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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces images ont été prises lors d'une stage organisé par l'IEO lemosin et l'association "las chambas finas daus Condats" au mois de novembre 2007 . &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Depuis longtemps Marcel Belette nous parlait de la manière de danser la mazurka "à la limousine" qu'il tenait de ses voisins d' Orgnac sur Vézère . Nous lui avons demandé de bien vouloir nous l'enseigner, (et ce fut laborieux pour quelques uns !) &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous avons passé du bon temps cet après midi et, comme souvent avec les amis de Condat, cela s'est terminé un peu tard après un copieux casse-croute .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce sujet des images du stage de mazurka et quelques plans de sautières .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous remercions tous les participants au stage et les musiciens présents ce soir là : &lt;span style="font-size:14pt;"&gt;Jean Marie Caunet&lt;/span&gt;, Serge Chassagne, Christian Madelmont et Jean François Mathieu &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été translis pour numérisation et mise en ligne par Francis Chaminade, une suite d'enregistrements réalisés par ses soins en basse Corrèze et dans la Dordogne voisine (Rosiers de Juillac, Saint Pantaléon de Larche, Hautefort, Excideuil, Saint Agnan, Beauregard, Badefols d'Ans ...) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Plusieurs informateurs, chanteurs et musiciens se succèdent, tous ne sont plus identifiés . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Madame Hiver à Hautefort, des résidents de la maison de retraite d' Exideuil, M. Gabriel Brégère, M. Albert Buffière (accordéon diatonique) etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Quelques "classiques" (&lt;span class="oc"&gt;Lo pelhaïre, Un jorn dins l'estolhas, Baissas te montanha, la Gerba bauda&lt;/span&gt;, Belle Fanchon, Le seigneur volage, le turlututu, ...) mais beaucoup de chansons plus rares (2 versions de &lt;span class="oc"&gt;La Margoton, Chas nos me marideren, Ma Marion, L'aubre a la chamba tòrta,&lt;/span&gt; Allant à la fontaine (l'assassinat du fils) , &lt;span class="oc"&gt;Cinq sòus per la chabariera ...&lt;/span&gt;) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement beaucoup de répertoire de danse, des chansons courtes, de nombreuses sautières, marches, polkas, scottishs, quadrilles, valses, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques uns de ces enregistrements ont été faits avec Jean et Popy Dupetitmagnieux (alors membres, comme Francis Chaminade,  du groupe "lo Chavilhier")&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>musique traditionnelle</text>
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              <text>angele chabeaudie robert dagnas chez sadry patois limousin occitan chaillac haute vienne chabeaudie</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Chez SADRY</text>
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                <text>Angele CHABEAUDIE</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, la pr&amp;eacute;paration d'une &amp;eacute;mission de " Chez Nous" telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges en 1964 . Le montage en semble pas &amp;ecirc;tre termin&amp;eacute;, pas de g&amp;eacute;n&amp;eacute;rique ni de conclusion de l'&amp;eacute;mission &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; Ang&amp;egrave;le Chabeaudie qui rassemble plusieurs enregsitrements r&amp;eacute;alis&amp;eacute;s aupr&amp;egrave;s de cette extraordinaire informatrice . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;M. Dagnas pr&amp;eacute;sente l' &amp;eacute;mission une visite "Chez Sadry", ensuite Mme Chabeaudie chante &lt;span class="oc"&gt;La pita Janeton,&lt;/span&gt; Bonjour jolie berg&amp;egrave;re, une suite de bourr&amp;eacute;es, &lt;span class="oc"&gt;L'auseu lo mai que aime, T'en donarai&lt;/span&gt; , Les femmes sont bien b&amp;ecirc;tes, Adieu la fleur de ma jeunesse&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; elle &amp;eacute;voque les bals, sa venue &amp;agrave; Chaillac, les veill&amp;eacute;es,&amp;nbsp; les danses ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs autres enregsitrements de mme Chabeaudie sont disponibles sur le site voici les principaux :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/331"&gt;Ang&amp;egrave;le Chabeaudie 1&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/343"&gt;Ang&amp;egrave;le Chabeaudie 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/449"&gt;Ang&amp;egrave;le Chabeaudie 3&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/536"&gt;&lt;span style="font-size: 12pt;"&gt;Ang&amp;egrave;le Chabeaudie 4&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;La photo de cette enqu&amp;ecirc;te nous a &amp;eacute;t&amp;eacute; transmise par la petite fille de Mme Chabeaudie, Sylvie Bellamy que nous remercions vivement&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur l'enveloppe de la bande 711, sans &lt;span style="font-size:14pt;"&gt;indication de lieux ni de date, &lt;/span&gt;il est noté " a. Etudes de danses, b. Mme Duqueyroix" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une fiche nous renseigne sur le contenu :&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Face A :&lt;/span&gt; Francinou, Guimbarde, Marinou, Quadrille &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;(Ces airs à la vielle à roue sont, sans doute, joués par Yvette Restoin)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Face B :&lt;/span&gt; Madame Marie Duqueyroix de Saillat (dont nous apprenons dans l'enregistrement qu'elle est née Barisseau ) chante &lt;span class="oc"&gt;La Senta Vierja, Lu maridatge&lt;/span&gt; (une chanson de sa composition ), A deux sous, &lt;span class="oc"&gt;Ardich Janeta,&lt;/span&gt; une marche nuptiale et Jésus qui vient de naître&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers, au d&amp;eacute;but des ann&amp;eacute;es 60 .</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/534/Padimage.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la bande 801 il est not&amp;eacute;&lt;/span&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Gala Paralys&amp;eacute;s de France, 9/3/62&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le contenu n'a en fait rien &amp;agrave; voir avec&lt;span class="fr" style="font-size: 14pt;"&gt; cela,&lt;/span&gt; il s'agit d'une collecte &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;e "en public" &amp;agrave; Pi&amp;eacute;gut-Pluviers (24)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re demi-heure est consacr&amp;eacute;e &amp;agrave; une fanfare (sans doute la "Soci&amp;eacute;t&amp;eacute; Musicale de Pi&amp;eacute;gut" ) qui interpr&amp;egrave;te diff&amp;eacute;rents morceaux polkas, bourr&amp;eacute;es, quadrilles, marches ,valses etc ... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite on peut entendre plusieurs informateurs parmi lesquels nous retrouvons:&lt;br /&gt;&lt;/span&gt;&lt;strong class="fr"&gt;- F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;span class="fr"&gt; qui nous parle de l'origine du march&amp;eacute; de Pi&amp;eacute;gut, du chavilhier, de la tour de Pi&amp;eacute;gut , des cupules, des rochers branlants, de la lanterne, des d&amp;eacute;votions, de Jean de Biennat&lt;/span&gt;&lt;span class="fr"&gt;...&lt;br /&gt;- &lt;/span&gt;&lt;strong class="fr"&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt;&lt;span class="fr"&gt; qui chante&lt;/span&gt; &lt;span class="oc"&gt;&lt;em&gt;"Chantoclar"&lt;/em&gt;,&lt;/span&gt; &lt;span class="fr"&gt;Le march&amp;eacute; de Pi&amp;eacute;gut&lt;/span&gt;, &lt;em&gt;&lt;span class="oc"&gt;"La Bosrin"&lt;/span&gt;&lt;/em&gt;,&lt;span class="fr"&gt; "P&amp;egrave;re Piaud" &lt;br /&gt;&lt;br /&gt;- Plusieurs autres informateurs, (M. Moulinier, Bonnier) nous parlent d' Aim&amp;eacute; Jardry, de Burgou ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La famille de M. Marvaud nous a confi&amp;eacute; les documents accessibles ci-dessous :&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;- &lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;Chantoclar&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/loBourri2.jpg" target="_blank" rel="noopener"&gt;- La Bosrin&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>BES05I</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce document est la face A de la cassette n&amp;deg;5 d'une s&amp;eacute;rie de cassettes audio. Elles nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par M. Vincent Besse.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit de la suite de l'enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 Ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement M. Vignaud parle des sabots, puis de la lessive , des premi&amp;egrave;res automobiles et pour finir de son d&amp;eacute;part de Pairs .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>angele chabeaudie robert dagnas angele chabeaudie 4 chabeaudie chant patois occitan limousin repertoire</text>
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                <text>https://la-biaca.org/items/show/536</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/536/AngeleDetail.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande, comme seule indication&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"67 A : Ang&amp;egrave;le Chabeaudie, 67 B : id. "&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;un - nouvel - enregistrement de Mme Chabeaudie.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La plupart des chansons de cet enregistrement ont d&amp;eacute;ja &amp;eacute;t&amp;eacute; entendues mais cet enregistrement est un original et les interpr&amp;eacute;tations que l'on peut y entendre ne manquent pas d'int&amp;eacute;r&amp;ecirc;t . Il s'agit d'une bande r&amp;eacute;utilis&amp;eacute;e et on peut penser que c'est un des plus anciens enregistrements de &lt;strong&gt;Mme Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; (un enregistrement de "rep&amp;eacute;rage" sans doute ) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De nombreuses chansons en langue limousine et en fran&amp;ccedil;ais : &lt;span class="oc"&gt;La Janon, La cobla de Senta Magdelena&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;, la bela Marion&lt;/span&gt;, Marie monta dans son cabinet, , Quand je suis &amp;agrave; la messe all&amp;eacute;e, La veuve de Belfort, &lt;span class="oc"&gt;Que v&amp;ograve;l auvir ,&lt;/span&gt; Le jour devant le jugement, &lt;span class="oc"&gt;Revelhatz vos,&lt;/span&gt; Le petit ramoneur, Dors mon mignon, &lt;span class="oc"&gt;La pita Janeton, Me l'autre jorn en m'i permenant, l'auseu lo mai que aime, Ma Janeta,&lt;/span&gt; L&amp;eacute;on &amp;eacute;tant dedans la tour, La fille d'un geolier, J'ai fait l'amour dans le long Nivernais, Nous partirons lundi, H&amp;eacute;las ma m&amp;egrave;re, Bonjour jolie berg&amp;egrave;re, &lt;span class="oc"&gt;Lu solelh de justicia,&lt;/span&gt; le long d'un rivage&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12788#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-1472%2C0%2C4622%2C3127" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 12pt;"&gt;Un article paru dans la revue "Limousin Magazine" du 30 Septembre 1963 au sujet d'une &amp;eacute;mission sur les antennes de Radio-Limoges&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chez nous, la 2ème</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, une seule petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; ""882, 38A, + 658"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Plusieurs enregistrements se succ&amp;egrave;dent : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Un enregistrement de la seconde &amp;eacute;mission de "Chas nos", l'&amp;eacute;mission pr&amp;eacute;sent&amp;eacute;e par &lt;strong&gt;Robert Dagnas&lt;/strong&gt; sur les antennes de Radio Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;On retrouve la chorale des Velhadours&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr"&gt;( &lt;/span&gt;voletz vos durmir,&lt;/span&gt; &lt;span class="fr"&gt;l'orgueilleuse servante), un interview de &lt;strong&gt;M. Bourgoin&lt;/strong&gt; au sujet de ses &amp;eacute;crits, puis il parle des veill&amp;eacute;es, de la danse, et chante&lt;/span&gt; &lt;span class="oc"&gt;"Qu'es sur la 'auta montanha "&lt;/span&gt;&lt;span class="fr"&gt;, la recette des cerises &amp;agrave; l'eau de vie par "le mari de la m&amp;egrave;re Cati" et pour finir les "nouvelles de chez nous" les actualit&amp;eacute;s de la r&amp;eacute;gion &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Entre ces deux enregistrements , des essais de la chorale et une chanson en fran&amp;ccedil;ais par &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : Gaston et Henri &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Ensuite l'enregistrement en public d'une soir&amp;eacute;e folklorique donn&amp;eacute;e par &lt;span class="fr" style="font-size: 14pt;"&gt; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Lous Velhadours de Sen Junio&lt;/span&gt;&lt;/span&gt;" &amp;agrave; la Bourse du Travail de St Junien : M. &lt;strong&gt;Jean Bretenoux&lt;/strong&gt; joue une suite de marches nuptiales &amp;agrave; la clarinette, nous entendons ensuite &lt;strong&gt;Jean Rebier&lt;/strong&gt; ( le Barbichet ) , un hommage &amp;agrave; &lt;strong&gt;Andr&amp;eacute; Le Gentile&lt;/strong&gt; par J&lt;strong&gt;ean Pellautier&lt;/strong&gt; (?) , &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; accompagn&amp;eacute;e par la chorale chante "&lt;span class="oc"&gt;Lu turment de la Margui&lt;/span&gt; et &lt;span class="oc"&gt;la meschanta ma&amp;iuml;re" ,&lt;/span&gt; par un chanteur non identifi&amp;eacute; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;la Briance", &lt;/span&gt;&lt;/span&gt;puis &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; raconte &lt;span class="oc"&gt;"lu Cinema"&lt;/span&gt; . L&lt;/span&gt;&lt;/span&gt;e groupe folklorique "Lous Velhadours de Sen Junio" pr&amp;eacute;sente quelques morceaux de son r&amp;eacute;pertoire : le bal d' Abzac et quelques bourr&amp;eacute;es&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Illustration : Ir&amp;egrave;ne Besson lors d'une repr&amp;eacute;sentation des Velhadours (fin des ann&amp;eacute;es 50) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par Francis Chaminade, un enregistrement de M. &lt;strong&gt;Léon BONIS&lt;/strong&gt; (1910 / 1998) musicien demeurant à St Robert (19) réalisé par Jean et Popy DUPETITMAGNIEUX&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement non daté (1981 ou 1982) un beau répertoire de danse : Quadrilles, Parisienne-valsée, demi-valses, sautières, airs de quête, marches, polkas, scottishs, valses, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Très pédagogue, M. Bonis est désireux de montrer aux enquêteurs ce qu'il sait, les airs, les paroles, les danses ... . Il parle aussi  de sa pratique, de son apprentissage, il est parfois aidé par Maria, son épouse qui complète, chante quelques airs .... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Jean Dupetitmagnieux nous précise qu'il s'agit de la seconde visite &lt;span style="font-size:14pt;"&gt;(la première, datant du mois d' avril 1981, ne saurait tarder à être en ligne)&lt;/span&gt; faite à M. Bonis, qui utilisait là un accordéon diatonique Hohner que Jean venait d'acquérir plutôt que son Dedenis habituel . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En quête de répertoire et d'informations, Francis, Jean et Popy ont sillonné pendant des années cette région de Corrèze et la Dordogne voisine et on leur doit de nombreux documents (audio, vidéos ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Remerciements à Francine, secrétaire de mairie très impliquée, qui a bien voulu nous transmettre quelques renseignements et la photo illustrant cette enquête .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser dont quelques uns sont chant&amp;eacute;s : polkas, pas d'&amp;eacute;t&amp;eacute;, marches, mazukas, marchoise, scottish valse, t'as bu Laurais, l'autrichienne, ton ptit chien, pr&amp;egrave;te moi ton couteau... &lt;br /&gt;L' enregistrement d' Albert Guillet se termine par un air de chasse, un cantique et un&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; commentaire int&amp;eacute;ressant sur l'apprentissage et la pratique de la musique .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit sans doute de la suite de la collecte faite &amp;agrave; Ch&amp;acirc;teau-Garnier, dans la Vienne . Nous y entendons divers informateurs se succ&amp;eacute;der : le groupe folklorique local, l'Eteurbeuil joue divers airs de danse : scottish, polka, marchoise,la boulang&amp;egrave;re, les canards, les matelots, les gorets, la maligot, en voiture, le brisquet, ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ensuite plusieurs personnalit&amp;eacute;s de la commune parlent de Chateau-Garnier, le d&amp;eacute;peuplement, les exploitations agricoles, les foires, le tourisme, l'&amp;eacute;quipe sportive, &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;le groupe folklorique L'Eteurbeuil, le patois etc ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br style="font-size: medium;" /&gt;&lt;em&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement sans aucune indication, l'enregistrement de la reconstitution d'une messe de minuit avec "Lous Velhadours de Sen Junio",  en vue d'une diffusion dans l'émission de M. Dagnas .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Quelques chants de Noël &lt;span class="oc"&gt;(La tera es freja, Lo Nadalon)&lt;/span&gt; par la chorale des Velhadours ensuite M. Robert Dagnas évoque, en limousin, la naissance de Jésus-Christ et l'arrivée des bergers, quelques prières en occitan par M. Robert Flouriot de "Chez Beillou" (le neveu et filleul de R Dagnas) l'enregistrement se termine la bénédiction et le Dominus vobiscum .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;D'autre messes de minuit, dont l'animation était une activité régulière du groupe &lt;span style="font-size:14pt;"&gt;sont disponibles sur &lt;span class="oc"&gt;la biaça .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Madame Ratinaud &amp;eacute;voque les &amp;eacute;crits de Jean Rebier, ses personnages &lt;span class="oc"&gt;(Margui la blonda, La Jan&amp;ograve;ta)&lt;/span&gt;, ses go&amp;ucirc;ts culinaires, la Sent-Jan, elle chante ensuite &lt;span class="oc"&gt;Lo mes d'abriu&lt;/span&gt;, une scottish et quelques vielles chansons ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement quelques chansons : le seigneur volage,&lt;span class="oc"&gt; La gerbabauda&lt;/span&gt; puis des bourr&amp;eacute;es jou&amp;eacute;es par un groupe folklorique non identifi&amp;eacute;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de cette bande &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;l'enregistrement de la fin d'une &amp;eacute;mission de Jazz &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sur laquelle M. Dagnas a fait ces enregistrements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De nombreux No&amp;euml;ls, du limousin mais aussi des r&amp;eacute;gions limitrophes : &lt;span class="oc"&gt;Revelhatz vos pastorels, Nos som venguts, Alleluia, Nai-nai, Pitit pastre, Pastre pastressa,&lt;/span&gt; un No&amp;euml;l du Poitou , No&amp;euml;l du Berry, &lt;span class="oc"&gt;La bona novela,&lt;/span&gt; Courons vite &amp;agrave; Bethl&amp;eacute;em, &lt;span class="oc"&gt;Passoleta, Un j&amp;ograve;une pastre ... &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;M. Dagnas annonce la messe de minuit des Velhadors &amp;agrave; l'&amp;eacute;glise du Chalard (nous avons un enregistrement de cette&amp;nbsp; messe, dat&amp;eacute; de d&amp;eacute;cembre 1963) ce qui permet de dater l'enregistrement .&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Enregistrement réalisé en 2000 aux Clèdes, commune de Louignac, dans le cadre d'une collecte pour un travail avec les enfants de l'école primaire. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement, &lt;span class="oc"&gt;La busa&lt;/span&gt; (une belle randonnée assez répandue sur le territoire limousin), &lt;span class="oc"&gt;Pendilhon&lt;/span&gt; (la célèbre devinette), &lt;span class="oc"&gt;Lo vent blanc, Tres chabras dins un prat, Fotut potonaïre,&lt;/span&gt; et &lt;span class="oc"&gt;L'aimabla Marion&lt;/span&gt; .&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br class="fr" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="artist_name"&gt;Madame Cousty&lt;/span&gt; nous avait accueillis à plusieurs reprises, acceptant de venir faire des interventions dans les classes et même de participer à quelques spectacles .&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Chaminade</text>
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                <text>Francis CHAMINADE</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par M. Francis Chaminade, un enregistrement datant du début des années 80 .&lt;br /&gt;Ce jour là nous avions rendu visite à &lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;M. &lt;/span&gt;&lt;strong class="fr"&gt;Gabriel &lt;/strong&gt;&lt;strong class="fr"&gt;Brégère (&lt;/strong&gt;&lt;/span&gt;à Miège-Dame, commune de Perpezac le Blanc) accompagnés de M. &lt;strong&gt;Albert Buffière&lt;/strong&gt;, accordéoniste diatonique dont la famille tenait un café-restaurant sur la place du village où il se plaisait à sortir son accordéon &lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;(il était agriculteur à la Chapelle commune de Varetz) &lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de morceaux, joués à l'accordéon ou chantés &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;: &lt;span class="oc"&gt;La planqueta, Tant vielha que tu sias, L'aiga de rosas, N'ai lo cocut, Dijas Janton, Los a perduts&lt;/span&gt;, La Paimpolaise (avec des paroles ramenées du front), &lt;span class="oc"&gt;Tòrna-vira,&lt;/span&gt; Trou du cul, Mon aimable Virginie, L'aventure d'un jeune écolier, des marches nuptiale&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;s, À quatorze ans, &lt;span class="oc"&gt;Traina sauma,&lt;/span&gt; Je m'en vais faire chaque jour devant ta porte mille tours, &lt;span class="oc"&gt;Tres còps lo t'ai manhat,&lt;/span&gt; Capitaine capitaine, Jeune militaire venant de la guerre, Toutes les filles d'Orléans, Plus bas mon amant, Chanson de Meillard (une chronique locale dont M. Brégère se régalait ) , &lt;span class="oc"&gt;Revenetz domaiselas, Prestas lo me ...&lt;/span&gt;&lt;/span&gt;&lt;br class="fr" /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une informatrice dont nous ne nous souvenons pas (Mme Brégère ?) &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;nous dit une comptine &lt;span class="oc"&gt;los a perduts&lt;/span&gt; et &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une nhòrle : &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Maridatz vos Jan &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande il est not&amp;eacute; "N&amp;deg;775, Chez Nous du 26-9-66, La Nadalie-Burgou"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un montage pour une &amp;eacute;mission de "Chez Nous" telle a sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 26 Septembre 1966.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons sur ce document des locuteurs d&amp;eacute;j&amp;agrave; pr&amp;eacute;sents dans les autres enqu&amp;ecirc;tes &amp;agrave; La Nadalie ("Le p&amp;egrave;re Chaumont dit Cl&amp;eacute; de&lt;/span&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;c&amp;oelig;ur&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;", Marguerite et Pierre Bonnefond, Marguerite Chabeaudie, Jeanne Gl&amp;eacute;nisson, et "le brave Mourier" .&lt;br /&gt;Quelques passages d&amp;eacute;j&amp;agrave; entendus mais beaucoup d'in&amp;eacute;dits int&amp;eacute;ressants .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Des t&amp;eacute;moignages sur l'&amp;eacute;cole &amp;agrave; la Nadalie, &lt;span class="oc"&gt;Los carcalins de La Nadalia&lt;/span&gt;, les amusements des enfants, les f&amp;ecirc;tes votives, les veill&amp;eacute;es, les relations filles/gar&amp;ccedil;ons et surtout une figure locale Burgou, le "bandit limousin" natif de La Nadalie . Des chansons en fran&amp;ccedil;ais et en occitan : J'ai fait l'amour &amp;agrave; une petite, Berg&amp;egrave;re vous n'&amp;ecirc;tes pas sage, &lt;span class="oc"&gt;Tot lo long de l'aiga, La tendilha, Lu cosin&lt;/span&gt; par Pierre Biossac, l'&amp;eacute;mission se termine par Je suis lasse d'&amp;ecirc;tre fille (par un groupe folklorique non identifi&amp;eacute; ) . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 764, un nouvel enregistrement de Mme Marie Duqueyroix (ou Duqueroix) datant du mois d' Avril 1961&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par M. Dagnas le d&amp;eacute;crit ainsi : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- L'Isabeau (chant) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Discussion sur sa jeunesse&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Son &amp;eacute;cole &amp;agrave; &amp;Eacute;tagnac&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Le comte d' &amp;Eacute;tagnac&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Lu maridatge (nhorle) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Som-som&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Les bals&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Jean de Bertand&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Etricor&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Scottish&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Polka piqu&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;---------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Chez nous, Les SallesLavauguyon</text>
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                <text>Tous les genres</text>
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                <text>Enregistrement r&amp;eacute;alis&amp;eacute; aux Salles Lavauguyon, au d&amp;eacute;but des ann&amp;eacute;es 1960</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, aucune indication, il est seulement not&amp;eacute; "65A" . Nous sommes en pr&amp;eacute;sence de deux enregistrements d'&amp;eacute;missions de "Chez Nous" telles qu'elles ont sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;es sur les ondes de Radio Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans la seconde partie de cet enregistrement nous retrouvons quelques documents d&amp;eacute;ja entendus sur les bandes des enregistrements r&amp;eacute;alis&amp;eacute;s aux Salles-Lavauguyon.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Dans la premi&amp;egrave;re &amp;eacute;mission : une &amp;eacute;vocation de l'arriv&amp;eacute;e de l'hiver et de "la nostalgie des jours enfuis" par M. Dagnas,, un chant de Bernard de Ventadour et &lt;span class="oc"&gt;Veiqui la nuech&lt;/span&gt; par Ir&amp;egrave;ne Besson, Las quatre sasons, un chant de berg&amp;egrave;re par Lisa Ducouret, &lt;span class="oc"&gt;Chas nos m'an maridada&lt;/span&gt; par Pierre Biossac, &lt;span class="oc"&gt;Lo maniguet&lt;/span&gt; et le lapin par un groupe folklorique, &lt;span class="oc"&gt;Las palissas&lt;/span&gt; puis la conclusion de cette premi&amp;egrave;re &amp;eacute;mission .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La seconde &amp;eacute;mission datant d'un 21 novembre est une compilation des enregistrements r&amp;eacute;alis&amp;eacute;s aus Salles lavauguyon : Les cloches, plusieurs pr&amp;eacute;sentations des Salles Lavauguyon par des enfants, un No&amp;euml;l par Mme Gady, &lt;span class="oc"&gt;Lo pitit petar dau Bon-Diu&lt;/span&gt; par Henri Pelletingeas, les d&amp;eacute;votions par Mme Vilotte, l'enclume de Jean Bourdaraud, &lt;span class="oc"&gt;Aime a dansar&lt;/span&gt; par L&amp;eacute;onard Lathi&amp;egrave;re, &lt;span class="oc"&gt;Plus beure de vin&lt;/span&gt; par Yvonne Bissirieix et Louis Douvry, Julie,ma Julie par Ang&amp;egrave;le Delage, &lt;span class="oc"&gt;La Fran&amp;ccedil;oise daus Gironeus&lt;/span&gt; par Emile Pressigoux ....&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Acc&amp;eacute;der aux autres enregistrements :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/454" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 2/4&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/407" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 3/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/410" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 4/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/464" target="_blank" rel="noopener noreferrer"&gt;Vienne-Tardoire&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>langue limousine</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Enregistrement réalisé le 2 mars 1986 auprès de M. B. (l'informateur ne souhaite pas que son nom figure dans ce document) demeurant à Assit, commune de Manot (16) par Jan Urroz, dans le cadre d'une enquête pour un Diplôme d'Etudes Occitanes.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement, Jan interroge l' informateur au sujet des conjugaisons des verbes &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;être, avoir, chanter, aimer, choisir, sentir, rendre, connaitre, aller, boire, croire, devoir, faire, travailler, pouvoir, savoir, voir, arriver, servir, jouer, sortir ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Il s'agit là de la Onzième cassette d'un lot qui nous a été confié pour numérisation et mise en ligne par Jean et Denise Urroz, de Charente Occitane .&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Quelques discours, dont un en liaison t&amp;eacute;l&amp;eacute;phonique dans lequel on entends tr&amp;egrave;s bri&amp;egrave;vement le docteur De La Farge fondateur de l'&amp;eacute;cole ventadour, ... souvent interrompus par les prestations des Velhadours&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Par dessus cet enregistrement les Velhadours interpr&amp;egrave;tent &lt;span class="oc"&gt;lo cuer de ma mia, la Meschanta mair,&lt;/span&gt; la bourr&amp;eacute;e de Javerdat, le P&amp;eacute;l&amp;eacute;l&amp;eacute;, &lt;span class="oc"&gt;Un jorn que lo cocut chantava&lt;/span&gt; (Rebier/Le Gentile) interrompu avant la fin, quelques danses ( bal d'Abzac, polka, scottish valse, maniguet, panliran ) puis un hommage &amp;agrave; Jean Teillet (l'orgueilleuse servante et Nai-nai sa berceuse interrompue elle aussi ) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande sans indication de lieu il est not&amp;eacute; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;18/3/69 &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;1&amp;egrave;re bande : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;a) Pr&amp;eacute;sentation Robert Dagnas,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;b) Majoral M. Fournier &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les premi&amp;egrave;res minutes sont consacr&amp;eacute;es &amp;agrave; la pr&amp;eacute;sentation du Majoral &lt;strong&gt;Marcel Fournier&lt;/strong&gt; par Robert Dagnas puis, nous entendons une conf&amp;eacute;rence de M Fournier au sujet de Fr&amp;eacute;d&amp;eacute;ric Mistral . Intervention interrompue par la fin de la bande, (vous pouvez retrouver la suite - doc. RD5326&amp;nbsp; ci dessous )&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 560 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;"&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Niort 1&amp;egrave;re bande, Les Gueurlets dau Poitou 17 / X / 68"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un bel enregistrement dans lequel nous entendons une succession de chants en fran&amp;ccedil;ais et en occitan qui ne viennent manifestement pas de la r&amp;eacute;gion Niortaise (mais de la r&amp;eacute;gion de l'Artense sans doute !) : Je ne suis pas contente, Les ch&amp;acirc;taignes du Limousin (par Monique Marcillaud), P&amp;egrave;re et fille (par Jeannine Gatignol et Roger Romanet), &lt;em&gt;&lt;span class="oc"&gt;Quand eria chas mon paire&lt;/span&gt;&lt;/em&gt; (par Roger Bruy&amp;egrave;re) , &lt;span class="oc"&gt;&lt;em&gt;La bela fran&amp;ccedil;on&lt;/em&gt;, &lt;em&gt;una ptita nh&amp;ograve;rla&lt;/em&gt;,&lt;/span&gt; Colin (par Annick, Monique et Christiane), L'aimable pastourelle, &lt;span class="oc"&gt;&lt;em&gt;Aval au fond dau prat&lt;/em&gt;,&lt;/span&gt; Le mois de mai, L'autre jour je me promenais ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande ne portant aucune indication, une &amp;eacute;mission de "Chez nous" (ou sa pr&amp;eacute;paration) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d'Avril 1967 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A l'occasion des f&amp;ecirc;tes Pascales, M. Dagnas propose les t&amp;eacute;moignages de Pierre Biossac et d' Ang&amp;egrave;le Chabeaudie sur ces f&amp;ecirc;tes puis de nombreuses chansons : &lt;em&gt;&lt;span class="oc"&gt;Lo planh de Senta Magdelena&lt;/span&gt;&lt;/em&gt;, Gai gai pour passer l'eau, &lt;em&gt;&lt;span class="oc"&gt;Lo pont d'a Lion&lt;/span&gt;&lt;/em&gt;, L&amp;agrave; haut sur la montagne, les "soquelons" (?),&lt;em&gt;&lt;span class="oc"&gt; En 'naut sus la montanha&lt;/span&gt;&lt;/em&gt;, par Pierre Biossac, &lt;span class="oc"&gt;&lt;em&gt;La filha del paisan&lt;/em&gt;,&lt;/span&gt; un po&amp;ecirc;me de Jean Rebier par Yves Dusartre, une belle pri&amp;egrave;re du Confolentais, une annonce pour un hommage &amp;agrave; Albert Pestour .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document deux enregistrements, une &amp;eacute;mission de "Chez nous" (ou sa pr&amp;eacute;paration) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d'Avril 1963 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Aacute; l'occasion des f&amp;ecirc;tes de Rameaux, M. Dagnas propose les t&amp;eacute;moignages de Pierre Biossac et d' Ang&amp;egrave;le Chabeaudie sur ces f&amp;ecirc;tes, un texte sur le printemps de Charles Sylvestre, quelques pri&amp;egrave;res : &lt;span class="oc"&gt;La rason de Diu, Au jardin des oliviers,&lt;/span&gt; plusieurs chansons : &lt;span class="oc"&gt;Rampalms, , La Passion,&lt;/span&gt;...&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans la seconde partie, un enregistrement du groupe folklorique "Lo Chalelh" . Valses, scottishs, polka piqu&amp;eacute;e, marches, ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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          <description>The location of the interview</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>IEO Limousin</text>
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              <text>Patois Creuse</text>
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            <elementText elementTextId="314244">
              <text>langue limousine</text>
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            <elementText elementTextId="314245">
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              <text>informateurs multiples robert dagnas chez nous sept oct 1958 haute vienne limousin chanteurs biossac patois limousin occitan</text>
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            <name>Subject</name>
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            <name>Identifier</name>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331430">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/556/TharaudNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 742 il est not&amp;eacute; : &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;"Emissions Chez Nous, 13/9, 27/9, 11/10 1958 (dont Jean Rebier), la soeur de lait des Tharaud" .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De fait, il s'agit dans la premi&amp;egrave;re partie de deux enregistrements partiels d'&amp;eacute;missions de "Chez nous" (ou la pr&amp;eacute;paration de ces &amp;eacute;missions ? ) telle qu'elles ont pu &amp;ecirc;tre diffus&amp;eacute;es sur les ondes de Radio Limoges (en septembre et octobre 1958 ? )&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On retrouve dans ces &amp;eacute;missions quelques informateurs connus (M. Biossac, Mme Ducouret, Mme Brouillet, Mme Chabeaudie ...) mais aussi de belles nouveaut&amp;eacute;s (Gringalet et Galibart par le duo Colon et Secours ) . La seconde &amp;eacute;mission (17mn &amp;agrave; 21.06 mn) est un extrait d'une &amp;eacute;mission d&amp;eacute;ja mise en ligne .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fin de la bande (&amp;agrave; partir de 21.06) ne correspond pas &amp;agrave; la description sur l'enveloppe il s'agit d'un &lt;span class="fr" style="font-size: 14pt;"&gt;int&amp;eacute;ressant&lt;/span&gt; enregistrement non mont&amp;eacute;, d'une veill&amp;eacute;e &amp;agrave; Biennac &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; pr&amp;egrave;s de Rochechouart dans laquelle nous entendons Mme Basset (informatrice d&amp;eacute;ja rencontr&amp;eacute; dans plusieurs enregistrements) qui chante plusieurs chansons en limousin et en fran&amp;ccedil;ais, puis t&amp;eacute;moigne sur les processions, les bals, les mythes limousins ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Accordéon</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>informateurs multiples robert dagnas georges cantournet cantournet accordeon patois occitan limousin</text>
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                <text>2013-04-23 17:14:01</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/557/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 584 il est not&amp;eacute; " Festival Fy 2376M Georges Cantournet "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Les quatre chansons proviennent d'un disque 45 tours "Folklore du Limousin FY 2376 datant de 1964 avec Jean Cambon, un r&amp;eacute;&amp;eacute;dition des titres fugurant sur les disques FY 2067 et FY 2069 * &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par R Dagnas d&amp;eacute;crit ainsi le contenu de cet enregistrement : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;1/ Lo Brianco (F Sarre, J. Mazabraud) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;2/ Lo coeur de mo mio (F Lagueny, E Sarre) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;3/ Lou Turlututu ( Dr Treuil, Le Gentile) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;4/ Un jour di l'estoulia (J Mazabraud, L Billaut) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pas d'autre renseignement sur les musiciens sans doute Georges Cantournet joue t'il de l'accord&amp;eacute;on sur les deux derniers morceaux &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;* Source Fran&amp;ccedil;oise Etay&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/558/MAR1001Net.jpg</text>
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          <element elementId="54">
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            <description>A name given to the resource</description>
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                <text>Henriette LAMANT</text>
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                <text>Baptiste Chrétien</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Mme &lt;strong&gt;Henriette Lamant,&lt;/strong&gt; née à Blond en 1929, d'un père originaire de la commune voisine de Nouic et d'une mère de Blond, évoque pour nous de nombreux souvenirs d'enfance, de jeunesse.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Paysanne très active tout au long de sa vie, elle fut à Blond une pionnière dans de nombreux domaines : elle a eu un vélomoteur puis une auto quand ces moyens de transport étaient encore réservés aux hommes, elle fut l'une des très rares paysannes de l'époque à exercer une activité annexe (de brodeuse et de peintre à l'aiguille), elle a tenu avec son époux une succursale Groupama à la ferme, ils ont animé le G.V.A. (Groupement de Vulgarisation Agricole) local et à ce titre ont organisé de nombreux voyages pour les paysans du canton...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Aujourd'hui, Henriette Lamant regrette la désertification de sa commune qui, située à 40 km au nord-ouest de Limoges, a perdu presque toute sa population active et donc beaucoup de sa vitalité...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Ce document a été réalisé par Baptiste Chrétien le 7 mars 2011 . Baptiste en a assuré le montage, le séquencement ... et nous l'a confié pour la mise à disposition sur la biaça.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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              <text>informateurs multiples robert dagnas la bourree limousine folklore brive correze limousin bourree limousine patois</text>
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            <name>Date Issued</name>
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                <text>2013-04-29 10:04:18</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>La Bourrée Limousine (2)</text>
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                <text>Enregistrement du groupe "la bourr&amp;eacute;e Limousine" de Brive la Gaillarde en 1958</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 453 il est not&amp;eacute; "Bourr&amp;eacute;e Limousine (12/58) II"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement nous entendons les chanteurs du groupe folklorique Briviste dans une suite de chansons en occitan et en fran&amp;ccedil;ais : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Lo Boier&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Pastoreleta&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La meuni&amp;egrave;re et le chasseur&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Passant par la prairie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;En passant par le bois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La Chanson du roulier&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Rossignolet des bois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Le messager des cieux&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nadalon Lemosin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement est ant&amp;eacute;rieur &amp;agrave; l'enregistrement du premier disque du groupe (datant de 1960 et r&amp;eacute;&amp;eacute;dit&amp;eacute;) sur lequel on retrouve quelques unes de ces chansons&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Patrimoine oral</text>
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              <text>Patois</text>
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              <text>Limousin</text>
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            <elementText elementTextId="313951">
              <text>Patois Limousin</text>
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            <elementText elementTextId="313952">
              <text>Occitan limousin</text>
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              <text>Occitan Corrèze</text>
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              <text>Patois corrèze</text>
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            <elementText elementTextId="313955">
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            <elementText elementTextId="313956">
              <text>Occitan creuse</text>
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            <elementText elementTextId="313957">
              <text>Patois Haute vienne</text>
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            <elementText elementTextId="313958">
              <text>Occitan Haute Vienne</text>
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            <elementText elementTextId="313959">
              <text>langue limousine</text>
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            <elementText elementTextId="313960">
              <text>langue d'oc</text>
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              <text>collectage</text>
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            <elementText elementTextId="313962">
              <text>collectatge</text>
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            <elementText elementTextId="313964">
              <text>colleccion</text>
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            <elementText elementTextId="313965">
              <text>mémoire</text>
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            <elementText elementTextId="313966">
              <text>memòria</text>
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            <elementText elementTextId="313967">
              <text>sonore</text>
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              <text>contes</text>
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            <elementText elementTextId="313973">
              <text>nhorles</text>
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                <text>Tous les genres</text>
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                <text>Roger MEYNARD</text>
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            <name>Source</name>
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                <text>IEO258</text>
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                <text>2013-03</text>
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              <elementText elementTextId="313935">
                <text>Pascal Boudy</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>video/mp4</text>
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            <name>Type</name>
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                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/561</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331435">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/561/MeynardNet.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions rencontré &lt;span class="fr" style="font-size:14pt;"&gt;M. Roger MEYNARD il y a maintenant plus de 10 ans . Voir ci-dessous&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; Armés cette fois d'une caméra nous sommes revenus le voir &lt;span class="fr" style="font-size:14pt;"&gt;le 6 mars 2013 &lt;/span&gt;et il a gentiment accepté de nous recevoir et de nous chanter à nouveau quelques chansons &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;: &lt;span class="oc"&gt;"traina Malhur, chaça profit",La Margoton, "Las meneitas", "la republica"&lt;/span&gt;, &lt;/span&gt;&lt;/span&gt; quelques comptines :  &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;la  lebrauta, Baulin baulan, Ai chaval de palha&lt;/span&gt;...&lt;/span&gt;&lt;/span&gt;, de nous parler de la ferme, des danses, des musiciens, des bagarres épiques contre les jeunes de Lanteuil, de la vente de la sauvagine, de la foire aux boeufs de Gramat, de la caisse d'Angoulème ( une bonne banque !), des déplacements ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Images :&lt;/span&gt; Christian Soulier, &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Son :&lt;/span&gt; Marie Lacouturière, &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Interview, montage :&lt;/span&gt; Pascal Boudy&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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                  <text>Enquêtes et témoignages</text>
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        <element elementId="4">
          <name>Location</name>
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              <text>Enregistré à l'église St Christophe d'Oradour sur Vayres</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>Patois</text>
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              <text>Occitan</text>
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            <elementText elementTextId="313902">
              <text>Occitan limousin</text>
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            <elementText elementTextId="313903">
              <text>Patois Haute vienne</text>
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            <elementText elementTextId="313904">
              <text>Occitan Haute Vienne</text>
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            <elementText elementTextId="313905">
              <text>langue limousine</text>
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            <elementText elementTextId="313906">
              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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              <text>chansons</text>
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              <text>musique traditionnelle</text>
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            <elementText elementTextId="313918">
              <text>chant</text>
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            <elementText elementTextId="313919">
              <text>messe de minuit</text>
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            <elementText elementTextId="313920">
              <text>oradour sur vayres</text>
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          <name>Mot-clé en liste</name>
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            <elementText elementTextId="313921">
              <text>informateurs multiples robert dagnas messe de minuit a oradour sur vayres messe de minuit oradour limousin patois occitan</text>
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        </element>
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            <name>Date Issued</name>
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                <text>2013-04-30 17:42:14</text>
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            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="313876">
                <text>Haute-Vienne (87)</text>
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            <name>Provenance</name>
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              <elementText elementTextId="313878">
                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Messe de minuit à Oradour Sur Vayres</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Religion</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313881">
                <text>Enregistrement d'un messe de minuit &amp;agrave; Oradour sur Vayres (d&amp;eacute;but des ann&amp;eacute;es 60)</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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                <text>RD4240</text>
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              <elementText elementTextId="313884">
                <text>1960</text>
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                <text>Robert DAGNAS</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="313887">
                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/562</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/562/Oradour_[1].jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande 776, il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; "messe de minuit , Oradour / Vayres "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous sommes en pr&amp;eacute;sence d'un montage (sans doute pour la radio) et retrouvons le groupe des Velhadors de St Junien dans un exercice qu'ils ont beaucoup pratiqu&amp;eacute; : la messe de minuit des bergers . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons de circonstances&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; : Le divin enfant, &lt;span class="oc"&gt;la tera es freja, chut chut que l'enfant duerm, Tu Senhor,&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &amp;agrave; vous troupes fid&amp;egrave;les, le chant du &lt;span class="oc"&gt;"poton", lu solelh de justicia&lt;/span&gt; ...&amp;nbsp; Mais aussi &amp;eacute;vangiles, sermon (par l'abb&amp;eacute; Marvaud) , pri&amp;egrave;res et b&amp;eacute;n&amp;eacute;dictions&amp;nbsp; ...&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/563/ChampagnacNet.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur les bandes 563, 564 et 565 (RD4248,4249 et 4250) un enregistrement r&amp;eacute;alis&amp;eacute; par Robert Dagnas lors d'une enqu&amp;ecirc;te collective &amp;agrave; Champagnac la Rivi&amp;egrave;re le 12 d&amp;eacute;cembre 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs informateurs non identifi&amp;eacute;s (Commencas, Tharaud, Fayemendy, Milou qui jouait de l'accordeon avant la guerre de 14 &amp;agrave; Sereilhac .... ) se succ&amp;egrave;dent au micro interpr&amp;eacute;tant un tr&amp;egrave;s beau r&amp;eacute;pertoire :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- chansons en fran&amp;ccedil;ais (Mon p&amp;egrave;re my marie, Gar&amp;ccedil;ons en mariage prenez garde &amp;agrave; vous, Voici le beau temps des amants, Ma petite Suzon, Le mal des filles, Le r&amp;eacute;mouleur Mon p&amp;egrave;re avait 500 moutons, Toute fille qui a six amants&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Chansons en limousin &lt;span class="oc"&gt;(La Baudeta,Lu Boier, la Margui ,Veniam de mestiva,&amp;nbsp;&lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Coucou jaloux, cornard et coucou&lt;/span&gt;&lt;/span&gt;, &lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Las femnas daus Dornasacs&lt;/span&gt;&lt;/span&gt;, Tres filhas d'un prince, Lu tendilhon, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;Dija pitit merchant, &lt;/span&gt;&lt;/span&gt;La Janeton s'en vai a la font, La pita Roseta, En laut per l'estolha ...)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; - Histoires &lt;span class="oc"&gt;(l'escarabissa, lu grand pair que tuet lo lop, Quand i'aprenia a montar en becana a ma granda-mair, l'ist&amp;ograve;ria de Burgou, L' auvernhat, Dondar l'asne, la musica ...)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="54">
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              <elementText elementTextId="334102">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Après une rencontre tout à fait fortuite avec Pascale Lagauterie, nous avons décidé de rendre visite à M. Roulland (Né à Tamniès en 1919) qui nous a gentiment accueillis chez lui dans sa belle maison de Drouille, sur la commune de St Amand de Coly, en Dordogne voisine . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;span class="fr"&gt;M. Roulland, érudit local, amoureux de la langue d'Oc nous a fait partager sa connaissance du pays, il nous a parlé de la langue, du Sarladais, du limousin, de la  lauze, du châtaigner, il nous a dit un texte du Dr Boissel ...&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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              <text>Occitan limousin</text>
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              <text>Patois Haute vienne</text>
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              <text>Occitan Haute Vienne</text>
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              <text>langue d'oc</text>
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              <text>collectatge</text>
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              <text>mémoire</text>
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              <text>memòria</text>
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              <text>chansons</text>
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              <text>gnorles</text>
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              <text>accordéon</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas champagnac la riviere patois limousin occitan champagnac haute vienne</text>
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            <name>Date Issued</name>
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            <elementTextContainer>
              <elementText elementTextId="313714">
                <text>2013-05-14 14:13:31</text>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="313715">
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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              <elementText elementTextId="313718">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Champagnac la Rivière (1960)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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            <name>Source</name>
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                <text>RD4267</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Robert DAGNAS</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/565/Padimage.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334101">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication, nous reconnaissons un intervenant pr&amp;eacute;sent sur l'enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e &amp;agrave; Champagnac la Rivi&amp;egrave;re&amp;nbsp; . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de nhorles un peu lestes &lt;span class="oc"&gt;( La qu'era pas persada, lu piucelatge, lu crochet dau vaslet, l'escarabissas, 'Na bestia de set mes., lu talhor, 'La n&amp;ograve;via que n'avia pas lu mesma lingatge, La goiata que ne volia pas se laissar embra&amp;ccedil;ar&lt;/span&gt; ... ) quelques t&amp;eacute;moignages, lu leberon, la cha&amp;ccedil;a volanta, des chansons en fran&amp;ccedil;ais ( Tout doucement, M&amp;eacute;fiez-vous d'Anatole) et pendant le dernier quart d'heure des anecdotes de veill&amp;eacute;es, (la vie d'avant 14, la guerre de 14, &lt;span class="oc"&gt;fialar la cherbe,&lt;/span&gt; les nouveaux francs, &lt;span class="oc"&gt;Un cultivator a besoenh de far de l'esc&amp;ograve;la,&lt;/span&gt; les paniers, ...) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/615"&gt;Acc&amp;eacute;der &amp;agrave; un autre enregistrement &amp;agrave; Champagnac&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette, nous entendons un violoneux, M. &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston CESSAC&lt;/strong&gt;&lt;/a&gt;.&lt;br /&gt;Il s'agit d'un enregistrement familial r&amp;eacute;alis&amp;eacute; par M. &amp;Eacute;mile Massias qui interroge son beau fr&amp;egrave;re M. Cessac . &lt;br /&gt;G. Cessac &amp;eacute;tait n&amp;eacute; &amp;agrave; Voutezac le 4 octobre 1906 (il est d&amp;eacute;c&amp;eacute;d&amp;eacute; le 30 mars 1996) . Agriculteur et viticulteur sur les coteaux de Vertougit, il anima de nombreux bals et noces dans la r&amp;eacute;gion et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;pratiqua le violon &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;jusqu'&amp;agrave; la fin de sa vie &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement une suite d'airs &amp;agrave; danser : bourr&amp;eacute;es, valses, sauti&amp;egrave;res, marches nuptiales, quadrilles ... A plusieurs reprises, la famille chante, accompagn&amp;eacute;e par le violon .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Monsieur Jean Pierre Massias; &amp;agrave; qui appartient l'enregistrement nous pr&amp;eacute;cise :&lt;br /&gt;&lt;em&gt;" L' enregistrement a eu lieu &amp;agrave; Saint Solve en juillet 1957 sur un magn&amp;eacute;tophone de marque Phillips. Etaient pr&amp;eacute;sents en plus de Gaston Cessac: Emile Massias, mon p&amp;egrave;re, ma m&amp;egrave;re, moi-m&amp;ecirc;me (j'avais 10 ans mais je garde toujours un souvenir pr&amp;eacute;cis), madame Cessac, monsieur et madame Sermadiras beau-fr&amp;egrave;re et belle-soeur de monsieur Cessac, monsieur Cressent et son &amp;eacute;pouse (c'est lui qui poss&amp;eacute;d&amp;acirc;t le magn&amp;eacute;tophone). &lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;L'enregistrement a dur&amp;eacute; toute la journ&amp;eacute;e. Monsieur Cessac &amp;eacute;tait tr&amp;egrave;s petit ce qui fait que, assis sur une chaise, ses pieds ne touchaient le sol que du bout ce qui lui permettait de marquer le rythme. C'est ce qu'on entend dans l'enregistrement. De plus comme il faisait tr&amp;egrave;s chaud et que monsieur Cessac se d&amp;eacute;pensait beaucoup, il a pas mal bu, ce qui explique en partie les grincements de la fin de l'enregistrement&lt;/span&gt;&lt;/span&gt;."&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Popy Dupetitmagnieux qui nous ont aussi confi&amp;eacute; un enregistrement de M. Cessac r&amp;eacute;alis&amp;eacute; par leur soin en 1985 . &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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              <text>informateurs multiples robert dagnas les velhadours chansons chansons patois limousin occitan st junien</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 419, aucune indication, il s'agit d'un enregistrement de chanteurs du groupe folklorique "Lous Velhadours de Sen Junio" parmi lesquels nous reconnaissons Ir&amp;egrave;ne Besson et Andr&amp;eacute; Danias .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Une succession de chants, la plupart en limousin :&lt;/span&gt; &lt;span class="oc"&gt;Las quatras sasons, Veiqui la nuech, La Brian&amp;ccedil;a, La meschanta maire, La Gerbabauda, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;une belle version de&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt; La bela mair,&lt;/span&gt; &lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Rossignolet du bois et, pour finir une &amp;eacute;tonnante prestation de M Robert Dagnas "Catherine &amp;eacute;tait chr&amp;eacute;tienne".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Eugène et René THOMAS</text>
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                <text>Musique</text>
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                <text>Enregistrement d'Eug&amp;egrave;ne et Ren&amp;eacute; Thomas, musiciens Creusois .</text>
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                <text>Eugène et René THOMAS</text>
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                <text>RD4222</text>
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                <text>1961-03</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/568/ThomasNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 458 porte comme seule indication "Bessat 4-3-61" . Il s'agit d'un enregistrement d' &lt;strong&gt;Eug&amp;egrave;ne et Ren&amp;eacute; Thomas&lt;/strong&gt;, musiciens &amp;agrave; Beissat en Creuse . Sans doute une partie de l'enregistrement initial &amp;agrave; partir duquel fut construite l'&amp;eacute;mission &lt;a href="https://la-biaca.org/admin/items/show/393" target="_blank" rel="noopener noreferrer"&gt; "Chez Nous" de mars 1961.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle suite de morceaux du r&amp;eacute;pertoire de ces musiciens : Valses, marches, mazurkas, giattes, bourr&amp;eacute;es, polkas, etc ... Eug&amp;egrave;ne, le p&amp;egrave;re, surnomm&amp;eacute; "Burette", joue de la vielle &amp;agrave; roue et son fils Ren&amp;eacute; de la cornemuse 16 pouces&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean Jacques Le Creurer, musicien, enseignant et collecteur infatiguable nous pr&amp;eacute;cise : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 1 :&lt;/span&gt; "Mignonne". Sans doute une chanson des ann&amp;eacute;es 20/30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 2 :&lt;/span&gt; "la Yoyette"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 3 :&lt;/span&gt; c'est une danse &amp;agrave; base de pas de polka assez locale (sur le sud-est de la Creuse : de Giat &amp;agrave; La Nouaille) : "le P&amp;egrave;re Counaud" &lt;span class="oc"&gt;(lo pa&amp;iuml;r Conaud volia dansar, mas sa doas chambas voliats pas'nar, qu'es lo Pa&amp;iuml;r Conaud que dansa mau)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 4 :&lt;/span&gt; Mazurka " le matin quand je me l&amp;egrave;ve" incipit des paroles (la suite : je demande &amp;agrave; mon mari qu'il me balaie la chambre et qu'il me fasse le lit. Autre couplet : ah qu'elles sont b&amp;ecirc;tes les femmes d'ob&amp;eacute;ir &amp;agrave; leur mari, j'en ai un comme les autres jamais je lui ob&amp;eacute;i ...). Paroles donn&amp;eacute;es par le p&amp;egrave;re Thomas.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 5 :&lt;/span&gt; giatte&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 6 :&lt;/span&gt; bourr&amp;eacute;e : il me l'avais jou&amp;eacute;e et chantonn&amp;eacute; le d&amp;eacute;but :" en&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;passant par l'Auvergne j'&amp;eacute;tais bien fatigu&amp;eacute;". Il semblerait qu'il ait pris&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&amp;ccedil;a &amp;agrave; S&amp;eacute;gurel.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 7 :&lt;/span&gt; la Yousca (appel&amp;eacute;e par ici aussi "le vent fou"). Sorte de marche &amp;agrave; la mode au d&amp;eacute;but du XXe si&amp;egrave;cle.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 8 :&lt;/span&gt; bourr&amp;eacute;e que je ne lui avais jamais entendue jouer !!!! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 9 :&lt;/span&gt; cet air est connu dans tout le coin comme un des airs les plus courant pour danser la carr&amp;eacute;e &lt;span class="oc"&gt;(la carrada)&lt;/span&gt; une des 3 formes de bourr&amp;eacute;es dece secteur (avec l'auvergnate et la giatte). Celui l&amp;agrave; est presque toujoursconnu avec les paroles : &lt;span class="oc"&gt;s'en iran pas tots , los gar&amp;ccedil;ons 'questa 'nada&lt;/span&gt; (avec ensuite des adaptations tr&amp;egrave;s locales)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 10 :&lt;/span&gt; polka piqu&amp;eacute;e tr&amp;egrave;s connue &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 11 :&lt;/span&gt; polka piqu&amp;eacute;e connue elle aussi (comme la plage 9) sur toute la bordure nord du plateau. Avec souvent comme paroles &lt;span class="oc"&gt;"e qu'es ta chamba gaucha, b&amp;egrave;la que te fai mau,&lt;/span&gt; ..." ou "ton chien belle berg&amp;egrave;re est plusgentil que toi, il me fait des caresses et toi tu ne m'en fais pas" (version d'Alfred Gasne de N&amp;eacute;oux).&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 12 :&lt;/span&gt; elle a un trou la marmite : c'est une polka piqu&amp;eacute;e. Je n'ai&lt;br /&gt;entendu jouer &amp;ccedil;a que par eux.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- plage 13 :&lt;/span&gt; bourr&amp;eacute;e. Manifestement prise dans le grand faitout des airs "du pays" plus ou moins de carte postale.&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 14 :&lt;/span&gt; marche&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;- plage 15 : &lt;/span&gt;la valse &amp;agrave; Jacques (Thomas lui m&amp;ecirc;me l'appelait comme &amp;ccedil;a). C'est une valse qu'il tenait de Jacques Lagarrigue, travailleur journalier et vielleux vers La Courtine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Tous les genres</text>
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                <text>Enquête municipale à St Sornin Lavolps</text>
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                <text>[Informateurs multiples]</text>
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                <text>Pascal Boudy</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Première partie de l'enquête municipale, réalisée à St Sornin Lavolps à l'initiative de M. et Mme Latournerie les 2 (de 0 à 1mn 28) et 9 mai 2006 (1.28 à la fin) . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Etaient présents : &lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Mesdames : Denise Alexis, Yvette Latournerie, Sylva Pascarel, Marie jeanne Pradaux, Maguy Vallas,&lt;/span&gt;&lt;br /&gt;Messieurs: &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Armand Alexis, Pierre Durand, Robert Labonne, Raymond Latournerie, Léon Pascarel, Marcel Raynaud&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;, Philippe Rouvet&lt;/span&gt;, &lt;span style="font-size:14pt;"&gt;Adrien Semblat, Emile Tamain, Fernand Vacherie .&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement nous parlons rites calendaires, les fêtes pascales, la quête des &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;œufs&lt;/span&gt;,&lt;span style="font-size:14pt;"&gt; la St Jean, la Toussaint, Noël, la chandeleur, les bonnes fontaines, les veillées, carnaval, los remedis (marfondament, machadis ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 762 sans aucune indication, une enregistrement sans doute r&amp;eacute;alis&amp;eacute; en Saintonge &lt;span class="fr" style="font-size: 14pt;"&gt;(il pourrait s'agir de la suite de l'enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Ch&amp;acirc;teau-Garnier dans la Vienne)&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de chansons et de textes, quelques uns en parlanjhe d'autres en fran&amp;ccedil;ais par des interpr&amp;egrave;tes non identifi&amp;eacute;s&amp;nbsp; : En m'y rendant de noces, La grippe ou l'vertigo, la Yoyette, L'idiot du village, S'en allant &amp;agrave; la fontaine, Le bouc du p&amp;egrave;re Joseph, Rosette, Mon mari &amp;eacute;tait malade, Rossignolet du bois joli, Quand le cur&amp;eacute; s'en va, Rossignolet sauvage&amp;nbsp; et&amp;nbsp; Dedans Paris&lt;/span&gt;&lt;/p&gt;&#13;
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              <text>IEO LEmosin</text>
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              <text>biaça</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="313500">
                <text>Enregistrement de quelques nhòrles en occitan limousin .</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions rencontré Claude Gourbat à Limoges, celui ci , natif de La Jarousse commune de Jumilhac le Grand (24) a souhaité nous raconter, place Barreyrette (dans le quartier de la Boucherie à Limoges ) quelques nhorles : Les histoires du René &lt;span class="oc"&gt;(La vacha, Las chaussuras, los tres jaus, E mas colhas, La Celina, Lo singe e lo pruneu...)&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite quelques histoires de famille, un essai d'explication toponymique, son rapport à la langue etc ... &lt;/span&gt;&lt;/p&gt;</text>
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              <text>informateurs multiples odile farges popy dupetitmagnieux collectages chanteurs et musiciens 4 accordeon chants tradition correze limousin occitan</text>
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                <text>IEO Lemosin, dépôt Chavilhier</text>
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                <text>Collectages, Chanteurs et musiciens (4)</text>
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                <text>Enregistrements de musiciens et chanteurs r&amp;eacute;alis&amp;eacute;s &amp;agrave; Juillac et Lubersac</text>
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                <text>CHAV008</text>
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            <name>Type</name>
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                <text>https://la-biaca.org/items/show/572</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/572/Cassette.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e en 1982 par Popy &lt;span style="font-size: 14pt;"&gt;Dupetitmagnieux &lt;/span&gt;et Odile Farges pour le groupe " Lo Chavilhier"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la face A de cette cassette, nous entendons &lt;strong&gt;M. Dubernard&lt;/strong&gt;, enregistr&amp;eacute; &amp;agrave; son domicile, &amp;agrave; Tournevite sur la commune de Lubersac (19) . M. Dubernard (dit Toine) fut dans la r&amp;eacute;gion un accord&amp;eacute;oniste renomm&amp;eacute;, il avait jou&amp;eacute; &amp;agrave; Paris !&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser : bourr&amp;eacute;es, scottishs, mazurkas, polkas, valses, quadrilles, .. et quelques chansons : &lt;span class="oc"&gt;I&amp;ograve; m'en vau a St Iri&amp;egrave;s&lt;/span&gt;, T&amp;ograve;ane de Glandon, La fille du fermier, La belle Isabeau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Nous avons rencontr&amp;eacute; Mme Dubernard (que l'on entend dans cet enregistrement) quelques ann&amp;eacute;es plus tard lors de l'enqu&amp;ecirc;te &amp;agrave; Arnac Pompadour, elle nous avait parl&amp;eacute; de son mari &lt;a href="https://la-biaca.org/items/show/357" target="_blank" rel="noopener"&gt;(Arnac-Pompadour 1/3, plage 6)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, sur la face B un enregistrement fait aupr&amp;egrave;s du club du 3&amp;egrave;me &amp;acirc;ge de Juillac dans lequel nous entendons plusieurs informateurs (Mme Boudy, Mme Rouland, ...).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Popy Dupetitmagnieux d&amp;eacute;crit ce document ainsi : &lt;span style="color: #808080;"&gt;Chanson en vogue en 1917, La Paimpolaise, Sous les ponts de Paris, La Valse Brune, La Java bleue, J&amp;rsquo;ai deux grands b&amp;oelig;ufs dans mon &amp;eacute;table, La chanson de la mari&amp;eacute;e (Mme Boudy), La Fanchon, La Brigitte, Les r&amp;eacute;veill&amp;eacute;es (Mme Rouland), Le petit chasseur de Rennes, La Marion va au moulin&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Accord&amp;eacute;on : La guimbarde, Sauti&amp;egrave;re, Turlututu, La paimpolaise, Sur les ponts de Paris, La Valse Brune, Mazurka ( Ah que les femmes sont b&amp;ecirc;tes !), Pinton, Je suis lasse d&amp;rsquo;&amp;ecirc;tre fille, Rosette, &lt;em&gt;&lt;span class="oc"&gt;Morelhada, Quand los cornards d'a Tula, Ont' menara pita bargier&amp;ograve;ta, Son davalats, Las peras son maduras,&lt;/span&gt;&lt;/em&gt; Le tailleur de pierres, &lt;em&gt;&lt;span class="oc"&gt;La borreia d&amp;rsquo;Auvernha&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <name>Juillac / Lubersac</name>
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              <text>Sans indication de lieu .</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Enregistrement de MMe Yvette Restoin, vielleuse</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Yvette RESTOIN</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD4231</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/573/YRestoinNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune mention, nous entendons &lt;strong&gt;Yvette RESTOIN&lt;/strong&gt;, (1926-1998) vielleuse du groupe folklorique " Lous Velhadours de Sen Junio"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enregistr&amp;eacute;e l&amp;agrave; par Robert Dagnas qui pr&amp;eacute;sente les titres, Mlle Restoin livre les morceaux de son r&amp;eacute;pertoire (bourr&amp;eacute;es, scottishs, menuet, polkas, quadrilles,danses imitatives ..) dans le but de les transmettre &amp;agrave; "Pierre et Marie France" ( Pierre Leplant et sa femme ) , d'o&amp;ugrave; une interpr&amp;eacute;tation un peu didactique. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;&amp;nbsp;Le Fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;M. Marc Theillet&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; pour la photo d'illustration &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Saint-Junien</name>
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          <description>The location of the interview</description>
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              <text>Lieux d'enregistrement multiples</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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              <text>informateurs multiples robert dagnas chez nous emission du 10 aout 1968 folklore segurel eglantine uzerche</text>
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                <text>Chez nous, Août 1968</text>
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            <description>The topic of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="313364">
                <text>[Informateurs multiples]</text>
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="313369">
                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/574</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/574/1369989639_RD4230Net.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication nous retrouvons une &amp;eacute;mission de "Chez Nous" telle qu'elle fut sans doute diffus&amp;eacute;e sur les ondes de Radio-Limoges le 10 aout 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Avant le d&amp;eacute;but de l'&amp;eacute;mission (comme souvent enregistr&amp;eacute;e sur une bande d&amp;eacute;j&amp;agrave; utilis&amp;eacute;e) , nous entendons la fin d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; "Jean S&amp;eacute;gurel et ses troubadours" : Bruy&amp;egrave;res Corr&amp;eacute;ziennes, La marche des c&amp;eacute;libataires, A la ballade, La Cati, Bernadette - Java , Nostalgie de son pays et une suite de bourr&amp;eacute;es .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Deux grandes manifestations estivales &amp;agrave; venir font l'essentiel de cette &amp;eacute;mission, Le festival de Confolens et la f&amp;ecirc;te de l'&amp;eacute;glantine &amp;agrave; Uzerche . Nous entendrons une succession de groupes folkloriques : la Couqueto de Marseille, les Vaillants d'Ossun, La gerbabauda, Les Veilhadours, l'&amp;Eacute;cole du Barbichet, l' &amp;Eacute;cole Ventadour et La Bourr&amp;eacute;e Limousine . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt; Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/389"&gt;Acc&amp;eacute;der &amp;agrave; la premi&amp;egrave;re partie de l'enregistrement&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Quelques chansons, Veiqui la St Jan, la Margui, Per bien la dansar, mais surtout d' int&amp;eacute;ressants t&amp;eacute;moignages : &lt;span class="oc"&gt;la jounessa, las bonas fonts, la venta daus piaus , des peta&amp;ccedil;ons, lojar los valets, las d&amp;eacute;vocions ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques chansons : Je n'y regrette point la ville, &lt;span class="oc"&gt;Quand eria j&amp;ograve;une gar&amp;ccedil;on,&lt;/span&gt; &lt;span class="oc"&gt;La montanha, Lu charamela&amp;iuml;re&lt;/span&gt;, une jolie version du &lt;span class="oc"&gt;Pitit Pater dau Bon Diu.&lt;/span&gt; M. Dagnas interroge ensuite cet extraordinaire informateur sur les rites calendaires (Rameau, P&amp;acirc;ques, La Chandeleur, le Jeudi Saint), l'&amp;eacute;cole, les premi&amp;egrave;res amours, l'arm&amp;eacute;e, la guerre, les mariages ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement nous retrouvons le groupe folklorique "la Couade de Troche" dans un r&amp;eacute;pertoire sans grande originalit&amp;eacute; (Rebier, Dupont, S&amp;eacute;gurel ...) mais bien servi .&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;L'enregistrement se termine par une ode &amp;agrave; Janvier, interrompue par la fin de la bande&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 472, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Reportage depuis Munich, Groupe Sarrois, Mai 1964" .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la pr&amp;eacute;paration d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; un voyage des Velhadours en Allemagne (un autre a &amp;eacute;t&amp;eacute; effectu&amp;eacute; en 1968) au cours duquel fut organis&amp;eacute;e une &amp;eacute;mouvante visite &amp;agrave; Dachau qui est rest&amp;eacute;e dans la m&amp;eacute;moire de beaucoup de ceux qui y ont particip&amp;eacute; . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;M. Dagnas parle du s&amp;eacute;jour du groupe puis nous entendons la prestation d' un groupe folklorique Sarrois non identifi&amp;eacute; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons rentré assez fortuitement la fille de Mme Gratacap qui nous a dit que sa mère, originaire de Capdenac, dans le Lot, habitant la commune de Brive depuis des années, serait ravie de nous parler en occitan.&lt;br /&gt;Nous avons rencontré quelques semaines plus tard, le 30 janvier 2012, &lt;strong&gt;Mme Germaine Gratacap&lt;/strong&gt;, (née Issiot en 1924 dans un hameau de la commune de Capdenac, dans le département voisin du Lot). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Gratacap nous a chanté "Gentille pastourelle", "&lt;span class="oc"&gt;Al fond de la prada"&lt;/span&gt;, &lt;span class="fr" style="font-size:14pt;"&gt;puis, dans une belle langue, elle nous a parlé un peu des veillées, &lt;span class="oc"&gt;del fuòc de nadal ...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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      <tag tagId="91">
        <name>Brive-la-Gaillarde</name>
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      <tag tagId="3">
        <name>Corrèze (19)</name>
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