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&lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Monsieur &lt;strong&gt;Albert Guillet&lt;/strong&gt;, n&amp;eacute; en 1905, &amp;eacute;tait agriculteur aux Grandes Maisons, sur la commune de Chir&amp;eacute;-les-bois et jouait de l'accord&amp;eacute;on diatonique au sein de "La Marchoise" .&lt;br /&gt;M. Dagnas avait rencontr&amp;eacute; monsieur Guillet &lt;span style="font-size: 14pt;"&gt;&amp;agrave; Gen&amp;ccedil;ay&lt;/span&gt; chez M. et Mme Vali&amp;egrave;re &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/381" target="_blank" rel="noopener"&gt;(chez nous la 400&amp;egrave;me)&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; c'est sans doute Michel Vali&amp;egrave;re qui interroge M. Guillet.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Le musicien interpr&amp;egrave;te ici tout un r&amp;eacute;pertoire traditionnel : polkas, marches, scottishs, marchoises, quadrilles ... mais aussi quelques airs du r&amp;eacute;pertoire des chasses &amp;agrave; courre ainsi que des m&amp;eacute;lodies entendues &amp;agrave; l' &amp;eacute;glise &lt;/span&gt;.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;Le Fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>La place Albert PESTOUR - 5 - Albert Pestour</text>
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      <name>Oral History</name>
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              <text>informateurs multiples robert dagnas albert pestour eugene tarrade violon poesie limousin occitan patois</text>
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            <name>Date Issued</name>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>Albert Pestour, Eugène Tarrade</text>
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            <description>The topic of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/671/RD2064Net.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 705, M. Robert Dagnas a indiqu&amp;eacute; : "&lt;span style="color: #999999;"&gt;Bruits autour de la maison, &amp;Eacute;mission Paul Armis&lt;/span&gt; (?) "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De fait les premi&amp;egrave;res minutes sont un enregistrement que M. Dagnas a fait autour de chez lui le &lt;span class="fr" style="font-size: 14pt;"&gt;7 mai 1959 il a enregistr&amp;eacute; "les bruits de la nuit". Ensuite il s'agit probablement d' une &amp;eacute;mission de radio (ou de sa pr&amp;eacute;paration) consacr&amp;eacute;e aux po&amp;egrave;mes &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;d'&lt;strong&gt;Albert Pestour&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; sur l&lt;span class="fr" style="font-size: 14pt;"&gt;a terre Limousine .&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face B de cette bande un enregistrement chez M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, Violoneux de Chamberet en pr&amp;eacute;sence de sa fille et de Mme Brouillac. Malheureusement, suite &amp;agrave; de mauvaises manipulations, le magn&amp;eacute;to enregistre lorsque M Dagnas crois qu'il est arr&amp;ecirc;t&amp;eacute; et vice versa ... &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros* un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) en 1975 lors d'une veill&amp;eacute;e . Nous&lt;/span&gt; retrouvons quelques informateurs pr&amp;eacute;sents sur le premier enregistrement &lt;em&gt;(voir en bas de page) &lt;/em&gt;: &lt;br /&gt;- L'autre jorn me permenava (Alexandre Fraysse) &lt;br /&gt;- Berger mon doux berger (Alexandre Fraysse et Marcel Geneste)&lt;br /&gt;- D&amp;eacute;part pour l'Afrique (Marcelle Bourg)&lt;br /&gt;- Marion (Alexandre Fraysse) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Et une suite de morceaux de musique (utilis&amp;eacute;s par le foyer de Favars pour leurs r&amp;eacute;p&amp;eacute;titions) par le groupe folklorique "Les troubadours de Tulle" :&lt;em&gt; La gigue, la bourr&amp;eacute;e de Chanac, un Menuet, La guimbarde, La balade, La gigue, La Rosette et &amp;agrave; nouveau le menuet.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande non num&amp;eacute;rot&amp;eacute;e il est not&amp;eacute; &lt;span style="color: #666699;"&gt;"Gen&amp;ccedil;ay 2 suite du violoniste 810 "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons un musicien de Blanzay, &lt;strong&gt;M. &lt;a href="http://www.violoneux.fr/wiki/Alfred_Pineau" target="_blank" rel="noopener"&gt;Alfred Pineau&lt;/a&gt;&lt;/strong&gt; qui &amp;eacute;tait n&amp;eacute; en 1886 il&lt;span style="font-size: 14pt;"&gt; est enregistr&amp;eacute; en pr&amp;eacute;sence de sa femme, Marie que l'on entend chanter &amp;agrave; plusieurs reprises .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document, une succession de morceaux puis M. Pineau est interrog&amp;eacute; &lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;(ce n'est pas M. Dagnas qui lui pose les questions mais Michel Vali&amp;egrave;re qui nous pr&amp;eacute;cise que l'enregistrement date de 1966 "Il s'agissait de r&amp;eacute;aliser un "digest" radiophonique et p&amp;eacute;dagogique du r&amp;eacute;pertoire d'Alfred Pineau r&amp;eacute;alis&amp;eacute; &amp;agrave; l'intention de Radio Limoges, j'avais d&amp;eacute;j&amp;agrave; enregistr&amp;eacute; M Pineau auparavant, mais je souhaitais faire conna&amp;icirc;tre ainsi sa m&amp;eacute;thode d'&amp;eacute;criture chiffr&amp;eacute;e pour violon, dont je venais d'envoyer &amp;agrave; la BNF &amp;agrave; Paris une copie du cahier dont il parle.)&lt;/span&gt;&lt;/em&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;sur son premier violon, sa mani&amp;egrave;re d'&amp;eacute;crire les notes, la conduite des noces, le paiement &amp;agrave; la danse, le rond de la pastourelle, etc ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;En fin de bande (&amp;agrave; partir de 12mn 12), un autre enregistrement d'un informateur non identifi&amp;eacute;, natif de Tulle (19) qui parle de No&amp;euml;l, de la l&amp;eacute;gende de la dame blanche de Gimel, du rapport aux l&amp;eacute;gendes . &lt;br /&gt;Le propos est interromu par la fin de la bande &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Sur cette bande sans indication, un enregistrement du violoneux &lt;a href="http://www.violoneux.fr/wiki/Alfred_Pineau" target="_blank" rel="noopener"&gt;&lt;strong&gt;Alfred Pineau&lt;/strong&gt;&lt;/a&gt; de Blanzay (86) dans lequel il interpr&amp;egrave;te une succession de morceaux. &lt;br /&gt;Il&amp;nbsp;est enregistr&amp;eacute; en pr&amp;eacute;sence de sa femme, &lt;strong&gt;Marie&lt;/strong&gt; - que l'on entend chanter &amp;agrave; plusieurs reprises - et est interrog&amp;eacute; par &lt;strong&gt;Michel Vali&amp;egrave;re&lt;/strong&gt;. &lt;br /&gt;&lt;br /&gt;La bande se termine par l&amp;rsquo;enregistrement d&amp;rsquo;un entretien avec un &amp;eacute;leveur de porcs &amp;agrave; propos de la rentabilit&amp;eacute; des exploitations.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:23.000
Air de violon&#13;

00:00:23.000 --&gt; 00:01:27.000
Fume ta pipe Napoléon&#13;

00:01:27.000 --&gt; 00:02:11.000
Air de violon&#13;

00:02:11.000 --&gt; 00:02:43.000
Et comment elle s'appelle, celle-là ?&#13;

00:02:43.000 --&gt; 00:03:33.000
Le bal des terres virées&#13;

00:03:33.000 --&gt; 00:03:57.000
Et le quadrille de Mme Angot&#13;

00:03:57.000 --&gt; 00:04:54.000
La lourde&#13;

00:04:54.000 --&gt; 00:05:10.000
Paroles&#13;

00:05:10.000 --&gt; 00:06:13.000
T'as du goret&#13;

00:06:13.000 --&gt; 00:07:18.000
Le bal de la boulangère&#13;

00:07:18.000 --&gt; 00:07:40.000
Et comment ça se dansait ?&#13;

00:07:40.000 --&gt; 00:09:33.000
La valse "escottish"&#13;

00:09:33.000 --&gt; 00:10:58.000
Accordage&#13;

00:10:58.000 --&gt; 00:11:46.000
Le pas d'été&#13;

00:11:46.000 --&gt; 00:12:51.000
Le pas d'été (autre version)&#13;

00:12:51.000 --&gt; 00:13:16.000
Et comment ça se dansait ?&#13;

00:13:16.000 --&gt; 00:15:05.000
De l'élevage du porc&#13;

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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous tenons &amp;agrave; remercier la direction de l'&amp;eacute;tablissement et le personnel qui nous ont grandement facilit&amp;eacute; la t&amp;acirc;che.&lt;/span&gt;&lt;/p&gt;</text>
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