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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Préparant un travail sur les C orréziens partis faire les saisons de fauchage en Auvergne, c'est sur les conseils de M. Christophe Lissajoux, maire de Ménoire, que nous avons rendu visite à M. Arrestier, à Chassat, sur la commune voisine de Saint-Hilaire-Taurieux .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;strong&gt;Édouard ARRESTIER&lt;/strong&gt;, dans une belle langue, nous parle de sa saison, en 1956, du travail, de l'entretien de la faux. Il nous raconte une journée de fauche, nous décrit les différentes parties de la faux, les différents manches, la mécanisation, parle la pratique de la langue, etc&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr" style="font-size:16px;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Première partie de l'enquête réalisée à la maison de retraite de Vigeois le 5 février 2003.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons pour ce premier enregistrement tenté de recueillir des chansons auprès des résidents, quelques témoignages intéressants (l'argus utilisé à l'école de St Jal pour combattre la pratique du patois ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:16px;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Remerciement à tous les participants ainsi qu'aux salariés sans lesquels ce travail n'aurait pu se faire dans d'aussi bonnes conditions.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Histoires drôles</text>
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              <elementText elementTextId="306609">
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Albert VACHER, originaire de Thalamy, nous a aimablement reçu et a accepté de nous raconter un peu de sa vie, quelques comptines puis quelques nhòrles, histoires drôles, exercice auquel il s'est livré pendant des années au sein du groupe folklorique d'Ussel "Les compagnons de la joie au village". &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <text>Sans indication de lieu</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>musique traditionnelle limousin</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Saint Mathieu 2/6</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une informatrice non identifi&amp;eacute;e (elle nous dit qu'elle aura 89 ans en ao&amp;ucirc;t 1964, dans &lt;a href="https://la-biaca.org/items/show/784" target="_blank" rel="noopener noreferrer"&gt;un autre enregistrement,&lt;/a&gt; M Dagnas la pr&amp;eacute;sentait comme &amp;eacute;tant d' Augignac et pr&amp;eacute;cisait qu'elle s'appelait Marguerite), interrog&amp;eacute;e par F&amp;eacute;licie Brouillet (d'Augignac elle aussi) et Robert Dagnas, elle nous donne &amp;agrave; entendre quelques belles chansons "Pirolin", "La Jeanneton", "Oh que les femmes sont belles", quelques airs de danse, elle parle aussi des danses, des bals, de l'&amp;eacute;cole, du loup, de la premi&amp;egrave;re auto ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;L'enregistrement se termine par un morceau d'une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre, la bande ayant &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e par l'enqu&amp;ecirc;teur.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Monique Sarazy. Il lui avait &amp;eacute;t&amp;eacute; pr&amp;ecirc;t&amp;eacute; par Daniel, le fils d'Andr&amp;eacute; Dexet, dans le cadre de la recherche de Monique pour le travail universitaire qu'elle a effectu&amp;eacute; sur l'&amp;oelig;uvre de Panaz&amp;ocirc;.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;strong&gt;Andr&amp;eacute; Dexet&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;1921-1997)&lt;/span&gt; est plus connu sous le pseudonyme de Panaz&amp;ocirc;. Apr&amp;egrave;s avoir exerc&amp;eacute; plusieurs m&amp;eacute;tiers, M. Dexet sera conteur, journaliste, &amp;eacute;crivain, auteur dramatique et producteur &amp;agrave; la radio et &amp;agrave; la t&amp;eacute;l&amp;eacute;vison.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande que &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay &lt;/span&gt;nous a confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne, un enregistrement qu'elle r&amp;eacute;alisa &amp;agrave; Bergerac (24), le 9 ao&amp;ucirc;t 1988 aupr&amp;egrave;s de &lt;strong&gt;Marcel PIAUD&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;1907-2005)&lt;/span&gt;, en compagnie de Philippe Destrem. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Piaud fut non seulement un musicien traditionnel p&amp;eacute;rigourdin renomm&amp;eacute;, mais aussi un collecteur, un compositeur, l'auteur d'une m&amp;eacute;thode de vielle &amp;agrave; roue, etc.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Souvent enregistr&amp;eacute;, il avait consacr&amp;eacute; une grande partie de sa vie &amp;agrave; la musique traditionnelle et aux instruments. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ici on trouvera une suite de 17 valses, la bande originale en contenait 21 mais quelques-unes sont vraiment inaudibles.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo d'illustration (Marcel Piaud &amp;agrave; la vielle et Paul Laborie au banjo) est extraite d'un film de Fran&amp;ccedil;oise &amp;Eacute;tay et Paul Gerbaud :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt; &amp;rarr; &lt;/a&gt;&lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quadrille avec Marcel Piaud&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Interview du Professeur-Docteur &lt;strong&gt;Eva Martha Eckkrammer&lt;/strong&gt;, linguiste, sp&amp;eacute;cialiste des langues romanes et des langues minoritaires, enseignante au &lt;em&gt;Romanisches Seminar&lt;/em&gt; (D&amp;eacute;partement des langues romanes) de l'universit&amp;eacute; de Mannheim (Allemagne), et militante intarissable de la diversit&amp;eacute; linguistique un peu partout dans le monde.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;On y entend trois informatrices de la r&amp;eacute;gion de Manot, en Charente limousine, qui ne souhaitent pas que leur nom figure dans ce r&amp;eacute;sum&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- de 0 mn &amp;agrave; 8 mn l'enregistrement de Mme A. L. datant du 18 avril 2016&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- de 8 mn &amp;agrave; 18 mn 30s , l'enregistrement de Mme M.-L. L. datant du 3 mars 2016&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- de 18 mn 30 s &amp;agrave; 27 mn 42 s, l'enregistrement de Mme S. B. datant du 9 f&amp;eacute;vrier 2016.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;La r&amp;eacute;daction de la notice et le s&amp;eacute;quencement ont &amp;eacute;t&amp;eacute; fait par Danisa que nous remercions pour ce beau document !&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande num&amp;eacute;ro 697, on trouve peu d'indications. Il est seulement not&amp;eacute; sur l'enveloppe : &amp;laquo; Essais chorale LV &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement, probablement r&amp;eacute;alis&amp;eacute; par Robert Dagnas aupr&amp;egrave;s du chef de ch&amp;oelig;ur de la chorale du groupe folklorique &amp;laquo; Les Veilladours de Saint Junien &amp;raquo;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le chanteur nous propose les diff&amp;eacute;rentes voix sur plusieurs chansons inscrites au r&amp;eacute;pertoire de cette chorale : &lt;em&gt;&amp;Agrave; vous troupes fid&amp;egrave;les&lt;/em&gt;, &lt;em&gt;No&amp;euml;l "de Jean Teilliet" &lt;/em&gt;(?), &lt;span class="oc"&gt;&lt;strong&gt;&lt;em&gt;Revelhatz qu'es aqu&amp;ograve; que se passa ?&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;Nadau Nadau&lt;/em&gt;&lt;/strong&gt;,&lt;/span&gt; &lt;em&gt;L&amp;agrave;-haut chantons quand le ciel est beau&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement, r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sans doute&lt;/span&gt; sur une bande r&amp;eacute;utilis&amp;eacute;e, on trouve un passage du &amp;laquo; Jeu des mille francs &amp;raquo;, puis l'enregistrement d'une partie de la finale du Festival International de chant choral &amp;agrave; Lille.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Clair Mah&amp;eacute; . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur la face A de cette cassette audio, deux enregistrements diff&amp;eacute;rents sur lesquels on retrouve le groupe folklorique de Donzenac, "Les troubadours Gamadous" : Le premier fut enregistr&amp;eacute; en 1983 lors d'une f&amp;ecirc;te &amp;agrave; St-Bonnet L'Enfantier, le second en avril 1984 lors d'une f&amp;ecirc;te &amp;agrave; Donzenac .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Quelques nh&amp;ograve;rles : &lt;span class="oc"&gt;Lo cure de Chamboliva, Jan Caron,&lt;/span&gt; quelques histoires de parisiens, &lt;span class="oc"&gt;Quand era j&amp;ograve;une gar&amp;ccedil;on, Los efants de Bornasel&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Des extraits de pi&amp;egrave;ces de th&amp;eacute;atre ; Un march&amp;eacute; difficile, &lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a&lt;/span&gt; d' Antoine Soubrenie, La gerbablauda&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Et aussi quelques chansons : Depuis paris jusqu'&amp;agrave; Valence (tronqu&amp;eacute;e), Jan pitit Jan , La velhada (tronqu&amp;eacute;e elle aussi.)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 8pt; font-family: 'arial black', sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Mme Colette Lebas. Il s'agit d'un enregistrement réalisé au début des années 1990 par son fils Pascal, à la maison de retraite de Donzenac.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Nous entendons trois informatrices :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Mme Eva Marty (née en 1910) de Donzenac,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Mme Clémence Bernical (née Valat en 1903) d' Ussac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- et Mme Marie Dugenet de Lubersac (née en 1925)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Quelques chansons (ou bribes de chansons) en occitan ou en français : &lt;span class="oc"&gt;Jan pitit Jan, La terra es freja, Revelhatz-vos pastorels, Cu vòl auvir ?, Sus lo bòrd de la ribiera,&lt;/span&gt; La fiancée du matelot, &lt;span class="oc"&gt;Dins lo paìs daus Marviòlets,&lt;/span&gt; Marinella, Tant qu'il y aura des étoiles, &lt;span class="oc"&gt;Aquesta nuech ai fach un raibe, Quand ieu n'eri petita, L'aiga de ròcha, Jan Peire e la Margoton, Fai lo cornard, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous n&amp;eacute;gligerons la "face a" de cette bande contenant un enregistrement identique &amp;agrave; celui cot&amp;eacute;: RD4215 d&amp;eacute;j&amp;agrave; en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Sur la seconde face toujours une &amp;eacute;mission de radio (ou sa pr&amp;eacute;paration !) autour de la messe de minuit donn&amp;eacute;e en 1958 &amp;agrave; Champsac (Haute Vienne) . Le m&amp;ecirc;me d&amp;eacute;but mais, (&amp;agrave; partir de 8mn 18 secondes) une nouvel enregistrement dans lequel nous entendons Eug&amp;egrave;ne Tarrade au violon (Revelhatz vos pastorpuis Ang&amp;egrave;le Chabeaudie et Louise Gady ainsi que les groupes folkloriques "l'&amp;Eacute;cole Ventadour de Tulle" et "&lt;span style="font-size: 14pt;"&gt;Lous Velhadours de Sen-Junio&lt;/span&gt;"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de la bande, (&amp;agrave; partir de 18mn 22 sec.) "&amp;Agrave; l'heure de la province" une &amp;eacute;mission &lt;span class="st"&gt;de M. Alex Surchamp consacr&amp;eacute;e &amp;agrave; l'hiver (Mme la neige), et en particulier &amp;agrave; l'hiver en Limousin avec Serge Solon (Veiqui la nuech, la veill&amp;eacute;e, les No&amp;euml;ls populaires,le loup garou, un extrait des "Quatras sasons" de J. Rebier, quelques bourr&amp;eacute;es ...) &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement est interrompu (27mn 45sec) et nous retrouvons la chorale des Veilladours en r&amp;eacute;p&amp;eacute;tition, dirig&amp;eacute;e sans doute par Pierre Leplant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/796/Chadeuil2Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=michel-chadeuil&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Michel Chadeuil,&lt;/a&gt; &amp;eacute;crivain et chansonnier occitan p&amp;eacute;rigourdin. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Musique oies, montage bestias de la boria, conte 1: Chatte Mare, Conte 2: Noel, conte 3: Petit chat".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Il s'agit en fait de la suite de l'enregistrement de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;br /&gt;Plusieurs informateurs nous livrent une suite de formulettes et mimologismes :&lt;br /&gt;&lt;span class="oc"&gt;- Lo lop e l'ase (chansons)&lt;br /&gt;- Leis Chavaux(A.Tr&amp;eacute;ny),&lt;br /&gt;- Los auseus ( Lo pin&amp;ccedil;on, lo Lauri&amp;ograve;u, Lo rossinh&amp;ograve;u, La choita, La pepue , lo Jai, &lt;br /&gt;lo cocut e la ja&amp;ccedil;a, lo tortolon e lo cocut,las gruas, la calha, la lauveta, lo pichatau, lo reibeneit, lo merle, la rilha ..) &lt;br /&gt;- La grapaudalha : lo grapaud e la granolha, Simon&lt;br /&gt;- Los bruchs familhars ('fialar son dalh, devineta, quand pleu..) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La bande se termine par un &amp;eacute;trange propos sur l'accord de la vielle &amp;agrave; roue, n'ayant rien &amp;agrave; voir avec le sujet. Sans doute une bande r&amp;eacute;utilis&amp;eacute;e...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <text>informateurs multiples la couade de troche 3 las passions correze occitan patois troche musique traditionnelle limousine chant</text>
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                <text>La Couade de Troche (3)</text>
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                <text>Chansons de quête en occitan Limousin</text>
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                <text>[Informateurs multiples]</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Marcel Belette, folkloriste, collecteur et grand connaisseur de la tradition, il s'agit d'une répétition du groupe folklorique "La coada de Tròcha" - dont il fut un de&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;s éléme&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;nts moteurs. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Accordéon : Claude Sagne&lt;br /&gt;Solistes : Aimée et Maurice Sargnac&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement qui date du 19 mars 1988, les chanteurs interprètent : &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Las passions,&lt;/span&gt; une succession de chants de quête &lt;span style="font-size:12pt;"&gt;(deux enregistrements légèrement différents d'une sélection de couplets recueillis dans la région de Troche )&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;La moissoniera, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une chanson traditionnelle en français &lt;span style="font-size:12pt;"&gt;(recueillie à Troche par Marcel Belette)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Reina daus ceus,&lt;/span&gt; une chansons de Jean Rebier sur une musique d'André Le Gentile&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Copa santa, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;l'hymne provençal félibréen écrit par Frédéric Mistral &lt;span style="font-size:12pt;"&gt;(un travail de répétition, au tempo un peu lent )&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Nous devons cet enregistrement à l'Abbé Robert Moisset&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span class="fr" style="font-size:10pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La photo de vignette nous a été confiée par M. Belette, elle a été prise en 1982 lors d'une mémorable soirée de quête des oeufs . De gauche à droite : Maurice Sargnac, Claude Dufaure, Jean Sargnac, Christian Besse, Michel Golfier, Jeannot T'yaccks, Jeantou Sargnac, Marcel belette, Louis Barbara et Jacques Chabrier&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Titres et graphie du groupe&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>The topic of the resource</description>
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                <text>Dires et proverbes</text>
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            <description>An account of the resource</description>
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                <text>Collecte de contes et mimologismes occitans</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Micheu CHAPDUELH</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/794/1457360187_ChadeuilNet.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=michel-chadeuil&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Michel Chadeuil,&lt;/a&gt; &amp;eacute;crivain et chansonnier occitan p&amp;eacute;rigourdin. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Leis chavaus, los auseus (montage),grapaud,bruch".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la face A, plusieurs informateurs nous livrent une suite de mimologismes et quelques contes :&lt;br /&gt;&lt;span class="oc"&gt;La p&amp;ograve;lca de las aucas (A.Tr&amp;eacute;ny), La pola, Lo jau, Lo jau e la pincarda, la pincarda, los dindons, lo jal, lo j&amp;ograve;une chen, la chata, la chabra, l'asne dau pair Liunard, la cana la chata e la chabra, Los 'nimaus lo ser de Nadau, Lo pitit chat qu'avia traversat la D&amp;ograve;rna ...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit p&lt;span class="fr"&gt;robablement d'une partie de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>Corrèze (19)</text>
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              <elementText elementTextId="307019">
                <text>IEO Lemosin, dépôt Pouget</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="307020">
                <text>Pouget, Cassette 1</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="307021">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>POU001</text>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/793</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/793/Padimage.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette cassette audio nous a été remise par Ghislaine et Michel Pouget pour numérisation et mise en ligne.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'un enregistrement réalisé en présence d'une étudiante allemande, Kirstein et de M. Jarriges .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Plusieurs informateurs (Mme Brousse de Lostanges, M. et Mme Claval de Lagleygeolle, M. Coste de Meyssac, Mme Chapelle de Lagleygeolle&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Labrunie de Meyssac, M. et Mme Valeille de Meyssac) sont interrogés par les enfants du collège de Meyssac .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ils sont questionnés sur l'école, les instituteurs, le certificat d'études, le cochon, les veillées ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur la face B de la cassette, à partir de 29 mn 22s, un long propos sur la langue, le patois et le français &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <name>Title</name>
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&lt;div class="disc_details" style="text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean-Jacques Le Creurer * .&lt;/span&gt;&lt;br /&gt;&#13;
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&lt;div class="disc_details" style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement de deux musiciens traditionnels limousins r&amp;eacute;alis&amp;eacute;s par J.J. Le Creurer et Yves Trentalaud en 1977:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="text-decoration: underline;"&gt;De 0.00 &amp;agrave; 28.46mn :&lt;/span&gt; &lt;strong&gt;M. Duchez&lt;/strong&gt;, accord&amp;eacute;oniste diatonique &amp;agrave; Saint L&amp;eacute;onard de Noblat (87) qui joue et chante : Un beau jour d'&amp;eacute;t&amp;eacute; un seigneur volage, La valse &amp;agrave; l'envers, &lt;em&gt;Nos la tenem&lt;/em&gt;, La demande en mariage, Valses, Polka piqu&amp;eacute;e, La machine &amp;agrave; laver la vaisselle, Elle avait une robe &amp;agrave; carreaux, &lt;em&gt;La Cati, Leva lo tendilhon&lt;/em&gt;,&lt;em&gt; Un jorn dins l'estolhas,&lt;/em&gt; Ma pastourelle,&lt;em&gt; Presta-lo me, Las femnas dau borg d'a Glanjas,&lt;/em&gt; une scottish ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="text-decoration: underline;"&gt;De 28.46 &amp;agrave; la fin :&lt;/span&gt; L'enregistrement de &lt;strong&gt;Joseph Jabut&lt;/strong&gt;, violoneux, domicili&amp;eacute; &amp;agrave; Lachaud-Couraud, commune de Gentioux-Pigerolles (23): Bourr&amp;eacute;e du pays,&lt;em&gt; Per bien la chantar, Los lemosins,&lt;/em&gt; La bourr&amp;eacute;e vals&amp;eacute;e, une suite de mazurkas, la chanson des ma&amp;ccedil;ons de la creuse, La papi&amp;egrave;re, Ton chien belle berg&amp;egrave;re, Le turlututu, les diff&amp;eacute;rentes parties du quadrille, (l'entr&amp;eacute;e, la pastourelle, l'avant -quatre et le divorce) etc...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Ces deux musiciens nous donnent d'int&amp;eacute;ressants renseignements sur la mani&amp;egrave;re de danser: la demande en mariage, la bourr&amp;eacute;e vals&amp;eacute;e, le quadrille ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement sur cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;et mise en ligne par Chantal Eymard&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'une causerie musicale d'Yvon Chalard, au sujet du mariage, enregistr&amp;eacute;e l&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;ors d'une soir&amp;eacute;e organis&amp;eacute;e &amp;agrave; Saint Cernin de Larche en &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;1985 ou 1986 &amp;agrave; l'invitation de Maurice Girodolle.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les diff&amp;eacute;rents aspects du mariage autrefois sont abord&amp;eacute;s de mani&amp;egrave;re presque exhaustive ( un peu d'histoire, les gar&amp;ccedil;ons, les filles, les "mariages de raison", l'autorit&amp;eacute; parentale, les rites et croyances, les accordailles, le contrat, &lt;span class="oc"&gt;achaptar los peta&amp;ccedil;ons,&lt;/span&gt; la noce, la nuit de noce ...) , &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Comme &amp;agrave; son habitude, Yvon, s'accompagnant de son banjo-mandoline &amp;eacute;mailla sa conf&amp;eacute;rence de chansons en limousin et en fran&amp;ccedil;ais (&lt;span class="oc"&gt;Piaron ven de laborar, La Franchon, Me v&amp;ograve;li maridar, Quand las peras sont maduras,&lt;/span&gt; La Yoyette, la Rosette,&lt;span class="oc"&gt; la n'en menam,&lt;/span&gt; Adieu la fleur de ma jeunesse,&lt;span class="oc"&gt; A la poncha d'un sucqueton,&lt;/span&gt; Les "chieurs" de long, &lt;span class="oc"&gt;Manha lo li,&lt;/span&gt; Ec...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: medium;"&gt;Une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay, un enregistrement r&amp;eacute;alis&amp;eacute; le 9 f&amp;eacute;vrier 2013 lors du repas chantant organis&amp;eacute; par Fran&amp;ccedil;ois Faucher et Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; Ch&amp;acirc;teau-Chervix .&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&amp;Agrave; l'origine de ces repas, Fran&amp;ccedil;ois Faucher, militant, conteur intarissable tr&amp;egrave;s attach&amp;eacute; au Limousin nous a quitt&amp;eacute; tout r&amp;eacute;cemment .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bobine n&amp;deg; 725 il est not&amp;eacute; &lt;span style="color: #888888;"&gt;"20 Septembre, autres folklores Emission Chez nous (9/65) ..."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit d'une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Au pr&amp;eacute;texte du retour de vacances, Robert Dagnas propose &amp;agrave; ses auditeurs des airs du folklore fran&amp;ccedil;ais et &amp;eacute;tranger :&lt;br /&gt;- La Bretagne (j'aime bien les cotillons rouges)&lt;br /&gt;- l'Est de la France avec deux morceaux &amp;agrave; l'&amp;eacute;pinette &lt;br /&gt;- Espagne, deux chants traditionnels &lt;br /&gt;- Allemagne, deux morceaux &amp;agrave; danser &amp;agrave; l'accord&amp;eacute;on&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Et quelques morceaux du limousin : bourr&amp;eacute;es, Turlututu, Quadrille Limousin (par l'&amp;Eacute;cole du Barbichet) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bande, aucune indication sinon un num&amp;eacute;ro "510". Il s'agit d'un enregistrement qui a s&amp;ucirc;rement &amp;eacute;t&amp;eacute; fait &amp;agrave; Augignac (24) par Robert Dagnas (accompagn&amp;eacute; par une enqu&amp;ecirc;trice non identifi&amp;eacute;e) aupr&amp;egrave;s de la conteuse F&amp;eacute;licie Brouillet et d'une de ses voisines dont nous savons seulement qu'elle se pr&amp;eacute;nomme Marguerite .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Cette derni&amp;egrave;re dit un conte &lt;em&gt;&lt;span class="oc"&gt;L'&amp;ograve;me qu'avia tres filhas&lt;/span&gt; &lt;/em&gt;puis quelques chansons &amp;agrave; danser "Je suis beau gar&amp;ccedil;on" une scottish, "Viens poupoule". Ensuite F&amp;eacute;licie Brouillet raconte quelques histoires au sujet de Pierrison :&lt;em&gt;&lt;span class="oc"&gt; "La malaudia daus lapins", "'nar dins la luna" &lt;/span&gt;&lt;/em&gt;&lt;span class="oc"&gt;et&lt;/span&gt;&lt;em&gt;&lt;span class="oc"&gt; "La cosina d'aura".&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>IEO Lemosin, dépôt Urroz</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistrement r&amp;eacute;alis&amp;eacute; le 21 octobre1983 aupr&amp;egrave;s de&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;M. et Mme B. &lt;/strong&gt; &lt;span style="font-size: 12pt;"&gt;&lt;em&gt;(les informateurs ne souhaitent pas que leur noms figurent dans lce document)&lt;/em&gt;&lt;/span&gt; demeurant &amp;agrave; Assit, commune de Manot (16) par Danisa Urroz, dans le cadre d'une enqu&amp;ecirc;te pour un Dipl&amp;ocirc;me d'Etudes Occitanes "Minjar autras vetz : enquesta a Assit de Man&amp;ograve;c"&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cette enqu&amp;ecirc;te, les informateurs nous parlent des objets de la vie domestique : &lt;em&gt;La raspa, lo rascla-mag, los landiers, lo cremalhon, lo garda-cendras, la pala, las pincetas, lo potatgier,las chaufaretas, Lo redable, Las palas a enfornar &amp;ndash; la pita forcheta - lo crochet, La forcha a dos brins, Las placas, Lo grilh, Lo forneu, Lo tresp&amp;egrave;s, Lo bujadier, La selha en boesc &amp;ndash; lo cramilhon-Las peilas &amp;ndash; la peila a granda coa &amp;ndash; la pedarsa &amp;ndash; lo p&amp;ograve;rta-peila,Las marmitas &amp;ndash; la brasiera &amp;ndash; lo topin, Las crespas, Lo gaufre, la t&amp;ograve;la a tartra, lo monle, Lo colador &amp;ndash; lo tendon, Lo fromatge, La culhiera a ragost &lt;/em&gt;&amp;ndash; l'escumoir -&lt;em&gt; la locha &amp;ndash; la seja a fendre lo p&amp;ograve;rc - lo serpaud&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit l&amp;agrave; de la dixi&amp;egrave;me cassette d'un lot qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Denise Urroz, de Charente Occitane . &lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:28.000
La raspa, lo rascla-mag&#13;

00:01:28.000 --&gt; 00:02:33.000
Lo cremalhon, lo garda-cendras&#13;

00:02:33.000 --&gt; 00:02:59.000
De las palas&#13;

00:02:59.000 --&gt; 00:06:20.000
Lo potagier&#13;

00:06:20.000 --&gt; 00:07:00.000
Los pitits forneus&#13;

00:07:00.000 --&gt; 00:07:32.000
La peila&#13;

00:07:32.000 --&gt; 00:07:46.000
La forcheta&#13;

00:07:46.000 --&gt; 00:08:12.000
Qui iò fasiá ?&#13;

00:08:12.000 --&gt; 00:08:36.000
E los tisoniers ?&#13;

00:08:36.000 --&gt; 00:09:40.000
Lo crochet, la forcha a dos brins&#13;

00:09:40.000 --&gt; 00:10:37.000
Lo soflet&#13;

00:10:37.000 --&gt; 00:11:34.000
Las placas&#13;

00:11:34.000 --&gt; 00:12:32.000
Lo grilh&#13;

00:12:32.000 --&gt; 00:13:17.000
Lo trespès&#13;

00:13:17.000 --&gt; 00:15:32.000
Lo bujadier&#13;

00:15:32.000 --&gt; 00:15:56.000
La selha de boesc&#13;

00:15:56.000 --&gt; 00:16:19.000
Lo cramilhon&#13;

00:16:19.000 --&gt; 00:16:57.000
La peila a granda coá&#13;

00:16:57.000 --&gt; 00:17:10.000
Lo pòrta-peila&#13;

00:17:10.000 --&gt; 00:17:38.000
Per far las galetas&#13;

00:17:38.000 --&gt; 00:18:08.000
Las marmitas&#13;

00:18:08.000 --&gt; 00:18:25.000
La brasiera&#13;

00:18:25.000 --&gt; 00:18:54.000
Lo topin&#13;

00:18:54.000 --&gt; 00:19:49.000
La diferéncia entre la marmita e la brasiera&#13;

00:19:49.000 --&gt; 00:21:23.000
Las crespas&#13;

00:21:23.000 --&gt; 00:21:46.000
Lo gaufre&#13;

00:21:46.000 --&gt; 00:22:25.000
La tòla a tarta&#13;

00:22:25.000 --&gt; 00:22:40.000
Lo monle&#13;

00:22:40.000 --&gt; 00:22:47.000
Lo colador&#13;

00:22:47.000 --&gt; 00:23:34.000
Lo tendon&#13;

00:23:34.000 --&gt; 00:25:25.000
Lo fromatge&#13;

00:25:25.000 --&gt; 00:25:55.000
De las culhieras&#13;

00:25:55.000 --&gt; 00:26:40.000
La seja a fendre lo pòrc, lo serpaud&#13;

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              <text>far lo paisan</text>
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              <text>fauchar</text>
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              <text>bastre lo dalh</text>
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              <text>les tracteurs anciens</text>
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              <text>los engrais... de son père : La guera de mon pair</text>
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              <text>lo velò</text>
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              <text>las tisanas</text>
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              <text>Ceinturat</text>
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                <text>Amédée GERVAIS (2)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An account of the resource</description>
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            <name>Contributor</name>
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                <text>Amédée GERVAIS</text>
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            <name>Source</name>
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                <text>IEO304</text>
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            <name>Date</name>
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                <text>2012-11</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baptiste Chrétien</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>video/mp4</text>
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            <name>Type</name>
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                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/782</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/782/AGervaisNet.jpg</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, M. Gervais nous parle du travail &amp;agrave; la ferme : &lt;em&gt;&lt;span class="oc"&gt;Laborar a 14 ans, far lo paisan com'un asne, fauchar, batre lo dalh, 'nar cherchar la chau&amp;ccedil;, las culturas, l' olhas, los tractors, la chabra, los engrais..&lt;/span&gt;.&lt;/em&gt; de son p&amp;egrave;re : &lt;em&gt;&lt;span class="oc"&gt;La guerra de mon pair, lo vel&amp;ograve;, las pincetas, mon defunt pair&lt;/span&gt;&lt;/em&gt; puis il nous raconte &lt;em&gt;&lt;span class="oc"&gt;"la vita de mon temps"&lt;/span&gt;&lt;/em&gt; et quelques histoires : &lt;em&gt;&lt;span class="oc"&gt;lo chavau, traitar lo catarri, las tisanas, las devocions, &lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="oc"&gt;las istoiras de Centurac (Fotin, Bujada, la vila de Lupet, lo rei Gr&amp;ograve;s Nas, la mair trua, l'asne)&lt;/span&gt;,&lt;/em&gt; la bonne du cur&amp;eacute; ... &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;Baptiste avait rencontr&amp;eacute; une premi&amp;egrave;re fois M. Gervais au mois d'ao&amp;ucirc;t, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;voir ci dessous &lt;/span&gt;&lt;/span&gt;ce premier enregistrement.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="342340">
                <text>CC-BY-NC-ND</text>
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              <text>Lieux d'enregistrement multiples</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Mot-clé "keywords"</description>
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            <description>The size or duration of the resource.</description>
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                <text>IEO Lemosin, dépôt Chadeuil</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Comptines et devinettes</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Chad01</text>
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                <text>1980</text>
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                <text>Michel Chadeuil</text>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/781/ChadeuilMignon.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par Michel Chadeuil, écrivain et chansonnier occitan périgourdin.&lt;br /&gt;Il s'agit en fait d'une succession d'enregistrements de plusieurs informateurs (Dont Mme Mignon, agricultrice à Laprade, en Charente, les autres sont en cours d'identification) qui lui avaient confié &lt;span class="oc"&gt;"per botar en conserva"&lt;/span&gt; une belle série de comptines, contes, berceuses, chants à danser, chansonnettes, etc ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Le mai &#13;

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Ami mon bel ami &#13;

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Le bourdon&#13;

00:04:37.000 --&gt; 00:05:24.000
Ami mon bel ami&#13;

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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Il s'agit d'un enregistrement &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&amp;agrave; Saint L&amp;eacute;onard de Noblat (87) &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;par Jean Jacques Le Creurer en f&amp;eacute;vrier 1977.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Nous entendons M&amp;eacute;lanie Ribi&amp;egrave;re (chant) et son fils &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Henri Ribi&amp;egrave;re &lt;/span&gt;&lt;/span&gt;(accord&amp;eacute;onniste diatonique n&amp;eacute; le 26 d&amp;eacute;cembre 1921 &amp;agrave; Saint-Denis les Murs) , &lt;br /&gt;&lt;/span&gt;&lt;span class="fr"&gt;Une succession de morceaux, marches nuptiales, bourr&amp;eacute;es, mazurkas, polkas, valses etc ... et de chansons en occitan ou en fran&amp;ccedil;ais : Donne moi ta fille, La Yoyette, Belle Rose, Mon papa ne veut pas, J'ai fait une ma&amp;icirc;tresse, M'y promenant le long de ces verts pr&amp;eacute;s ... &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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Marche  &#13;

00:01:08.000 --&gt; 00:01:59.000
Marche&#13;

00:01:59.000 --&gt; 00:02:32.000
Marche Nuptiale&#13;

00:02:32.000 --&gt; 00:03:07.000
Donne-moi ta fille&#13;

00:03:07.000 --&gt; 00:04:07.000
En passant par le bois&#13;

00:04:07.000 --&gt; 00:04:56.000
Le maniguet&#13;

00:04:56.000 --&gt; 00:06:21.000
Scottish (si tu volias)&#13;

00:06:21.000 --&gt; 00:07:20.000
Manha lo li&#13;

00:07:20.000 --&gt; 00:09:40.000
La Yoyette&#13;

00:09:40.000 --&gt; 00:13:09.000
La fille soldat&#13;

00:13:09.000 --&gt; 00:19:04.000
Marche nuptiale&#13;

00:19:04.000 --&gt; 00:19:34.000
En passant devant ta porte&#13;

00:19:34.000 --&gt; 00:21:48.000
Belle Rose, Le seigneur volage&#13;

00:21:48.000 --&gt; 00:22:29.000
Marche&#13;

00:22:29.000 --&gt; 00:22:44.000
Bourrée&#13;

00:22:44.000 --&gt; 00:23:23.000
Bourrée (chant)&#13;

00:23:23.000 --&gt; 00:24:06.000
Si ma mère voulait (bourrée)&#13;

00:24:06.000 --&gt; 00:24:27.000
Bourrée&#13;

00:24:27.000 --&gt; 00:24:46.000
Mazurka&#13;

00:24:46.000 --&gt; 00:25:15.000
Mon papa ne veut pas (polka)&#13;

00:25:15.000 --&gt; 00:27:16.000
J'ai fait une maitresse&#13;

00:27:16.000 --&gt; 00:28:14.000
M'y promenant le long des verts prés&#13;

00:28:14.000 --&gt; 00:29:55.000
Marche nuptiale&#13;

00:29:55.000 --&gt; 00:30:36.000
Chant et accordéon&#13;

00:30:36.000 --&gt; 00:31:42.000
Donne moi ta fille&#13;

00:31:42.000 --&gt; 00:32:24.000
Valse&#13;

00:32:24.000 --&gt; 00:33:42.000
Ai vist dansar&#13;

00:33:42.000 --&gt; 00:35:14.000
A sujet des noces&#13;

00:35:14.000 --&gt; 00:38:31.000
Marches de noces&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; " Soir&amp;eacute;e du 13 11 57 (&amp;eacute;mission RTF) Chants danses (2&amp;egrave;me partie)"&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Dans le cadre des relevés toponymiques effectués pour le PNR, nous avons rencontré M. Lucien TAGUET (né à Lasmay en 1927) qui a accepté de nous consacrer un peu de temps&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Nous avons recueill&lt;/span&gt;&lt;span class="fr"&gt;i son témoignage sur un jeu de cartes "Lo Martin", sur un déménagement "amb los beus", sur la la pierre des druides, la manière de dire les noms de lieux de la commune, sur les moulins, etc ...&lt;br /&gt;Réputé pour exceller dans cet exercice, il nous a aussi raconté une nhorle "la glaça" .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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