas, L'autre jour me promenant tout le long des Mon&amp;eacute;di&amp;egrave;res, Belle rose (par Mme Brouilhac), Embrasse moi bien petit Parisien,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Monsieur &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Tarrade&lt;/a&gt; joue de nombreux airs &amp;agrave; danser : bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, scottishs, quadrilles, valses ...&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Sur l'enveloppe contenant la bande 784 il est noté "Enregistrement Trarieux frères / Payzac"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette bande fait sans doute suite à la bande 783, il s'agit probablement du même enregistrement . Les deux frères Trarieux chantent chansons en français et en occitan : J'ai fait l'amour à une petite, Dedans Paris, &lt;span class="oc"&gt;Dona a beure Peironau&lt;/span&gt;, Tantôt la bite en l'air, &lt;span class="oc"&gt;Ta maison s'esbòlha&lt;/span&gt; , Ma position ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite une émission de "Chez nous" sans doute diffusée sur les ondes de radio Limoges au mois de Juin 1962 . M. Dagnas évoque la venue du temps chaud, les fêtes de la pentecôte ... puis on entend Irène Besson, les groupes folkloriques : la Bourrée Limousine (de Brive), Aunis et Saintonge (de Saintes), le Bouquet d'ajoncs (de Bois de Séné), &lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;Gauch'nots Et Gauch'nottes&lt;/span&gt;&lt;/span&gt; (de &lt;span class="st"&gt;&lt;em&gt;Luxeuil les Bains) et l'Ecole du Barbichet (de Limoges)&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande n&amp;deg;704 il est not&amp;eacute; &lt;span style="color: #333300;"&gt;" Enreg.t Tarrade &amp;agrave; Chamberet, Face B Maridas (Gourseaud de l'Age), essai chorale la linga d'or" . &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans un premier temps un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, violoneux domicili&amp;eacute; &amp;agrave; Chamberet (Corr&amp;egrave;ze) . La fiche de cet enregistrement pr&amp;eacute;cise : Scottish vals&amp;eacute;e, Mozart fa&amp;ccedil;on Tarrade, Suite de marches, Scottish, Air limousin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/435"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/497"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/523"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;Agrave; la suite de cet enregistrement (pr&amp;eacute;cise cette m&amp;ecirc;me fiche) on entends &lt;strong&gt;M. Gourseaud&lt;/strong&gt; qui chante &lt;span class="oc"&gt;Maridatz-vos Jana&lt;/span&gt; puis des essais de la chorale des Velhadors .&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 115%; font-family: Arial, 'sans-serif'; color: #808000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de la bande 795 il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Enregistrement - Montazeau, - Payzac"&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs bons chanteurs se succ&amp;egrave;der :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;M. &lt;strong&gt;Lucien Boulesteix&lt;/strong&gt; (2/3/6/7) , M. &lt;strong&gt;Philippe Fourgeaud&lt;/strong&gt;, &lt;strong&gt;les fr&amp;egrave;res Trarieux&lt;/strong&gt; :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Quand_lu_meitadier_ven_de_la_labor.pdf"&gt;&lt;em&gt;Quand lo meitadier ven de la labor&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;- N&amp;rsquo;avetz-vos pas entendut parlar de &amp;ccedil;&amp;ograve; que se passa a Cromiera&lt;/em&gt; ,&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Chas_lo_pair_Casson.pdf" target="_blank" rel="noopener"&gt;Chas lo pair Casson&lt;/a&gt;,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- Chas nos m&amp;rsquo;an maridada,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- L' urosa jardiniera,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Quand_i_era_jouna_drolla.pdf" target="_blank" rel="noopener"&gt;Quand i'era j&amp;ograve;una dr&amp;ograve;lla a maridar&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Le retour du soldat,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Un rossignol aimait une fauvette .&lt;/span&gt;&lt;br style="font-size: 14pt;" /&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bande sans aucune indication un nouvel enregistrement des fr&amp;egrave;res Trarieux, il y a lieu d'imaginer qu'il s'agit de la suite de l'enregistrement d&amp;eacute;j&amp;agrave; en ligne disponible ci dessous &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Une nouvelle succession de chansons chant&amp;eacute;es &amp;agrave; deux (ou presque !!) : Le voltigeur que j'aime,&amp;nbsp; l&amp;agrave;-bas l&amp;agrave; bas au joli bois, Bonjour la belle, &lt;span class="oc"&gt;adiussiatz monsur&lt;/span&gt;, Payzac poss&amp;egrave;de ma foi ... , &lt;span class="oc"&gt;la Senta crotz&lt;/span&gt;, j'ai fait une ma&amp;icirc;tresse, Ah le voil&amp;agrave; mon chapeau et Quand le galant revient le soir&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt; &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 529, il est not&amp;eacute; "Monsieur Marvaud, Pi&amp;eacute;gut Pluviers" . Cet enregistrement date du 26 juin 1962 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Dans ce trop court document, &lt;strong&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt; (1909/1998) quincailler &amp;agrave; Pi&amp;eacute;gut Pluviers (24) (Chroniqueur et Chansonnier sous le pseudonyme&amp;nbsp;de&amp;nbsp;Jos&amp;egrave;p Platussat, auteur de "Chants du moulin fondu" ) chante, avec beaucoup de conviction, trois chansons&lt;/span&gt; : &lt;span class="oc"&gt;&lt;em&gt;Pierrisson&lt;/em&gt;, &lt;a href="https://la-biaca.org/items/show/12824" target="_blank" rel="noopener"&gt;&lt;em&gt;Faure mon paubre faure&lt;/em&gt;&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;(chanson &amp;eacute;crite en souvenir de son ami Jean Larousserie) et&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; L&lt;span class="oc"&gt;u pitit tren de Brant&amp;ograve;me &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;(une chanson de J Morellet)&amp;nbsp; .&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12847" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la documentation relative &amp;agrave; cet enregistrement . (extraits des "Chants du moulin fondu", la partition du Petit train de Brant&amp;ocirc;me et la liste des distinctions re&amp;ccedil;ues par Ren&amp;eacute; Marvaud&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12799" target="_blank" rel="noopener"&gt;Quelques collectes de R. Marvaud&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;( Cette documentation nous a &amp;eacute;t&amp;eacute; aimablement transmise par son fils Paul )&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les &lt;br /&gt;ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique&amp;nbsp;traditionnelle au CRR de Limoges.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement des habitants du hameau de La Nadalie, commune de Marval, Haute Vienne</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bande il est seulement not&amp;eacute; " La Nadalie 2 + vieille dame au d&amp;eacute;but "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Nous retrouvons M Dagnas &amp;agrave;&amp;nbsp;La Nadalie, lieu dit de la commune de Marval (87), ce document est probablement la suite de l'enregistrement " &amp;Agrave; la Nadalie 1"&lt;/span&gt;&lt;span class="fr"&gt;&lt;br /&gt;Des chansons : Berg&amp;egrave;re vous n'&amp;ecirc;tes pas sage, &lt;span class="oc"&gt;Tot lu long de l'aiga, La tendilha,&lt;/span&gt; Trois fillettes &amp;agrave; marier&lt;/span&gt;&lt;span class="fr"&gt; ...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Vient ensuite le t&amp;eacute;moignage de Mme Adeline - &lt;span class="fr"&gt;dite Jeanne -&lt;/span&gt; Gl&amp;eacute;nisson (1879-1969) qui fut enregistr&amp;eacute;e &amp;agrave; son domicile . S&lt;/span&gt;&lt;span class="fr"&gt;a belle fille &lt;/span&gt;&lt;span class="fr"&gt;nous pr&amp;eacute;cise qu'&lt;/span&gt;&lt;span class="fr"&gt;elle avait eu 10 enfants et ne parlait pas fran&amp;ccedil;ais . Mme Gl&amp;eacute;nisson parle de sa jeunesse, des bals puis &lt;span class="fr"&gt;du c&amp;eacute;l&amp;egrave;bre "bandit limousin"&amp;nbsp;&lt;/span&gt; Burgou&amp;nbsp; &lt;/span&gt;&lt;span class="oc"&gt;que fasia pas tant de mau...&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande sans numéro, un petit morceau de nappe sur lequel il est indiqué "Troche (probablement) -Toine"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une suite de morceaux interprétés par le groupe Folklorique "La Couade de Troche" datant du début des années 60 : &lt;span class="oc"&gt;Un jorn dins l'estolhas, Para lo lop, Paralipampan, La Crosada,&lt;/span&gt; La Varsovienne, &lt;span class="oc"&gt;En lai dins lo ribatel,&lt;/span&gt; La guimbarde, et enfin la célèbre chanson &lt;span class="oc"&gt;"Toine"&lt;/span&gt; sans doute interprétée ici par M. Sargnac .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En toute fin de bande un petit extrait d'une émission de "Chez nous"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966-09</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/507</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/507/RD3161Net.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande il est mentionn&amp;eacute; : "Enregistrement la Nadalie ( Mme L&amp;eacute;pine 6-9-1966) "&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement collectif r&amp;eacute;alis&amp;eacute; &amp;agrave; La Nadalie, lieu dit de la commune de Marval (87), au cours duquel M. Dagnas essaie, avec grand peine, de recueillir des chansons et t&amp;eacute;moignages .&lt;br /&gt;Malgr&amp;eacute; quelques moments de brouhaha quelques moments m&amp;eacute;ritent la diffusion, quelques chansons en occitan : une polka, une bourr&amp;eacute;e, Ma liseta, Tot lo long de l'aiga... plusieurs chansons en fran&amp;ccedil;ais : la Limousine, la P&amp;eacute;rigourdine, des chansons de compagnons, Berg&amp;egrave;re vous n'&amp;ecirc;tes pas sage, Le jour de mon mariage, D'un beau matin je me prends je me l&amp;egrave;ve, Le r&amp;eacute;mouleur, J'ai fait l'amour &amp;agrave; une petite, Depuis longtemps la raison du plus fort, Linette ... souvent chant&amp;eacute;es &amp;agrave; plusieurs.&lt;br /&gt;Quelques t&amp;eacute;moignages : sur Burgou, l'&amp;eacute;cole &amp;agrave; La Nadalie, le compagnonnage, le tour de France ; l'histoire des deux chasseurs, de l'&amp;eacute;tange de Rillac, des "nadalias" qui voulaient attraper la lune, ou qui voulaient d&amp;eacute;placer la fontaine sous le marronnier, le bedaud de la paroisse ...&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les deux premi&amp;egrave;res chansons, les t&amp;eacute;moignages sur l'&amp;eacute;cole, le compagnonnage, les histoires sont dites par Emile Chaumont.&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Marval</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="316354">
              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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              <text>Patois Limousin</text>
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            <elementText elementTextId="316362">
              <text>Occitan limousin</text>
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            <elementText elementTextId="316363">
              <text>Occitan Corrèze</text>
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              <text>Patois corrèze</text>
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              <text>collectage</text>
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              <text>mémoire</text>
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              <text>sonore</text>
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              <text>chansons</text>
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              <text>comptines</text>
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              <text>rites calendaire</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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              <text>violon</text>
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              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas chez nous le printemps violon chanson traditionnelle occitan limousin</text>
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          </elementTextContainer>
        </element>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2013-01-25 16:11:38</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="316340">
                <text>Chez nous, Le Printemps</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
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            <name>Creator</name>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/505/Padimage.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 683 une &amp;eacute;mission de "Chez nous" telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges. La bande ne porte aucune indication .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;On peut y entendre de belles prestations des fid&amp;egrave;les informateurs de R. Dagnas : Pierre Biossac (une chanson in&amp;eacute;dite :&lt;em&gt; D&lt;span class="oc"&gt;ins las nautas montanhas&lt;/span&gt;&lt;/em&gt;), Ang&amp;egrave;le Chabeaudie &lt;span class="oc"&gt;&lt;em&gt;(Anar en classe, Senta Magdelena&lt;/em&gt;)&lt;/span&gt;, Nicole Lagrange, Ir&amp;egrave;ne Besson &lt;em&gt;&lt;span class="oc"&gt;(Lo que venia a pitit pas)&lt;/span&gt;&lt;/em&gt;, Yvette Restoin &lt;em&gt;&lt;span class="oc"&gt;(Las favas)&lt;/span&gt;&lt;/em&gt;, &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; (mazurka, je n'ai plus que six jours) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le Fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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            <name>License</name>
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              <text>chansons</text>
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              <text>comptines</text>
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              <text>rites calendaire</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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              <text>violon</text>
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              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="316448">
              <text>mme lathiere robert dagnas mme et mme lathiere conte peau d ane peu d asne lathiere dournazac</text>
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        <name>Dublin Core</name>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="316394">
                <text>2013-01-23 17:56:46</text>
              </elementText>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme LATHIERE</text>
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            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Contes</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mme LATHIERE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD3157</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="316400">
                <text>1959-03</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="316401">
                <text>Robert DAGNAS</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="316404">
                <text>https://la-biaca.org/items/show/504</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331378">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/504/RD3157Net.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la bande 674, un enregistrement de Mme Lathière de La Monnerie de Dournazac (87) datant du 11 mars 1959 .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Lathière, après avoir conté une belle version de &lt;span class="oc"&gt;Peu d'asne&lt;/span&gt;, chante plusieurs chansons : &lt;span class="oc"&gt;Chastanha grilhada&lt;/span&gt;, une berceuse, puis Rossignol sauvage .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan. &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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        <name>Dournazac</name>
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      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
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  </item>
</itemContainer>
