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Suite de bourrées&#13;

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Permets-moi belle meunière&#13;

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Ma madelon&#13;

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Bourrée n°1&#13;

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Bourrée n°2&#13;

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Bourrée n°3&#13;

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Variations sur un thème de Mozart&#13;

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Installation&#13;

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Présentation&#13;

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Pourquoi avoir démarré l'École du Mont Gargant ?&#13;

00:02:43.000 --&gt; 00:03:00.000
La première sortie à Surdoux&#13;

00:03:00.000 --&gt; 00:03:17.000
Des danses locales ?&#13;

00:03:17.000 --&gt; 00:03:52.000
Quand avez-vous démarré ? (M. Jaraud)&#13;

00:03:52.000 --&gt; 00:05:13.000
Les jeunes savaient déjà danser&#13;

00:05:13.000 --&gt; 00:05:54.000
Les sorties&#13;

00:05:54.000 --&gt; 00:06:57.000
Demander à appartenir au Félibrige&#13;

00:06:57.000 --&gt; 00:07:33.000
Un orchestre formidable&#13;

00:07:33.000 --&gt; 00:08:33.000
L'histoire du Mont-Dore&#13;

00:08:33.000 --&gt; 00:08:48.000
Ancien enregistrement&#13;

00:08:48.000 --&gt; 00:09:06.000
Pourquoi avez-vous créé cette fête ?&#13;

00:09:06.000 --&gt; 00:10:39.000
S'occuper de la Saint-Valentin&#13;

00:10:39.000 --&gt; 00:13:30.000
Le programme des festivités&#13;

00:13:30.000 --&gt; 00:14:27.000
Le comité de coordination&#13;

00:14:27.000 --&gt; 00:15:57.000
La suite du programme&#13;

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Présentation : survivance ou mort de la sorcellerie&#13;

00:00:36.000 --&gt; 00:02:42.000
Autour du lac de Vassivière&#13;

00:02:42.000 --&gt; 00:04:05.000
Le mauvais œil &#13;

00:04:05.000 --&gt; 00:05:21.000
À Saint-Sulpice-Laurière&#13;

00:05:21.000 --&gt; 00:07:16.000
Lever un sort&#13;

00:07:16.000 --&gt; 00:08:56.000
Tirer les cartes&#13;

00:08:56.000 --&gt; 00:12:06.000
Du sorcier&#13;

00:12:06.000 --&gt; 00:13:32.000
Le feuillardier de Nexon&#13;

00:13:32.000 --&gt; 00:14:01.000
Du feu dans la sorcellerie&#13;

00:14:01.000 --&gt; 00:16:38.000
Nommer un "sorcier"&#13;

00:16:38.000 --&gt; 00:17:37.000
La femna&#13;

00:17:37.000 --&gt; 00:19:59.000
Un portrait du sorcier&#13;

00:19:59.000 --&gt; 00:24:48.000
Du maintien des croyances&#13;

00:24:48.000 --&gt; 00:27:03.000
Du phénomène de sorcellerie&#13;

00:27:03.000 --&gt; 00:28:03.000
Réparer les machines&#13;

00:28:03.000 --&gt; 00:29:23.000
Des messes noires&#13;

00:29:23.000 --&gt; 00:36:46.000
R. Margerit, Mont-Dragon (fiction)&#13;

00:36:46.000 --&gt; 00:42:47.000
Entretien avec l'auteur&#13;

00:42:47.000 --&gt; 00:43:52.000
Entretien avec Jean Blanzat&#13;

00:43:52.000 --&gt; 00:46:50.000
Entretien avec Claude Seignolle&#13;

00:46:50.000 --&gt; 00:56:20.000
L'homme qui savait d'avance (fiction)&#13;

00:56:20.000 --&gt; 00:57:09.000
La Malvina&#13;

00:57:09.000 --&gt; 00:58:58.000
Recrudescence de la sorcellerie&#13;

00:58:58.000 --&gt; 01:00:05.000
Fin de l'émission &#13;

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Musique de chambre : introduction&#13;

01:00:46.000 --&gt; 01:01:57.000
Présentation de Luis Galvez (pianiste)&#13;

01:01:57.000 --&gt; 01:07:12.000
Hommage à Albéniz, de Joaquin Rodrigo&#13;

01:07:12.000 --&gt; 01:12:19.000
Évocacion (de la suite Iberia), d'Albéniz&#13;

01:12:19.000 --&gt; 01:16:31.000
La danse de la lumière, d'Emmanuel de Faya
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur cette bande est pos&amp;eacute;e une &amp;eacute;tiquette o&amp;ugrave; il est &amp;eacute;crit&amp;nbsp;"&lt;span style="color: #808080;"&gt;556 ; Batteuse ; 29-8-67 ; Vaulry&lt;/span&gt;".&lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement (s&amp;ucirc;rement pendant une r&amp;eacute;p&amp;eacute;tition) du groupe folklorique d'Ambazac &amp;laquo; Lou Gerbassou &amp;raquo;. &lt;br /&gt;Nous y entendons plusieurs chansons en langue limousine (&lt;em&gt;La brian&amp;ccedil;a, La bela mair, Las quatre sasons&lt;/em&gt;) ainsi qu'une&lt;em&gt; nh&amp;ograve;rla&lt;/em&gt;, une histoire dr&amp;ocirc;le (&lt;em&gt;L'istoara dau meitadier&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;Nous ne connaissons malheureusement pas la date exacte de cet enregistrement (possiblement au d&amp;eacute;but des ann&amp;eacute;es 1970).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas). &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Brouhaha&#13;

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La briança&#13;

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L'istoara dau meitadier&#13;

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Una autra !&#13;

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Las quatre sasons&#13;

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Quand j'étais chez mon père (fin)&#13;

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Suite deux sévrienne vrille pastillet&#13;

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Reprise du morceau&#13;

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En voiture et danse à billardeau&#13;

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Partie inaudible&#13;

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Reprise du morceau&#13;

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La vrille à la bouteille&#13;

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Air Mail Special&#13;

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Body and soul - début&#13;

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Plaisir d'amour&#13;

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Histoire d'un paysan charentais&#13;

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Dans les clairs matins d'avril&#13;

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L'histoire d'un titi parisien&#13;

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Credo&#13;

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Frères chrétiens ...&#13;

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Oh Seigneur ! Écoutez-moi, pitié !&#13;

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Ta famille se réjouit des dons qu'elle reçoit de toi ...&#13;

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Fin et remerciements&#13;

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Chorale&#13;

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Prière eucharistique&#13;

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Le Seigneur soit avec vous ...&#13;

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Sanctus&#13;

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"Vive la pêche"&#13;

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Présentation du groupe&#13;

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Les costumes&#13;

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Les projets&#13;

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Sermon&#13;

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Cresem en vos&#13;

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Tambourins et galoubets&#13;

00:13:52.000 --&gt; 00:15:30.000
Dins sa bontat infinida&#13;

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Face A - Partie musicale&#13;

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Face B - De l'organisation de commissions&#13;

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Le problème des majorettes&#13;

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Du transport du matériel&#13;

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Les gestionnaires du folklore français&#13;

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Faire intervenir une aide extérieure&#13;

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A l'UNESCO&#13;

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Le Folk Music International Council&#13;

00:31:35.000 --&gt; 00:32:44.000
Nous n'avons jamais été officiellement représentés&#13;

00:32:44.000 --&gt; 00:34:37.000
Des erreurs dans Folklore de France&#13;

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Ce que nous publions&#13;

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Il y a des crédits&#13;

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Partie difficilement audible&#13;

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Partie musicale&#13;

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Générique&#13;

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Interlude musical&#13;

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Suite de l'entretien&#13;

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Entretien avec Alain Barrière&#13;

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Emporte-moi&#13;

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Lo gui, l'an nuòu&#13;

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La Varsovienne&#13;

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Introduction&#13;

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La Manuguet&#13;

00:02:25.000 --&gt; 00:03:34.000
Les crêpes&#13;

00:03:34.000 --&gt; 00:04:33.000
La pica-talon&#13;

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Les fagots&#13;

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Le panliran&#13;

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Le casse-noisette&#13;

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Les rats&#13;

00:07:42.000 --&gt; 00:08:05.000
Quelques indications&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Boutineau (le sel)"&lt;/span&gt;.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Au d&amp;eacute;but de cette bande, nous retrouvons &lt;strong&gt;M BOUTINAU&lt;/strong&gt; qui parle de la r&amp;eacute;colte, de la vente et du transport du sel sur l'&amp;icirc;le d'Ol&amp;eacute;ron.&lt;/span&gt;&lt;/div&gt;&#13;
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Que devient le sel ?&#13;

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L'arrivée du sel&#13;

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Le lest des bâteaux&#13;

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À Saintes&#13;

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L'année 1969&#13;

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Les relations culturelles&#13;

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Participation aux différentes manifestations&#13;

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Conclusion&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Emission confolens 14/8/70"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"certainement en 38 cm"&lt;/span&gt;. Sur le c&amp;ocirc;t&amp;eacute; de cette bande, sur une petite &amp;eacute;tiquette, il est not&amp;eacute;&amp;nbsp; &lt;span style="color: #808080;"&gt;"conf"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s'agit d'un enregistrement d'une partie du festival de Confolens de l'ann&amp;eacute;e 1970 dans lequel le folklore tunisien est mis &amp;agrave; l'honneur.&lt;br /&gt;Puis nous entendons l'avis du pr&amp;eacute;sentateur des galas du festival, &lt;strong&gt;Jacques Imbert&lt;/strong&gt;, &amp;agrave; propos de divers sujets touchants au folklore ou aux festivals.&lt;br /&gt;&lt;br /&gt;La qualit&amp;eacute; de cet enregistrement est plut&amp;ocirc;t mauvaise.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Introduction&#13;

00:01:03.000 --&gt; 00:01:52.000
Présentation des festivités &#13;

00:01:52.000 --&gt; 00:02:59.000
Pour décrire l'ambiance&#13;

00:02:59.000 --&gt; 00:05:02.000
Le besoin d'authenticité (Jacques Imbert)&#13;

00:05:02.000 --&gt; 00:07:11.000
Instrumental&#13;

00:07:11.000 --&gt; 00:09:36.000
Du chorégraphe et du metteur en scène&#13;

00:09:36.000 --&gt; 00:12:32.000
La chanson du coucou&#13;

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Des amateurs dans le folklore&#13;

00:14:35.000 --&gt; 00:15:23.000
Présentation de la chanson&#13;

00:15:23.000 --&gt; 00:19:44.000
Chanson tunisienne&#13;

00:19:44.000 --&gt; 00:21:14.000
On n'aime pas le folklore en France&#13;

00:21:14.000 --&gt; 00:23:21.000
Instrumental&#13;

00:23:21.000 --&gt; 00:25:34.000
Les instruments de l'ensemble national tunisien&#13;

00:25:34.000 --&gt; 00:29:12.000
Myriam (chanson)&#13;

00:29:12.000 --&gt; 00:31:55.000
La bédouine (chanson)&#13;

00:31:55.000 --&gt; 00:32:38.000
Le but des chansons tunisiennes&#13;

00:32:38.000 --&gt; 00:33:24.000
Un stage de vielle&#13;

00:33:24.000 --&gt; 00:35:30.000
Instrumental (vielle)&#13;

00:35:30.000 --&gt; 00:36:07.000
La cornemuse&#13;

00:36:07.000 --&gt; 00:36:50.000
Le groupe I Macchiaghioli&#13;

00:36:50.000 --&gt; 00:40:44.000
Les cloches du villages (chanson)&#13;

00:40:44.000 --&gt; 00:42:07.000
Présentation des groupes chorégraphiques&#13;

00:42:07.000 --&gt; 00:43:54.000
Mauja (instrumental)&#13;

00:43:54.000 --&gt; 00:48:08.000
La position du festival dans le folklore (Jacques Imbert)&#13;

00:48:08.000 --&gt; 00:50:30.000
Instrumental&#13;

00:50:30.000 --&gt; 00:51:49.000
En conclusion&#13;

00:51:49.000 --&gt; 00:53:28.000
Instrumental&#13;

00:53:28.000 --&gt; 00:54:30.000
Quoi qu'il en soit ...&#13;

00:54:30.000 --&gt; 00:55:33.000
Instrumental&#13;

00:55:33.000 --&gt; 00:56:36.000
C'est bien d 'amour qu'il s'agit&#13;

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Air de violon&#13;

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Fume ta pipe Napoléon&#13;

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Air de violon&#13;

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Et comment elle s'appelle, celle-là ?&#13;

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Le bal des terres virées&#13;

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Et le quadrille de Mme Angot&#13;

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La lourde&#13;

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Paroles&#13;

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T'as du goret&#13;

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Le bal de la boulangère&#13;

00:07:18.000 --&gt; 00:07:40.000
Et comment ça se dansait ?&#13;

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La valse "escottish"&#13;

00:09:33.000 --&gt; 00:10:58.000
Accordage&#13;

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Le pas d'été&#13;

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Le pas d'été (autre version)&#13;

00:12:51.000 --&gt; 00:13:16.000
Et comment ça se dansait ?&#13;

00:13:16.000 --&gt; 00:15:05.000
De l'élevage du porc&#13;

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                <text>00:00:00.000 --&gt; 00:02:11.000
Présentation de la messe&#13;

00:02:11.000 --&gt; 00:03:11.000
Es nascut l'enfanton divenc&#13;

00:03:11.000 --&gt; 00:03:30.000
Puis, la messe va commencer ...&#13;

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N'i a gaire qu'ai auvit&#13;

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Evangeli de Sent Luc&#13;

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La pregiera daus bargiers&#13;

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Lu solelh de justícia (Angèle Chabeaudie)&#13;

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Bénédiction des agneaux&#13;

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Diu eria dins sa botica&#13;

00:21:42.000 --&gt; 00:23:15.000
Offertoire&#13;

00:23:15.000 --&gt; 00:24:44.000
Hosanna&#13;

00:24:44.000 --&gt; 00:27:05.000
Chut, chut, que l'enfant duerm&#13;

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Discussion&#13;

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Générique d'ouverture&#13;

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De la danse&#13;

00:00:54.000 --&gt; 00:01:08.000
Air de violon&#13;

00:01:08.000 --&gt; 00:01:38.000
Selon Roger Blanchard&#13;

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Une scottish&#13;

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L'aiga de ròcha&#13;

00:03:48.000 --&gt; 00:05:03.000
La polka piquée&#13;

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La fricassée&#13;

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La guimbarde&#13;

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Mas l'autre jorn en m'i permenant&#13;

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La Janeton (bourrée)&#13;

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La bourrée de Naves&#13;

00:13:24.000 --&gt; 00:14:00.000
La danse continue ...&#13;

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Conclusion de l'émission&#13;

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Bela Nanon&#13;

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Instrumental&#13;

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La quête des œufs &#13;

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Lo turlututu&#13;

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Bonsoir Félicie ...&#13;

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Lu "camping" (Félicie Brouillet)&#13;

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Où vas-tu de ce pas Nicolas ?&#13;

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"Baï, baï comijado" (bourrée)&#13;

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Au revoir&#13;

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Instrumental&#13;

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                <text>00:00:00.000 --&gt; 00:00:18.000
La marche de Nicolas&#13;

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Présentation&#13;

00:00:29.000 --&gt; 00:00:43.000
La marche de Nicolas - suite&#13;

00:00:43.000 --&gt; 00:01:44.000
Décors limousin&#13;

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A Troche, Les Compagnons de la Couade&#13;

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Bourrée&#13;

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La Varsovienne&#13;

00:05:46.000 --&gt; 00:07:00.000
La guimbarde&#13;

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Derrière le château de Montviel&#13;

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À Tulle&#13;

00:09:51.000 --&gt; 00:12:01.000
Les messieurs de La Tour&#13;

00:12:01.000 --&gt; 00:12:20.000
Bonsoir à France Vernillat&#13;

00:12:20.000 --&gt; 00:15:55.000
La meschanta maire&#13;

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Introduction&#13;

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En cette mi-février ...&#13;

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Présentation de Gilbert Julien&#13;

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Para lo lop&#13;

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Nos coutumes, nos parlers restent vivants&#13;

00:04:15.000 --&gt; 00:05:03.000
De las danças&#13;

00:05:03.000 --&gt; 00:05:49.000
Un èr de valsa&#13;

00:05:49.000 --&gt; 00:06:20.000
Dau bale de Sent Estefe&#13;

00:06:20.000 --&gt; 00:07:37.000
La prumiera automobila&#13;

00:07:37.000 --&gt; 00:09:43.000
Devinettes&#13;

00:09:43.000 --&gt; 00:11:45.000
Un air de vielle&#13;

00:11:45.000 --&gt; 00:13:43.000
Un air de saxophone&#13;

00:13:43.000 --&gt; 00:15:03.000
Lu rainard e l'escuròu&#13;

00:15:03.000 --&gt; 00:15:22.000
Ce texte de Charles Silvestre ...&#13;

00:15:22.000 --&gt; 00:18:08.000
Los adissiatz&#13;

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Darrier lo castel de Montvielh&#13;

00:20:54.000 --&gt; 00:21:48.000
Adieu Albert Pestour&#13;

00:21:48.000 --&gt; 00:23:07.000
Instrumental&#13;

00:23:07.000 --&gt; 00:25:02.000
Le moment est venu de nous quitter&#13;

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Aujourd'hui en Limousin ...&#13;

00:00:44.000 --&gt; 00:01:34.000
Fanfare&#13;

00:01:34.000 --&gt; 00:01:58.000
Transition instrumentale&#13;

00:01:58.000 --&gt; 00:02:10.000
(Difficilement audible)&#13;

00:02:10.000 --&gt; 00:02:56.000
Saint-Médard-d'Excideuil&#13;

00:02:56.000 --&gt; 00:03:29.000
Présentation de l'entretien avec André Maurois&#13;

00:03:29.000 --&gt; 00:04:26.000
N'éprouvez-vous pas quelque mélancolie ?&#13;

00:04:26.000 --&gt; 00:05:32.000
Au hasard des promenades champêtres&#13;

00:05:32.000 --&gt; 00:06:32.000
De Saint-Junien&#13;

00:06:32.000 --&gt; 00:07:04.000
Chant&#13;

00:07:04.000 --&gt; 00:07:39.000
Une page d'histoire locale&#13;

00:07:39.000 --&gt; 00:07:49.000
Chabrette&#13;

00:07:49.000 --&gt; 00:09:14.000
L'industrie à Saint-Junien&#13;

00:09:14.000 --&gt; 00:10:14.000
À vous troupe fidèle&#13;

00:10:14.000 --&gt; 00:11:00.000
De Camille Corot&#13;

00:11:00.000 --&gt; 00:11:43.000
C'était l'antenne A&#13;

00:11:43.000 --&gt; 00:12:23.000
L'âme des poètes (C. Trenet)&#13;

00:12:23.000 --&gt; 00:13:05.000
Il était une voix (conte)&#13;

00:13:05.000 --&gt; 00:13:51.000
Anecdote de tournage&#13;

00:13:51.000 --&gt; 00:14:21.000
À Dakar&#13;

00:14:21.000 --&gt; 00:15:16.000
Pourquoi aimez-vous Paris ?&#13;

00:15:16.000 --&gt; 00:15:30.000
Avec Marguerite Deval ...&#13;

00:15:30.000 --&gt; 00:16:33.000
Pour être heureux ... chantez (chanson)&#13;

00:16:33.000 --&gt; 00:17:27.000
Mon cœur est un violon (chanson)&#13;

00:17:27.000 --&gt; 00:18:13.000
Laboratoire et recherche scientifique&#13;

00:18:13.000 --&gt; 00:19:28.000
La passion pour la musique&#13;

00:19:28.000 --&gt; 00:20:22.000
Qu'est-ce que la douleur ?&#13;

00:20:22.000 --&gt; 00:20:41.000
Vos affaires sont florissantes !&#13;

00:20:41.000 --&gt; 00:21:27.000
À Marie&#13;

00:21:27.000 --&gt; 00:22:34.000
Extrait de "La vie parisienne" (H. Meilhac et L. Halévy)&#13;

00:22:34.000 --&gt; 00:23:15.000
J'adore Paris&#13;

00:23:15.000 --&gt; 00:23:46.000
Instrumental
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N'i a gaire qu'ai auvit&#13;

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Diu eria dins sa botica&#13;

00:05:33.000 --&gt; 00:07:09.000
Tu senhor ses sent&#13;

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Chut, chut, que l'enfant duerm&#13;

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Chut, chut, que l'enfant duerm (reprise)&#13;

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À vous troupe fidèle&#13;

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Dessot una teulada&#13;

00:18:27.000 --&gt; 00:21:19.000
Chut, chut, que l'enfant duerm&#13;

00:21:19.000 --&gt; 00:23:55.000
N'i a gaire qu'ai auvit&#13;

00:23:55.000 --&gt; 00:24:37.000
Nous terminons la répétition&#13;

00:24:37.000 --&gt; 00:26:36.000
Morceau de jazz (1)&#13;

00:26:36.000 --&gt; 00:29:06.000
Morceau de jazz (2)&#13;

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                <text>00:00:00.000 --&gt; 00:00:38.000
Générique d'ouverture : Chas nos (J. Rebier)&#13;

00:00:38.000 --&gt; 00:01:13.000
Allô Limoges&#13;

00:01:13.000 --&gt; 00:01:38.000
Pourquoi êtes-vous à Munich&#13;

00:01:38.000 --&gt; 00:01:50.000
Êtes-vous le seul groupe français ?&#13;

00:01:50.000 --&gt; 00:02:09.000
Comment avez-vous été choisis ?&#13;

00:02:09.000 --&gt; 00:02:30.000
Quel est le programme des festivités ?&#13;

00:02:30.000 --&gt; 00:03:02.000
Le mode de vie ne vous change pas ?&#13;

00:03:02.000 --&gt; 00:03:20.000
Avez-vous emmené des gants de peau ?&#13;

00:03:20.000 --&gt; 00:03:42.000
Que présentez-vous dans votre programme ?&#13;

00:03:42.000 --&gt; 00:04:45.000
Le cuer de ma mia&#13;

00:04:45.000 --&gt; 00:07:33.000
Lo turlututu&#13;

00:07:33.000 --&gt; 00:08:48.000
Las quatre sasons&#13;

00:08:48.000 --&gt; 00:10:13.000
Y a rien d'aussi charmant que la bergère aux champs&#13;

00:10:13.000 --&gt; 00:12:01.000
Voulez-vous donc toujours, madame, faire résistance à l'amour ?&#13;

00:12:01.000 --&gt; 00:12:25.000
Nous allons être reçus par la municipalité ...&#13;

00:12:25.000 --&gt; 00:13:04.000
Le chant de l'amitié&#13;

00:13:04.000 --&gt; 00:13:29.000
Salutations aux techniciens&#13;

00:13:29.000 --&gt; 00:14:01.000
Quand est-ce que vous rentrez ?&#13;

00:14:01.000 --&gt; 00:15:30.000
À vous troupe fidèle&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"721 diffus&amp;eacute; 20/5&amp;nbsp;; ascension&amp;nbsp;; Berceuse de Teilliet&amp;nbsp;;&amp;nbsp; Chez Nous 20 5 61"&lt;/span&gt;. La bande ne porte aucune indication.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de l&amp;rsquo; &amp;eacute;mission &amp;laquo; Chez nous &amp;raquo; telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest le 20 mai 1961, quelques jours apr&amp;egrave;s la f&amp;ecirc;te de l&amp;rsquo;Ascension. &lt;br /&gt;&lt;br /&gt;Nous y entendons plusieurs chansons interpr&amp;eacute;t&amp;eacute;es &amp;agrave; tour de r&amp;ocirc;le par &lt;strong&gt;Pierre Biossac&lt;/strong&gt;, &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; et &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; (&lt;em&gt;En-naut, sus la montanha&lt;/em&gt;, R&amp;eacute;veillez-vous la belle, Berceuse de Jean Teilliet, &amp;hellip;) ; ainsi que plusieurs airs &amp;agrave; danser interpr&amp;eacute;t&amp;eacute;s par &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Yvette Restoin &amp;agrave; la vielle ainsi que par les groupes folklorique de l&amp;rsquo;&lt;a href="http://ecoleventadour.free.fr/" target="_blank" rel="noopener"&gt;&amp;Eacute;cole Ventadour&lt;/a&gt; de Tulle, les &lt;a href="https://www.amisvieuxpoitou.fr/" target="_blank" rel="noopener"&gt;Amis du Vieux Poitou&lt;/a&gt; de Ch&amp;acirc;tellerault et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;laquo; &lt;/span&gt;&lt;a href="https://www.facebook.com/people/Los-Velhadors-De-Sent-Junian/100070015124266/" target="_blank" rel="noopener"&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;Los Velhadors de Sent Junian &lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;&amp;raquo;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Générique : Chas nos (J. Rebier)&#13;

00:00:30.000 --&gt; 00:01:07.000
L'Ascension&#13;

00:01:07.000 --&gt; 00:01:36.000
Bourrée&#13;

00:01:36.000 --&gt; 00:03:04.000
Som, som&#13;

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En-naut, sus la montanha&#13;

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Réveillez-vous la belle&#13;

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Danse&#13;

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La manuguet&#13;

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Un grand panier sur sa testa, se 'nava la Marion&#13;

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Bourrée poitevine&#13;

00:13:11.000 --&gt; 00:14:10.000
Bourrée&#13;

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Berceuse de Jean Teilliet&#13;

00:17:47.000 --&gt; 00:18:48.000
Quelques informations&#13;

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Au revoir
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Eh ben ma pita granda-mair ...&#13;

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Blancha bicha&#13;

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'Nar a Rechoart emb un asne&#13;

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On va recommencer ...&#13;

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La parricide empoisonneuse&#13;

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'N'istória de pitit coenh&#13;

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La chanson de la meunière&#13;

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Qu'es a pus pres la mesma&#13;

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Pastourelle&#13;

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Aimen-nos tots dos&#13;

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Brave galant &#13;

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Au tralala&#13;

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Ente quò se passava ?&#13;

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Le petit japonais&#13;

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Docteur Kaminger&#13;

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Breguet et l'aviation&#13;

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Émission sur Marie Ventura&#13;

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Fin d'émission&#13;

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Lecture d'un passage de "La Vagabonde" (S-G Colette)&#13;

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Pourquoi ne serais-je pas au milieu de vous ce soir ?&#13;

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Lecture des "Poèmes Saturniens" (P. Verlaine)&#13;

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Récit de vol de Saint-Exupéry&#13;

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Musique classique&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute;&amp;nbsp;&lt;span style="color: #808080;"&gt;"Lous Velhadours&amp;nbsp;; Pierre Biossac&amp;nbsp;; le petit &amp;eacute;cureuil (Y N)&amp;nbsp;; la noce du papillon&amp;nbsp;; rengaine du meunier&amp;nbsp;; les puces&amp;nbsp;; &amp;Eacute;mission Chez nous&amp;nbsp;; 1961&amp;nbsp;; Lison"&lt;/span&gt;.&amp;nbsp; La bande ne porte aucune indication. &lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'une &amp;eacute;mission de "Chez nous" (contes, chansons, po&amp;egrave;mes, ...) telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest.&lt;br /&gt;&lt;br /&gt;On peut y entendre des extraits d'enregistrements de plusieurs informateurs de &lt;strong&gt;Robert Dagnas&lt;/strong&gt; : &lt;br /&gt;- &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : &lt;em&gt;Mas l'autre jorn en m'i permenant&lt;/em&gt; (chant)&lt;br /&gt;- &lt;strong&gt;Yvette Restoin&lt;/strong&gt; : &lt;em&gt;Lo rainard e l'escur&amp;ograve;u&lt;/em&gt; (fable)&lt;br /&gt;- &lt;strong&gt;Henriette Fauriot&lt;/strong&gt; : La noce du papillon, La rengaine du meunier (chants)&lt;br /&gt;- &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; : La belle Isabeau (chant), Aviez-vous un galant ?,&amp;nbsp; Les mariages d'autrefois (souvenirs)&lt;br /&gt;- &lt;strong&gt;Andr&amp;eacute; Danias&lt;/strong&gt; : Les puces de la berg&amp;egrave;re (po&amp;egrave;me)&lt;br /&gt;- &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; : La Lison (chant)&lt;br /&gt;- &lt;a href="https://la-biaca.org/items/show/13441#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=608%2C489%2C697%2C618" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Meilhac&lt;/strong&gt;&lt;/a&gt; : &lt;em&gt;Ai vist lo lop&lt;/em&gt; (&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;bourr&amp;eacute;e)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Générique d'ouverture&#13;

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Présentation de l’émission&#13;

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Mas l'autre jorn en m'i permenant &#13;

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Lo rainard e l'escuròu&#13;

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La noce du papillon&#13;

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La rengaine du meunier&#13;

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La belle Isabeau&#13;

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Aviez-vous un galant ?&#13;

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Les mariages d'autrefois&#13;

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Les puces de la bergère &#13;

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La Lison&#13;

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Ai vist lo lop&#13;

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Conclusion&#13;

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C'était "Chez nous"
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Lo cuer de ma mia&#13;

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La terra es freja&#13;

00:03:01.000 --&gt; 00:06:19.000
Lo turlututu&#13;

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Darrier lo castel de Montvielh&#13;

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Introduction&#13;

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Petoulia et La Yoyette&#13;

00:02:58.000 --&gt; 00:05:04.000
La polka de Chamboulive&#13;

00:05:04.000 --&gt; 00:08:09.000
Monta la marmita et Les cinq noisettes&#13;

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Auvergne jolie&#13;

00:10:26.000 --&gt; 00:00:00.000
Fin&#13;

00:00:00.000 --&gt; 00:10:37.000

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La Rosalie&#13;

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Dans Paris y'a t'une brune&#13;

00:03:39.000 --&gt; 00:04:35.000
Si vos ne setz pas 'bracada ...&#13;

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Garçons de mon village&#13;

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Air de saxophone 1&#13;

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Air de saxophone 1 (bis)&#13;

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Air de saxophone 3&#13;

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Air de saxophone 4&#13;

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Lo curet Janton &#13;

00:11:27.000 --&gt; 00:12:20.000
Bourrée&#13;

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Air de saxophone 5&#13;

00:13:03.000 --&gt; 00:13:42.000
Air de saxophone 6&#13;

00:13:42.000 --&gt; 00:14:20.000
Air de saxophone 7&#13;

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                <text> Festival de Confolens</text>
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Applaudissements&#13;

00:00:44.000 --&gt; 00:01:32.000
J'ai rencontré ma mie&#13;

00:01:32.000 --&gt; 00:02:32.000
La Marchoise à Aimé Bozier&#13;

00:02:32.000 --&gt; 00:03:28.000
Pas d’été à Aimé Bozier&#13;

00:03:28.000 --&gt; 00:04:52.000
Le brisquet cellois&#13;

00:04:52.000 --&gt; 00:07:43.000
La sauce aux lumas&#13;

00:07:43.000 --&gt; 00:08:50.000
Le brisquet cellois&#13;

00:08:50.000 --&gt; 00:10:49.000
Quand j'étais chez mon père&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Chez nous, Toussaint 64 (Bernadette)"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'une &amp;eacute;mission de "Chez nous" (contes, chansons, po&amp;egrave;mes, ...) telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest. &lt;br /&gt;&lt;br /&gt;On peut y entendre plusieurs chants interpr&amp;eacute;t&amp;eacute;s par &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt;, &lt;strong&gt;Pierre Biossac&lt;/strong&gt; ainsi que par le groupe folklorique "&lt;em&gt;Los Velhadors de Sent Junian&lt;/em&gt;".&lt;br /&gt;&lt;strong&gt;Robert Dagnas&lt;/strong&gt; d&amp;eacute;die cette &amp;eacute;mission &amp;agrave; sa fille &lt;strong&gt;Bernadette&lt;/strong&gt; ainsi qu'&amp;agrave; son beau-fils Jean.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Introduction&#13;

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L'appartenance à une communauté&#13;

00:02:09.000 --&gt; 00:03:16.000
Lo rossinholet&#13;

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Mémé Angèle&#13;

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Quand i'era jòune garçon&#13;

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Pierre Biossac&#13;

00:04:20.000 --&gt; 00:05:44.000
La madelon&#13;

00:05:44.000 --&gt; 00:07:21.000
Lu cotilhon vai&#13;

00:07:21.000 --&gt; 00:07:40.000
Dédicace&#13;

00:07:40.000 --&gt; 00:09:05.000
Beau paysan, donne-moi ta fille&#13;

00:09:05.000 --&gt; 00:09:24.000
Me vœux sincères, Jean et Bernadette&#13;

00:09:24.000 --&gt; 00:09:57.000
En passant par le bois&#13;

00:09:57.000 --&gt; 00:10:17.000
Sois heureuse, ma grande&#13;

00:10:17.000 --&gt; 00:13:09.000
En passant par le bois (suite)&#13;

00:13:09.000 --&gt; 00:14:34.000
Som, som&#13;

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C'est la vie qui continue ...&#13;

00:14:53.000 --&gt; 00:15:19.000
Ai vist lo lop&#13;

00:15:19.000 --&gt; 00:16:07.000
Fin d'émission&#13;

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                <text>00:00:00.000 --&gt; 00:00:20.000
Présentation des invités&#13;

00:00:20.000 --&gt; 00:01:16.000
C'est une ville qui prospère &#13;

00:01:16.000 --&gt; 00:01:31.000
La ganterie à l’international&#13;

00:01:31.000 --&gt; 00:01:49.000
La situation géographique&#13;

00:01:49.000 --&gt; 00:03:03.000
Le problème scolaire&#13;

00:03:03.000 --&gt; 00:03:24.000
Le développement scolaire&#13;

00:03:24.000 --&gt; 00:03:37.000
Des élèves&#13;

00:03:37.000 --&gt; 00:04:16.000
Un programme&#13;

00:04:16.000 --&gt; 00:04:39.000
Remerciements&#13;

00:04:39.000 --&gt; 00:05:35.000
De la ganterie&#13;

00:05:35.000 --&gt; 00:06:54.000
Les difficultés du marché commun&#13;

00:06:54.000 --&gt; 00:08:21.000
L’extension économique&#13;

00:08:21.000 --&gt; 00:08:57.000
Un président dynamique&#13;

00:08:57.000 --&gt; 00:09:33.000
La mégisserie&#13;

00:09:33.000 --&gt; 00:09:56.000
Quelques chiffres&#13;

00:09:56.000 --&gt; 00:10:34.000
Et le folklore ?&#13;

00:10:34.000 --&gt; 00:11:40.000
Sur le plan musique&#13;

00:11:40.000 --&gt; 00:12:53.000
Le sport&#13;

00:12:53.000 --&gt; 00:13:26.000
Fin d'émission
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Enregistrement chants fran&amp;ccedil;ais (relations auditeurs)"&lt;/span&gt; ainsi que&amp;nbsp; &lt;span style="color: #808080;"&gt;"731"&lt;/span&gt;.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de plusieurs chants scolaires en fran&amp;ccedil;ais par une interpr&amp;egrave;te dont nous ne connaissons pas l&amp;rsquo;identit&amp;eacute;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;Certains de ceux-ci sont du po&amp;egrave;te &lt;a href="https://fr.wikipedia.org/wiki/Maurice_Bouchor" target="_blank" rel="noopener"&gt;Maurice Bouchor&lt;/a&gt; : &lt;br /&gt;- "Les joutes" est une adaptation de "&lt;em&gt;Los tilhol&amp;egrave;rs&lt;/em&gt;" (un chant gascon)&lt;br /&gt;- "Les noces du papillon" (sur un air traditionnel) &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous ne connaissons pas non plus la date ni le lieu de cet enregistrement (possiblement dans les ann&amp;eacute;es 1970).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Chanson de mai&#13;

00:01:14.000 --&gt; 00:02:17.000
Dans la prairie&#13;

00:02:17.000 --&gt; 00:03:22.000
J'aime à te voir, beau papillon&#13;

00:03:22.000 --&gt; 00:05:05.000
Je suis un petit ruisseau&#13;

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Blanche Neige est en voyage&#13;

00:05:43.000 --&gt; 00:07:29.000
Plus d'abris sous les feuillages&#13;

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00:10:17.000 --&gt; 00:11:36.000
Les joutes&#13;

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Aboiements&#13;

00:03:13.000 --&gt; 00:06:00.000
Quand  i'era jòuneta&#13;

00:06:00.000 --&gt; 00:08:36.000
Ma position est bien triste et cruelle&#13;

00:08:36.000 --&gt; 00:11:35.000
Son pauvre homme&#13;

00:11:35.000 --&gt; 00:15:49.000
Dedans Paris&#13;

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Chas nos m'i an donat un marit&#13;

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Tòst nuech (début) &#13;

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Tòst nuech&#13;

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Chas nos m'an maridada&#13;

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Tu te'n vas de per los champs&#13;

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Filhas nos en fau 'nar&#13;

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Lo cocut&#13;

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La polka en voiture&#13;

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La galette&#13;

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Les rats&#13;

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Si le choix est bon ...&#13;

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Si le choix est mauvais ...&#13;

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La revanche&#13;

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Bien entendu ...&#13;

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La bourrée d'Esse&#13;

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La fin de cette journée du 12 mai&#13;

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Présentation de l'enregistrement&#13;

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Le Noël "de Pijoulet"&#13;

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Sabetz-vautres la novela ?&#13;

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Lalalère&#13;

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Marisson ton piucelatge purirá ton cotilhon&#13;

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Et bien laissons là M Bourgoin&#13;

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Las filhas de Vilachiesa&#13;

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Y a du vin dans notre cave&#13;

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Le merle qui a perdu son bec
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                <text>00:00:00.000 --&gt; 00:02:23.000
Bel enfant&#13;

00:02:23.000 --&gt; 00:03:30.000
Acclamations&#13;

00:03:30.000 --&gt; 00:04:57.000
Voletz-vos durmir (essai)&#13;

00:04:57.000 --&gt; 00:07:58.000
Voletz-vos durmir&#13;

00:07:58.000 --&gt; 00:08:47.000
Psaume&#13;

00:08:47.000 --&gt; 00:10:07.000
Psaume (suite)&#13;

00:10:07.000 --&gt; 00:11:57.000
Épitre&#13;

00:11:57.000 --&gt; 00:14:28.000
La plus grande histoire&#13;

00:14:28.000 --&gt; 00:16:47.000
La plus grande histoire (bis)&#13;

00:16:47.000 --&gt; 00:17:52.000
L'arrivée des bergers&#13;

00:17:52.000 --&gt; 00:18:48.000
Revelhatz-vos pastorels (à la vielle)&#13;

00:18:48.000 --&gt; 00:20:37.000
Pregiera&#13;

00:20:37.000 --&gt; 00:22:17.000
Instrumental&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur le bo&amp;icirc;tier contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Messe de minuit &amp;agrave; ChAILLAC CUSSAC"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"22/12/69"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&#13;
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Instrumental&#13;

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Diu era dins sa botica&#13;

00:08:50.000 --&gt; 00:11:18.000
Passoleta&#13;

00:11:18.000 --&gt; 00:15:16.000
Chantons quand le ciel est beau&#13;

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Bel enfant&#13;

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Bel enfant (reprise)&#13;

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Lo solelh de justícia&#13;

00:25:37.000 --&gt; 00:30:09.000
D'où viens-tu bergère&#13;

00:30:09.000 --&gt; 00:31:25.000
Acclamations&#13;

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Qu'est-ce que vous faisiez pendant 3 jours ?&#13;

00:01:07.000 --&gt; 00:01:51.000
Où mangeaient-ils ?&#13;

00:01:51.000 --&gt; 00:02:34.000
Ce qui se vendait&#13;

00:02:34.000 --&gt; 00:03:00.000
La tradition des bonnes fontaines&#13;

00:03:00.000 --&gt; 00:03:33.000
Vous souvenez-vous des premières fois&#13;

00:03:33.000 --&gt; 00:04:33.000
Les dévotions&#13;

00:04:33.000 --&gt; 00:05:04.000
Y aller pour les autres&#13;

00:05:04.000 --&gt; 00:05:36.000
Des commerçants&#13;

00:05:36.000 --&gt; 00:06:08.000
La municipalité va faire revivre cette tradition&#13;

00:06:08.000 --&gt; 00:07:06.000
Un propriétaire qui avait fermé les bonnes fontaines&#13;

00:07:06.000 --&gt; 00:07:45.000
Vous irez, vous aussi, aux bonnes fontaines&#13;

00:07:45.000 --&gt; 00:09:45.000
Ce que vont être les bonnes fontaines&#13;

00:09:45.000 --&gt; 00:11:02.000
Le cadre des bonnes fontaines&#13;

00:11:02.000 --&gt; 00:00:00.000
Les décorations et la nourriture 
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Passoleta&#13;

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Alleluia&#13;

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La terra es freja&#13;

00:11:05.000 --&gt; 00:15:40.000
Revelhatz vos pastorels&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur la bo&amp;icirc;te contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Messe &amp;agrave; Flavignac ; 22-XII-71 ; Lu souleu de justi&amp;ccedil;o (2 reprise) ; A vous troupe fidele ; sermon"&lt;/span&gt;.&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit de l'enregistrement d&amp;rsquo;une r&amp;eacute;p&amp;eacute;tition de la chorale du groupe folklorique &lt;a href="https://www.facebook.com/profile.php?id=100070015124266" target="_blank" rel="noopener"&gt;&lt;em&gt;Los Velhadors de Sent Junian&lt;/em&gt;&lt;/a&gt;&amp;nbsp;en vue de la messe de minuit de Flavignac en d&amp;eacute;cembre 1971.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous pouvons ensuite y entendre en sermon en occitan limousin.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:03:18.000
Diu era dins sa botica&#13;

00:03:18.000 --&gt; 00:04:20.000
Lo solelh de justícia&#13;

00:04:20.000 --&gt; 00:08:27.000
Lo solelh de justícia (reprise)&#13;

00:08:27.000 --&gt; 00:11:20.000
À vous troupe fidèle&#13;

00:11:20.000 --&gt; 00:12:05.000
Essai&#13;

00:12:05.000 --&gt; 00:13:51.000
Entau es lu bon Diu (sermon)&#13;

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