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Scottish&#13;

00:00:39.000 --&gt; 00:01:14.000
Congo&#13;

00:01:14.000 --&gt; 00:01:28.000
Mastangouine&#13;

00:01:28.000 --&gt; 00:01:49.000
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Mazurka&#13;

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Mazurka &#13;

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Mazurka&#13;

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Mazurka&#13;

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Valse&#13;

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Valse&#13;

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Bourrée&#13;

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Polca-piquée&#13;

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Polca&#13;

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Congo&#13;

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Polca de Madrangeas&#13;

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Mazurka&#13;

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Quadrille des lanciers&#13;

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Quadrille&#13;

00:12:34.000 --&gt; 00:00:00.000
Valse&#13;

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Lo menuguet&#13;

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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande que &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay &lt;/span&gt;nous a confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne, un enregistrement qu'elle r&amp;eacute;alisa &amp;agrave; Bergerac (24), le 9 ao&amp;ucirc;t 1988 aupr&amp;egrave;s de &lt;strong&gt;Marcel PIAUD&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;1907-2005)&lt;/span&gt;, en compagnie de Philippe Destrem. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Piaud fut non seulement un musicien traditionnel p&amp;eacute;rigourdin renomm&amp;eacute;, mais aussi un collecteur, un compositeur, l'auteur d'une m&amp;eacute;thode de vielle &amp;agrave; roue, etc.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Souvent enregistr&amp;eacute;, il avait consacr&amp;eacute; une grande partie de sa vie &amp;agrave; la musique traditionnelle et aux instruments. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ici on trouvera une suite de 17 valses, la bande originale en contenait 21 mais quelques-unes sont vraiment inaudibles.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo d'illustration (Marcel Piaud &amp;agrave; la vielle et Paul Laborie au banjo) est extraite d'un film de Fran&amp;ccedil;oise &amp;Eacute;tay et Paul Gerbaud :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt; &amp;rarr; &lt;/a&gt;&lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quadrille avec Marcel Piaud&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Musique oies, montage bestias de la boria, conte 1: Chatte Mare, Conte 2: Noel, conte 3: Petit chat".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Il s'agit en fait de la suite de l'enregistrement de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;br /&gt;Plusieurs informateurs nous livrent une suite de formulettes et mimologismes :&lt;br /&gt;&lt;span class="oc"&gt;- Lo lop e l'ase (chansons)&lt;br /&gt;- Leis Chavaux(A.Tr&amp;eacute;ny),&lt;br /&gt;- Los auseus ( Lo pin&amp;ccedil;on, lo Lauri&amp;ograve;u, Lo rossinh&amp;ograve;u, La choita, La pepue , lo Jai, &lt;br /&gt;lo cocut e la ja&amp;ccedil;a, lo tortolon e lo cocut,las gruas, la calha, la lauveta, lo pichatau, lo reibeneit, lo merle, la rilha ..) &lt;br /&gt;- La grapaudalha : lo grapaud e la granolha, Simon&lt;br /&gt;- Los bruchs familhars ('fialar son dalh, devineta, quand pleu..) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La bande se termine par un &amp;eacute;trange propos sur l'accord de la vielle &amp;agrave; roue, n'ayant rien &amp;agrave; voir avec le sujet. Sans doute une bande r&amp;eacute;utilis&amp;eacute;e...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <text>contes limousins</text>
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              <text>collecte</text>
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              <text>micheu chapduelh quand las bestias parlan 1 mimologismes perigord occitan limousin patois</text>
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                <text>IEO Lemosin, dépôt Chadeuil</text>
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            <description>The topic of the resource</description>
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                <text>Dires et proverbes</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Collecte de contes et mimologismes occitans</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Micheu CHAPDUELH</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Chad002</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1978-06</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/794</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/794/1457360187_ChadeuilNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=michel-chadeuil&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Michel Chadeuil,&lt;/a&gt; &amp;eacute;crivain et chansonnier occitan p&amp;eacute;rigourdin. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Leis chavaus, los auseus (montage),grapaud,bruch".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la face A, plusieurs informateurs nous livrent une suite de mimologismes et quelques contes :&lt;br /&gt;&lt;span class="oc"&gt;La p&amp;ograve;lca de las aucas (A.Tr&amp;eacute;ny), La pola, Lo jau, Lo jau e la pincarda, la pincarda, los dindons, lo jal, lo j&amp;ograve;une chen, la chata, la chabra, l'asne dau pair Liunard, la cana la chata e la chabra, Los 'nimaus lo ser de Nadau, Lo pitit chat qu'avia traversat la D&amp;ograve;rna ...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit p&lt;span class="fr"&gt;robablement d'une partie de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Date Issued</name>
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                <text>2015-12-03 11:16:11</text>
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            <description>The size or duration of the resource.</description>
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                <text>Dordogne (24)</text>
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            <name>Provenance</name>
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                <text>IEO Lemosin, dépôt Beauzetie</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="307192">
                <text>Sos lu pont de la Charela, Abjat</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="307193">
                <text>Légendes - croyances</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="307194">
                <text>Jaumeta BEAUZETIE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="307195">
                <text>Beau01</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1984</text>
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            <name>Creator</name>
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                <text>Jaumeta Beauzetie</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          </element>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/785</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331659">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/785/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette cassette audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Jaumeta Beauzetie.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; Partant d'une collecte effectu&amp;eacute;e en 1984 aupr&amp;egrave;s de Jean Duroux aux Granges d'Abjat, a&lt;/span&gt;&lt;span style="font-size: medium;"&gt;pr&amp;egrave;s avoir chant&amp;eacute; &lt;span class="oc"&gt;"Sos lu pont de la Charela"&lt;/span&gt;, Jaumeta nous conte une l&amp;eacute;gende locale dans laquelle il est question de la cascade du Saut du Chalard, sur la commune des Champs-Romain), du seigneur de Vaucaucour, l'enl&amp;egrave;vement de Claire, la r&amp;eacute;bellion, le jugement ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Vous pouvez retrouver ces l&amp;eacute;gendes sur le &lt;a href="https://www.abjat-sur-bandiat.fr/index.html" target="_blank" rel="noopener noreferrer"&gt;site de la commune d' Abjat &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>informateurs multiples robert dagnas a augignac patois occitan haute vienne limousin augignac patrimoine oral musique traditionnelle limousin</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>An account of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bande, aucune indication sinon un num&amp;eacute;ro "510". Il s'agit d'un enregistrement qui a s&amp;ucirc;rement &amp;eacute;t&amp;eacute; fait &amp;agrave; Augignac (24) par Robert Dagnas (accompagn&amp;eacute; par une enqu&amp;ecirc;trice non identifi&amp;eacute;e) aupr&amp;egrave;s de la conteuse F&amp;eacute;licie Brouillet et d'une de ses voisines dont nous savons seulement qu'elle se pr&amp;eacute;nomme Marguerite .&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par Michel Chadeuil, écrivain et chansonnier occitan périgourdin.&lt;br /&gt;Il s'agit en fait d'une succession d'enregistrements de plusieurs informateurs (Dont Mme Mignon, agricultrice à Laprade, en Charente, les autres sont en cours d'identification) qui lui avaient confié &lt;span class="oc"&gt;"per botar en conserva"&lt;/span&gt; une belle série de comptines, contes, berceuses, chants à danser, chansonnettes, etc ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur le boitier de cette bande il est noté "Chez Nous 30 6 62, 11'30" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'une émission sans doute diffusée à la veille du 1er juillet 1962 à l'occasion de la 45 ème &lt;span style="font-size:14pt;"&gt;Félibrée&lt;/span&gt; qui a lieu à Piégut-Pluviers.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous avions déja mis en ligne une émission presque identique (voir ci-dessous) . M. Dagnas en avait il préparé deux versions ? Laquelle fut diffusée ? &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendons dans cet enregistrement M. Yves Massy, alors maire de Piégut-Pluviers, présenter sa commune, parler de la préparation de la fête et nous préciser le programme de la journée, &lt;span style="font-size:14pt;"&gt;Le Majoral Marcel Fournier,&lt;span&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt; parler d' Aimé Jardry, d' Henri Delage et de Félicie Brouillet . Paul Merdieu chanter "Veiqui lo Pierigòrd"&lt;/span&gt; . Henri Delage &lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;(Contaviòrla)&lt;/span&gt;&lt;/span&gt; raconter deux comptines D'ente venetz et Tira-tira et, pour terminer, les chanteurs du groupe du Chalelh chanter " Cassa cacaus".&lt;strong&gt; &lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande il est seulement not&amp;eacute; &lt;span style="color: #808080;"&gt;"Secours"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit du pseudonyme d'un musicien, M. Chabot jouant du Saxophone Soprano et de la clarinette que nous avons entendu &amp;agrave; plusieurs reprises dans des enregistrements de M. Dagnas, souvent en compagnie de "Colon", Pierre Chabaud, &amp;agrave; sa droite sur la photo (cette photo nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Francis Chabaud). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de morceaux jou&amp;eacute;s et chant&amp;eacute;s : &lt;em&gt;&lt;span class="oc"&gt;Per un beu matin de printemps, Francilhon sur un prunier, La Francesa, La margarita l'es malauda, Ma pita Suzon,&lt;/span&gt;&lt;/em&gt; l'enregistrement se termine par deux airs &amp;agrave; danser &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur les boitiers de ces bandes il est noté &lt;span style="color:#808080;"&gt;"Piégut 2"&lt;/span&gt; et &lt;span style="font-size:14pt;color:#808080;"&gt;"Piégut 3"&lt;/span&gt;. &lt;br /&gt;Une fiche cartonnée nous indique qu'il s'agit d'un enregistrement datant du 1er juillet 1962 à l'occasion de la Félibrée de Piégut-Pluviers. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir l'enregistrement "Piégut-Pluviers (1) - Félibrée 1962 " disponible ci dessous .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons Le maire, M. &lt;strong&gt;Yves Massy&lt;/strong&gt;, confier, pour la journée les clés de la ville au &lt;strong&gt;Majoral Fournier&lt;/strong&gt;, quelques discours, le souvenir de la félibrée de 1935, un propos à la gloire d'Aimé Jardry,un très long évangile "&lt;span class="oc"&gt;L'evangeli selon Sent-Luc"&lt;/span&gt;, et quelques chansons : &lt;span class="oc"&gt;Peirigòrd, Voletz vos durmir, La coupo santo ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Sans indication de lieu, surement enregistré à Augignac (24)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>2014-03-11 16:52:07</text>
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            <description>The size or duration of the resource.</description>
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                <text>Félicie BROUILLET (3/3)</text>
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                <text>Dordogne (24)</text>
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            <description>A name given to the resource</description>
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                <text>Félicie BROUILLET (2/3)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="310238">
                <text>Histoires drôles</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="310239">
                <text>Enregistrement de F&amp;eacute;licie Brouillet conteuse</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Félicie BROUILLET</text>
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            <name>Source</name>
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                <text>RD5384</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1969-11</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/670/FBrouillet.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 574, il est not&amp;eacute; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"F&amp;eacute;licie Brouillet, bande n&amp;deg;2&amp;nbsp;&amp;Eacute;l&amp;eacute;ments pour Chez-nous 26 11 69".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document vient compl&amp;eacute;ter l' &lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener noreferrer"&gt;enregistrement num&amp;eacute;ro 575-3 (RD 1018)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'histoires cont&amp;eacute;es par la c&amp;eacute;l&amp;egrave;bre conteuse F&amp;eacute;licie Brouillet : &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;La nuech de Nadal, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Lu sport, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;La dan&amp;ccedil;a , &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Trabalhar a far daus cros, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;la bona 'nada&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, dite "Aurelha de lebre" &amp;eacute;tait n&amp;eacute;e &amp;agrave; Piegut en 1907, elle est d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>gnorles</text>
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            <elementText elementTextId="313117">
              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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            <elementText elementTextId="313119">
              <text>accordéon</text>
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            <elementText elementTextId="313120">
              <text>violon</text>
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            <elementText elementTextId="313121">
              <text>chant</text>
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            <elementText elementTextId="313122">
              <text>bourrée</text>
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            <elementText elementTextId="313123">
              <text>danses</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>informateurs multiples robert dagnas a piegut 2 piegut pluviers chansons marvaud brouillet dordogne perigord mariages</text>
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        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="313065">
                <text>2013-06-10</text>
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            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="313066">
                <text>2010</text>
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          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>À Piégut (1)</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="313070">
                <text>Collection F. Étay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>À Piégut (2)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="313072">
                <text>Tous les genres</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="313073">
                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers (24) au d&amp;eacute;but des ann&amp;eacute;es 1960</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="313075">
                <text>RD3122</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1962</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313077">
                <text>Robert DAGNAS</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313078">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="313079">
                <text>Sound</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="313080">
                <text>https://la-biaca.org/items/show/581</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331455">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/581/RD3122Net.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334085">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande gu&amp;egrave;re d'indication, il est seulement not&amp;eacute; "Pi&amp;eacute;gut 2". Il s'agit sans doute de la suite de la bande 801 (voir ci-dessous) enregistr&amp;eacute;e en public &amp;agrave; Pi&amp;eacute;gut - Pluviers (24). On retrouve&lt;strong&gt; Ren&amp;eacute; Marvaud, F&amp;eacute;licie Brouillet, le duo Colon et Secours, Pierre Bernard, etc.&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On y entend une chanson sur la balade (la f&amp;ecirc;te) de Pi&amp;eacute;gut-Pluviers ; Ren&amp;eacute; Marvaud dit Jos&amp;egrave;p Platussat &lt;a href="/items/show/515" target="_blank" rel="noopener noreferrer"&gt;(voir l'enregistrement d&amp;eacute;j&amp;agrave; disponible)&lt;/a&gt; qui chante &lt;span class="oc"&gt;&lt;em&gt;Lo sejaire&lt;/em&gt;, &lt;em&gt;Lo jau&lt;/em&gt;,&lt;/span&gt; &lt;em&gt;Perpiau&lt;/em&gt; ; une suite d'airs par MM. Colon et Secours ; F&amp;eacute;licie Brouillet qui nous raconte ensuite l'histoire des march&amp;eacute;s de Pi&amp;eacute;gut, de la tour, etc. &lt;br /&gt;Puis, c'est au tour de M&amp;eacute;lie Frisou, m&amp;eacute;n&amp;eacute;tri&amp;egrave;re (elle joua du saxophone t&amp;eacute;nor jusqu'en 1914), de nous parler de sa pratique de musicienne, des noces (les repas, un mariage avec "une qui ne voulait pas se marier", la danse, les musiciens, les belle-m&amp;egrave;res, les v&amp;ecirc;tements, etc) &lt;br /&gt;Ensuite F&amp;eacute;licie Brouillet &amp;eacute;voque Burgou, Pierre Bernard donne sa version de "l'origine de la polka", Secours raconte une histoire de musicien de retour de noces, etc. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="/items/show/12849" target="_blank" rel="noopener noreferrer"&gt;Les paroles et la musique de "Perpiau"&lt;/a&gt; par Ren&amp;eacute; Marvaud &lt;span style="font-size: 12pt;"&gt;(Remerciements &amp;agrave; Paul, son fils, pour ces documents ... et bien d'autres)&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="82">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="358340">
                <text>CC-BY-NC-ND</text>
              </elementText>
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          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="358341">
                <text>IEO Lemosin, dépôt Françoise Étay</text>
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        <name>Dordogne (24)</name>
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        <name>Piégut-Pluviers</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistré à Limoges</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="313509">
              <text>Gorbat1.mp4</text>
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          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1028</text>
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          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="313511">
              <text>Archives sonores</text>
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            <elementText elementTextId="313512">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="313513">
              <text>IEO Limousin</text>
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            <elementText elementTextId="313514">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="313515">
              <text>biaça</text>
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            <elementText elementTextId="313516">
              <text>besace</text>
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            <elementText elementTextId="313517">
              <text>Patois</text>
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            <elementText elementTextId="313518">
              <text>Occitan</text>
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            <elementText elementTextId="313519">
              <text>Limousin</text>
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            <elementText elementTextId="313520">
              <text>Patois Limousin</text>
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            <elementText elementTextId="313521">
              <text>Occitan limousin</text>
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            <elementText elementTextId="313522">
              <text>périgord</text>
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            <elementText elementTextId="313523">
              <text>dordogne</text>
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            <elementText elementTextId="313524">
              <text>Patois Haute vienne</text>
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            <elementText elementTextId="313525">
              <text>Occitan Haute Vienne</text>
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            <elementText elementTextId="313526">
              <text>langue limousine</text>
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            <elementText elementTextId="313527">
              <text>langue d'oc</text>
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            <elementText elementTextId="313528">
              <text>collectage</text>
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            <elementText elementTextId="313529">
              <text>collectatge</text>
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              <text>collection</text>
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            <elementText elementTextId="313531">
              <text>colleccion</text>
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            <elementText elementTextId="313532">
              <text>mémoire</text>
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            <elementText elementTextId="313533">
              <text>memòria</text>
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            <elementText elementTextId="313534">
              <text>sonore</text>
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            <elementText elementTextId="313535">
              <text>blagues</text>
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            <elementText elementTextId="313536">
              <text>tradition</text>
            </elementText>
            <elementText elementTextId="313537">
              <text>nhorles</text>
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            <elementText elementTextId="313538">
              <text>gnorles</text>
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            <elementText elementTextId="313539">
              <text>enregistrement</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="313540">
              <text>m claude gourbat pascal boudy claude gourbat las istorias dau rene histoires droles nhorles jumilhac dordogne patois occitan</text>
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          </elementTextContainer>
        </element>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="313493">
                <text>2013-05-27 17:49:13</text>
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            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="313494">
                <text>1028</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="313495">
                <text>Jumilhac</text>
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              <elementText elementTextId="313496">
                <text>Dordogne (24)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="313497">
                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313498">
                <text>Claude GOURBAT, Las istòrias dau René</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="313499">
                <text>Histoires drôles</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313500">
                <text>Enregistrement de quelques nhòrles en occitan limousin .</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="313501">
                <text>M. Claude GOURBAT</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="313502">
                <text>IEO 261</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2012-03</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313504">
                <text>Pascal Boudy</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="313505">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="313506">
                <text>Sound</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/571</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/571/GourbatNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334095">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions rencontré Claude Gourbat à Limoges, celui ci , natif de La Jarousse commune de Jumilhac le Grand (24) a souhaité nous raconter, place Barreyrette (dans le quartier de la Boucherie à Limoges ) quelques nhorles : Les histoires du René &lt;span class="oc"&gt;(La vacha, Las chaussuras, los tres jaus, E mas colhas, La Celina, Lo singe e lo pruneu...)&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite quelques histoires de famille, un essai d'explication toponymique, son rapport à la langue etc ... &lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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        <name>Jumilhac</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <description>The location of the interview</description>
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              <text>Enregistré au domicile de M. Roulland à Drouille cne de St Amand de Coly</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
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          <name>Mot-clé</name>
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              <text>IEO LEmosin</text>
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              <text>Occitan limousin</text>
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              <text>Occitan dordogne</text>
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              <text>rites calendaire</text>
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          <name>Mot-clé en liste</name>
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              <text>m marcel roulland pascal boudy m marcel roulland patois sarladais coly dordogne</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. Marcel ROULLAND</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="313773">
                <text>Tous les genres</text>
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            <description>An account of the resource</description>
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                <text>IEO259</text>
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            <name>Type</name>
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                <text>https://la-biaca.org/items/show/564</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/564/Padimage.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Après une rencontre tout à fait fortuite avec Pascale Lagauterie, nous avons décidé de rendre visite à M. Roulland (Né à Tamniès en 1919) qui nous a gentiment accueillis chez lui dans sa belle maison de Drouille, sur la commune de St Amand de Coly, en Dordogne voisine . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:medium;"&gt;&lt;span class="fr"&gt;M. Roulland, érudit local, amoureux de la langue d'Oc nous a fait partager sa connaissance du pays, il nous a parlé de la langue, du Sarladais, du limousin, de la  lauze, du châtaigner, il nous a dit un texte du Dr Boissel ...&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Sans indication de lieu, probablement enregistré à Piégut Pluviers (24)</text>
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              <text>IEO LEmosin</text>
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              <text>Occitan</text>
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              <text>Occitan limousin</text>
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              <text>patois périgord</text>
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              <text>Occitan périgord langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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          <description>Mot-clé "keywords"</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="315162">
                <text>2013-03-05 17:32:15</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>3153</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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            <name>Provenance</name>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>À Piégut (1)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="315170">
                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers, au d&amp;eacute;but des ann&amp;eacute;es 60 .</text>
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          </element>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD3148</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="315173">
                <text>1962</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="315175">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/534</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331408">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/534/Padimage.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334132">
                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la bande 801 il est not&amp;eacute;&lt;/span&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Gala Paralys&amp;eacute;s de France, 9/3/62&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le contenu n'a en fait rien &amp;agrave; voir avec&lt;span class="fr" style="font-size: 14pt;"&gt; cela,&lt;/span&gt; il s'agit d'une collecte &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;e "en public" &amp;agrave; Pi&amp;eacute;gut-Pluviers (24)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re demi-heure est consacr&amp;eacute;e &amp;agrave; une fanfare (sans doute la "Soci&amp;eacute;t&amp;eacute; Musicale de Pi&amp;eacute;gut" ) qui interpr&amp;egrave;te diff&amp;eacute;rents morceaux polkas, bourr&amp;eacute;es, quadrilles, marches ,valses etc ... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite on peut entendre plusieurs informateurs parmi lesquels nous retrouvons:&lt;br /&gt;&lt;/span&gt;&lt;strong class="fr"&gt;- F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;span class="fr"&gt; qui nous parle de l'origine du march&amp;eacute; de Pi&amp;eacute;gut, du chavilhier, de la tour de Pi&amp;eacute;gut , des cupules, des rochers branlants, de la lanterne, des d&amp;eacute;votions, de Jean de Biennat&lt;/span&gt;&lt;span class="fr"&gt;...&lt;br /&gt;- &lt;/span&gt;&lt;strong class="fr"&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt;&lt;span class="fr"&gt; qui chante&lt;/span&gt; &lt;span class="oc"&gt;&lt;em&gt;"Chantoclar"&lt;/em&gt;,&lt;/span&gt; &lt;span class="fr"&gt;Le march&amp;eacute; de Pi&amp;eacute;gut&lt;/span&gt;, &lt;em&gt;&lt;span class="oc"&gt;"La Bosrin"&lt;/span&gt;&lt;/em&gt;,&lt;span class="fr"&gt; "P&amp;egrave;re Piaud" &lt;br /&gt;&lt;br /&gt;- Plusieurs autres informateurs, (M. Moulinier, Bonnier) nous parlent d' Aim&amp;eacute; Jardry, de Burgou ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La famille de M. Marvaud nous a confi&amp;eacute; les documents accessibles ci-dessous :&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;- &lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;Chantoclar&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/loBourri2.jpg" target="_blank" rel="noopener"&gt;- La Bosrin&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bande sans aucune indication un nouvel enregistrement des fr&amp;egrave;res Trarieux, il y a lieu d'imaginer qu'il s'agit de la suite de l'enregistrement d&amp;eacute;j&amp;agrave; en ligne disponible ci dessous &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Une nouvelle succession de chansons chant&amp;eacute;es &amp;agrave; deux (ou presque !!) : Le voltigeur que j'aime,&amp;nbsp; l&amp;agrave;-bas l&amp;agrave; bas au joli bois, Bonjour la belle, &lt;span class="oc"&gt;adiussiatz monsur&lt;/span&gt;, Payzac poss&amp;egrave;de ma foi ... , &lt;span class="oc"&gt;la Senta crotz&lt;/span&gt;, j'ai fait une ma&amp;icirc;tresse, Ah le voil&amp;agrave; mon chapeau et Quand le galant revient le soir&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt; &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 529, il est not&amp;eacute; "Monsieur Marvaud, Pi&amp;eacute;gut Pluviers" . Cet enregistrement date du 26 juin 1962 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Dans ce trop court document, &lt;strong&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt; (1909/1998) quincailler &amp;agrave; Pi&amp;eacute;gut Pluviers (24) (Chroniqueur et Chansonnier sous le pseudonyme&amp;nbsp;de&amp;nbsp;Jos&amp;egrave;p Platussat, auteur de "Chants du moulin fondu" ) chante, avec beaucoup de conviction, trois chansons&lt;/span&gt; : &lt;span class="oc"&gt;&lt;em&gt;Pierrisson&lt;/em&gt;, &lt;a href="https://la-biaca.org/items/show/12824" target="_blank" rel="noopener"&gt;&lt;em&gt;Faure mon paubre faure&lt;/em&gt;&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;(chanson &amp;eacute;crite en souvenir de son ami Jean Larousserie) et&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; L&lt;span class="oc"&gt;u pitit tren de Brant&amp;ograve;me &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;(une chanson de J Morellet)&amp;nbsp; .&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12847" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la documentation relative &amp;agrave; cet enregistrement . (extraits des "Chants du moulin fondu", la partition du Petit train de Brant&amp;ocirc;me et la liste des distinctions re&amp;ccedil;ues par Ren&amp;eacute; Marvaud&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12799" target="_blank" rel="noopener"&gt;Quelques collectes de R. Marvaud&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;( Cette documentation nous a &amp;eacute;t&amp;eacute; aimablement transmise par son fils Paul )&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les &lt;br /&gt;ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique&amp;nbsp;traditionnelle au CRR de Limoges.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 633 il est not&amp;eacute; "enregistrement Augignac (9/65), F&amp;eacute;licie-Mme Feuillade".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Nous retrouvons trois informateurs non identifi&amp;eacute;s, interrog&amp;eacute;s par M. Dagnas au sujet des danses . &lt;br /&gt;Une successions de chants : &lt;span class="oc"&gt;au tralala, &lt;em&gt;Lu tira-minet,&lt;/em&gt;&lt;/span&gt; la danse de bourguignon, &lt;span class="oc"&gt;&lt;em&gt;Ma janeta, Pr&amp;egrave;s de la clara fontaina, Lo pitit bo&amp;ccedil;ut&lt;/em&gt;&lt;/span&gt;,des t&amp;eacute;moignages sur les bals, les danses, les bagarres ... des danses : valses, polkas, scottishs ... &lt;/span&gt;&lt;/p&gt;&#13;
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            <name>Date Issued</name>
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                <text>2012-11-28 16:04:26</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>3093</text>
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            <name>References</name>
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                <text>Les frères TRARIEUX (2)</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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            <name>Provenance</name>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
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                <text>Les frères TRARIEUX (1)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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                <text>Les frères TRARIEUX</text>
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            <name>Source</name>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1962-02</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/475</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/475/RD3189.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur la bande 783 il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"fr&amp;egrave;res Trarieux / Emission chez nous (mariage) face B"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Nous sommes en pr&amp;eacute;sence de deux enregistrements du d&amp;eacute;but de la bande &amp;agrave; 31'37'' les fr&amp;egrave;res &lt;strong&gt;Trarieux&lt;/strong&gt;, originaires de Payzac en Dordogne puis d'une &amp;eacute;mission consacr&amp;eacute;e au mariages autour d'un disque de &lt;strong&gt;Roger Blanchard&lt;/strong&gt;* et son ensemble &amp;eacute;mission se terminant par Marcel Fournier et le groupe du Chalelh.&lt;br /&gt;&lt;br /&gt;Les fr&amp;egrave;res &lt;strong&gt;Trarieux&lt;/strong&gt;, manifestement habitu&amp;eacute;s &amp;agrave; chanter ensemble interpr&amp;egrave;tent des chansons en occitan et en fran&amp;ccedil;ais : &lt;em&gt;Per rejauvir mon bargier, M'en anant la a la fiera, Quand ieu era j&amp;ograve;uneta&lt;/em&gt;, Au jardin de mon p&amp;egrave;re, &lt;em&gt;Dins lo bosc&lt;/em&gt; (une sauti&amp;egrave;re vals&amp;eacute;e) , &lt;em&gt;De las piuses mai dau puelhs&lt;/em&gt;,&amp;nbsp; Qu'elles sont b&amp;ecirc;tes les femmes, &lt;em&gt;La filha d'un paubre&lt;/em&gt;, L'&amp;eacute;tat de ma&amp;ccedil;on, Je vais vous chanter les amours, Quand j'&amp;eacute;tais chez mon p&amp;egrave;re, la vendange, J'ai fait une maitresse, Quand le galant revient le soir...&lt;br /&gt;&lt;br /&gt;Apr&amp;egrave;s cet enregistrement une &amp;eacute;mission de "Chez Nous" probablement diffus&amp;eacute;e d&amp;eacute;but f&amp;eacute;vrier 1962&lt;br /&gt;De &lt;strong&gt;Roger Blanchard&lt;/strong&gt; et son ensemble nous entendons des extraits d'un disque Gai Gai marions nous consacr&amp;eacute; aux chansons de noces : O&amp;ugrave;&amp;nbsp; t'en vas tu chapeau de cuir, Bon paysan donne moi ta fille, Ouvrez la porte, &lt;em&gt;Nos la menam&lt;/em&gt;, Enfin vous voil&amp;agrave; donc, Millette se marie puis Allez vous en gens de la noce .&lt;br /&gt;&lt;br /&gt;Ensuite nous entendons une bourr&amp;eacute;e par &lt;strong&gt;Marcel Fournier&lt;/strong&gt; &amp;agrave; la cabrette puis &lt;em&gt;La calha&lt;/em&gt; par le Chalelh et enfin diverses danses : polka, gigue, marche par les m&amp;eacute;n&amp;eacute;triers du Chalelh. Pour finir les annonces puis la conclusion de l'&amp;eacute;mission .&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&amp;nbsp;* &lt;strong&gt;Roger Blanchard&lt;/strong&gt;, (1919-2011) musicologue ayant des attaches limousines, fut chef d'orchestre il dirigeait un ensemble vocal et instrumental au r&amp;eacute;pertoire &amp;eacute;clectique interpr&amp;eacute;tant de la musique ancienne,de la musique classique, du folklore antillais etc ... Auteur de nombreuses publications on lui doit notamment "Les danses du Limousin et des r&amp;eacute;gions avoisinantes " en 1943&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/span&gt;</text>
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        <name>Dordogne (24)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistré à Nontron (24)</text>
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          </elementTextContainer>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="318040">
              <text>RD3142.mp3</text>
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          </elementTextContainer>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>950</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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            <elementText elementTextId="318043">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="318044">
              <text>IEO Limousin</text>
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            <elementText elementTextId="318045">
              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>besace</text>
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              <text>Patois</text>
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              <text>Occitan</text>
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              <text>Limousin</text>
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            <elementText elementTextId="318051">
              <text>Patois Limousin</text>
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            <elementText elementTextId="318052">
              <text>Occitan limousin</text>
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            <elementText elementTextId="318053">
              <text>Occitan Corrèze</text>
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            <elementText elementTextId="318054">
              <text>Patois corrèze</text>
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            <elementText elementTextId="318055">
              <text>Patois Creuse</text>
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            <elementText elementTextId="318056">
              <text>Occitan creuse</text>
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            <elementText elementTextId="318057">
              <text>Patois Haute vienne</text>
            </elementText>
            <elementText elementTextId="318058">
              <text>Occitan Haute Vienne</text>
            </elementText>
            <elementText elementTextId="318059">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="318060">
              <text>langue d'oc</text>
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            <elementText elementTextId="318061">
              <text>collectage</text>
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              <text>collectatge</text>
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              <text>collection</text>
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            <elementText elementTextId="318064">
              <text>colleccion</text>
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            <elementText elementTextId="318065">
              <text>mémoire</text>
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            <elementText elementTextId="318066">
              <text>memòria</text>
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            <elementText elementTextId="318067">
              <text>sonore</text>
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              <text>contes</text>
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              <text>chansons</text>
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            <elementText elementTextId="318070">
              <text>comptines</text>
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            <elementText elementTextId="318071">
              <text>rites calendaire</text>
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            <elementText elementTextId="318072">
              <text>tradition</text>
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            <elementText elementTextId="318073">
              <text>nhorles</text>
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            <elementText elementTextId="318074">
              <text>gnorles</text>
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            <elementText elementTextId="318075">
              <text>enregistrement</text>
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            <elementText elementTextId="318076">
              <text>musique traditionnelle</text>
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            <elementText elementTextId="318077">
              <text>accordéon</text>
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            <elementText elementTextId="318078">
              <text>violon</text>
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              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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            <elementText elementTextId="318082">
              <text>contoviorlo</text>
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            <elementText elementTextId="318083">
              <text>henri delage nontron</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>henri delage robert dagnas henri delage henri delage nontron chansons occitan limousin</text>
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        </element>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="318028">
                <text>2012-11-27 11:35:39</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Henri DELAGE</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="318032">
                <text>Henri DELAGE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD3142</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="318034">
                <text>1960</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/471</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 500, marqu&amp;eacute;e&lt;span style="color: #808080;"&gt; "enregistrement Secours et Delage, Nontron"&lt;/span&gt; nous retrouvons &lt;strong&gt;Henri Delage&lt;/strong&gt; dans un r&amp;eacute;pertoire de chansons traditionnelles .&lt;br /&gt;Sur cet enregistrement quelques airs de saxophone jou&amp;eacute;s par &lt;strong&gt;M. Secours &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;de Poperdu (Nontron).&lt;br /&gt;&lt;span style="font-size: medium;"&gt;M. Jean-Louis Delage nous pr&amp;eacute;cise&lt;/span&gt; que M. Secours a longtemps anim&amp;eacute; les Foires aux dindons et Marendes de Varaignes avec son comp&amp;egrave;re Colon de Rheims d&amp;rsquo;Abjat. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Henri Delage chante&lt;/span&gt; &lt;em&gt;L&lt;span class="oc" style="font-size: medium;"&gt;u rei beneit,&lt;/span&gt; &lt;span class="oc" style="font-size: medium;"&gt;La Margui s'en vai au molin,&lt;/span&gt;&lt;span class="oc" style="font-size: medium;"&gt; Lu boier, La pita friqueta, La vita qu'ilhs menen, &lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-size: medium;"&gt;Chacun ses affaires, une chanson sur l'assassinat du conte de Vauvocourt&lt;/span&gt;,&lt;em&gt;&lt;span class="oc" style="font-size: medium;"&gt; M&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="oc"&gt;ariden la gogon&lt;/span&gt;&lt;/em&gt; &lt;span class="fr"&gt;et&lt;/span&gt;&lt;/span&gt;&lt;span class="oc" style="font-size: medium;"&gt;&lt;em&gt; Filas, filas&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 450, un enregistrement de M. Henri DELAGE, dit "Henri Countaviorla" (1844-1970) c&amp;eacute;l&amp;egrave;bre auteur du Nontronnais &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;M. Delage nous conte deux aventures de son c&amp;eacute;l&amp;egrave;bre personnage, Jan Picatau de Sent Barrancon. &lt;span class="oc"&gt;"Fai bon 'ver 'na bela mair"&lt;/span&gt; dont il manque le tout d&amp;eacute;but et &lt;span class="oc"&gt;"La filha amorosa "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Les aventure de Jan Picatau ont &amp;eacute;t&amp;eacute; &amp;eacute;dit&amp;eacute;es pour la premi&amp;egrave;re fois en 1956 , l'IEO Lemosin a, en 2005, r&amp;eacute;&amp;eacute;dit&amp;eacute; cet ouvrage en graphie normalis&amp;eacute;e ( en collaboration avec las Edicions Dau Chamin De Sent Jaume)&lt;br /&gt;&lt;br /&gt;Nous remercions &lt;/span&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;M. Guy Granet &lt;/em&gt;&amp;agrave; &lt;/span&gt;&lt;/span&gt;qui nous avons emprunt&amp;eacute; la photo illustrant cette enqu&amp;ecirc;te .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="318709">
                <text>Sound</text>
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          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/458</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331332">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/458/FBrouillet.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334208">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 447 aucune indication de date ni de lieu, nous retrouvons F&amp;eacute;licie Brouillet&amp;nbsp;probablement enregistr&amp;eacute;e&amp;nbsp; &amp;agrave; Augignac (24) .&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;F&amp;eacute;licie Brouillet,&lt;/strong&gt; n&amp;eacute;e &amp;agrave; Pi&amp;eacute;gut en Dordogne en 1907, d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982 , conte quelques unes des histoires qui firent sa notori&amp;eacute;t&amp;eacute; :&lt;em&gt; &lt;span class="oc"&gt;Las vacan&amp;ccedil;as, L'accident d'avion, Lu chapeu de la Janeton&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite un chanteur non identifi&amp;eacute; interpr&amp;egrave;te &lt;em&gt;&lt;span class="oc"&gt;"La Suseta"&lt;/span&gt; &lt;/em&gt;et la bande se termine sur un enregistrement de M. Roland au sujet du football Alg&amp;eacute;rois ( M. Dagnas a utilis&amp;eacute; une bande d&amp;eacute;j&amp;agrave; enregistr&amp;eacute;e)&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo de Mme Brouillet est extraite du site du mus&amp;eacute;e du costume et de l'artisanat, site tr&amp;egrave;s document&amp;eacute; : &lt;/span&gt;&lt;a href="https://musee-tocane.fr/" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;eacute;der au site&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Augignac</name>
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        <name>Dordogne (24)</name>
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                  <text>Enquêtes et témoignages</text>
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              <text>Enregistré au domicile de F. Brouillet, à Augignac cne de Piégut</text>
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          <name>Local URL</name>
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              <text>RD2086.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>enregistrement</text>
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              <text>danses</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="319233">
                <text>2012-10-03 15:13:42</text>
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          <element elementId="63">
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            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="319234">
                <text>1362</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Histoires de chasse</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319240">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966-09</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Type</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/447</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/447/RD2086net.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;Sur la bande 7710, (probablement la 4&amp;egrave;me bande d'une s&amp;eacute;rie) un enregistrement r&amp;eacute;alis&amp;eacute; le 19 septembre 1966 au domicile de F&amp;eacute;licie Brouillet, &amp;agrave; Augignac (24)&lt;br /&gt;Un voisin de Mme Brouillet nous raconte des histoires de chasse :&lt;span class="oc"&gt; la lebre, lo singlier d'Auginhac, la graula 'privada&lt;/span&gt; ... Mme Brouillet nous araconte la Mixomatose, une voisine Marguerite (celle qui avait refus&amp;eacute; de parler dans un enregistrement pr&amp;eacute;c&amp;eacute;dent ??) chante &lt;span class="oc"&gt;la vachiera de la montanha&lt;/span&gt; et nous donne son avis sur "la jeunesse d'aujourd'hui"...&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <description>The location of the interview</description>
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            <elementText elementTextId="319377">
              <text>Lieu d'enregistrement inconnu (probablement à Piégut Pluviers)</text>
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          <name>Local URL</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Date Issued</name>
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            <elementTextContainer>
              <elementText elementTextId="319365">
                <text>2012-10-01 17:13:13</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Félicie BROUILLET</text>
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                <text>Félicie BROUILLET</text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="319372">
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, sans date ni indication, nous retrouvons F&amp;eacute;licie Brouillet et ses fameuses histoires. &lt;br /&gt;Elle conte &lt;em&gt;&lt;span class="oc"&gt;Las piuses, Pissarat a Paris, L'ora de la pendula, La 'tomobila &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;et&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt; Lu cinema&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;F&amp;eacute;licie Brouillet &amp;eacute;tait une conteuse hors pair, nous pouvons la retrouver, sur la Bia&amp;ccedil;a, dans plusieurs autres documents (voir ci dessous)&lt;br /&gt;&lt;br /&gt;-&lt;a href="https://la-biaca.org/files/original/enquetes/443/Las_piuses.pdf" target="_blank" rel="noopener"&gt;&amp;gt; lien vers la nh&amp;ograve;rla "Las piuses"&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Identifier</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/425/DSC00949.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bande non num&amp;eacute;rot&amp;eacute;e (la troisi&amp;egrave;me d'une s&amp;eacute;rie de plusieurs enregistrements r&amp;eacute;alis&amp;eacute;s &amp;agrave; cette occasion) un enregistrement r&amp;eacute;alis&amp;eacute; le 1er juillet &lt;span style="font-size: medium;"&gt;1962&lt;/span&gt; &amp;agrave; la F&amp;eacute;libr&amp;eacute;e de Pi&amp;eacute;gut-Pluviers.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Une f&amp;eacute;libr&amp;eacute;e d&amp;eacute;di&amp;eacute;e &amp;agrave; Robert Benoit, n&amp;eacute; en 1862 &amp;agrave; Mussidan. On y entendra un bel hommage &amp;agrave; la reine de la f&amp;eacute;libr&amp;eacute;e, Ginette Moreau puis des textes et chansons de R Benoit ( &lt;span class="oc"&gt;la flor de mar&amp;ccedil;, la trundilha, la nuri&amp;ccedil;a, lo jau...&lt;/span&gt;) .Ensuite la "Bourr&amp;eacute;e P&amp;eacute;rigorde" un groupe folklorique interpr&amp;egrave;te bourr&amp;eacute;es, scottishs, polkas et les premi&amp;egrave;res figures du quadrille p&amp;eacute;rigourdin, interrompu par la fin de la bande au d&amp;eacute;but de la 3&amp;egrave;me figure .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;En pr&amp;eacute;sence de M. Yves Massy (maire de 1945 &amp;agrave; 1980) ,de Marcel Fournier, majoral du f&amp;eacute;librige de 1962 &amp;agrave; 1971, de M. Jean Taulelle, pr&amp;eacute;fet ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; &lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt; Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges .&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt; Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt; Ce film a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 1970 par Claude Sage pour le foyer des jeunes de Terrasson, il devait &amp;ecirc;tre le premier d&amp;rsquo;une s&amp;eacute;rie &amp;laquo; Contes et l&amp;eacute;gendes du P&amp;eacute;rigord &amp;raquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Les sc&amp;egrave;nes en ext&amp;eacute;rieur ont &amp;eacute;t&amp;eacute; tourn&amp;eacute;es &amp;agrave; Villac, Louignac,Terrasson, les sc&amp;egrave;nes d'int&amp;eacute;rieur &amp;agrave; La Ch&amp;egrave;ze, au domicile de Mme Froidefont .Le traveling avait &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; par des ouvriers de Terrasson, le film fut tourn&amp;eacute; en 16 mm avec le mat&amp;eacute;riel et les comp&amp;eacute;tences du "Cin&amp;eacute;ma des Arm&amp;eacute;es"&lt;br /&gt;Les acteurs &amp;eacute;taient tous des amateurs ayant une bonne pratique de la langue. Des d&amp;eacute;cors et ambiances impossibles &amp;agrave; filmer aujourd'hui ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ce film a &amp;eacute;t&amp;eacute; soutenu par Lucien Delmas, s&amp;eacute;nateur, et Jean Fl&amp;eacute;chet (Tecimeoc) qui s'est charg&amp;eacute; de sa diffusion . Il fut diffus&amp;eacute; dans la r&amp;eacute;gion pendant quelques ann&amp;eacute;es par l'I.E.O. Dordogne et fut prim&amp;eacute; dans un festival &amp;agrave; Barcelone . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Sc&amp;eacute;nario et dialogue : Jean Pierre Lhomond, Jean Paul Dumas, Colette Froidefont, Christian Brug&amp;egrave;re&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Acteurs : Jean Jacques Gouzon, Marinette Latour, Germain Lhomond, Henriette Bruzaille&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Images: Bernard Cassan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Son : Etienne Mortinie et Pascal Ingrand&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Script : Colette Guguen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Montage : Richard Poirier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; D&amp;eacute;cors : Colette froidefont&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Eclairage : Michel Chotard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Musique : Jean Louis Montupet&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Chanson du g&amp;eacute;n&amp;eacute;rique : Jean Louis Garrigue, Patrick Salini&amp;eacute;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Assistant : Jacques St Jal&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Photographe : Bernard lacroix&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Directeur de la photo : Philippe Kowalski&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Effets sp&amp;eacute;ciaux : Bernard Buseyne&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Laboratoire : NeyracFilm&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; L&amp;rsquo;IEO lemosin a num&amp;eacute;ris&amp;eacute; une version VHS et sous-titr&amp;eacute; ce film en 2009 &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Robert Dagnas</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur la seconde face de la bande 714 sur laquelle il est not&amp;eacute; "Enregistrement Auger 15-2-1960" nous trouvons la fin d' un enregistrement d'une des &amp;eacute;missions de "Chez Nous" probablement diffus&amp;eacute;e au d&amp;eacute;but des ann&amp;eacute;es 60. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/398"&gt;► Sur la face 1 se trouve l'enregistrement de Marcel Auger &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous entendrons successivement de la musique du Poitou, Pierre Biossac chantant "&lt;span class="oc"&gt;L'autre jorn m'i permenant&lt;/span&gt;", une &amp;eacute;vocation de l'automne, un texte de Charles Sylvestre sur la bourr&amp;eacute;e et des bourr&amp;eacute;es &lt;span class="fr" style="font-size: 12pt;"&gt; interpr&amp;eacute;t&amp;eacute;es par des groupes folkloriques &lt;/span&gt;(la jeanneton, la bourr&amp;eacute;e de Naves...). &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Chez nous, décembre 1965</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement des &amp;eacute;vocations "Dagnassienne" (l' hiver, les veill&amp;eacute;es, No&amp;euml;l ...).&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Ir&amp;egrave;ne Besson &lt;em&gt;"Amic mon bel amic", "pastorelletta"&lt;/em&gt; de la Bourr&amp;eacute;e limousine , Henriette Couriaud qui parle des f&amp;ecirc;tes votives, &lt;em&gt;las balada&lt;/em&gt;s, Ang&amp;egrave;le Chabeaudie ( Patri&amp;ccedil;on et "le jour devant le jugement") ensuite un &amp;eacute;trange encha&amp;icirc;nement par Jaquilhon, puis &lt;em&gt;"lo chastel de Montvielh"&lt;/em&gt;, un hommage &amp;agrave; Albert Pestour, quelques annonces et enfin la conclusion de l'&amp;eacute;mission avec, &amp;agrave; nouveau, la Bourr&amp;eacute;e Limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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              <text>écouter l'occitan limousin</text>
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              <text>chez nous 06 12 1958 felicie brouillet</text>
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                <text>Dordogne (24)</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Chez nous, 6 décembre 1958</text>
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                <text>Félicie BROUILLET</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 47-A, l'&amp;eacute;mission "Chez nous" telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 6 d&amp;eacute;cembre 1958. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas&amp;nbsp; re&amp;ccedil;oit &lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, une des vedettes de son &amp;eacute;mission. Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; F&amp;eacute;licie Brouillet, celle ci&amp;nbsp; nous parle de son surnom, "&lt;span class="oc"&gt;aurelha de lebre&lt;/span&gt;" (oreille-de-li&amp;egrave;vre), elle &amp;eacute;voque sa limousinit&amp;eacute;, ses influences, ses &amp;eacute;crits,&amp;nbsp; et nous conte quelques unes de ses r&amp;eacute;cits :&amp;nbsp;&lt;span class="oc"&gt; los que ganhen l'argent a bra&amp;ccedil;at, los pitits dr&amp;ograve;lles d'ancien temps,&lt;/span&gt; la berg&amp;egrave;re de Peira-Carteu, et &lt;span class="oc"&gt;la montra&lt;/span&gt;. M. Dagnas&amp;nbsp; pr&amp;eacute;sente ensuite la "&lt;span class="oc"&gt;cronica daus noms dau mes de decembre&lt;/span&gt;", et les actualit&amp;eacute;s du mois de d&amp;eacute;cembre 1958.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener"&gt;On retrouvera Mme Brouillet dans une autre &amp;eacute;mission de "Chez nous" diffus&amp;eacute;e en 1969.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt; .&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ce document, bande 575-3, a &amp;eacute;t&amp;eacute; enregistr&amp;eacute; le 26 novembre 1969 &amp;agrave; Augignac et fut probablement diffus&amp;eacute; sur les ondes de Radio Limoges dans l'&amp;eacute;mission "Chez nous". &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, n&amp;eacute;e &amp;agrave; Piegut en Dordogne en 1907 et d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982, est&amp;nbsp; interview&amp;eacute;e ici par Robert Dagnas. Elle nous parle de son Pierisson qui voudrait aller dans la lune. Ensuite M. Dagnas la pr&amp;eacute;sente aux auditeurs de Radio Limoges. Puis elle nous explique son go&amp;ucirc;t pour les histoires, ses publications, le costume limousin, la langue occitane, et l'avenir de celle ci :&lt;em&gt; "&lt;span class="oc"&gt;'Qu&amp;ograve; ne p&amp;ograve;t pas se perdre, 'queu-qui qu'aima son pais ne p&amp;ograve;t pas obludar la linga...&lt;/span&gt;"&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/380" target="_blank" rel="noopener"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; F&amp;eacute;licie Brouillet a &amp;eacute;t&amp;eacute; diffus&amp;eacute;e en d&amp;eacute;cembre 1958. &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin</text>
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                <text>Tous les genres</text>
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                <text>Enregistrement de chansons, proverbes... auprès de Mme Froidefond de Coubjours (24)</text>
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                <text>&lt;p class="fr" style="font-size:14px;"&gt;&lt;span style="font-size:14pt;"&gt;Les enregistrements proposés ici sont issus de deux enquêtes réalisées auprès d' Yvette Froidefond, domiciliée au Chalard, commune de Coubjours, Dordogne.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;La première, dans les années 80 par Jean et Popy Dupetitmagnieux, que nous remercions vivement d'avoir bien voulu nous confier cet enregistrement.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;La seconde en 2003 par Pascal Boudy et Jean Marie Caunet, pour l' I.E.O. Lemosin.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;On y retrouvera plusieurs titres (&lt;span class="oc"&gt;La trencha, la locha, Muratel, la Vacha&lt;/span&gt; et la &lt;span class="oc"&gt;bela mair&lt;/span&gt; par exemple) enregistrés lors des deux enquêtes, à plus de 20 ans d'intervalle.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;&lt;span style="font-size:14pt;"&gt;Mme Froidefond était une informatrice de qualité qui aimait beaucoup nous recevoir, elle avait participé à de nombreuses manifestations pour lesquelles elle avait été sollicitée (fêtes de la sautières à Juillac, journées occitanes ... ) elle faisait du théatre (en occitan parfois) à St Robert ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="font-size:14px;"&gt;&lt;span style="font-size:14pt;"&gt;Photo Francis Chaminade&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>St-Barthélémy-de-Bellegarde</name>
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                <text>Delage H.</text>
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